291. Palmina and Palma talking about different music centuries

291. Palmina and Palma talking about different music centuries

»Palma?«

»Hm?«

»The music after our 16th century, hundred years later, the music of Vivaldi is really very dynamic and very modern compared to our time 100 years before him«

»Yes, Palmina I know…«

»…and your Peony Gondola Song is heading to this music style…«

»Oh, thank you my Pigeon!«

And they now remembered the music in the 16th century as Maestro Gallus¹) came to Venice and his artwork had been performed and they heard his music like this:

VIDEO: (Jacobud GALLUS: https://youtu.be/UeGebVXFI2s )

 

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¹) Jacobus Gallus (1550 – 1591)
Wikipedia: https://en.wikipedia.org/wiki/Jacobus_Gallus

»Jacobus Gallus Carniolus (a.k.a. Jacob(us) Handl, Jacob(us) Händl, Jacob(us) Gallus; Slovene: Jakob Petelin Kranjski) (3 July 1550 – 18 July 1591) was a late-Renaissance composer of Slovene[1] ethnicity. Born in Carniola, which at the time was one of the Habsburg lands in the Holy Roman Empire, he lived and worked in Moravia and Bohemia during the last decade of his life. «
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»Oh, such remembering to our 16th century, Jacobus died so early at 1591 as the Rialto bridge was ready build«

And Palma could feel that Palmina is thinking to continue their old love in the 16th century and they started to dream in music and it was like that and both could feel it:

VIDEO: (Violin and Piano (54d) https://youtu.be/UjVLTwQ5uOo


»Oh, Palma!«

»Oh, Palmina!«

»Palmina?«

»Hm?«

»I just finished a new chapter of my remembering to my uncle Vily. Like to read it?«

»Oh, yes, Palma, I will…«
And Palmina read the new Chapter:

LINK: https://unclewillybacktoearth.wordpress.com/2019/10/29/10-a-trip-to-the-2nd-sun

And after she read the new chapter Palmina said »Great story, but I like your music more than the soundtrack of this 2nd sun music-video at the Uncle Vily story…«

Palma smiled and they repeated to hear the new music creation together in the Peony Gondola at their 23 o’clock hour and it was like that:

VIDEO: (Violin and Piano (54d) https://youtu.be/UjVLTwQ5uOo

(To be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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290. Bach plays – Palma remembers

vivaldisvenicettl

And after they saw this Peony Vision Palmina said:

»Oh this is so interesting, Palma. Let us see if they have the original music score of your composition for orphan children after hundred years… this is a long time period!!!«
And they saw this:

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And later after the meal Antonio Vivaldi and Johann Sebastian Bach with his daughters went all in the library of the Ospedale de la Pieta and Maestro Vivaldi and his talented musician girls showed all their music instruments and all the ancient music score they have.

»Look, Maestro Bach«, said a girl and deep in her heart she wished to be Johann Sebastian Bach’s adoptive daughter, »… here in our Ospedale de la Pieta we have 21 Violins, 4 Cellos, 2 marine trumpets, six small violas (ideal for our girls orchestra) two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets…«. The little girl was very excited to be allowed to explain Master Johann Sebastian Bach their music instruments.

»Six spinets…hm…. very, very good….
You have a good music school.«
The girl jumped a little bit full of joy and played with her hairs and smiled.

Bach said to Master Vivaldi: »…In Germany we have not this equipment at my school and it is not a music school…«, Bach said and he sat down to a spinet and stated to play one of the six. Antonio Vivaldi listened interested and observed the polyphonic independence of Bach’s creations and was fascinated.
The girls made big wide open eyes and mouth as they heard how Bach played the Spinett and he modulated through all the »Quint-Circle«¹ with its 24 modi.

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¹ »Quint-Circle« – Wikipedia – https://en.wikipedia.org/wiki/Circle_of_fifths

»CIRCLE OF FIFTHS
In music theory, the circle of fifths (or circle of fourths) is the relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space. «

² „Well tempered piano“ – Wikipedia – https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier

»The Well-Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach. In Bach’s time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ either. «

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All listened and did not move or say any word as long as Bach played.

Anna Magdalena Bach could understand him also Antonio Vivaldi: Bach invented the „Well tempered piano“² which will be used in the future of all musicians.

»Look, there they have the music-social, music pedagogic composition of Palma il Giovane the ‚Missa Ospedale de la Pieta in Venice in G-Magor‘!!!!«, Catharina Dorothea, Bach’s eldest daughter said very happy and she jumped a little bit like a young girl.
And all the orphan girls came to see this music score in their library.
»Woooh, let me see, let me see, a composition for us from Palma il Giovane the famous painter and Master Scholar of Master Titian!!!!«

And the nuns came to see what happens here in the big library of the Ospedale de la Pieta.

And they opened their mouth like looking to a miracle as they realized that the music score interests the famous Johann Sebastian Bach.

Later the girls played a welcom concert for Bach and they played the „Gloria“ by Antonio Vivaldi and it was like that:

VIDEO (28min) Gloria, Vivaldi, at la Pieta (BBC) – https://youtu.be/cgaOVV4JQHA

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As Palma and Palmina saw this Peony Gondola Vision suddenly Palma had a strong real remembering about their time in the 16th century and Palmina could feel it:

Often Palmina played during Palma painted on an important painting for 40 minutes at once and then she made a break with her lute. And during this break Palma had to go to the Organ in that church, where he was painting, and had to play 40 minutes for her and she listened very interested if Palma makes a progress in his music polyphonic creativity.
She was like the Saint Cecilia who helps him from the world of the body, the material, to come to the world of immaterial, the world of inspiration in art and music.
And it seemed that Palma il Giovane was inspired by her friendly listening to his music creations.
Always if he looks in her direction Palmina smiled back to him and Palma smiled.

And this they made very often and during several years as long Palma painted on huge painting in a church.

Later they made this in the Ospedaletto at the Crociferi and later also at the San Antonin Church near Palmina’s bakery shop where her home was. (There he painted during the whole year in that church and finished the paintings in the year 1593)

Palmina put again her head on Palma’s side and was happy about this intensive rememberings of the 16th century and she lifted a little lantern and smiled.

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(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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289. Vivaldi and Bach speaking about Palmina

289. Vivaldi and Bach speaking about Palmina

picture - View from bridge near the Ospedale music schol for orphan girls  de la Pieta in Venice.png

picture – View from bridge near the Ospedale de la Pieta music school for orphan girls in Venice 

»Daddy, you are very famous here in Venice…«, Johanna Carolina said and was proud that these famous musicians from Venice wanted to have a signature on their music score by Johann Sebastian Bach.

And after a long while the girls run back to the ‚Ospedale la Pieta‘ – their shelter where the girls without parents having their home in Venice. Antonio Vivaldi stayed and sat down to the table where the Bach family was sitting.

»Want you have a meal with us? Let us talk about the last 35 years…«

»Yes, good Idea. … Oh, please also a Spaghetti Pomodore a la Marco Polo, please, Signorina..«, Antonio Vivaldi said to the young waiter girl.

»Fa bene, Maestro Antonio Vivaldi, Spaghetti Pomodore a la Marco Polo…«, the waiter girl answered.

Johann Sebastian and Antonio Vivaldi spoke now the whole time about their last 35 years and what changed in their life in Venice and in Germany.

»Here in Venice, here in this bakery shop house lived once the famous lute playing Palmina Albina,
who inspired Jacopo Palma il Giovane to his famous paintings and a lot of compositions…«

Bach smiled and nodded knowing this story.

»Was she not also music teacher here once?«, Anna Magdalena Bach asked Antonio Vivaldi.

* * *

And as Palmina and Palma saw this Peony Vision Palmina put her head on Palma’s side and smiled lucky.

»The musicians are speaking about you, Palmina. Even after over hundred years they know that you made concerts with that brilliant girls Orchestra.«, Palma said proud and put his arm around her and Palmina could feel it.
And Palmina also felt Palma’s big love in this moment, in this Peony Gondola hour, at this 23 p.m. o’clock, which is surrounding her like thousands of Peony Roses.

Palmina smiled and said looking up to his head.
»Oh, Palma. That the world is not forgetting me as musician it is your love who made this possible……We had good concerts at the Ospedale de la Pieta…«

»I know, Palmina. And if we are back to our 16th century we will continue to do these concerts, will you?«

»Oh, yes, Palma, my Palma, yes, i will…«

And they continued to see the Peony Gondola Vision and they saw this:

* * *

Now all around the table were very silent as if everyone thinks about the story of Palma and Palmina of the 16th century.

»After a while Antonio Vivaldi said: »You can come and visit our Ospedale de la Pieta. We have a music archive there, a very good and great music library. There are also compositions of Palma il Giovane. We have the original version of the ‚Missa Ospedale de la Pieta‘ he composed for our Orphan children.«

»Oh, Daddy, let us visit the Ospedale over there. They have a lot of music instruments¹ and music score. Oh please, Johann Sebastian Bach«, Johanna Carolina said.

Lisghen and Dorothea smiled looking interested to each other.

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Ospedale de la Pieta (music school for orphan girls) – Wikipedia – https://en.wikipedia.org/wiki/Ospedale_della_Piet%C3%A0

»…From an instrument inventory dated 1790 we learn that during that year the Pietà hospital had still “four violins with used bows, four cellos, seventeen violins, two marine trumpets [this may in fact refer to violino in tromba marina], six small violas, two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets. «

✮ 288. Vivaldi meets Bach in Venice ✮

✮ 288. Vivaldi meets Bach in Venice ✮

And as they saw this Peony Gondola vision, sitting together at 23 p.m. in side-by-side in their Peony Gondola, Palmina said: »Palma, can I hear your last music creations again? (52c)…«

»Oh, Yes, the Peony Gondola will play it for you. Listen: «

And the music was like this:

VIDEO: (Violin and Piano 52 a,b,c,d,e – 10 min) – https://youtu.be/c2Ae8sPT7jY

And Palmina saw again the soft flight along the Planet Mars and the moments at the Mars library and they had a lot of Music Visions during this music.

* * *

»Oh, this is interesting! To see what happened with the music and culture live in Venice hundred years after our century, Palma?«

»Yes, really, but we have to be silent and not to talk about what we have seen to any body, you know…«

»I tell no one, Palma…«

»This morning I got a bird message from you Palmina? Did you…?«

»Yes, Palma I sent you a massage, but the extremists, this intrigant people, erased it after I send it. So I asked the birds to bring you my message in bird language…«

»Thank you for your bird message… So lovely. The birds say also that the message you sent was erased and you have been not happy about that, isn’t it, Palmina?«

»Yes, my Palma il Giovane. I am so lucky that we have our Peony Gondola. Thanks to the HEAVEN!«

And Palma and Palmina hugged each other short but tender and both could feel it and both smiled.

»Let us see what happened to the ‚Ospedale de La Pieta Orphan Music School and Orphan Girl’s Orchestra in Venice over hundred years after you have been music teacher there and let us see if they remember my composition which I wrote once for them, the ‚Missa Ospedale de La Pieta di Venice«

»Oh, yes, Palma ‚Missa Ospedale de La Pieta di Venice‘ is composed in G – Magior!!! – This music we performed together with the Orphan’s Girls there in Venice.

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And now they continued to dream their Peony Gondola Vision and they saw this:

At the place Campo Bandiera e Moro the windows opened suddenly.
»Maestro Bach? Johann Sebastian Bach is here in Venice?“, the people on the place who are looking out of the windows said and where surprised and greeted very happy.

„What a big honour!“, someone said.

„Johann Sebastian Bach in Venezia. Benvegno Maestro Bach!!!“

Antonio Vivaldi said to a little girl: »…Alora, Palmina, subito, subito…come over here…Fast, say to the other girls: they should come back to greet Maestro Johann Sebastian Bach with music – He is back in Venice!!!!…Fast, call them back!!….«.

And the beautiful young girls came after a while, shy laughing, running back the ‚Calle de la Pieta‘ , with their music instruments and formed a little group like a choir at the place »Bandiera e Moro« standing before Bach.

Antonio Vivaldi said: »Come, my angels, now we sing the ‚Welcome Cantata‘ for Maestro Johann Sebastian Bach!«.

»Oooooh, the famous Johann Sebastian Bach with his wife and 3 daughters…« the girls whispered with big open mouth and eyes.

And padre Maestro Antonio Vivaldi raised his hands like as sever choir master and as he saw that all his little girls (and the elder girls also) were ready to sing he gave the signal to start to sing the ‚Welcome Cantata‘ for Johann Sebastian Bach.

And they sung really like angels and Bach smiled and his family beside him – Anna Magdalena, Dorothea, Elisabeth, Johanna Carolina – at the table smiled also lucky and inside their hearts they were a little bit proud about their composer Johann Sebastian.

Especially Johanna Carolina looked very interested how Vivaldi is conducting his girls choir. Yes, she knows now: She wants to learn as fast as she can all in musics: playing instruments, her lute, the violin, and a lot of instruments, composing, making variations about a melody, and so on…

»I want also be a female musician like them. I want to learn everything from my Daddy…«, Johanna Carolina thought secretly.

»Aren’t they like angels? Much better then our boys choir in Leipzig? This clear soft female voices…
»Men should only sing Tenor and Bass and girls should sing Soprano and Alto.«, Bach thought in this moment.

Antonio Vivaldi realized as first musician in Europe that the voices of girls are more exact than the voices of little boys like – also in Leipzig – and they can sing longer, more years than the boys. If the boys are turning slowly to be a man their voice is changing for a long time and is turning to a lower level of pitch and they can not sing Soprano and Alto in the choir any more.

»I can understand why the Austrian People want to hear his choir in Vienna…they are brilliant!
… I have to give Vivaldi a Cantata from me, perhaps they are performing it…« Johann Sebastian whispered to his wife Anna Magdalena Bach.
»Perhaps the ‚Coffee Cantate‘ about our daughter Lieschen (Elisabeth) which wanted to marry her future husband Altnikol.«, Anna Magdalena whispered to him funny smiling.

And after they sung very good for Master Johann Sebastian Bach they said »Welcome Maestro Bach to Venice!!« and they made a respectful gesture and smiled.

»Maestro Bach! Oh, please give us an auto-graph here on our music score!!!«

»Oh, please for me also and, and for my little sister…she loves your compositions so much!
We have no parents and padre Vivaldi is like a father for us…
Now we had the honour to sing for you…
Please sign us an autograph on the music score here…
as remembering for that historic moment in Venice…« an elder girl, which was grown like a young women, said.

»…Yes, here also for me…«,

And the girls wanted to have all a signature, as autograph from the famous Johann Sebastian Bach and forgot that they are all hungry after the long rehearsal in the church Chiesa San Giovanni in Bragora¹).

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) San Giovanni in Bragora – Wikipedia – https://en.wikipedia.org/wiki/San_Giovanni_in_Bragora

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287. The Peony Gondola does not move

✮ 287. The Peony Gondola does not move ✮

And after they spoke about this composition tradition Palmina took the complete music score, they heard suddenly this music:

VIDEO: (Violin and Piano (52c) https://youtu.be/d54fOdc9qbw

»Oh, a new creation Palma. I sounds like a style of music from,from….in a few centuries. I love your creations so much!«, said Palmina smiling with shining eyes.
Now she smiled a little bit like Marco Polo’s deep love.

The Peony Gondola moved fast but soft back to the library on Planet Mars.

After they landed they looked around the ancient street and Palma said: »It seems that the Peony Gondola landed here but it is not moving any more. What shall we do?«

»Palma, can you repair the Peony Gondola…?«

Palma went out of the Gondola and walked around the big Gondola to inspect it if there is any damage.

»There is no damage, Palmina. It only does not move any more…«, Palma said like a Master.
After a while he entered the Peony Gondola and sat beside his Pigeon.

»Palma?«, Palmina asked like a little innocent Pigeon.
»Hmm?«
»Can we return to our 16th century in Venice with our Peony Gondola?«
»Yes, Palmina, but the Peony Gondola will bring us to Venice, if it is the right moment.
It seems that the Peony Gondola will tell us that we have to learn, to understand something before we go back into our beloved Venice.

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Suddenly the Peony Gondola moved fast to Venice in the 18th century.

»Woooh«, sung Palmina like being very happy and she tries to have a hold on her Palma il Giovane.
Palma was also surprised about this fast travel to Venice and made a round mouth.
»But, Palmina…«
»Wooooh, we are driving back to Venice, Palma we can continue our old deep love…«

»…Yes, Palmina, but.. look!.. the People who are wearing other clothes and look this is a later century…«

»A later century in Venice? How much years later…?«
The Gondola landed in Venice along the big Promenade and now they saw this:

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picture - »Campo Bandiera e Moro« in Venice.png

picture – »Campo Bandiera e Moro« in Venice

They saw the famous composer Johann Sebastian Bach (1685-1750)¹, sitting at the place »Campo Bandiera e Moro« in Venice at the old bakery shop where Palmina’s home is (was – we are over hundred years later) and where she lived, worked as baker’s daughter and famous music teacher who played as young girls the Lute, here in that bakery shop.

»I am hungry, Anna.«, Johann Sebastian said like a big hungry bear.

»Well, let’s order something to eat here at this place…a Pizza or Marco Polo Nudles, how are they called here Spa-, spa-ge-etti«

»Oh yes, Sebastian let’s eat something, we are hungry!…«, little Johanna Carolina said.

And during they ordered something to eat from their table Johann Sebastian observed on the other side of that big place that a group of young girls with beautiful cloth and music instruments came out of the church where Palma’s Uncle once painted a very traditional painting there.

»At today’s rehearsal you played my composition very, very good. I am looking forward to the concert at our San Marco Cathedral. I am proud of you, my girls ,my famous orphan girls orchestra of Venice:

The ‚La Pieta Girls Orchestra‘ of Venice!

From all over the world the people come to Venice to listen our Orchestra!…«

»Padre Vivaldi! It is not only our orchestra…
IT IS BECAUSE OF YOUR GOOD COMPOSITIONS!
Your music the people like to hear all over the world!
This year we will get an Invitation to play in Vienna in Austria at the famous and beautiful Saint Karl’s Cathedral…«

»Is this right, padre Vivaldi…? We make a concert tour to Vienna at the Saint Carl’s Church in Austria?«, an elder girl asked excited.

»Wooho…this are good news!!!!«, a little girl said and jumped in air like a little bird.

»Yes, yes my little spiritual daughters! It is right we are making a concert in Vienna…
Now fast go back to the ‚Ospedale de la Pieta‘ to get the midday lunch. We should not let the cooks wait…you know this sever women will shout with us if we are too late. It is only a few meters to go along the ‚Calle de La Pieta’… Fast, fast, my girls…«

And the girls made »Hooray!!!« and run with their instruments across the place »Campo Bandiera e Moro« and run along the »Calle de la Pieta« where once Palmina had her window over her little garden in the 16th century, over hundred years ago.

* * *

As Palmina saw her old flat in Venice she said to Palma: »Look, my room where I do normally do rehearsal!«

»How often I stood there and played my Mandolin for you, my Palmina. How often you played a music answer from your little window and it was like a little cheek kiss to get this music answer from you…«

She smiled and gave Palma a short cheek-kiss and Palma could feel it and smiled.
He took his Viola da braccio and plucked: c – g – d‘ – a‘

And Palmina answered on her lute: A – D – E – a.

Both smiled.

And they continued to see the Peony Gondola Vision:

* * *

Johann Sebastian Bach ¹) looked at this scene with the girls on the place and his eyes followed the girls which run beside his table.

»Antonio Vivaldi ²)? Maestro Antonio Vivaldi?«, Johann Sebastian said and stood up from his chair.

»Johann Sebastian? Maestro Johann Sebastian Bach from Leipzig in Germany?…
…You, You are in Venice after nearly 35 years?
… Benvegno di Venezia !!!
Benvenuto a Venezia !!! …
Welcome to Venice…«, Antonio Vivaldi said.

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) * Joh.Seb.Bach (1685 – 1750) – Wikipedia: https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

»Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.«

²) * Antonio Vivaldi (1678 – 1741) – Wikipedia: https://en.wikipedia.org/wiki/Antonio_Vivaldi

»Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian[2] Baroque musical composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.«

 

Ospedale de la Pieta (music school for orphan girls) – Wikipedia – https://en.wikipedia.org/wiki/Ospedale_della_Piet%C3%A0

»The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ospedali, the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. «

»The composer Antonio Vivaldi was appointed a violin teacher in 1703 and served in various roles through 1715, and again from 1723 to 1740. Much of Vivaldi’s sacred vocal and instrumental music was written for performance at the Pietà. The conservatory of the Pietà hospital was the only hospital to remain active until approximately 1830. All the other hospitals completely closed their musical activity during the first years of the nineteenth century. From an instrument inventory[3] dated 1790 we learn that during that year the Pietà hospital had still “four violins with used bows, four cellos, seventeen violins, two marine trumpets [this may in fact refer to violino in tromba marina], six small violas, two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets. «

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286. The flight along the Peony Rose of Heaven

286. The flight along the Peony Rose of Heaven

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After that Music Peony Gondola Vision they continued to dream their dream and it was like that:

Palmina was very lucky to see all these beautiful Visions of the Dante-Rose of Heaven.

»Amazing, Palma! All this light and beauty in this Rose of Heaven.«

Palma continued to write the copy of the music score of the »Mars-Suite part XV. – Flight along the Peony Rose of Heaven«

»Oh, Palma, you wrote so fast this music score! Oh, I love you my composer, my painter, my writer…«

»Yes, my snow white Pigeon, my yellow Canary bird, my inspiration, my musician!«

And Palma gave Palmina the freshly written music score:

picture 1-8 – music »Mars-Suite part XV. – Flight along the Peony Rose of Heaven«

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dav

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And Palmina was lucky and wanted to jump like a little bird.

»You should also use this music in connection with your remembering of Uncle Vily on Planet Mars. Hmmm?«

»…Oh,yes, Palmina this is a very good idea! If I have finished a new chapter of ‚Uncle Vily – back to earth‘ I will give you the text to read the new chapter…«

»Oh, fine, Palma….«

After a while of looking at the music score Palmina said: »What is a Suite?«

It is a composing tradition, it is a music piece that is composed as several parts as movement. Often their names are ‚Allemande, Courante, Sarabande, Gigue,…‘ ¹)
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¹) Suite (music) – Wikipedia – https://en.wikipedia.org/wiki/Suite_(music)#History

»Estienne du Tertre published suyttes de bransles in 1557, giving the first general use of the term „suite“ ’suyttes‘ in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl’s Newe Padouan, Intrada, Dantz, and Galliarda of 1611, in which the four dances of the title appear repeatedly in ten suites. The Banchetto musicale by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, Sandley’s Suite, was published in 1663.

The „classical“ suite consisted of allemande, courante, sarabande, and gigue, in that order, and developed during the 17th century in France, the gigue appearing later than the others. Johann Jakob Froberger is usually credited with establishing the classical suite through his compositions in this form, which were widely published and copied, although this was largely due to his publishers standardizing the order; Froberger’s original manuscripts have many different orderings of the movements, e.g. the gigue preceding the sarabande. The publisher’s standardized order was, however, highly influential especially on the works of Bach. «
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✮ ✮ ✮

Oh, I see and you composed them in a new way as ‚Mars-Suite‘

»Yes, my Palmina!«

(to be continued…)

✮ ✮ ✮

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

 

 

 

 

285. New painting and composing inspirations

285. New painting and composing inspirations

And after they heard this Peony Gondola Music Vision they continued their Peony Gondola dreaming Vision:
 »Oh, this is so wonderful, Palma!
…Oh, can I also have the music score of this Rose flight music?«
 And Palma, during he finished writing a copy of the other music piece, said »Oh, sure, Palmina. I will write a copy of this music score for you. Here you have the rest of the music score.«
            picture  ( score 13,14,15 )
dav
IMG_20191013_164050.jpg

dav

»Oh, fine, my composer, my painter, my Palma il Giovane, Master Scholar of the famous Master Titian in Venice in the 16th century!«, Palmina said and wanted again to jump full of joy and she gave him a few short kisses on his cheek and – of course also this – Palma could feel and he smiled.

And the Peony Gondola moved soft but fast around Planet Mars and then again flew around the Yellow, White, Golden Rose of Heaven which is in an other dimension beyond time and space.
 And Palmina’s hair moved soft in the soft wind and she smiled friendly to Palma and Palma has a lot of inspirations in music and in paintings.
Mars Suite ( part 12 – 17) (11 min 33)
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part XIII – dreaming Flying along Planet Mars
part XIV – painting inspirations and looking to the spheres at the evening sky
part XV – Flight along the Peony Rose of Heaven
part XVI – Moments of Peace
part XVII – dreaming Flying over Planet Mars at sunset
And they listened to the music and it was like that:
      VIDEO: ( Mars Suite 12-17) –  https://youtu.be/jg0rohbCVMs

(to be continued…)
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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

284. Music Peony Gondola flight along the Rose

284. Music Peony Gondola flight along the Rose

„Oh, thank you for the next 3 parts of the music score, Palma“, Palmina smiled as she looked at the fresh written music score.
Palmina gave him a tender kiss on his left cheek and he could feel it and smiled during he wrote.
 And Palma continued to write the next music score part 10,11,12.
 „The Rose of Heaven is such a beautiful vision Dante had. Did Dante love Beatrice?“
 Palma looked into Palmina’s eyes and smiled meaning „Yes, my Pigeon.“.
Palmina and Palma remembered also the time in Venice when they were often at the island San Lazarro sometimes to have a walk at the evening, to see the sun set in the West over the city of Venice , looking in the direction of San Marco Place and the island Giorgio Maggiore.
There he gave Palmina her first Rose and he drew her as saint Virgin surrounded by Peony Roses.

 Palmina smiled and Palma felt that she can see his remembering here in the Martian library.

Palmina loves flowers and now Palma seemed to get inspired for a new music inspiration…

And now they had an imaginary vision and the Peony Gondola moved them deep in this light vision of this golden yellow rose of the heaven –  – »Nel giallo de la rosa sempiterna«¹ as music Vision and the music was like this.

        VIDEO:
    https://youtu.be/m4HxXifNVaQ

picture  ( score 10,11,12)
IMG_20191010_161441.jpg
IMG_20191010_161616.jpg

dav

                (to be continued…)
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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:
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¹ Dante, Divina Comaedia III (Il Paradiso)

283. Speaking about Dante“s vision

283. Speaking about Dante“s vision

And they continued to dream their Peony Gondola Vision:

      * * *

„All this beautiful light so beautiful!

And there are all the angel choirs Dante and Beatrice could see in Dantes Vision. Palma you have to paint them they are very beautiful in your next artworks in Venice. Will you?“, Palmina said.

„Yes, I will, Palmina. This Dante saw in his Vision and he saw also the Rose of the Heaven…“

„Wow, the Rose of the Heaven!“, Palmina said.

„And they saw also the Saint Virgin over this Rose with all the saints in this Rose…“, Palma said.
Palma knows the text of Dante’s Paradise in his „Divina Comaedia“  very well.
In Italy the students learn to study this text within 8 years.

„How beautiful the Rose of Heaven is!…“

dav

            Picture of a Rose

„..Oh, Palma…“, Palmina said full of love.

IMG_20191009_124701 o.jpg

IMG_20191009_124733 o.jpg

IMG_20191009_124811 o.jpg

(music score 7,8,9)

     (to be continued…)
___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

282. Palma writes in the librery

282. Palma writes in the librery

„Oh, Palma you write in an ancient language…Woooh!“

And Palma wrote the next part of the music score:

   picture of music score (4, 5, 6)

IMG_20191008_083633.jpg

dav

dav

(to be continued…)
___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner