246. Bach’s first secret Inspiration in Arnstadt

246. Bach’s first secret Inspiration in Arnstadt

And they continued to dream their Peony Gondola dream and they saw this vision:

* * *

After 5 weeks a young handsome 18 year old man now stepped in this bakery shop beside the church (Today the Johann Sebatian Bach Church) in Arnstadt and wanted to buy some bread. The bakers daughter was 21 year old, 3 years elder then this man.
Although she did not know that he is the famous Johann Sebastian Bach she was nevertheless very lucky smiling and very friendly as she saw him the first time.
»I take this…and….please I take this little bread, and….could I have this nice little fine fresh breads over there….«
»Of course Sir…«, she said very lucky because he was interested in her new Italian creation.
»…Is this a special creation, this fine bread?«
»Oh, yes, it is a special old baker’s creation from Venice…It was invented by the secret love of the famous painter Palma il Giovane, the Master scholar of Master Titian. She played lute like me…her name was Palmina Albina…«
Johann Sebastian stopped moving as he took the fine white fresh bread in his hands and she was also holding also the same piece with her hands and she smiled. Now he looked up to see her face and to see her eyes, so he realized that she
wear a yellow white traditional cloth.
»Oh, you are a musician! You play the lute…?«, he asked.
»Yes, I studied all the old masters from the 16th century till now and I can play the harpsichord. My mother has one at home…and, and, and I sing Soprano very well..«, she said like an innocent little girl although she was 21 years old.
»5 Weeks ago a great musician played on our new organ as opening concert. He
played so wonderfully. I felt in love but I had never seen him again.«
Johann Sebastian Bach smiled and looked for a long while into her direction. Yes, they are completely alone in this moment, in this little fine bakery shop at Arnstadt beside the church where Bach played.
»Can I have a fresh coffee?«, the young famous organ virtuosi said.
»Of course, sir, please, take a seat over there on the little table I will cook for you fresh coffee«.
Johann Sebastian sat down to the table and felt very inspired.
Inside his heart he heart a storm of music and sound. At this moment something changed inside his heart. Till today Bach wanted only to be a famous Violinist, a famous Organist and a famous harpsichord player.
But now he hears music in his heart and now in this moment he would like to compose a little piece for lute maybe a „Praeludium in C-Major“.
Johann Sebastian Bach understood: Palmina did not only do her Job as baker to make traditional bread every day, SHE CREATED A NEW CREATION: The little fine white fresh breads in Venice – which are known also today in the 18th century at Arnstadt.

This is like a musician not only playing music, but is also making own creation as music compositions.

Johann Sebastian Bach is inspired: »I have to create also an own composition like
the creative bakers daughter…«.
During she cooked smiling the coffee and prepared it so nice Bach felt „at home“,
now sitting here. He took a piece of paper and started to write a piece which is known in the future as „Praeludium in C-Major“ of the „Well tempered piano – part I“.
But in its version for lute. (Bach wrote later several versions about this praeludium in the future).
The bakers daughter stopped working as she saw that his handsome man is now writing his first composition in his life. Yes, this moment is the beginning of over thousands of compositions he will write in the future.

246 Praeludium in C BWV 846

picture – manuscript of Bach’s Praeludium in C- Major, BWV 846

The bakers daughter understood and could feel „SHE is the women who made Johann Sebastian a composer“, she is his Saint Cecilia and she is his inspiration.
Now she brought him the fresh coffee in a nice can and smiled as she saw how fast Bach wrote on his music sheet and that he wrote „Praeludium“ and he wrote „Lute“ on it. She got red on her innocent cheeks and she felt now that she is not a little girl any more.
A mystic warm energy came from heart to heart between him and her.

Bach smiled and the bakers daughter smiled.

VIDEO: ( Bach Praeludium in C- Major , BWV 846, Version for Lute ) https://youtu.be/5Tj9T9BFaJc

   https://youtu.be/5Tj9T9BFaJc

(to be continued…)
_____________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:
ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-
spitzner

244. Long live Cardinale Karolus Borromeus the saviour of children and sacred music

244. Long live Cardinale Karolus Borromeus the saviour of children and sacred music

picture 01 - venezia-festa-del-redentore

picture 01 – at Palma’s time a new traditional was born – The Il redentore feast in Venice as big Thank – you – festival

And they continued to dream their Peony Gondola dream at 23 o’clock and they saw this:

* * *

»+++ BREAKING NEWS – BREAKING WORLDPRESS NEWS +++
THE HIGHEST COURT OF THE REPUBLIC OF VENICE DECIDED TO SET FREE CARDINAL BORROMÄUS, KNOWN AS THE PROTECTOR OF CHILDREN AND SACRED MUSIC. +++ BREAKING NEWS – BREAKING WORLDPRESS NEWS +++«

Palmina went this morning along the San Marco Place and bought this fresh printed ‚Worldpress‘ newspaper.

She started reading and said: »Look Palma, they write about you…and,and, the Cardinale will today come to Venice….read, read, looook,look, Palma…“

Palma took the newspaper and read:

»…the highest court announced today that „…it IS NOT A CRIME to help too much poor and ill persons… “ The orders given by Cardinale Hell from the Vatican State to arrest the innocent Cardinal Borromaeus are not accepted by the highest court in order that Cardinale Hell is now declared as officially as criminal.

BIG FEAST FOR CARDINAL BORROMEAUS ON GIUDECCA ISLAND

Today at the traditional ‚Il Redentore feast“ the Republic of Venice will welcome this famous Cardinale with big fireworks and concert for being freed from wrong arrest.
The „Cantico delle Creature“ for children will be played by the Le Zitelle Orchestra at the official opening ceremony and a new painting of the famous painter Palma il Giovane will be presented as official thank you for saving Cardinale Borromaeus from imprisonment.

picture 02 - 1581 (chiesa il redentore) »Virgin and Child with the Infant Saint John and Saints Jerome, Anne, Francis and Catherine of Alexandria«

picture 02 – 1581 (chiesa il redentore) »Virgin and Child with the Infant Saint John and Saints Jerome, Anne, Francis and Catherine of Alexandria«

CARDINALE PROTECTED BY THE PRAYERS OF THE SAINT VIRGIN

Being protected during the gun shooting terror attack during the ‚Tridentinum Council‘ by the saint virgin „Karel“ give promise to the saint virgin to speak with a famous composer, because he composed a big composition as music therapy for victims of child-prostitution.

As big thank you being protected by the gun shooting of Mr. Ali who said by himself: „I was payed to shot on Karel by Cardinale Hell, who wanted to become the pope of the catholic church and he wanted to support all my friends if he gets the new pope, but now he will not support our Church of Social Media because he is in prison.“

 
PEOPLE SAY HE IS A SAINT

Cardinale Borromaeus did found a lot of institutions to protect poor children and girls from child prostitution in the tradition to the Saint Nicolaus.
Today he will visit the „Le Zitelle“-institution on Giudecca island and the girls orchestra will play Welcome concert in their church and in their beautiful gardens behind the buildings of the „Santa Maria de la Presentatione“.
Cardinale Borromaeus has announced to hold a speech on Giudecca Island supporting poor children, girls and the Venice-Titian-Art-Gallery.

 

INTERNATIONAL GUESTS WILL COME

Thousands of all over the world are expected today at the „Redentore feast“.
Honour Guests also from Asia, China, Thailand, Japan, Korea, even from Formosa, where strong relations to the catholic church are since the 16th century, will send their representatives to congratulate and sent their best wishes.

 
BIG FIRE WORK ALONG THE GIUDECCA ISLAND AS BIG WELCOME CEREMONY.

The Republic of Venice, the R.O.V, announced a very big fire work to this special day in the history for protection of children, protection of music therapy and art.

 
A NEW TRADITION IS BORN IN VENICE

„This feast should now be that big every year“ the representatives of the R.O.V., the Republic of Venice announced now, „…the feast is a traditional feast as ‚Thank you‘ for surviving the Pest“ – but now we decided to make it as one of the biggest feast in the year in Venice“.

picture 03a - bridge build only for the days of the Thank You Festival
picture 03 – bridge build only for the days of the Thank You Festival

 

A BIG BRIDGE WILL BE BUILD

Along the new feast there will be a new long bridge only for the duration of the days of the „Il Redentore feast“.
The people can go along the big bridge to go over the water to the „Church il Redentore“.

* * *

After they read the newspaper standing on the San Marco Place a lot of pigeon had landed around them and looked up to them as if they did understand the newspaper.
Now the pigeons flew to the Gondola which was waiting for them at the other end of the San Marco Place.

Both went there and Palmina and Palma entered a Gondola .Palma helped her to enter the Gondola and smiled.

Palmina smiled and said: »Palma, I am so proud on you. Cardinale Borromaeus will visit our „Le Zitelle Orchestra“ on Giudecca and the „Cantico delle Creature“ will be performed, and, and your painting will be presented at the Chiesa Il Redentore.
Oh, Palma, oh, Palma, what a big feast today will be. Oh, I love you, my painter, my composer, my love letter writer, my children protector….“

And Palma and Palmina looked sideways to the island Giudecca and smiled.
Soon the big traditional ‚Il Redentore festival‘ will start here in Venice.

Palmina put her hand on Palma’s hand very tender and Palma could feel it.
Now he looked at her beautiful smiling face. He realised how much he loves her and the sun made her hairs beautiful.

Slowly the Gondola moved to the other side in the direction of Giudecca Island.
They will have a few hours of rehearsal for the concert today at evening.
The innocent girls came all with their music instruments and also the girls and children choir was there.
As they saw Palma and Palmina coming to the Le Zitelle they waved all from their windows.

„Look, Palma and Palmina are coming to make a rehearsal with us. Let us take all our music instruments and come at the concert stage in the garden.

And all the girls and children came in the Le Zitelle Garden to sit at their place on the stage to be ready to make a rehearsal of Palma’s Hymnus.

How often Cardinal Hell tried to pay millions to stop this music-social projects for children. How often he gave a lot of money to people to sabotage this social projects. But now Cardinal Borromaeus is their strong hand of the heaven to stopp this intrigues against these poor children.

And now they made the rehearsal like that:

VIDEO: [Peony Gondola Song] https://youtu.be/4YfXRwOwHWE


At he evening the saint Cardinale Borromaeus came and the fireworks in Venice begun and it looked fantastic like that, so that also painters made paintings of this historic moment in modern civilization – to protect children, art and culture.
»Long live our Cardinale Borromaeus!«

picture 03b  -  Venezia-Festa-del-Redentore-2.JPG

[picture]

»Long Live the Protector of our children the new saint Nicolaus!«

picture 04 -  05-Festa-del-Redentore-Carlo-Grubacs.jpg

[picture]

»Yes long live he, down with Cardinale Hell, he should never leave the prison – This Children killer«

picture 05 -  06-Festa-del-Redentore-Maurice-Prendergast-1899.jpg

[picture]

»Long live the saint Cardinal – Down with Cardinale Hell, this murder!«

picture 06 -  07-Festa-del-Redentore-Cipriano-Mannucci.jpg

[picture]

»Long live the Le Zitelle Foundation and its Girls Orchestra and Choir! Let’s listen the Cantico delle Creature – The big Manifest against child-prostitution!«

picture 07 -  22.jpg

[picture]

»Let us celebrate this day from now on in all future, here in Venice on Giudecca Island«

picture 08 -  0707-venezia-redentore-215.jpg

[picture]
pictures 1-72 – traditional feast on Giudecca Island as big thank you

(click on the image to see it in full size)

(to be continued…)

_____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

 

 

 

 

230. Tender Messages from the Island of the „Daughter of Saint Mark“

230. Tender Messages from the Island of the „Daughter of Saint Mark“

„Love is not a illusion,
Love is not only a feeling,
But Love will remain if all other things are gone.
Gerald Spitzner“

 

Portrait_of_Caterina_Coronaro_1542_uffizi_florence_Titian (1)

picture – Caterina Cornaro, Queen of Cyprus, Queen of Armenia, Byzantium Princess and „Daughter of Saint Mark“ *) painted by Master Titian

At this eternal Peony Gondola Hour at 23 o’clock Palmina was lucky to hear that music from Palma“s heart.

After this music vision Palmina raised her head, smiled and said now with her soft innocent voice:
„Oh, Palma, my composer! You made me so happy with your 4 Strings variation…“
Palma smiled and answered „Oh, my Pigeon my inspiration, even if we would live on two different places, we would be connected with the help of our Peony Gondola.“
„Yes, Palma, we would think on each other every day, every moment.“, Palmina said with a big smile.

„Can you remember the years between 1578 and 1580 or so…you have been several times in Cyprus Island and wanted to write a letter to me?…“

„Yes, Palma, how could I forget this…“

And now they saw this Peony Gondola Vision:

* * *

Palmina sat on her little table on her little window, her music instruments beside her, and looked out of her little window over her little garden.

She saw a bird flying from tree to tree.
„Oh, I want to write a letter or message to my Jacopo Palma il Giovane, I love him so much…“

And she started to write a nice, beautiful letter to Palma. After she did this she moved her head a little bit left and a little bit right to proof if it is written good and nice.

She wrote:“

Cyprus Island, 15..
Dear beloved Palma!

Today I thought all the day how I can send you a message.
There is no secure way to a message from my island since the island was taken 1572, and the Christian Church had been destroyed from the „holy war worrier“.

Today in the north over 300 citizens had been attaked and killed, over 500 citizens are injured at the north part of the island.
I think the island will be divided in a north and a south part in the future.
I am living in the south-west part and there is no war here and no terror but they are stealing our letters.
Palma, during my concert tour here I suddenly found out that my father, who left mother for an other women, started secret business relations with the enemies of our republic of Venice. Isn’t it terrible?
I am not sure, but I feel that the dark sugar earth social network administrators have secret business relation to the Vatican State. The people here say a mighty cardinale will be arrested soon.
But to write a secure letter it is not possible, also here in the south west part of my island.
We all feel isolated here if we get not soon HELP FROM EUROPE.
Palma, I want to communicate with you.
Why we can not get rid of the letter stealing dark sugar earth organisation?
Communication should be a basic right!
I visited the historic place of my ancient relatives from the 14th century. How beautiful Master Titian painted the relative of my mother…
Here is a copy of the painting and it is also very good.
My beloved Palma, I want to tell you that I am planing to play some compositions from you, especially your „Loredan Mass in G-Major“ for Choir and Orchestra.
I found a nice Choir Master and he wants to perform parts of your composition from you, here on my Island here.
I remember as you composed the first movement on your Mandolin solo, standing under my little window in the „Calle de la Pieta“ in Venice to express your inspiration and love to me.
Oh, Palma, I want to come back to Venice. I think the Vatican-business-friends from the north are reading my letter and controlling my private contacts.
We have to see us today again in our secret Peony Gondola to make music over a big distance, to speak with each other over a big distance and to hug over a big distance.

Hope you will get my message.
Il tell this message as music message to my birds in my garden.
Their communication system is more secure and faster than the human mail system.

With much love
Your you deeply loving
Palmina Albina“

And Palmina took her music instrument and started to play wonderfully.

The little colorful bird landed on her window and wanted to listen to her music message. Palmina transformed her music message into a beautiful melody.
The other birds on the trees looked interested and stopped to sing just to hear Palmina.
After Palmina ended the bird flew lucky away, made a little round in the air and flew to another bird far away.
Then the bird sung Palmina’s melody and the other bird listened.
Later this other bird flew lucky away and flew far, far away to another bird over the sea and landed at another bird and sung the Melody.
Yes, and also this bird brought the secret music message for Palma to another bird, and so on…
After a few days a bird landed at Palma’s window in Venice, the city of love and art, and tweeted friendly and lucky.
Palma stood up from his new drawing he was in that moment creating.
He smiled and understood.
Very heartfelt and exactly he is listening to the sweet music love message from his Pigeon Palmina.
Palma understood every word of her letter and thanked to the little Pigeon, who brought the message from Cyprus Island.

* * *

As they saw this Peony Gondola Vision Palma said with a sigh in his voice:

„Yes, this was a miracle, I suddenly understood the bird language, Palmina, I love you…“,

„… the message as secret music from the birds: This was a funny idea, Palma.“

And suddenly they saw a new Peony Gondola Vision in another century:

* * *

„You may not speak with Pamina now…“ a priest voice said.

Suddenly they saw the famous composer Mozart sitting beside his sweet sister Nannerl on their family piano.

Mozart took the beautiful talented hands of Nannerl and kissed them tender and said:
„Natschi, Tschini fibi!
… Nannerl, how do you love my creation „The magic flute“, hmmmmmmmm? “

And he kissed her cheeks fast, hoping she likes it.

Nannerl, was shy and smiled:“ Oh, Amadeus. I love it very much…the music but, why the prince can not speak with his deep tender love Pamina at the beginning?“

„Oh, Yes, my inspiration, my sweet yellow canary bird. The Prince and Pamina are not allowed to speak with each other because they should learn to communicate from heart to heart without words.
But, one thing is allowed for them:
To make music during the time of spiritual growing and spiritual development – the time of silence.“

Nannerl said : “ But, Pamina loves him and she wants to talk with him. The prince can not explain her that this time of silence is only a short time…so he composes for her little music pieces on his instrument…“

Mozart said fast:“ …they are going to be a spiritual pair and they are having a spiritual marriage at the end of my opera!“

„A spiritual marriage? Woooo, like Saint Cecilia made it once? Like the saint of music did it…?“, Nannerl said beeing very lucky and inspired,
„But, they made music for each other during the time of silence, to feel each other inside their hearts, to learn to love each other outside the body., inside their hearts and dreams.“

VIDEO: (Mozart, scene from „The magic flute“, fire and water proof during flute music) https://youtu.be/OpIbH2kl-tU

(to be continued…)

_____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

________________________________

*) „Daughter of Saint Mark“ is a symbolic honour titel (read more below)

Catherine Cornaro – Wikipedia – https://en.m.wikipedia.org/wiki/Catherine_Cornaro

Catherine Cornaro (Greek: Αικατερίνη Κορνάρο, Venetian: Catarina Corner) (25 November 1454 – 10 July 1510) was the last monarch of the Kingdom of Cyprus. She was queen consort of Cyprus by marriage to James II of Cyprus, regent of Cyprus during the minority of her son James III of Cyprus in 1473–1474, and finally queen regnant of Cyprus. She reigned from 26 August 1474 to 26 February 1489 and was declared a „Daughter of Saint Mark“

Her live was the topic of 5 composed Opera:

* Franz Lachner (Katharina Cornaro, 1841, Libretto von de Saint-Georges),
* Donizetti (Catharina Cornaro, Neapel 1844),
* Jacques Fromental Halévy (La reine de Chypre) and
* Michael William Balfe (The daughter of St. Mark, 1844)

225. Happy Birthday, Palma il Giovane!

225. Happy Birthday, Palma il Giovane!

picture 1 -Orazio_Gentileschi_-_Saint_Cecilia_Playing_the_Spinnet.png
picture 1 -Orazio_Gentileschi_-_Saint_Cecilia_Playing_the_Spinnet

They continued to dream their Peony Gondola Vision and they saw this:

* * *

The next day Palmina had always to think about Palma’s Piano solo he composed for his beloved Palmina, his inspiration, his Saint Cecilia.

Today she had two talented music students at the Gardens of Giudecca.
The mother of the talented girls is also playing a music instrument and it is very creative to teach them music lessons.

As Palmina went back along the Giudecca island to the »Le Zitelle« she teaches also the girls there in music.

Now she has a little break between her music lessons.
Sitting in her official flat in the 3rd floor of the »Le Zitelle« building she is thinking on her Palma, which has today birthday and she sat down on her little table at the window and started to write a Pigeon-letter mail to her Palma il Giovane who lives on the other side of the Lagoon water on the San Marco Place.
From her window she can see directly to the San Marco Place and she smiled.

She looked to the cage of the Letter-Pigeon and smiled to her.

»After my music lessons here, I will go to Palma and celebrate with him his birthday in our Peony Gondola. But first I will send him a Pigeon-letter mail to wish him happy birthday…«, Palmina thought lucky and smiling.

* * *

Palma felt in this moment that she is writing a letter to her and he stopped for a while his painting work at the famous palazzo in Venice.
In his thoughts he could feel, no he could see her sitting beautifully on her table writing a Pigeon-Letter Mail for him.

In his imagination it looks so beautiful and poetic how his sweet Palmina is thinking and writing for him.
Palma cleaned fast his fingers, full of wet colours and took a sheet of paper and a pencil to draw how he feels and sees Palmina in his deep heart Vision.

Palma made a very fast drawing.

picure 4 - drawing by Palma il Giovane

picture – drawing by Palma il Giovane

Yes, Palma is the INVENTOR OF THE DRAWING AS INDEPENDENT ART DISCIPLINE.
Before Palma there was only the tradition that a pencil drawing is only the draft of an oil painting and the drawing has no meaning for art.
Palma was famous for doing fast and very often own drawings and these drawings had been the first time in the history of art defined as a complete independent art discipline.

Palma send her an imaginary cheek kiss and Palmina smiled in this moment and kissed the letter she wrote:

„Venice, Giudecca-Island 16….

My beloved Palma!

Today on your BIRTHDAY, I write you a little Pigeon-Letter-Mail.
I am so lucky that we can see us now every day and I am now a part of your life.
The Pigeon will fly from here at the »Le Zitelle« over the Lagoon water directly to your window at the 2nd floor at the San Marco Place. And no one will destroy the letter. No one will steal the letter. No one will destroy our deep love and our deep music art friendship.
I know that I am inspiring you and that you are always lucky to be creative in painting, composing and writing in order to these inspirations.
Last time we met in our Peony Gondola at 23 o’clock you composed from your heart a music piece I loved so much – The Piano solo –

Palma, thank you!
My composer, my painter and writer…

I would like to tell you that I am planing to play several compositions from you in my little fine concerts.
Today we can speak about this in our Peony Gondola at 23 o’clock celebrating your birthday.

Dear Palma, I am so looking forward to see you!

Happy birthday, dear Palma!

Your you deeply loving

Palmina, your Pigeon, your Saint Cecilia“

Orazio_Gentileschi_-_Saint_Cecilia_Playing_the_Spinnet.png

picture 2 - santa-cecilia-e-un-angelo-di-orazio-gentileschi-e-giovanni-lanfranco-nat-gall-washington.jpg

picture 2 – santa-cecilia-e-un-angelo-di-orazio-gentileschi-e-giovanni-lanfranco-nat-gall-washington

* * *

And as they saw this Peony Gondola Vision Palmina took her Lute and played for him being with him in this beautiful Peony Gondola.

VIDEO: The Lute in Italian Renaissance
https://www.youtube.com/watch?v=TKjadi_rvP0&feature=youtu.be

And suddenly a text appeared written in an old Chinese language like this on the evening sky.

說萬物者莫說乎澤,*)

„Of all that forces that GIVE JOY things, there is no more gladdening than the LAKE ☱.“

And then Palma took his Viola music instrument and Palmina took her Pipa Lute and they made together music at their Peony Gondola hour at 23 o’clock like this about the image of „LAKE, the joyous“ :

VIDEO: [Solo 5 for Pipa and Viola – LAKE ] https://youtu.be/1VJ0ID2g2Mo

(to be continued…)

_____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

_________________

*) old traditional Chinese text (ancient style) of the Wisdom Book of Change „I-Ging“ (YI-King or I Ching) which is 5000 year old.

see also:

I Ching – Wikipedia – https://en.wikipedia.org/wiki/I_Ching

»The I Ching or Yi Jing (Chinese: 易經; pinyin: Yìjīng ), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics.«

224. Palma tunes his harpsichord after Palmina’s lute

224. Palma tunes his harpsichord after Palmina’s lute

1

And as Palmina heard so directly music from Palma’s heart she realized that she started to dream and Palma put his arm around her during that and she smiled.
Also Palma did. And he could feel her smile at the beginning of this Peony Gondola hour at 23 o’clock. Palmina smiled very strong, Palma could feel it and smiled also, it was not possible not to smile.
Palma dreamed also, the same dream in this moment, in this Peony Gondola hour at 23′ o clock.
And they continued to dream and they saw this:

* * *

Palma was sitting on his harpsichord and realized, as he finished tuning it, that if he tunes his harpsichord after the Lute of Palmina, in well tempered half tones, it was possible to modulate a music through all half-tones in Magior and Minor.
But Palma tried out to play now and it was possible!
Normally here in Venice, in this 16th century, it was not possible to do so on a harpsichord or an organ – the instruments are tuned to play only in a few scale but not in all 12 semitone scale.
Palma will next week ask an organ-tuner to tune a little organ after Palmina’s semitones.
»Do you think, Palmina, he will tune the Organ like my harpsichord in equal like Well-tempered *) 12 semi-tones like your lute and my mandolin are already tuned?«, Palma asked loud, hoping that she is in the room nearby, listening him and that she will come to him in the big representative room of his flat on the San Marco Place in Venice, in the 2nd floor.

picture - Circle of fifths

picture – circle of fiths needs the „well tempered tunning“ –  the „Well temperament“ *)

»Yes, Palma, Yes…I think he will try it after you have shown him how your harpsichord is tuned…wait, I come…«, Palmina answered from the other room.
And now Palmina came with her lute to make music with Palma.
This moments are the most beautiful moments in Palma’s painting and artis’s live.
Palmina is with him and they are now alone, and they only want to do one thing: To make music, to feel the music-harmonic-connection between their hearts.
Palma played a few notes to test his new „lute-tuning“ of this instrument.
And suddenly he felt inspired with thinking on his pure pigeon, his snow-white saint spirit pigeon, bringing him always to new inspiration for his painting music creativity.
And Palma played and played and he tried out this new „Well tempered -12 semi-tons equal-tuning.“

* * *

As they saw this Peony-Gondola vision Palmina was very proud on her Jacopo Palma il Giovane, her painter, her composer, her love-story writer, her deep and only love.

Again she put her head on his side and continued to hear music and it was like that:

VIDEO: (Piano solo at the vegan backery Art-Gallery-Cafe ) https://youtu.be/PsKViSqB6QE

 

* * *

(to be continued…)

_____________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:
ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

____________________________
*) Well temperament – Wikipedia – https://en.wikipedia.org/wiki/Well_temperament

WELL TEMPERAMENT (also good temperament, circular or circulating temperament) is a type of tempered tuning described in 20th-century music theory. The term is modeled on the German word wohltemperiert. This word also appears in the title of

J.S. Bach’s famous composition „Das wohltemperierte Klavier„, The Well-Tempered Clavier.“

„The first circular temperament was described by the organist ARNOLT SCHLICK**) in the early 16th century[citation needed], but „well temperaments“ did not become widely used until the baroque period. They persisted through the classical period, and even survived into the late 19th century in some areas, for example in Italy. [citation needed]
There are many well temperament schemes, some nearer meantone temperament, others nearer equal temperament. Although such tunings have no wolf fifth, keys with many sharps or flats still do not sound very well in tune (due to their thirds). This can contrast chords in which vibrations are concordant with others where the vibrations are not harmonically related. Some theorists [weasel words] have sought to define „well temperament“ more narrowly to exclude fifths wider than pure, which rules out many such schemes.“

**) Arnolt Schlick – Wikipedia – https://en.wikipedia.org/wiki/Arnolt_Schlick
Arnolt Schlick (July 18?  c. 1455–1460 – after 1521) was a German organist, lutenist and composer of the Renaissance. He is grouped among the composers known as the Colorists. He was most probably born in Heidelberg and by 1482 established himself as court organist for the Electorate of the Palatinate. Highly regarded by his superiors and colleagues alike, Schlick played at important historical events, such as the election of Maximilian I as King of the Romans, and was widely sought after as organ consultant throughout his career. The last known references to him are from 1521

The first circular temperament was described by the organist Arnolt Schlick in the early 16th century, but „well temperaments“ did not become widely used until the baroque period. They persisted through the classical period, and even survived into the late 19th century in some areas, for example in Italy.
There are many well temperament schemes, some nearer meantone temperament, others nearer equal temperament. Although such tunings have no wolf fifth, keys with many sharps or flats still do not sound very well in tune (due to their thirds). This can contrast chords in which vibrations are concordant with others where the vibrations are not harmonically related. Some theorists[weasel words] have sought to define „well temperament“ more narrowly to exclude fifths wider than pure, which rules out many such schemes.
Some well-known well temperaments go by the following names:
Werckmeister temperament (invented by Andreas Werckmeister)
French Temperament Ordinaire
Neidhardt
Kirnberger
Kellner
Vallotti (invented by Francesco Antonio Vallotti)
Young
Some temperament schemes feature numbers of perfect, pure fifths and these give enhanced harmonic resonance to instruments and music on which they are played so that music moves into and out of focus between keys as vibrations lock together or not. Werckmeister features 8 perfect fifths, Kellner 7 and Vallotti 6.
The contemporary composer Douglas Leedy has written several works for harpsichord or organ in which the use of a well temperament is required.[citation needed]

See also:
Pythagorean tuning
Just intonation
Meantone temperament
Regular temperament
Equal temperament


223. Traditional Dialogue of Cultures in Venice

223. Traditional Dialogue of Cultures in Venice

 

picture 01 - Palma_il_Giovane_-_Doge_Pietro_Loredan_Beseeching_the_Virgin_-_WGA16909
picture – Palma il Giovane -Doge Pietro Loredan*) Beseeching the Virgin (Wikipedia)

This Painting by Palma il Giovane is on the big famous Dogan“s Palace (Palazzo Ducale) where always delegations of different cultures officially had a intercultural friendship event as peace DIALOGUE between the mighty Republic of Venice and the business partners from all over the world like Europe, Asia and Africa.

* * *

They continued to dream their Peony Gondola Vision like that:

* * *

„Oh, so much Cultures we have on this world. Fantastic!!!!l „, Palmina said like a young girl with her soft fine voice and continued smiling with this asian-like beautiful eyes:

„…this beautiful different cultures with their different music and art traditions,… fantastic…
our world is so big, I would like to huge it ..“, Palmina said and hugged Palma.

„..this beautiful cultures are often visiting Venice, our mighty Republic of Venice the – R.O.V. and I often play at the welcome concert in the Dogan’s Palace on our San Marco Place…often an artwork from you or from me…“, Palmina said euphoric.

„…From all over the world the representative of their culture are coming and greeting our Republic from Europe Asia, Africa. From Thailand, Vietnam, Bangladesh, China, Cipan (Japan), Korea, Philippines, Russia…Armenia, Cyprus- Byzantium…bringing a message to us of peace and friendship…They want all a peacefull relation, a cultural dialogue to our mighty Republic of Venice and of course good economic relations with us Europeans…“, Palma said very wise.

picture 02 detail

picture 03

picture 2-3 – detail of Palmas painting in the Palazzo Ducale (Dogan’s Palace) in Venice

„So it is important that all cultures are in a harmonic peaceful relation…in a good DIALOGUE!
…Palma, didn’t you compose a music dialogue for Chinese lute Pipa (or other Chinese or other Asian Instruments) and Viola da braccio as the Chinese delegation did visit our Republic with their huge Chinese ships, waiting outside the „Lido“, coming with hundreds of guests to bring a peaceful culture program, a cultural exchange dialogue concert? Didn’t you?“

„Oh yes, I will never forget this. It was years ago…Oh, Palmina, my Dialogue for Pipa琵琶 and Viola. Do you remember the begining melody?“, Palma asked.

Palmina took her Lute and plugged slowly and smiling with shining eyes, only a girl or a women has, if she is loving…

G-d-e-a

Palmina smiled to Palma and send to his heart a warm and golden, tender light energy playing her lute.

Palma could feel this also in his deep heart.

After that,now Palma took his Viola and plugged:

c-g-d‘-a‘

„Do you remember, Palmina?“

„Yes, your composition you wrote as Dialogue for my instrument and your instrument…It was dedicated as dialogue between the East Cultures and the West Cultures between the Ming Dynasty representatives and Venice.
Yes, Palma, I remember very good and I love this creation from you very much!“

picture 04

picture – (detail) Palma paints his own flat in the 2nd floor on the San Marco Place as autobiographic link

Palmina gave Palma a tender kiss on his cheek and Palma could feel this.

Now Palma composed deep in his heart a music reflection and variation to the main „Dialogue Music Theme“, the main melody of this dialogue composition like that and Palmina put her head and Palma’s side to hear this music coming directly from Palma’s heart and what she listened was this:

VIDEO: (Dialogue Inspiration (Violin+Piano) https://youtu.be/xvh6apJHslM

(to be continued…)

_____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

________________________________

 


*) Pietro Loredan

https://en.wikipedia.org/wiki/Pietro_Loredan_(doge)

Pietro Loredan (born Venice, Italy 1482 – died Venice, 3 May 1570) was the 84th Doge of Venice. He reigned from 1567 to 1570.

214. The big Inspiration and Bach’s St. Marco Passion

214. The big Inspiration and Bach’s St. Marco Passion

basilica-san-marcos

picture San Marco Cathedral in Venice

And as they saw this Peony Gondola vision Palmina asked her Palma:“ Palma?“

„Hm?“
„Did you get my Message I send you?“

„Oh no… But deep in my heart I could feel your actual positive thought and saw a big cloud in form of a heart on the sky… But someone erased illegally your message to me….This is a shame…We both have the right to communicate. No one is allowed to erase a message to Jacopo Palma il Giovane!“

„Yes, it is our fundamental rights to communicate! Those who erase our letters want to destroy our deep music friedship…“
Palmina put her head soft and tender on Palma’s side and Palma could feel it. Yes, this night he could feal Palmina’s good thoughts and love and Palma was lucky that Palmina takes care for him, with the help of the Peony Gondola.
And as Palma felt her love they continued to dream the vision and they saw this:

* * *

Bach and his family stood at the famous San Marco Place in the 18 century.
Now they looked at the San Marco Cathedral
and Bach felt the inspiration to write the „Saint Marcus Passion“ and looked at this Cathedral as union of European and Asian architecture art style.

caballos-san-marcos

  picture – original Byzantine hourses

Anna Magdalena and his daughters and Pipsy understood: Bach has now an inspiration and Bach startet to compose in his imagination and Anna Magdalena and Pipsy were able to hear in the same moment the music of the Marcus Passion and it was like that:

VIDEO: (Music of Marcus-Passion of Bach)

(https://youtu.be/rYueS2v7_Xc)

see also link: https://www.carus-verlag.com/en/choir/sacred-choral-music/st-mark-passion.html

                   (to be continued…)

        _____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

211. Palmina is healing wounds with her concerts

211. Palmina is healing wounds with her concerts

1280px-Venice_clocktower_in_Piazza_San_Marco_(torre_dell'orologio)_clockface

Astronomical Clock on San Marco Place in Venice

And they continued to dream their Peony Gondola dream:

* * *

The Gondola moved now slowly along the big Canale Grande.
After a while of silence and looking alongside the beautiful houses.
Palmina and Palma looked at each other.
Palmina played wonderfully for him, although it was a rehearsal for the concert at the Ospedaletto where Crezia is with her broken shoulder.

After her little concert in the Gondola Palma showed her his new music score the music score of „Le Reve – Dreaming Expressions“ for Piano and Violin.

And Palmina smiled and hugged him long and gave him a tender kiss.

Pictures – music score of „Le Reve – Dreaming Expressions“ do Piano and Violin.

dav

1

dav

2

dav

3

dav

4

dav

5

dav

6

dav

7

dav

8

dav

9

dav

9

11

dav

11

 

* * *

Later at the evening concert Palmina played wonderfully and Crezia had tears of joy in her eyes. She felt no pain and the wounds of her broken shoulder seemed to heal faster than expected.

Palmina is not only a good soloist, a good music teacher, she can heal also old wounds.

It was a nice concert and Palma was so lucky to see her playing her music instrument for her.

Palma smiled – Palmina smiled.

Pictures – paintings by Crezia at the Ospedaletto in Venice in the 17th century.

IMG_20190307_175200IMG_20190117_154721.jpg

  (to be continued…)

        _____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

175.The white pigeon of Giorgio Maggiore (3)

175.The white pigeon of Giorgio Maggiore (3)

picture 1 - Presentation of Jesus in Temple« by Palma il Giovanne (Isola Giorgia Maggiore, Venice )

picture 1 – Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgia Maggiore, Venice)

The Gondolier was waiting for them with the beautiful shining lanterns in the Gondola. He will bring them later, after the walk on this Isola Giorgio Maggiore, to Giudecca Island at the Le Zitelle where Palmina has her 2nd flat and is protected by the Jesuits from her violent father and violent brother.
Other girls at the Le Zitelle have also problems with their fathers and brothers. They are reading their private messages and letters, erasing them and changing their content to isolate them from others. That’s why the girls are living here on Gudecca Island at the Jesuits.
The local authorities do not allow this and have strict laws against this and that’s why some fathers or brothers had been arrested for doing this to their relatives; arrested by the Republic of Venice – the R.O.V. – the mightiest Republic in the 16th century.

Now, not even the Gondolier could see what Palma and Palmina are doing at the secret gardens of Giorgio Maggiore, here where so much famous painters had deep inspirations (Claude Monet, 200 years later, had also big inspirations here on Giorgio Maggiore and painted a lot of paintings here and he painted also this little island).

After a while of silence Palmina asked whispering:
»Palma?«
»Yes, my Music-Angel?«
»You would really paint a white pure Pigeon in your big painting for this Church when it is ready build in a few years¹, as remembering to our spiritual walks and travels with the Gondola in Venice?«


¹ the church was finished in the year 1610 – Wikipedia – https://en.wikipedia.org/wiki/San_Giorgio_Maggiore_(church),_Venice

»San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta and forms the focal point of the view from every part of the Riva degli Schiavoni.«


»Yes, Palmina, and if we see us again in 400 years we will stand here in front of this painting and we can say this white pigeon I painted to remember our deep spiritual love.«

And they saw now in this Peony-Vision all the paintings which will be painted for this church San Giorgio Maggiore.*)


*) beside the painting »Circumcision/Presentation of Jesus in Temple« – by Palma il Giovane
There are other paintings in the monastery building:
The Last Supper by Jacopo Tintoretto
The Fall of Manna by Jacopo Tintoretto
Entombment of Christ by Jacopo Tintoretto
Madonna enthroned with Saints by Sebastiano Ricci
Risen Christ & St Andrew with Morosini family by Jacopo & Domenico Tintoretto
Adoration of the Shepherds by Jacopo Bassano


They saw the painting of Sebastiano Ricci and Tintoretto and also about Santa Lucia

picture 2 - Miracle of the immobility of Sta Lucia by Leandro Bassano

picture 2 – Miracle of the immobility of Sta Lucia by Leandro Bassano

picture 3 - painting of »Santa Lucia« by Palma il Giovanne

picture 3 – painting of »Santa Lucia« by Palma il Giovane

And they saw also that Sebastiano Ricci (he was later born then Palma) will dedicate the angel with mandolin to the secret deep love to Palma and Palmina.

picture 4 - Madonna enthroned with Saints by Sebastiano Ricci

picture 4 – painting by Sebastiano Ricci

picture 5 - detail - Sebastiano Ricci painted a little Mandolin angel as remembering of Palmina

picture 5 – detail – Sebastiano Ricci painted a little Mandolin angel as remembering of Palmina

picture 6 - painting «Venus and Cupido« by Sebastiano Ricci inspired by the love of Palma and Palmina, symbolised as 2 white pigeons

picture 6 – painting «Venus and Cupido« by Sebastiano Ricci inspired by the love of Palma and Palmina, symbolised as 2 white pigeons

The saw in their Peony-Vision that Sebastiano Ricci will also be inspired by this future- painting of Palma il Giovane with the 2 white pigeons on the right side (the 2nd pigeon is in the basked) – he studied it very intensive – and painted also two white Pigons in his famous »Venus and Cupido«


¹ Sebastiano Ricci (1659 – 1734) – Wikipedia – https://en.wikipedia.org/wiki/Sebastiano_Ricci

»Sebastiano Ricci (1 August 1659 – 15 May 1734) was an Italian painter of the late Baroque school of VENICE. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. «


»But it is not easy for a man to be in love with Saint Cecilia…«, Palmina said innocent but very direct.

»Why, Palmina?«, Palma asked like a wise man.

»Saint Cecilia was a saint and a virgin and she wanted to keep her virginity and she wanted only to have a spiritual love relation so it was difficult for a man to marry Saint Cecillia…«

»…Hmm…, but a spiritual love…. if it is really a high dimension love, then it is like two pigeons are marring from heart to heart. They need only the spiritual arrangement of the heaven, nothing else…and this the two pigeons can feel deep inside their hearts«

»I know, Palma, this I mean with ‚It is difficult for a man to be in love with a saint virgin‘. But you, Palma, you are different. You understand the principles of a deep spiritual love. As artists we can live this spiritual love as real and the results of our deep love are great artworks and great thoughts for the culture and history – We will inspire the next generations of artists. Our children are our artworks.«

Palmina and Palma hugged standing in the secret gardens of »Giorgio Maggiore« where no one is watching then; only the planets and stars, the angels and the saint of the heaven can see them; and they smiled down to them, down to planet earth, down to Venice, down to the little small island Isola San Giorgio Maggiore, called in Venetian language »San Zorzi Mazor«.

»My Pigeon…«
»My Palma…«

»My Inspiration…«
»My composer…«

»My composing lute playing angel«
»My secret writer…«

»My yellow canary bird…- Let us work together in the next centuries – if the heaven is allowing this to us – Let’s make this wish«

»My astronomer – Yes, let us work together – Let us make this wish – Dreams come sometimes through – All we do in our artworks will be connected through our Peony Gondola, Yes, Palma – Yes Palma, – I love you and I feel it: you respect how Saint Cecilia is…«

»Yes, Palmina, I respect you…«

And in a common Vision they saw the big painting Palma il Giovane should paint for this church on that small island.

EPSON DSC picture

picture 7 – »Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgio Maggiore, Venice )

Palma hold her head with his strong hands, but tender, and kissed her and her beautiful lips, very soft and slow and short.
But in their heart the kiss started also, they could feel it, and this beautiful feeling they kept in their heart, even after the short tender kiss.
And this feeling stayed for day and night.
Both looked at the Vision of the painting and they saw that Palma should paint the Pigeon held by a women and the Pigeon seemed to smile with its eyes. And an other Pigeon in the basked

picture 8 - two white 2 Pigeon - detail of Palma's big painting at the Church of Giorgio Maggiore (in Venetian »Giorgo Mazor«) .png

picture 8 – two white Pigeons – detail of Palma’s big painting at the Church of Giorgio Maggiore (in Venetian »Giorgo Mazor«)

picture 9 - white Pigeon (detail) by Palma il Giovanne

picture 9 – white Pigeon (detail) by Palma il Giovane

After this beautiful inspiration Palma and Palmina went long along the green gardens and sometimes they heart an bird or a cicada or a tiny little mouse moving.

It was a beautiful »inspiration-walk« here on that island. All the monks are now sleeping in their monastery and there was no light in their windows any more. It was now very late and they went back to the Gondola with the shining lantern where the Gondolier was respectfully waiting.

Now the Gondola moved very slow to the neighbour island Giudecca where after a few meters the »Le Zitelle« Building was. Palma brought Palmina up to her flat in the 3rd floor and she played again on her lute for him and on her harpsichord like the Saint Cecilia. Palma made again some paintings of her and continued to paint on the white pigeon.

Later he asked her:
»Do you like the white Pigeon? Should I paint her like that in the future painting?…I will also paint a second Pigeon in a basked on that painting. The two Pigeons are we…The basked represents the Peony Gondala«

Palmina smiled and was lucky to feel connected with Palma’s heart.

Palmina sat on her little bed looking through her window to the San Marco Place, which is far a way but some lanterns are shining also in the night there.
Palma sat also on her bed. Palmina took Palma’s right hand and both looked long through the window.
Palma remembered her words about the virginity of Saint Cecilia and respected her.
»Do you know the love relation and legend between the unicorn and the virgin, Palma…?«

Palma smiled and looked to her side and he put his arm around Palmina.

Now they are sitting and Palmina’s little small bed, looking in the direction of San Marco Place at the Dogan’s Palace where still hundreds of candles are shining through the windows.
Yes, now they are sitting holding their hands like two little children who became deeply loving friends.

 

picture 10 - spiritual marriage without touching the Virginity of Saint Cecilia

picture 10 – spiritual marriage without touching the Virginity of Saint Cecilia

picture 11 - spiritual marriage without touching the Virginity of Saint Cecilia

picture 11 – spiritual marriage without touching the Virginity of Saint Cecilia

Palmina turned her smiling face to his side and she was lucky to have a loving friend like him – A loving friend that is understanding her deep spiritual secret.

picture 12- detail - »Presentation of Jesus in Temple« by Palma il Giovanne (Isola Giorgia Maggiore, Venice )

picture 12- detail – »Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgia Maggiore, Venice )

»Look, I will also paint a clerical person looking like a pope with a white Pileolus on his head, looking from behind to the fresh born baby…Hmm, he looks as if this fresh born baby is his…«

»Oh…why that? …this is also a symbol of something real of our century…hmm, isn’t it, Palma? You always painted something from the present in your images…«

(to be continued…)


172. »Mars passing the Neptune moon system« in 400 years

172. »Mars passing the Neptune moon system« in 400 years

picture - Neptune seen from its Moon Triton, who has the same size than planet Mars

picture – Neptune seen from its Moon Triton, who has the same size than planet Mars

»Oh wonderful, Palma. A whole cosmic Organ music piece, played only for me. I love you. I am so proud of you.«

»In around 400 years, on the 7th of December of the year 2018 will be a special day: Mars passing the Neptune moon system«

And Palmina hold Palma’s right hand and he could feel it and Palma was lucky.

»2 days ago you played for me on your Pipa. Thank you, Palmina. My heart could feel it. It was a wonderful music. From your heart to my heart. I love you my Inspiration, my Saint Cecilia, my Pipa princess Wang Chao-chun. 王昭君«

»Oh, it is ok. I love you too. Even we can not see us we can think on each other every day, if you also want, Palma… my painter, my composer, my writer, my astronomer. Hm, I think you are a little astronomer….«, Palmina answered smiling.
»Neptune is the planet of music and art…«, Palma kissed Palmina, tender soft and short.

Now the Peony Gondola started to move to a new vision in 400 years:

And they saw at 23 o‘ clock together in their Peony Gondola suddenly the same astronomic event from three cosmic perspectives:

»Look at that three perspectives:…«, Palma il Giovane explained to his beloved Palmina

» 1. View from the moon Phobos¹ of Planet Mars. Phobos is moving within 7,5 hours one time around Planet Mars (3x times a Mars-day or earth day).

2. View from moon Triton of planet Neptune. This moon Triton² has the same size like planet Mars and also a thin atmosphere. (We can say a planet like Mars is moving around Neptune)

3. View from moon Despina of Neptune. Despina is much nearer to Neptune as Triton and is moving around Neptune very fast…«

Palmina put her head and his side and he put his arm around her during this Peony Vision in their Peony Gondola.
And suddenly they heard in their vision a music which was inspired by Palma’s Saint Cecilia and Saint Lucy. Saint Cecilia inspired this composition like a little tweeting yellow canary bird.

Both felt the inspiration:

VIDEO ² : [ » Mars passing the Neptune moon system«]  https://youtu.be/u-4Hqa437qA

(to be continued…)


¹ Phobos – Wikipedia – https://en.wikipedia.org/wiki/Phobos_(moon)

»Phobos (/ˈfoʊbəs/ FOH-bəs, /-bɒs/ -boss,[4] from Greek Φόβος; systematic designation: Mars I) is the innermost and larger of the two natural satellites of Mars,[5] the other being Deimos. Both moons were discovered in 1877 by American astronomer Asaph Hall.

Phobos is a small, irregularly shaped object with a mean radius of 11 km (7 mi)[1] and is seven times as massive as the outer moon, Deimos. Phobos is named after the Greek god Phobos, a son of Ares (Mars) and Aphrodite (Venus)«

² Triton – Wikipedia https://en.wikipedia.org/wiki/Triton_(moon)

»Triton is the largest natural satellite of the planet Neptune, and the first Neptunian moon to be discovered. The discovery was made on October 10, 1846, by English astronomer William Lassell. It is the only large moon in the Solar System with a retrograde orbit, an orbit in the direction opposite to its planet’s rotation.[2][11] At 2,710 kilometres (1,680 mi)[5] in diameter, it is the seventh-largest moon in the Solar System. Because of its retrograde orbit and composition similar to Pluto’s, Triton is thought to have been a dwarf planet captured from the Kuiper belt.[12] It has a surface of mostly frozen nitrogen, a mostly water-ice crust,[13] an icy mantle and a substantial core of rock and metal. The core makes up two-thirds of its total mass. The mean density is 2.061 g/cm3,[5] reflecting a composition of approximately 15–35% water ice.

Triton is one of the few moons in the Solar System known to be geologically active (the others being Jupiter’s Io and Europa, and Saturn’s Enceladus and Titan). As a consequence, its surface is relatively young, with few obvious impact craters. Intricate cryovolcanic and tectonic terrains suggest a complex geological history. Part of its surface has geysers erupting sublimated nitrogen gas, contributing to a tenuous nitrogen atmosphere less than 1/70,000 the pressure of Earth’s atmosphere at sea level.[6] It is the second-largest planetary moon in relation to its primary, after Earth’s moon.«

³ This music describes the moving of the planets on the evening sky on 2018-12-07

Please change your Messenger-Chat colour into yellow colour if you liked this VIDEO. Thank you.

picture 2 - colour palette of Palma il Giovane

picture – colour palette Palma il Giovane