297. Music Inspirations in Venice

297. Music Inspirations in Venice

And suddenly Palma had a music inspiration.
Palmina listened to the music and put her head on Palma’s right side to be with him in their Peony Gondola.

»Oh, so beautiful, this Inspiration, Palma.
I saw the Gondola slowly moving to the Giudecca island.

And I saw the stars over Venice.

I saw Johann Sebastian Bach with his family, with his daughters.

I saw Vivaldi with the talented Orphan Girls musician, his spiritual daughters, with all their Gondolas also moving to Giudecca Island.
And every Gondola has a lantern to shine in the late evening in Venice.

All were happy to visit the Chinese family with their musicians«, Palmina said like dreaming,

»Exactly I had also this music visions, Palmina! We are dreaming the same dream…«

The music inspiration and the music was like that:

VIDEO: Violin and Piano (59d) – https://youtu.be/G_kx8dVLLqY

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After that the Peony Gondola moved in the 16th century.

Palma was painting this year intensive every day on his new creations about the life of San Saba.
Palmina came in the church where Palma is now painting every day.
She has fresh breads and she has also her music instrument, her lute.

As she saw that he does not make a break to eat she wanted to take her lute to play for him, but…
In this moment she discovered a new music score which was beside Palma’s music instrument Viola da braccio on a little working table.

01-04 picture – Ave Verum (San Marco – Venezia) by Gerald Spitzner (facimile)

01 Ave Verum (San Marco - Venezia) Gerald Spitzner (Handschrift).jpg

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02 Ave Verum (San Marco - Venezia) Gerald Spitzner.jpg

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03 Ave Verum (San Marco - Venezia) Gerald Spitzner.jpg

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04 Averum (San Marco - Venezia) Gerald Spitzner.jpg

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She took the music score and wanted to play it.
She read: »Ave Verum. Oh, it is for Choir and Organ and Instruments ad libitum.«

Palmina started to play the music score on her music instrument.

Palma stopped painting and smiled in her direction.
He realized that Palmina discovered Palma’s new music score.

Palmina played the four voices on her Lute and made soft ‚arpeggios‘ of the 4 Voices as accords like a harp.

Palma looked intensive to Palmina, he saw her playing like an angel, he saw her innocent smile, so peacefully, like the Saint Cecilia, sent by the Santa Lucia.
He saw her beautiful hairs, her cheeks, her eyes, her talented hands,…

Inside his heart he painted her, her whole body, her talented hands, her eyes, everything,…an eternal moment.

Palma heard all the voices of the angels as Palmina played his »Ave Verum« for him, here in the little Church Chiesa San Antonin, a few steps from her baker’s shop where her family house is and from where the little fine, fresh, breads are made at the ‚Campo Bandiera e Moro‘ in Venice. (A few steps from the Ospedale La Pieta where the famous music school is.)

And now the eternal smell of the fresh backed breads are in the air and Palma completely forgot that he was hungry since two hours.

»Such a beautiful Choir Compositions. It fits to every ‚Missa Presta‘ at the ‚Communio‘, isn’t it, Palma? I will ask the choir Master Claudio Monteverdi if he can perform it every morning in the San Marco Cathedral…«, Palmina said like a little sweet bird who wants to fly direct to the San Marco Cathedral and to bring the new music score to the famous Choir Master Maestro Claudio Monteverdi.Palma smiled. He was lucky that Palmina is his music inspiration, innocent white pigeon, his sweet clever yellow canary bird, his eternal Palmina Albina!«

And Palmina took now her basket with the fresh, little, fine, white breads and she lifted the basket so that Palma could sniff on them.
During this she smiled and made thin Asian- like eyes.

»Wonderful!«, Palma il Giovane said after he sniffed the fresh smell of the fresh backed breads.
She gave him one and moved her head meaning »Eat, Palma, eat it fresh and warm. Today you worked so much and hard. You are hungry,I can feel it«

Palma took it and made two parts of the warm bread and looked into Palmina’s eyes.
He gave her one half and she smiled.

Now both started to eat the bread, smiling and with much respect.

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And as Palma and Palmina saw this Peony Gondola Vision they heard the composition for the Choir of San Marco in Venice:

VIDEO: „Ave Verum (San Marco Venezia)“ [music score] – https://youtu.be/3Bk25TiAZds

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

And after they saw this Peony Gondola Vision Palma said to his Pigeon:

»Palmina, the little sweet bird in the morning said to me that you performed my composition LAKE yesterday! Did you, Palmina…?
I felt in my heart that you played for me…«

Palmina smiled and was happy that Palma could feel her music secret surprise.

He took her hands and kissed her talented hands tender and thankfully.
Palmina’s eyes shined and she felt that Palma wants to heal her hands.
Palma il Giovane could feel in the last days that she had pains on her hands because she prepared hard for this concert.

And during these days he could also feel her tender cheek kisses as he slept and he could feel it in his dreams.

And after that Palmina smiled and hugged Palma and gave him a sweet tender kiss on his cheek – in their Peony Gondola hour at 23 p.m. During this they suddenly continued to see the Peony Gondola vision with Bach in Venice in the 18th century:

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01 picture - San Marco Place in Venice.jpg

01 picture – San Marco Place in Venice

They saw the stars over Venice at the evening sky and they saw this evening Master Johann Sebastian Bach alone with his wife in a huge Gondola.
After the brilliant concert at the ‚Ospedale de la Pieta Girls Orchestra‘ with Vivaldi’s »Gloria« they are all (Bach, his family, Vivaldi and his girls orchestra) invited together with the girls at Giudecca island at a Chinese family, which came once in the 16th century and are living there.
They know a lot of stories about Marco Polo and his Asian Princess and of course a lot of stories about Palmina and Palma. And they are interested in Asian music instruments and of course asian tea.

On their way to Giudecca Island Bach said to his wife: »Maestro Vivaldi’s Girls Orchestra and Choir are brilliant. Should we move to Asia or to Venice, hmm? If I could have such brilliant musicians for my compositions, Anna Magdalena…? This would be a miracle!«, Bach said a little bit sad.

»Yes, this would be a miracle.
Hmmm, but a miracle happened, dear Johann Sebastian…
It happened:
Vivaldis orphan music school girls performed with padre Maestro Vivaldi all your missa brevis¹):

the missa brevis G-Major,
the missa brevis in g-minor,
the missa brevis in F-Major and
the mystic missa brevis in A-Major with Flauto traverso *)

Ach, so beautiful compositions, Johann Sebastian.«, Anna Magdalena said with a sigh in her voice.

They heard the La Pieta Girls Choir and orchestra singing Bach’s composition in a vision and they saw Vivaldi conducting in Venice and it was like this:
*) VIDEO: [music score] (5min) Bach, missa brevis, Mass in A major – Kyrie (Herreweghe) https://www.youtube.com/watch?v=5-Bqgw9Z4S8

»Yes, this was a miracle. Initially I composed this short missa brevis for Franz Anton von Sporck ²) and his ‚Sporck theatre‘. Like a miracle my compositions came in the hands of Antonio Vivaldi in Venice…«, Johann Sebastian said smiling and he put his strong huge arm around his little Anna Magdalena Bach smiling.

»Yes, Johann Sebastian, padre Maestro Vivaldi had good connections to Franz Anton von Sporck and he met him several times as his La Pieta Girls Orchestra gave concerts there in Prague…«, Anna said proud.

»Yes, they performed my compositions in Prague and Venice, yes a miracle…
Thank you Santa Lucia !!! Tomorrow we have to visit the chiesa of Santa Lucia also to visit the Santa-Lucia-paintings of Palma il Giovane there«, he said and searched his Mandolin.

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02 picture - Gondolas moving to Giudecca Island.jpg

02 picture – Gondolas moving to Giudecca Island

All the Gondola’s are now moving at this evening to Giudecca Island with Bach, Vivaldi and the whole talented girls from the La Pieta Orphan shelter music school Orchestra.
They are all invited to the old Chinese Families to a Tea ceremony concert in their big gardens in Venice to hear the Yin-Yang-Chinese-Garden-Orchestra. And all are looking forward to have this Asian Tea and to hear the original Asian Music Instruments.

* * *

And after they saw this Peony Gondola Vision:

Palmina smiled and Palma knew which music piece will be performed at this Chinese concert.

Palma smiled secretly and shy.

»Palma?

Hm, why are you smiling so shy? Palmaaaa? Hmm? «

And they saw the Asian Trigram on the heaven and the heaven was pink with white clouds:

☱ – LAKE- DUI – THE JOYOUS

Now a voice said in ancient old Chinese language style:

» 說萬物者莫說乎澤 –
Of all that forces that GIVE JOY things,
there is no more gladdening than the LAKE ☱ «

»Oh, Palma!«

»Oh, Palmina!«

»Pi-«

»-Pa«

and now they made both a round mouth, moved them to each other mouths
and said together:
»Liu – to – kiss«

And then they kissed sweet and short and smiled.

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(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Bach’s Kyrie–Gloria masses, BWV 233–236 – Wikipedia – https://en.wikipedia.org/wiki/Kyrie%E2%80%93Gloria_masses,_BWV_233%E2%80%93236#BWV_234

»Apart from the 1733 Missa in B minor for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for „short masses“) or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39.[1] Possibly they were written for Count Franz Anton von Sporck² or performed by him in Lysá.«

²) Franz Anton von Sporck – Wikipedia – https://en.wikipedia.org/wiki/Franz_Anton_von_Sporck

»Franz Anton von Sporck, Count (Franz Anton Reichsgraf von Sporck in German, František Antonín hrabě Špork in Czech) (born 9 March 1662 in Lysá nad Labem or Heřmanův Městec; died 30 March 1738 in Lysá nad Labem) was a German-speaking literatus and patron of the arts who lived in the province of Bohemia in what is now the Czech Republic. He was one of the most notable cultural and intellectual figures in central Europe in the early 18th century. «

»…attracting some of the most prominent singers in Italy to Prague, and used Antonio Vivaldi as a source of repertory and singers. VIVALDI himself visited Prague in the early 1730s as a result of his connections with the Sporck theater. Many creative operatic works were first performed in the Sporck theater, including the first opera to use the original settings and character names from the tradition of Don Juan dramatizations:«
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294. The Peony Gondola as secure communication

294. The Peony Gondola as secure communication

They continued the dream their Peony Gondola dream:

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»The Peony Gondola lead us in the 21st century…
So we learned what a phone can do. There is Whatsapp or Wechat to transmit music score, or music files, pdf or pictures or music and audio messages«, Palma said very calm.

»Hmm, do we really need a phone to talk?
We are here sitting side-by-side in our Peony Gondola every day and speaking to each other.«

»Yes, Palmina. It is an other dimension here in the Peony Gondola…

Palmina, we are connected with our dreams and with our hearts.
Its good that our hearts first found us before we have our first phone talk.«

»Oh, Palma, you are so romantic…

This is my Palma like I know him from the 16th century! My Palma, my painter, my composer, my writer…«
»…Palma? By the way: There is an wrong number in the phone number: the first zero after the +43(0)… has to be removed….«

Palma smiled, because he realized that Palmina is very clever and understands now that a Peony Gondola Connection is something which they will never loose and no one can steal their secure communication, not even the Church of Social Media and its administrators.

Palmina hold Palma’s right hand and Palma could feel it.
Now they remembered the music of the time of their 16th century.

Especially early in the morning in Venice when Palmina brought fresh little white fine breads to the Dogan’s Palace.
There was the smell of fresh backed bread in the air in the morning of Venice.

All people in Venice know this fine little fresh breads and love them – Palmina created them by herself.

Daily in the morning she brought the fresh breads to the Dogan’s Palace and later she went to the ‚Missa Presta‘ (shortest possible mass) to the little chapel on the left side of the famous San Marco Cathedral with her basked with a few breads for Palma.
Palma was sitting there waiting in the early morning and silently smiling to her and she smiled secretly shy back.

Palma il Giovane wrote once to the composer William Byrd*) if he can send a very short ‚missa brevis‘ (a short composition for a mass) especially a very short ‚Kyrie‘, but very good composed, for the music during this short ‚missa presta‘ in the morning in Venice.

William Byrd send him a copy of the ‚Mass for 4 Voices‘ and made a special short ‚Kyrie‘ for this morning prayers.
Palma was lucky abaout the fact that today the choir of San Marco Cathedral will sing this short Kyrie.

During Palma and Palmina smiled secretly to each other they heard the music composed by William Byrd*) (who was nearly in the age of Palma il Giovane).
The little fine choir in that San Marco Cathedral sung now during the ‚missa presta‘ the ‚Kyrie‘ and it was like that:

VIDEO (2min) [music score video] William Byrd (Kyrie) : Mass for 4 Voices)** https://youtu.be/gqpGvWk8KqU

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*) William Byrd – Wikipedia – https://en.wikipedia.org/wiki/William_Byrd

»William Byrd ( c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life.«

** (full version is here (23 min) : https://youtu.be/VXeT2HWpwc4)

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After that Peony Vision Palmina asked shy:

»Look, how they people of the 21st century transcribed our music notation system from our notation system of the 16th century 300 or 400 years later!!! Palma, look….!!!«

»Hmm, interesting!…Really good transcription…«

 

pictures 1-14 – transcription into modern music notation


»…Would we remember the notation system after 300 or 400 years later Palmina?«
Palmina smiled for a while and she was thinking about this question.

Palmina smiled and Palma could feel it.

(to be continued…)

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written by Gerald Spitzner:

contact:
Phone (What’s app, WeChat): +43 699 10 800 312 (without 0 after +43…)

15 picture - scann QR Code to connect via Wechat

picture – QR-Code (scan it to connect via Wechat)

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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290. Bach plays – Palma remembers

vivaldisvenicettl

And after they saw this Peony Vision Palmina said:

»Oh this is so interesting, Palma. Let us see if they have the original music score of your composition for orphan children after hundred years… this is a long time period!!!«
And they saw this:

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And later after the meal Antonio Vivaldi and Johann Sebastian Bach with his daughters went all in the library of the Ospedale de la Pieta and Maestro Vivaldi and his talented musician girls showed all their music instruments and all the ancient music score they have.

»Look, Maestro Bach«, said a girl and deep in her heart she wished to be Johann Sebastian Bach’s adoptive daughter, »… here in our Ospedale de la Pieta we have 21 Violins, 4 Cellos, 2 marine trumpets, six small violas (ideal for our girls orchestra) two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets…«. The little girl was very excited to be allowed to explain Master Johann Sebastian Bach their music instruments.

»Six spinets…hm…. very, very good….
You have a good music school.«
The girl jumped a little bit full of joy and played with her hairs and smiled.

Bach said to Master Vivaldi: »…In Germany we have not this equipment at my school and it is not a music school…«, Bach said and he sat down to a spinet and stated to play one of the six. Antonio Vivaldi listened interested and observed the polyphonic independence of Bach’s creations and was fascinated.
The girls made big wide open eyes and mouth as they heard how Bach played the Spinett and he modulated through all the »Quint-Circle«¹ with its 24 modi.

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¹ »Quint-Circle« – Wikipedia – https://en.wikipedia.org/wiki/Circle_of_fifths

»CIRCLE OF FIFTHS
In music theory, the circle of fifths (or circle of fourths) is the relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space. «

² „Well tempered piano“ – Wikipedia – https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier

»The Well-Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach. In Bach’s time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ either. «

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All listened and did not move or say any word as long as Bach played.

Anna Magdalena Bach could understand him also Antonio Vivaldi: Bach invented the „Well tempered piano“² which will be used in the future of all musicians.

»Look, there they have the music-social, music pedagogic composition of Palma il Giovane the ‚Missa Ospedale de la Pieta in Venice in G-Magor‘!!!!«, Catharina Dorothea, Bach’s eldest daughter said very happy and she jumped a little bit like a young girl.
And all the orphan girls came to see this music score in their library.
»Woooh, let me see, let me see, a composition for us from Palma il Giovane the famous painter and Master Scholar of Master Titian!!!!«

And the nuns came to see what happens here in the big library of the Ospedale de la Pieta.

And they opened their mouth like looking to a miracle as they realized that the music score interests the famous Johann Sebastian Bach.

Later the girls played a welcom concert for Bach and they played the „Gloria“ by Antonio Vivaldi and it was like that:

VIDEO (28min) Gloria, Vivaldi, at la Pieta (BBC) – https://youtu.be/cgaOVV4JQHA

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As Palma and Palmina saw this Peony Gondola Vision suddenly Palma had a strong real remembering about their time in the 16th century and Palmina could feel it:

Often Palmina played during Palma painted on an important painting for 40 minutes at once and then she made a break with her lute. And during this break Palma had to go to the Organ in that church, where he was painting, and had to play 40 minutes for her and she listened very interested if Palma makes a progress in his music polyphonic creativity.
She was like the Saint Cecilia who helps him from the world of the body, the material, to come to the world of immaterial, the world of inspiration in art and music.
And it seemed that Palma il Giovane was inspired by her friendly listening to his music creations.
Always if he looks in her direction Palmina smiled back to him and Palma smiled.

And this they made very often and during several years as long Palma painted on huge painting in a church.

Later they made this in the Ospedaletto at the Crociferi and later also at the San Antonin Church near Palmina’s bakery shop where her home was. (There he painted during the whole year in that church and finished the paintings in the year 1593)

Palmina put again her head on Palma’s side and was happy about this intensive rememberings of the 16th century and she lifted a little lantern and smiled.

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(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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✮ 288. Vivaldi meets Bach in Venice ✮

✮ 288. Vivaldi meets Bach in Venice ✮

And as they saw this Peony Gondola vision, sitting together at 23 p.m. in side-by-side in their Peony Gondola, Palmina said: »Palma, can I hear your last music creations again? (52c)…«

»Oh, Yes, the Peony Gondola will play it for you. Listen: «

And the music was like this:

VIDEO: (Violin and Piano 52 a,b,c,d,e – 10 min) – https://youtu.be/c2Ae8sPT7jY

And Palmina saw again the soft flight along the Planet Mars and the moments at the Mars library and they had a lot of Music Visions during this music.

* * *

»Oh, this is interesting! To see what happened with the music and culture live in Venice hundred years after our century, Palma?«

»Yes, really, but we have to be silent and not to talk about what we have seen to any body, you know…«

»I tell no one, Palma…«

»This morning I got a bird message from you Palmina? Did you…?«

»Yes, Palma I sent you a massage, but the extremists, this intrigant people, erased it after I send it. So I asked the birds to bring you my message in bird language…«

»Thank you for your bird message… So lovely. The birds say also that the message you sent was erased and you have been not happy about that, isn’t it, Palmina?«

»Yes, my Palma il Giovane. I am so lucky that we have our Peony Gondola. Thanks to the HEAVEN!«

And Palma and Palmina hugged each other short but tender and both could feel it and both smiled.

»Let us see what happened to the ‚Ospedale de La Pieta Orphan Music School and Orphan Girl’s Orchestra in Venice over hundred years after you have been music teacher there and let us see if they remember my composition which I wrote once for them, the ‚Missa Ospedale de La Pieta di Venice«

»Oh, yes, Palma ‚Missa Ospedale de La Pieta di Venice‘ is composed in G – Magior!!! – This music we performed together with the Orphan’s Girls there in Venice.

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And now they continued to dream their Peony Gondola Vision and they saw this:

At the place Campo Bandiera e Moro the windows opened suddenly.
»Maestro Bach? Johann Sebastian Bach is here in Venice?“, the people on the place who are looking out of the windows said and where surprised and greeted very happy.

„What a big honour!“, someone said.

„Johann Sebastian Bach in Venezia. Benvegno Maestro Bach!!!“

Antonio Vivaldi said to a little girl: »…Alora, Palmina, subito, subito…come over here…Fast, say to the other girls: they should come back to greet Maestro Johann Sebastian Bach with music – He is back in Venice!!!!…Fast, call them back!!….«.

And the beautiful young girls came after a while, shy laughing, running back the ‚Calle de la Pieta‘ , with their music instruments and formed a little group like a choir at the place »Bandiera e Moro« standing before Bach.

Antonio Vivaldi said: »Come, my angels, now we sing the ‚Welcome Cantata‘ for Maestro Johann Sebastian Bach!«.

»Oooooh, the famous Johann Sebastian Bach with his wife and 3 daughters…« the girls whispered with big open mouth and eyes.

And padre Maestro Antonio Vivaldi raised his hands like as sever choir master and as he saw that all his little girls (and the elder girls also) were ready to sing he gave the signal to start to sing the ‚Welcome Cantata‘ for Johann Sebastian Bach.

And they sung really like angels and Bach smiled and his family beside him – Anna Magdalena, Dorothea, Elisabeth, Johanna Carolina – at the table smiled also lucky and inside their hearts they were a little bit proud about their composer Johann Sebastian.

Especially Johanna Carolina looked very interested how Vivaldi is conducting his girls choir. Yes, she knows now: She wants to learn as fast as she can all in musics: playing instruments, her lute, the violin, and a lot of instruments, composing, making variations about a melody, and so on…

»I want also be a female musician like them. I want to learn everything from my Daddy…«, Johanna Carolina thought secretly.

»Aren’t they like angels? Much better then our boys choir in Leipzig? This clear soft female voices…
»Men should only sing Tenor and Bass and girls should sing Soprano and Alto.«, Bach thought in this moment.

Antonio Vivaldi realized as first musician in Europe that the voices of girls are more exact than the voices of little boys like – also in Leipzig – and they can sing longer, more years than the boys. If the boys are turning slowly to be a man their voice is changing for a long time and is turning to a lower level of pitch and they can not sing Soprano and Alto in the choir any more.

»I can understand why the Austrian People want to hear his choir in Vienna…they are brilliant!
… I have to give Vivaldi a Cantata from me, perhaps they are performing it…« Johann Sebastian whispered to his wife Anna Magdalena Bach.
»Perhaps the ‚Coffee Cantate‘ about our daughter Lieschen (Elisabeth) which wanted to marry her future husband Altnikol.«, Anna Magdalena whispered to him funny smiling.

And after they sung very good for Master Johann Sebastian Bach they said »Welcome Maestro Bach to Venice!!« and they made a respectful gesture and smiled.

»Maestro Bach! Oh, please give us an auto-graph here on our music score!!!«

»Oh, please for me also and, and for my little sister…she loves your compositions so much!
We have no parents and padre Vivaldi is like a father for us…
Now we had the honour to sing for you…
Please sign us an autograph on the music score here…
as remembering for that historic moment in Venice…« an elder girl, which was grown like a young women, said.

»…Yes, here also for me…«,

And the girls wanted to have all a signature, as autograph from the famous Johann Sebastian Bach and forgot that they are all hungry after the long rehearsal in the church Chiesa San Giovanni in Bragora¹).

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) San Giovanni in Bragora – Wikipedia – https://en.wikipedia.org/wiki/San_Giovanni_in_Bragora

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287. The Peony Gondola does not move

✮ 287. The Peony Gondola does not move ✮

And after they spoke about this composition tradition Palmina took the complete music score, they heard suddenly this music:

VIDEO: (Violin and Piano (52c) https://youtu.be/d54fOdc9qbw

»Oh, a new creation Palma. I sounds like a style of music from,from….in a few centuries. I love your creations so much!«, said Palmina smiling with shining eyes.
Now she smiled a little bit like Marco Polo’s deep love.

The Peony Gondola moved fast but soft back to the library on Planet Mars.

After they landed they looked around the ancient street and Palma said: »It seems that the Peony Gondola landed here but it is not moving any more. What shall we do?«

»Palma, can you repair the Peony Gondola…?«

Palma went out of the Gondola and walked around the big Gondola to inspect it if there is any damage.

»There is no damage, Palmina. It only does not move any more…«, Palma said like a Master.
After a while he entered the Peony Gondola and sat beside his Pigeon.

»Palma?«, Palmina asked like a little innocent Pigeon.
»Hmm?«
»Can we return to our 16th century in Venice with our Peony Gondola?«
»Yes, Palmina, but the Peony Gondola will bring us to Venice, if it is the right moment.
It seems that the Peony Gondola will tell us that we have to learn, to understand something before we go back into our beloved Venice.

✮ ✮ ✮

Suddenly the Peony Gondola moved fast to Venice in the 18th century.

»Woooh«, sung Palmina like being very happy and she tries to have a hold on her Palma il Giovane.
Palma was also surprised about this fast travel to Venice and made a round mouth.
»But, Palmina…«
»Wooooh, we are driving back to Venice, Palma we can continue our old deep love…«

»…Yes, Palmina, but.. look!.. the People who are wearing other clothes and look this is a later century…«

»A later century in Venice? How much years later…?«
The Gondola landed in Venice along the big Promenade and now they saw this:

✮ ✮ ✮

picture - »Campo Bandiera e Moro« in Venice.png

picture – »Campo Bandiera e Moro« in Venice

They saw the famous composer Johann Sebastian Bach (1685-1750)¹, sitting at the place »Campo Bandiera e Moro« in Venice at the old bakery shop where Palmina’s home is (was – we are over hundred years later) and where she lived, worked as baker’s daughter and famous music teacher who played as young girls the Lute, here in that bakery shop.

»I am hungry, Anna.«, Johann Sebastian said like a big hungry bear.

»Well, let’s order something to eat here at this place…a Pizza or Marco Polo Nudles, how are they called here Spa-, spa-ge-etti«

»Oh yes, Sebastian let’s eat something, we are hungry!…«, little Johanna Carolina said.

And during they ordered something to eat from their table Johann Sebastian observed on the other side of that big place that a group of young girls with beautiful cloth and music instruments came out of the church where Palma’s Uncle once painted a very traditional painting there.

»At today’s rehearsal you played my composition very, very good. I am looking forward to the concert at our San Marco Cathedral. I am proud of you, my girls ,my famous orphan girls orchestra of Venice:

The ‚La Pieta Girls Orchestra‘ of Venice!

From all over the world the people come to Venice to listen our Orchestra!…«

»Padre Vivaldi! It is not only our orchestra…
IT IS BECAUSE OF YOUR GOOD COMPOSITIONS!
Your music the people like to hear all over the world!
This year we will get an Invitation to play in Vienna in Austria at the famous and beautiful Saint Karl’s Cathedral…«

»Is this right, padre Vivaldi…? We make a concert tour to Vienna at the Saint Carl’s Church in Austria?«, an elder girl asked excited.

»Wooho…this are good news!!!!«, a little girl said and jumped in air like a little bird.

»Yes, yes my little spiritual daughters! It is right we are making a concert in Vienna…
Now fast go back to the ‚Ospedale de la Pieta‘ to get the midday lunch. We should not let the cooks wait…you know this sever women will shout with us if we are too late. It is only a few meters to go along the ‚Calle de La Pieta’… Fast, fast, my girls…«

And the girls made »Hooray!!!« and run with their instruments across the place »Campo Bandiera e Moro« and run along the »Calle de la Pieta« where once Palmina had her window over her little garden in the 16th century, over hundred years ago.

* * *

As Palmina saw her old flat in Venice she said to Palma: »Look, my room where I do normally do rehearsal!«

»How often I stood there and played my Mandolin for you, my Palmina. How often you played a music answer from your little window and it was like a little cheek kiss to get this music answer from you…«

She smiled and gave Palma a short cheek-kiss and Palma could feel it and smiled.
He took his Viola da braccio and plucked: c – g – d‘ – a‘

And Palmina answered on her lute: A – D – E – a.

Both smiled.

And they continued to see the Peony Gondola Vision:

* * *

Johann Sebastian Bach ¹) looked at this scene with the girls on the place and his eyes followed the girls which run beside his table.

»Antonio Vivaldi ²)? Maestro Antonio Vivaldi?«, Johann Sebastian said and stood up from his chair.

»Johann Sebastian? Maestro Johann Sebastian Bach from Leipzig in Germany?…
…You, You are in Venice after nearly 35 years?
… Benvegno di Venezia !!!
Benvenuto a Venezia !!! …
Welcome to Venice…«, Antonio Vivaldi said.

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

_________________________________________________________________________
¹) * Joh.Seb.Bach (1685 – 1750) – Wikipedia: https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

»Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.«

²) * Antonio Vivaldi (1678 – 1741) – Wikipedia: https://en.wikipedia.org/wiki/Antonio_Vivaldi

»Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian[2] Baroque musical composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.«

 

Ospedale de la Pieta (music school for orphan girls) – Wikipedia – https://en.wikipedia.org/wiki/Ospedale_della_Piet%C3%A0

»The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ospedali, the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. «

»The composer Antonio Vivaldi was appointed a violin teacher in 1703 and served in various roles through 1715, and again from 1723 to 1740. Much of Vivaldi’s sacred vocal and instrumental music was written for performance at the Pietà. The conservatory of the Pietà hospital was the only hospital to remain active until approximately 1830. All the other hospitals completely closed their musical activity during the first years of the nineteenth century. From an instrument inventory[3] dated 1790 we learn that during that year the Pietà hospital had still “four violins with used bows, four cellos, seventeen violins, two marine trumpets [this may in fact refer to violino in tromba marina], six small violas, two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets. «

_______________________________________________________________________

258 Le Zitelle Choir is singing Palma’s Hymnus on Cyprus Island

258 Le Zitelle Choir is singing Palma’s Hymnus on Cyprus Island

And after they saw this Peony Gondola Vision they continued to dream their Peony Gondola dream like that:

„Palma?“
„Hmm?“
„I do rehearsal so much so my fingers have pain…“

Palma smiled, looked into her beautiful eyes and after a while he took her talented hands and kissed them soft and tender.

After that vision they saw this Peony Gondola Vision:

* * *

Today Palma always looked at the sky and he saw a beautiful cloud heart like that:

  picture 1 – cloud heart at the skydav

„This is a heart from my Pigeon…She thinks on me…“, Palma thought and he looked to the sky.

* * *

Two weeks later.

„Our ship is going the right course. In a few days we are there…“, the Capitain of the Sailing ship said to Palma il Giovane.
A soft wind was now in their face and hairs.
Palma smiled.
Palmina smiled as he saw again a heart on the sky like that:

dav

     picture 2 of heart on the sky

* * *

During Palmina made again rehearsal in her room over the big Place, in Pafos on Cyrus Island she heard suddenly music down at the ancient place.
As Palmina heard the music she felt no paint on her finger.
This time Palmina is doing rehearsal very much on her Lute and  this makes her finger pain a little bit.
But after Palma’s music inspiration for Pianosolo she felt healthy. (Palmina likes to hear this music via the Peony Gondola)

* * *

Today it was again a sunny day, Palmina heard a music outside.
A good girls choir is doing rehearsal down at the big ancient place.

And now they started to make music with all their instruments.

„Oh…this is…“, Palmina said surprised.

She looked out of her window to see the musicians.
She smiled and saw: This is Palma!
My Palma il Giovane is playing the Mandolin! Oh, he playes our secret deep love melody…‘, Palmina said and listened also to the music a while.
„…oh he brought the most famous Singer of Armenia….
What a honour for our small island!
Yes, here on Cyprus Island my mother-side-relative Catharina Cornaio was the last Queen of Zyprus Island in the 15th century and she was also the Queen of Armenia…and  a Byzantine Princess. She was also a honour citizen of the Republic of Venice….“
Palmina smiled and had tears in her eyes.
„Yes, this is my Palma. He comes with the famous Venetian Eurasian Ensemble from Venice  to make a performance for me on that beautiful place here in our city Pafos.
Oh, Signora Ming from the Ming dynasty, living now also at Giudecca Island with her family,  playes the Pipa part…“
This chinese family came once officially protected by the Republic of Venice, from that Pacific Island to move to Venice.
Now Palmina took her own Pipa Lute and started to play the secret love melody together with the performance down at the big place where hundreds of people and children were standing to listen this little open air concert.

All the members of this Venice Titian Art Gallery music ensemble played with all their heart and the people could feel it.
Maybe also because Palmina played in this  moment from her window with her lute happy smiling with them. Palmina’s innocent cheeks turned colourful light-red.
„Oh, my Palma, my composer, my painter, my writer…he took all this long way from Venice with a ship to make a concert for me, to express his sympathy and love to me…Oh, Palma… Oh, my Palma!“, Palmina thought during she played and she made a deep sigh.

And the music she heard was like that:

  VIDEO: ( Hymnus of Cultures Wasserwelt fest 2019 https://youtu.be/OvjKxpeJjfE )

* * *

After they saw the Peony Gondola Vision they looked out of their Peony Gondola over the colorful  horizon with a beautiful evening sunset at the longest day in the year.

dav

picture 3 + 4 of sunset at the longest day in the year with heart at the sky

dav

Palmina smiled and she put her head on Palmas side. Palma put his arm around her and kissd her on her head tender

* * *

         (to be continued…)
___________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:
ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

244. Long live Cardinale Karolus Borromeus the saviour of children and sacred music

244. Long live Cardinale Karolus Borromeus the saviour of children and sacred music

picture 01 - venezia-festa-del-redentore

picture 01 – at Palma’s time a new traditional was born – The Il redentore feast in Venice as big Thank – you – festival

And they continued to dream their Peony Gondola dream at 23 o’clock and they saw this:

* * *

»+++ BREAKING NEWS – BREAKING WORLDPRESS NEWS +++
THE HIGHEST COURT OF THE REPUBLIC OF VENICE DECIDED TO SET FREE CARDINAL BORROMÄUS, KNOWN AS THE PROTECTOR OF CHILDREN AND SACRED MUSIC. +++ BREAKING NEWS – BREAKING WORLDPRESS NEWS +++«

Palmina went this morning along the San Marco Place and bought this fresh printed ‚Worldpress‘ newspaper.

She started reading and said: »Look Palma, they write about you…and,and, the Cardinale will today come to Venice….read, read, looook,look, Palma…“

Palma took the newspaper and read:

»…the highest court announced today that „…it IS NOT A CRIME to help too much poor and ill persons… “ The orders given by Cardinale Hell from the Vatican State to arrest the innocent Cardinal Borromaeus are not accepted by the highest court in order that Cardinale Hell is now declared as officially as criminal.

BIG FEAST FOR CARDINAL BORROMEAUS ON GIUDECCA ISLAND

Today at the traditional ‚Il Redentore feast“ the Republic of Venice will welcome this famous Cardinale with big fireworks and concert for being freed from wrong arrest.
The „Cantico delle Creature“ for children will be played by the Le Zitelle Orchestra at the official opening ceremony and a new painting of the famous painter Palma il Giovane will be presented as official thank you for saving Cardinale Borromaeus from imprisonment.

picture 02 - 1581 (chiesa il redentore) »Virgin and Child with the Infant Saint John and Saints Jerome, Anne, Francis and Catherine of Alexandria«

picture 02 – 1581 (chiesa il redentore) »Virgin and Child with the Infant Saint John and Saints Jerome, Anne, Francis and Catherine of Alexandria«

CARDINALE PROTECTED BY THE PRAYERS OF THE SAINT VIRGIN

Being protected during the gun shooting terror attack during the ‚Tridentinum Council‘ by the saint virgin „Karel“ give promise to the saint virgin to speak with a famous composer, because he composed a big composition as music therapy for victims of child-prostitution.

As big thank you being protected by the gun shooting of Mr. Ali who said by himself: „I was payed to shot on Karel by Cardinale Hell, who wanted to become the pope of the catholic church and he wanted to support all my friends if he gets the new pope, but now he will not support our Church of Social Media because he is in prison.“

 
PEOPLE SAY HE IS A SAINT

Cardinale Borromaeus did found a lot of institutions to protect poor children and girls from child prostitution in the tradition to the Saint Nicolaus.
Today he will visit the „Le Zitelle“-institution on Giudecca island and the girls orchestra will play Welcome concert in their church and in their beautiful gardens behind the buildings of the „Santa Maria de la Presentatione“.
Cardinale Borromaeus has announced to hold a speech on Giudecca Island supporting poor children, girls and the Venice-Titian-Art-Gallery.

 

INTERNATIONAL GUESTS WILL COME

Thousands of all over the world are expected today at the „Redentore feast“.
Honour Guests also from Asia, China, Thailand, Japan, Korea, even from Formosa, where strong relations to the catholic church are since the 16th century, will send their representatives to congratulate and sent their best wishes.

 
BIG FIRE WORK ALONG THE GIUDECCA ISLAND AS BIG WELCOME CEREMONY.

The Republic of Venice, the R.O.V, announced a very big fire work to this special day in the history for protection of children, protection of music therapy and art.

 
A NEW TRADITION IS BORN IN VENICE

„This feast should now be that big every year“ the representatives of the R.O.V., the Republic of Venice announced now, „…the feast is a traditional feast as ‚Thank you‘ for surviving the Pest“ – but now we decided to make it as one of the biggest feast in the year in Venice“.

picture 03a - bridge build only for the days of the Thank You Festival
picture 03 – bridge build only for the days of the Thank You Festival

 

A BIG BRIDGE WILL BE BUILD

Along the new feast there will be a new long bridge only for the duration of the days of the „Il Redentore feast“.
The people can go along the big bridge to go over the water to the „Church il Redentore“.

* * *

After they read the newspaper standing on the San Marco Place a lot of pigeon had landed around them and looked up to them as if they did understand the newspaper.
Now the pigeons flew to the Gondola which was waiting for them at the other end of the San Marco Place.

Both went there and Palmina and Palma entered a Gondola .Palma helped her to enter the Gondola and smiled.

Palmina smiled and said: »Palma, I am so proud on you. Cardinale Borromaeus will visit our „Le Zitelle Orchestra“ on Giudecca and the „Cantico delle Creature“ will be performed, and, and your painting will be presented at the Chiesa Il Redentore.
Oh, Palma, oh, Palma, what a big feast today will be. Oh, I love you, my painter, my composer, my love letter writer, my children protector….“

And Palma and Palmina looked sideways to the island Giudecca and smiled.
Soon the big traditional ‚Il Redentore festival‘ will start here in Venice.

Palmina put her hand on Palma’s hand very tender and Palma could feel it.
Now he looked at her beautiful smiling face. He realised how much he loves her and the sun made her hairs beautiful.

Slowly the Gondola moved to the other side in the direction of Giudecca Island.
They will have a few hours of rehearsal for the concert today at evening.
The innocent girls came all with their music instruments and also the girls and children choir was there.
As they saw Palma and Palmina coming to the Le Zitelle they waved all from their windows.

„Look, Palma and Palmina are coming to make a rehearsal with us. Let us take all our music instruments and come at the concert stage in the garden.

And all the girls and children came in the Le Zitelle Garden to sit at their place on the stage to be ready to make a rehearsal of Palma’s Hymnus.

How often Cardinal Hell tried to pay millions to stop this music-social projects for children. How often he gave a lot of money to people to sabotage this social projects. But now Cardinal Borromaeus is their strong hand of the heaven to stopp this intrigues against these poor children.

And now they made the rehearsal like that:

VIDEO: [Peony Gondola Song] https://youtu.be/4YfXRwOwHWE


At he evening the saint Cardinale Borromaeus came and the fireworks in Venice begun and it looked fantastic like that, so that also painters made paintings of this historic moment in modern civilization – to protect children, art and culture.
»Long live our Cardinale Borromaeus!«

picture 03b  -  Venezia-Festa-del-Redentore-2.JPG

[picture]

»Long Live the Protector of our children the new saint Nicolaus!«

picture 04 -  05-Festa-del-Redentore-Carlo-Grubacs.jpg

[picture]

»Yes long live he, down with Cardinale Hell, he should never leave the prison – This Children killer«

picture 05 -  06-Festa-del-Redentore-Maurice-Prendergast-1899.jpg

[picture]

»Long live the saint Cardinal – Down with Cardinale Hell, this murder!«

picture 06 -  07-Festa-del-Redentore-Cipriano-Mannucci.jpg

[picture]

»Long live the Le Zitelle Foundation and its Girls Orchestra and Choir! Let’s listen the Cantico delle Creature – The big Manifest against child-prostitution!«

picture 07 -  22.jpg

[picture]

»Let us celebrate this day from now on in all future, here in Venice on Giudecca Island«

picture 08 -  0707-venezia-redentore-215.jpg

[picture]
pictures 1-72 – traditional feast on Giudecca Island as big thank you

(click on the image to see it in full size)

(to be continued…)

_____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

 

 

 

 

230. Tender Messages from the Island of the „Daughter of Saint Mark“

230. Tender Messages from the Island of the „Daughter of Saint Mark“

„Love is not a illusion,
Love is not only a feeling,
But Love will remain if all other things are gone.
Gerald Spitzner“

 

Portrait_of_Caterina_Coronaro_1542_uffizi_florence_Titian (1)

picture – Caterina Cornaro, Queen of Cyprus, Queen of Armenia, Byzantium Princess and „Daughter of Saint Mark“ *) painted by Master Titian

At this eternal Peony Gondola Hour at 23 o’clock Palmina was lucky to hear that music from Palma“s heart.

After this music vision Palmina raised her head, smiled and said now with her soft innocent voice:
„Oh, Palma, my composer! You made me so happy with your 4 Strings variation…“
Palma smiled and answered „Oh, my Pigeon my inspiration, even if we would live on two different places, we would be connected with the help of our Peony Gondola.“
„Yes, Palma, we would think on each other every day, every moment.“, Palmina said with a big smile.

„Can you remember the years between 1578 and 1580 or so…you have been several times in Cyprus Island and wanted to write a letter to me?…“

„Yes, Palma, how could I forget this…“

And now they saw this Peony Gondola Vision:

* * *

Palmina sat on her little table on her little window, her music instruments beside her, and looked out of her little window over her little garden.

She saw a bird flying from tree to tree.
„Oh, I want to write a letter or message to my Jacopo Palma il Giovane, I love him so much…“

And she started to write a nice, beautiful letter to Palma. After she did this she moved her head a little bit left and a little bit right to proof if it is written good and nice.

She wrote:“

Cyprus Island, 15..
Dear beloved Palma!

Today I thought all the day how I can send you a message.
There is no secure way to a message from my island since the island was taken 1572, and the Christian Church had been destroyed from the „holy war worrier“.

Today in the north over 300 citizens had been attaked and killed, over 500 citizens are injured at the north part of the island.
I think the island will be divided in a north and a south part in the future.
I am living in the south-west part and there is no war here and no terror but they are stealing our letters.
Palma, during my concert tour here I suddenly found out that my father, who left mother for an other women, started secret business relations with the enemies of our republic of Venice. Isn’t it terrible?
I am not sure, but I feel that the dark sugar earth social network administrators have secret business relation to the Vatican State. The people here say a mighty cardinale will be arrested soon.
But to write a secure letter it is not possible, also here in the south west part of my island.
We all feel isolated here if we get not soon HELP FROM EUROPE.
Palma, I want to communicate with you.
Why we can not get rid of the letter stealing dark sugar earth organisation?
Communication should be a basic right!
I visited the historic place of my ancient relatives from the 14th century. How beautiful Master Titian painted the relative of my mother…
Here is a copy of the painting and it is also very good.
My beloved Palma, I want to tell you that I am planing to play some compositions from you, especially your „Loredan Mass in G-Major“ for Choir and Orchestra.
I found a nice Choir Master and he wants to perform parts of your composition from you, here on my Island here.
I remember as you composed the first movement on your Mandolin solo, standing under my little window in the „Calle de la Pieta“ in Venice to express your inspiration and love to me.
Oh, Palma, I want to come back to Venice. I think the Vatican-business-friends from the north are reading my letter and controlling my private contacts.
We have to see us today again in our secret Peony Gondola to make music over a big distance, to speak with each other over a big distance and to hug over a big distance.

Hope you will get my message.
Il tell this message as music message to my birds in my garden.
Their communication system is more secure and faster than the human mail system.

With much love
Your you deeply loving
Palmina Albina“

And Palmina took her music instrument and started to play wonderfully.

The little colorful bird landed on her window and wanted to listen to her music message. Palmina transformed her music message into a beautiful melody.
The other birds on the trees looked interested and stopped to sing just to hear Palmina.
After Palmina ended the bird flew lucky away, made a little round in the air and flew to another bird far away.
Then the bird sung Palmina’s melody and the other bird listened.
Later this other bird flew lucky away and flew far, far away to another bird over the sea and landed at another bird and sung the Melody.
Yes, and also this bird brought the secret music message for Palma to another bird, and so on…
After a few days a bird landed at Palma’s window in Venice, the city of love and art, and tweeted friendly and lucky.
Palma stood up from his new drawing he was in that moment creating.
He smiled and understood.
Very heartfelt and exactly he is listening to the sweet music love message from his Pigeon Palmina.
Palma understood every word of her letter and thanked to the little Pigeon, who brought the message from Cyprus Island.

* * *

As they saw this Peony Gondola Vision Palma said with a sigh in his voice:

„Yes, this was a miracle, I suddenly understood the bird language, Palmina, I love you…“,

„… the message as secret music from the birds: This was a funny idea, Palma.“

And suddenly they saw a new Peony Gondola Vision in another century:

* * *

„You may not speak with Pamina now…“ a priest voice said.

Suddenly they saw the famous composer Mozart sitting beside his sweet sister Nannerl on their family piano.

Mozart took the beautiful talented hands of Nannerl and kissed them tender and said:
„Natschi, Tschini fibi!
… Nannerl, how do you love my creation „The magic flute“, hmmmmmmmm? “

And he kissed her cheeks fast, hoping she likes it.

Nannerl, was shy and smiled:“ Oh, Amadeus. I love it very much…the music but, why the prince can not speak with his deep tender love Pamina at the beginning?“

„Oh, Yes, my inspiration, my sweet yellow canary bird. The Prince and Pamina are not allowed to speak with each other because they should learn to communicate from heart to heart without words.
But, one thing is allowed for them:
To make music during the time of spiritual growing and spiritual development – the time of silence.“

Nannerl said : “ But, Pamina loves him and she wants to talk with him. The prince can not explain her that this time of silence is only a short time…so he composes for her little music pieces on his instrument…“

Mozart said fast:“ …they are going to be a spiritual pair and they are having a spiritual marriage at the end of my opera!“

„A spiritual marriage? Woooo, like Saint Cecilia made it once? Like the saint of music did it…?“, Nannerl said beeing very lucky and inspired,
„But, they made music for each other during the time of silence, to feel each other inside their hearts, to learn to love each other outside the body., inside their hearts and dreams.“

VIDEO: (Mozart, scene from „The magic flute“, fire and water proof during flute music) https://youtu.be/OpIbH2kl-tU

(to be continued…)

_____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

________________________________

*) „Daughter of Saint Mark“ is a symbolic honour titel (read more below)

Catherine Cornaro – Wikipedia – https://en.m.wikipedia.org/wiki/Catherine_Cornaro

Catherine Cornaro (Greek: Αικατερίνη Κορνάρο, Venetian: Catarina Corner) (25 November 1454 – 10 July 1510) was the last monarch of the Kingdom of Cyprus. She was queen consort of Cyprus by marriage to James II of Cyprus, regent of Cyprus during the minority of her son James III of Cyprus in 1473–1474, and finally queen regnant of Cyprus. She reigned from 26 August 1474 to 26 February 1489 and was declared a „Daughter of Saint Mark“

Her live was the topic of 5 composed Opera:

* Franz Lachner (Katharina Cornaro, 1841, Libretto von de Saint-Georges),
* Donizetti (Catharina Cornaro, Neapel 1844),
* Jacques Fromental Halévy (La reine de Chypre) and
* Michael William Balfe (The daughter of St. Mark, 1844)

214. The big Inspiration and Bach’s St. Marco Passion

214. The big Inspiration and Bach’s St. Marco Passion

basilica-san-marcos

picture San Marco Cathedral in Venice

And as they saw this Peony Gondola vision Palmina asked her Palma:“ Palma?“

„Hm?“
„Did you get my Message I send you?“

„Oh no… But deep in my heart I could feel your actual positive thought and saw a big cloud in form of a heart on the sky… But someone erased illegally your message to me….This is a shame…We both have the right to communicate. No one is allowed to erase a message to Jacopo Palma il Giovane!“

„Yes, it is our fundamental rights to communicate! Those who erase our letters want to destroy our deep music friedship…“
Palmina put her head soft and tender on Palma’s side and Palma could feel it. Yes, this night he could feal Palmina’s good thoughts and love and Palma was lucky that Palmina takes care for him, with the help of the Peony Gondola.
And as Palma felt her love they continued to dream the vision and they saw this:

* * *

Bach and his family stood at the famous San Marco Place in the 18 century.
Now they looked at the San Marco Cathedral
and Bach felt the inspiration to write the „Saint Marcus Passion“ and looked at this Cathedral as union of European and Asian architecture art style.

caballos-san-marcos

  picture – original Byzantine hourses

Anna Magdalena and his daughters and Pipsy understood: Bach has now an inspiration and Bach startet to compose in his imagination and Anna Magdalena and Pipsy were able to hear in the same moment the music of the Marcus Passion and it was like that:

VIDEO: (Music of Marcus-Passion of Bach)

(https://youtu.be/rYueS2v7_Xc)

see also link: https://www.carus-verlag.com/en/choir/sacred-choral-music/st-mark-passion.html

                   (to be continued…)

        _____________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner