304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

01 picture - san-marco-venecia.jpg

picture – Palazzo Ducale (Dogan’s Palace) at right, Astronomical 24h clock (in the middle) and in Venice at evening and the windows Palma’s flat in the 2nd floor (left beside the astronomical clock building)

»And now we can see the famous paintings by Giacomo Palma il Giovane…«

And the honour guests of the Republic of Venice could now see the huge paintings of Giacomo Palma il Giovane.

»Can I have an autograph, please Maestro Diacomo…«

»Oh, Giacomo with G… my Name starts with a G.«, Palma said and gave some autographs to the interested people.

And they looked now at the paintings of G – iacomo Palma il Giovane:

02 picture - .jpg

* * *

And after they saw this beautiful Peony Gondola Vision at 23 o clock p.m. Palma said:
»Palmina?«

»Hm?«

4ducale5.jpg

»Today, a bird sung so beautiful this morning as I looked out of the window…
The bird sung very soft so that only I could hear his message. He sung although it was very dark in the early morning…Did you…?«

06DUCALE.JPG

»Yes, I know, this bird sung to bring you my message: I send you today to your name day my best wishes…
Your name starts with G. Your name is G….«

And Palma took Palmina’s hands and kissed them.
»Oh, thank you my Pigeon….
So talented hands…

AKG877983.jpgDie Dogen Lorenzo Priuli und Girolamo Priuli in Anbetung de AKG103652.jpg
always doing rehearsing and playing so much for the republic at the Palazzo Ducale…
…baci, baci, qīnqīn…now your hands and fingers are healed by the golden light… «

And Palmina smiled and it felt for her if she is surrounded by hundreds of peony flowers and said sweet:

»Oh, Palma…, my Palma, my painter, my composer, did you wrote a copy of your new »Golden Light« creation?«

And Palma continued to kiss tender and soft her talented hands to heal her and with one hand he took his music score beside the soft Peony Gondola seat and gave her the music score.

And Palmina smiled much stronger and much happier.

»Woooh, so fast…the whole music score !!!
Oh, Thank you Palma!…«

»…I have to thank you that you played so beautiful in the Palazzo Ducale…

Diese Diashow benötigt JavaScript.

pictures (above) – Palazzo Ducale (Dogan’s Palace) Venice – paintings by Palma il Giovane

Not only this evening! Also all the years as I was painting in the Palazzo Ducale at the huge paintings there.

Your Lute music made me so strong and inspired and you brought me allways fresh bread and food from the kitchen of the Palazzo Ducale.

My paintings would not have this success if there was not your music playing directly to my heart, Palmina«

Palmina smiled and was lucky about this friendly words.

Yes Palmina supported Palma secretly with her talent only a few musicians have developed.

The most only play on their instrument, but Palmina radiates golden light.
Palmina hugged Palma smiling and gave him a tender cheek kiss.

picture 1-8 – Music score of »The Golden Light« for Violin and Piano (also with Pipa, Liuto, Guitar or Harp)

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And Palmina heard now the music again of the »Golden Light« and both felt if they where flying with their Peony Gondola over the surface of planet Mars in a music dreaming Peony Gondola Vision and they saw the music score like that:

VIDEO: [music score video] of »The Golden Light« for Violin and Piano – https://youtu.be/cC2Mb5ED3xA


 

(to be continued…)

__________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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303. Palmina playes the Hymnus Melody at her concert in Venice

303. Palmina playes the Hymnus Melody at her concert in Venice

IMG_20191127_144457.png

     Picture –  Palmina will play Palma’s composition at her concert at the Doge’s Palace.

„Can I have the music score if this Saint of Alexandria Inspiration? Hmm, it is the music to this painting, here in the frari church, isn’t it…“

„Yes,  I will write a copy for you and give it on my working table…“

Palmina smiled very lucky.

And  Palmina gave Palma a tender kiss on the right cheek and over his left eye and, yes, Palma could feel it during his dreams and visions and smiled.
And after they saw this Peony Gondola Music Vision they saw this:

   * * *

Palmina did rehearsal today the whole day and could not bring fresh bread in the morning.

So Palma took his way to the backery shop to buy 8 fresh little fine breads.
He smiled as her colleague in the shop said: „Oh, Meastro Palma il Giovane, Singnorina Palmina prepared this little breakfast basked for you. She is doing her reharsal for the big concert in the Doges’s Palace at San Marco Place.

Palma thanked friendly and went now to his painting working place at the chiesa frari, which is a long walk over the Rialto Bridge.
Sometimes, on other days, he mets Palmina playing at the market there,  in front of the little church, at the Rialto bridge, playing her lute and selling fresh breads.
Today she is not there. Palma looked at the 24 h hour clock of the little church.
Palma was looking forward to see her at the concert.
Palma went to the frari church to continue painting the golden light on the huge painting of the saint of Alexandria.

* * *

Later, at the concert Palmina announced suddenly that she will play the Lute solo Nr. 4 about the Image of THUNDER (zhen 卦震)
„Today I will also play a composition THUNDER from the composer Maestro Palma il Giovane.“
Palma was lucky and Palmina played.
The golden light was now in the hall which is also decorated with huge paintings by Palma il Giovane.

The chinese honour guests, also Master Lao from Giudecca island know the meaning of the 8 Image of the I-Ging very well and smiled also nodding.

And now the birth of the melody wich is a symbol of their music love inspiration Palmina played with her lute along the 11 min performance:

Video: (Hymnus Melody Theme) https://youtu.be/YbumhbqHxkM

And after this Pipa solo Nr. 5 of the „8 Soli for Pipa“ the special guests of the Republic of Venice applauded happy, especially the Chinese people who are living now in the gardens of Giudecca Island.
They will soon invite also to a chinese concert with asian music instruments  at Giudecca and Princess Lin, which Palma painted with all the other princess in white cloth once very beautifully, will play with her students and colleagues.

* * *

(To be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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301. Palma’s drawing inspiration during music listening

301. Palma’s drawing inspiration during music listening

»Heaven, yes heaven! I have to paint here over the main painting of this San Saba Chapel a scene from heaven….«

Now Palma felt inspired to draw an inspiration on a paper.
He lit his lantern and some candles he used to paint at evening there in the church.

Palmina could feel that he is inspired and started to support him with playing on her lutes.

picture 1 - Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 1 – Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin in Venice

»Yes, this will be in the middle above in the half circled painting…«, Palma whispering into Palmina’s ear.

They are completely alone in this Church San Antonin in Venice.
And no one could see what they are doing up there on the wide scaffolding under the half-circled window.

Palmina smiled and looked what Palma had created.
She tries to understand how the painting should look like if it is complete.

»This is only a section of the painting…the middle part…here… this should be there«.
Palma stood up and went carefully to the position where the painting should be.

Now Palmina understood also that Palma will paint this year longer in the chapel because he wants to draw the heaven he saw now in the vision.

»Woooh, so great…and,and… here you painted a Saint Spirit Pigeon!!! Isn’t it Palma?«

»Yes, my Pigeon. The Pigeon which brings the saint spirit! And here I will paint the saint Pigeon and the saint Pigeon only we both can see if we are here at the scaffolding and no one who stands down on earth, if the scaffolding is removed will see our saint spirit pigeon. Pssst. (only if a pigeon or angels lands out there at the window she can see the painted saint spirit pigeon) This Is Our secret, Pssst…«, Palma whispered and he looked at his drawing and he was holding the lantern a little bit nearer to see it better.

Palmina lifted also her lantern and looked interested. Both were sitting on their knees and looking at the place in the huge half circle where the painting in orange colours, the colour of enlightenment and heaven will be painted soon by the well known Palma il Giovane.

picture 2 - black white fotograph of Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 2 – black white photograph of Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin Venice

So this means every evening when Palmina finished her evening concert in the Doge’s Palace where she plays a Lute solo for the international honour guests of the Republic of Venice, she can walk directly her way to the Chiesa Sant‘ Antonin where Palma is the whole day working on the big paintings of the San Saba chapel (on his huge confortable scaffolding).

Yes, this she realized without saying a word and she smiled very strong.
She looked shy on the wooden floor of the scaffolding then she looked up to Palma without moving her head.

picture 3 - Overview - »Campo Bandiera et Moro« (Palmina's Home), Chiesa »San Antonin« (Palma's paintings), The Atelier at the Fondamenta di Furlani and the »Scuola«.png

picture 3 – Overview – »Campo Bandiera e Moro« (Palmina’s Home), Chiesa »San Antonin« (Palma’s paintings), The Atelier at the Fondamenta di Furlani (where Palma also painted Palmina as model) and the »Scuola«

»I will be there every time I have time after the concert Palma…«, she told him with her heart.

And they thanked the heaven for all that art inspirations in music and painting and they thanked the Saint Virgin, they thanked Santa Lucia who send the saint of music into Palma’s difficult live.
And suddenly Palma had a great idea that her father would not be angry because Palma is painting so long in the near area of Palma’s flat at the baker’s shop.

picture 4 - Palma's fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 4 – Palma’s fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593)

»Look, I paint the Saint Saba here. The Miracle which happened at your bakery shop long ago…«

Palma drew fast and he used a drawing on which  he drew the saint virgin with her baby for an other painting.
He painted the scene of the »Miracolo del fornaio«
Palmina started again to play for him and he saw the whole painting like that in a vision.

After the tradition of Master Titian the painting has to be painted only in white colours and later the colours are painted on that white oil painting.

Palma smiled during he was drawing and she could also see in a vision with Palma that Palma will use Palmina’s father as model for the painting (the baker at left)

picture 5 - black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 5 – black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593), left wall in the San Saba Chapel

Palmina understood also that if the Syrian pilgrims will came to Venice very often, the bakery shop will get a big business in the future and Palmina’s father will do nothing against this painting art project.
Also the Republic of Venice wants to have the saint bones of San Saba here in Venice if the miracle is documented and painted by the famous painter Palma il Giovane of Venice.

picture 6 -  complete view of San Saba Chapel at Chiesa Sant' Antonin Venice (without huge scaffolding).jpg

picture 6 – complete view of San Saba Chapel at Chiesa Sant‘ Antonin Venice (without huge scaffolding)

»Oh, my Pigeon you are inspiring me so much, my Santa Cecilia, my Pigeon, my yellow canary bird…«, Palma whispered into Palmina’s ear

»Oh, Palma I love to play your music creations.
My composer, my writer, my painter…«, Palmina whispered Palma in his ear.

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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299. Music score of »Golden Proportion«

299. Music score of »Golden Proportion«

And they saw all the Landscapes flying over Planet Mars and Palma was also inspired to write remembering about his Uncle. Some Landscapes look like buildings. This they saw in their music Peony Gondola Dream at 23 p.m.
It felt like flying over Mars with the so called »Dragonfly«¹)

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¹) A flying vehicle for 2 persons which was constructed to fly over Planet Mars in a speed of 200 km/h.

»Palma?«

»Hm?«

»Can I have the music score of the 5-beat creation, the golden Proportion music (3:2) …?«
»Oh yes, my Pigeon. Here is the music score…«

picture 1-8 – Music of composition »Golden Proportion«

01 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

02 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

03 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

04 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

05 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

06 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

07 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

08 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

Palmina smiled and was very lucky and she hugged Palma with her heart and again there was the golden light heart – to heart – connection between them.

Palma smiled also.

(to be continued…)

__________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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297. Music Inspirations in Venice

297. Music Inspirations in Venice

And suddenly Palma had a music inspiration.
Palmina listened to the music and put her head on Palma’s right side to be with him in their Peony Gondola.

»Oh, so beautiful, this Inspiration, Palma.
I saw the Gondola slowly moving to the Giudecca island.

And I saw the stars over Venice.

I saw Johann Sebastian Bach with his family, with his daughters.

I saw Vivaldi with the talented Orphan Girls musician, his spiritual daughters, with all their Gondolas also moving to Giudecca Island.
And every Gondola has a lantern to shine in the late evening in Venice.

All were happy to visit the Chinese family with their musicians«, Palmina said like dreaming,

»Exactly I had also this music visions, Palmina! We are dreaming the same dream…«

The music inspiration and the music was like that:

VIDEO: Violin and Piano (59d) – https://youtu.be/G_kx8dVLLqY

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After that the Peony Gondola moved in the 16th century.

Palma was painting this year intensive every day on his new creations about the life of San Saba.
Palmina came in the church where Palma is now painting every day.
She has fresh breads and she has also her music instrument, her lute.

As she saw that he does not make a break to eat she wanted to take her lute to play for him, but…
In this moment she discovered a new music score which was beside Palma’s music instrument Viola da braccio on a little working table.

01-04 picture – Ave Verum (San Marco – Venezia) by Gerald Spitzner (facimile)

01 Ave Verum (San Marco - Venezia) Gerald Spitzner (Handschrift).jpg

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02 Ave Verum (San Marco - Venezia) Gerald Spitzner.jpg

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03 Ave Verum (San Marco - Venezia) Gerald Spitzner.jpg

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04 Averum (San Marco - Venezia) Gerald Spitzner.jpg

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She took the music score and wanted to play it.
She read: »Ave Verum. Oh, it is for Choir and Organ and Instruments ad libitum.«

Palmina started to play the music score on her music instrument.

Palma stopped painting and smiled in her direction.
He realized that Palmina discovered Palma’s new music score.

Palmina played the four voices on her Lute and made soft ‚arpeggios‘ of the 4 Voices as accords like a harp.

Palma looked intensive to Palmina, he saw her playing like an angel, he saw her innocent smile, so peacefully, like the Saint Cecilia, sent by the Santa Lucia.
He saw her beautiful hairs, her cheeks, her eyes, her talented hands,…

Inside his heart he painted her, her whole body, her talented hands, her eyes, everything,…an eternal moment.

Palma heard all the voices of the angels as Palmina played his »Ave Verum« for him, here in the little Church Chiesa San Antonin, a few steps from her baker’s shop where her family house is and from where the little fine, fresh, breads are made at the ‚Campo Bandiera e Moro‘ in Venice. (A few steps from the Ospedale La Pieta where the famous music school is.)

And now the eternal smell of the fresh backed breads are in the air and Palma completely forgot that he was hungry since two hours.

»Such a beautiful Choir Compositions. It fits to every ‚Missa Presta‘ at the ‚Communio‘, isn’t it, Palma? I will ask the choir Master Claudio Monteverdi if he can perform it every morning in the San Marco Cathedral…«, Palmina said like a little sweet bird who wants to fly direct to the San Marco Cathedral and to bring the new music score to the famous Choir Master Maestro Claudio Monteverdi.Palma smiled. He was lucky that Palmina is his music inspiration, innocent white pigeon, his sweet clever yellow canary bird, his eternal Palmina Albina!«

And Palmina took now her basket with the fresh, little, fine, white breads and she lifted the basket so that Palma could sniff on them.
During this she smiled and made thin Asian- like eyes.

»Wonderful!«, Palma il Giovane said after he sniffed the fresh smell of the fresh backed breads.
She gave him one and moved her head meaning »Eat, Palma, eat it fresh and warm. Today you worked so much and hard. You are hungry,I can feel it«

Palma took it and made two parts of the warm bread and looked into Palmina’s eyes.
He gave her one half and she smiled.

Now both started to eat the bread, smiling and with much respect.

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And as Palma and Palmina saw this Peony Gondola Vision they heard the composition for the Choir of San Marco in Venice:

VIDEO: „Ave Verum (San Marco Venezia)“ [music score] – https://youtu.be/3Bk25TiAZds

(to be continued…)

_______________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

And after they saw this Peony Gondola Vision Palma said to his Pigeon:

»Palmina, the little sweet bird in the morning said to me that you performed my composition LAKE yesterday! Did you, Palmina…?
I felt in my heart that you played for me…«

Palmina smiled and was happy that Palma could feel her music secret surprise.

He took her hands and kissed her talented hands tender and thankfully.
Palmina’s eyes shined and she felt that Palma wants to heal her hands.
Palma il Giovane could feel in the last days that she had pains on her hands because she prepared hard for this concert.

And during these days he could also feel her tender cheek kisses as he slept and he could feel it in his dreams.

And after that Palmina smiled and hugged Palma and gave him a sweet tender kiss on his cheek – in their Peony Gondola hour at 23 p.m. During this they suddenly continued to see the Peony Gondola vision with Bach in Venice in the 18th century:

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01 picture - San Marco Place in Venice.jpg

01 picture – San Marco Place in Venice

They saw the stars over Venice at the evening sky and they saw this evening Master Johann Sebastian Bach alone with his wife in a huge Gondola.
After the brilliant concert at the ‚Ospedale de la Pieta Girls Orchestra‘ with Vivaldi’s »Gloria« they are all (Bach, his family, Vivaldi and his girls orchestra) invited together with the girls at Giudecca island at a Chinese family, which came once in the 16th century and are living there.
They know a lot of stories about Marco Polo and his Asian Princess and of course a lot of stories about Palmina and Palma. And they are interested in Asian music instruments and of course asian tea.

On their way to Giudecca Island Bach said to his wife: »Maestro Vivaldi’s Girls Orchestra and Choir are brilliant. Should we move to Asia or to Venice, hmm? If I could have such brilliant musicians for my compositions, Anna Magdalena…? This would be a miracle!«, Bach said a little bit sad.

»Yes, this would be a miracle.
Hmmm, but a miracle happened, dear Johann Sebastian…
It happened:
Vivaldis orphan music school girls performed with padre Maestro Vivaldi all your missa brevis¹):

the missa brevis G-Major,
the missa brevis in g-minor,
the missa brevis in F-Major and
the mystic missa brevis in A-Major with Flauto traverso *)

Ach, so beautiful compositions, Johann Sebastian.«, Anna Magdalena said with a sigh in her voice.

They heard the La Pieta Girls Choir and orchestra singing Bach’s composition in a vision and they saw Vivaldi conducting in Venice and it was like this:
*) VIDEO: [music score] (5min) Bach, missa brevis, Mass in A major – Kyrie (Herreweghe) https://www.youtube.com/watch?v=5-Bqgw9Z4S8

»Yes, this was a miracle. Initially I composed this short missa brevis for Franz Anton von Sporck ²) and his ‚Sporck theatre‘. Like a miracle my compositions came in the hands of Antonio Vivaldi in Venice…«, Johann Sebastian said smiling and he put his strong huge arm around his little Anna Magdalena Bach smiling.

»Yes, Johann Sebastian, padre Maestro Vivaldi had good connections to Franz Anton von Sporck and he met him several times as his La Pieta Girls Orchestra gave concerts there in Prague…«, Anna said proud.

»Yes, they performed my compositions in Prague and Venice, yes a miracle…
Thank you Santa Lucia !!! Tomorrow we have to visit the chiesa of Santa Lucia also to visit the Santa-Lucia-paintings of Palma il Giovane there«, he said and searched his Mandolin.

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02 picture - Gondolas moving to Giudecca Island.jpg

02 picture – Gondolas moving to Giudecca Island

All the Gondola’s are now moving at this evening to Giudecca Island with Bach, Vivaldi and the whole talented girls from the La Pieta Orphan shelter music school Orchestra.
They are all invited to the old Chinese Families to a Tea ceremony concert in their big gardens in Venice to hear the Yin-Yang-Chinese-Garden-Orchestra. And all are looking forward to have this Asian Tea and to hear the original Asian Music Instruments.

* * *

And after they saw this Peony Gondola Vision:

Palmina smiled and Palma knew which music piece will be performed at this Chinese concert.

Palma smiled secretly and shy.

»Palma?

Hm, why are you smiling so shy? Palmaaaa? Hmm? «

And they saw the Asian Trigram on the heaven and the heaven was pink with white clouds:

☱ – LAKE- DUI – THE JOYOUS

Now a voice said in ancient old Chinese language style:

» 說萬物者莫說乎澤 –
Of all that forces that GIVE JOY things,
there is no more gladdening than the LAKE ☱ «

»Oh, Palma!«

»Oh, Palmina!«

»Pi-«

»-Pa«

and now they made both a round mouth, moved them to each other mouths
and said together:
»Liu – to – kiss«

And then they kissed sweet and short and smiled.

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(to be continued…)

_____________________________________-
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Bach’s Kyrie–Gloria masses, BWV 233–236 – Wikipedia – https://en.wikipedia.org/wiki/Kyrie%E2%80%93Gloria_masses,_BWV_233%E2%80%93236#BWV_234

»Apart from the 1733 Missa in B minor for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for „short masses“) or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39.[1] Possibly they were written for Count Franz Anton von Sporck² or performed by him in Lysá.«

²) Franz Anton von Sporck – Wikipedia – https://en.wikipedia.org/wiki/Franz_Anton_von_Sporck

»Franz Anton von Sporck, Count (Franz Anton Reichsgraf von Sporck in German, František Antonín hrabě Špork in Czech) (born 9 March 1662 in Lysá nad Labem or Heřmanův Městec; died 30 March 1738 in Lysá nad Labem) was a German-speaking literatus and patron of the arts who lived in the province of Bohemia in what is now the Czech Republic. He was one of the most notable cultural and intellectual figures in central Europe in the early 18th century. «

»…attracting some of the most prominent singers in Italy to Prague, and used Antonio Vivaldi as a source of repertory and singers. VIVALDI himself visited Prague in the early 1730s as a result of his connections with the Sporck theater. Many creative operatic works were first performed in the Sporck theater, including the first opera to use the original settings and character names from the tradition of Don Juan dramatizations:«
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281. The Ancient library on Mars

281. The Ancient library on Mars

»Oh, from here did the music come…«, Palmina said very inspired.

The Peony Gondola followed them in the meanwhile 5 meter behind them, along this ancient street to be nearby if they need the Peony Gondola (Their music instruments are also in this Peony Gondola).

01 picture - a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one).png

picture – a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one)

Palma looked to the Peony Gondola and went to pick up his Viola da braccio and his Mandolin.
Palmina followed him and took also her Lutes and smiled.

»Come, Palma, let’s enter this ancient library!«

And Palma and Palmina entered the ancient Mars library.

As they where inside they realized that it was not dark inside.
A lot of colourful lights were inside. Lights in the different colours: yellow, Pink, green, light-blue, violet, red, green, golden light and colours which are unknown on earth .

»Oh, how interesting these colours are…«, Palma said, »I will later try to paint these colours in my paintings and you will help me to create them on earth, Palmina!«

The room was huge and high. It had exact the dimensions of the church »San Zulian« in Venice nearby Palma’s flat.

The style was also a little bit in Renaissance Style but more in Martian-Style.
There were in the walls a lot of books, scriptures, ancient paper rolls, and visual and acoustic media from metallic and glass or crystal- looking material.

The books are written in different languages of different cultures. But Palma and Palmina could not figure out what it is written about.

Between the book library there were paintings in the same size like in the Church »San Zulian« and the huge painting at the top looked similar to the painting style of Palma il Giovane. Paintings from the Mythological historic period, of the »golden age« from history.

»Who painted these huge paintings on Mars here in that beautiful library?«

Palma and Palmina felt suddenly deep in their heart some remembering.

Now they looked at each other very familiar.

So they remembered also the time as they saw each other after the concert in the San Zulian Church after the presentation of Palma’s painting and Palma went to the left side in the corner to speak with Palmina.

They both remembered the light beam from the window and now as they went also to the right back corner of this library they saw also a light coming and moving towards them.
This lights are a higher technology which adapt their light and position to the moving and to the need of the visitor of that library.

Palmina and Palma looked at each other thinking on their remembering.

In front of them there is a big door with a text they could not read.

Along the frame of the door were the old ancient 8 Trigramms in the order of the Cantico-Order.

»Oh, look isn’t that interesting? The 8 Signs are exact in the Order of the old vase the saint beautiful women gave us once?

Isn’t also Planet Mars associated to the IMAGE of THUNDER and to Sphere of Planet Mars in Dante’s ‚Divina Comaedia‘ in your Pipa Solo Nr.5?«, Palmina asked knowing.

Palmina took her music instrument and played the »Cantico-Hymnus« and it was like that:

VIDEO*): https://youtu.be/rrUiJxY4ksc

 

____________________________________
*) The Spring Melody of the 8 Images of the „8 Soli for Pipa“, Solo Nr.4 (Donner) THUNDER – Cantico Hymnus – Hymnus of Cultures
||| ¦|¦ ||¦ ¦¦| ¦|| |¦| ¦¦¦ |¦¦
☰ ☵ ☴ ☳ ☱ ☲ ☷ ☶
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And suddenly the ancient door opened slowly and an enormous warm and friendly light came out of the open entrance, inviting them to come in.

»You opened the ancient door of the library with the Melody of the Hymnus of Cultures here on Mars, Palmina!«

»Woooh!« she said and jumped in the air.
On Mars there is not such a strong Gravity like on earth Palmina jumped 3 times higher than on earth.

Palma tried to catch her as she was moving back to the planet and he hold her and she is sitting in his arms like in a chair.

»Oh, my Pigeon, you are so light here on Mars.«

Palmina smiled and put her arms around his neck and gave him a tender short kiss.

She said »Pi-«
He answered »Pa-«
She said »Pi-«
He answered »Pa-«
And both »Li-u-to-kiss!«

And they gave each other a lot of »bacci« (ital. »little kiss«).

Palma hold her on his arms and carried her through the door in the room of light.

As they entered this light-room they saw only white warm light.

They felt covered by pure light and suddenly a voice spoke the text of Dante’s Divine Comaedia in the 3rd part, as Dante and Beatrice arrived at the Paradise at the »Primum Mobile« which is pure light.

»Noi siamo usciti fore del maggior corpo al ciel ch’è pura luce «²
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²[Dante, Divina Comaedia III (Paradiso), 30, 40-42]
_________________________________

»Oh, Palmina, this is a text from Dante’s Divine Comaedia and his travel through the heavens.«

»Oh, the deep spiritual love of Dante and Beatrice…«

»Yes, my inspiring pigeon…my uncles father , my grandfather named his daughter, the sister of my uncle with the name ‚Beatrice‘ after Dante’s Divina Comaedia«
»Oh, really? Oh, Palma, we are now in a higher dimension library! Look, they are showing us the history of Planet Mars from the beginning…«

»Yes, Palmina really! This is a mental library with visual books. They send us directly the visions in our heart and we can see the history of Mars. Look, there are ancient buildings. And this buildings exist before they had been destroyed in the war. And a lot of pyramids are also created to produce electric energy on a very high frequency so it is not dangerous for living beings.¹«

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¹ Nicolas Teslar invented the high-frequency electric transmission and realized it in his live time on earth.
_________________

»Amazing!« Palmina said and saw how the nature, the sea, the animals, the living being on Mars lived in harmony like the Hymnus of Cultures – Different but united!«

»Yes, Palmina this is a vision!«

»Different Cultures united in one planet!!!«

The light waited till Palma and Palmina spoke about there feelings and thoughts and then the bright warm light continued to show them their light library.

»Oh, look there are music scores !!!«

»And over there is the score of the music with the mandolin solo which I created for you Palmina…«

»Oh,, yes, your music is a part of this Mars library. There are the music score also of the ‚Hymnus of Cultures‘ and the ‚8 Soli for Pipa and Viola‘ and the ‚Cantico delle Creature‘ and look they made a text on your Instrumental part in a very ancient Language and they associated the 8 Signs to this text, look… Maybe you are allowed to write it down, Palma?«

And the light showed Palma the ancient text and the whole music score and Palma started to write down the music score for Palmina.

And the music score is like that:

3 pictures- first part of the »The Ancient Library on Mars and colourful lights«

02 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

03 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

04 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

* * *

And after they saw this beautiful Peony Gondola Vision Palmina smiled and was very lucky and she wanted to try out the instrumental part of the music score.

And the Peony Gondola played for her the Piano and Violin Part like that:

VIDEO: https://youtu.be/u2ATb4ADRHI

 

 

(to be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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278. An additional Mandolin Part

278. An additional Mandolin Part

And after they heard this Peony Gondola Music Palmina said:

„Oh, fine! From where does the music come? Is it from the little Schiaparelli City? There was an ancient street I remember…Can I hear the music again?“

And they dreamed that the Peony Gondola played again for them this music piece and Palma took his Mandolin and played a new additional Music part during the music.

Palmina smiled and thought silent „Hm, I can try this on my music instrument, hmm, hmm…“

Palma could feel that Palmina wants to play this Mandolin part on her music instrument and smiled more during he was playing and it sounds like this:

VIDEO: https://youtu.be/u2ATb4ADRHI

(to be continued…)
___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

276. Palmina sending a heart-to-heart Melody

276. Palmina sending a heart-to-heart Melody

_Schiaparelli_crater_by_Viking_orbiter.jpg

picture – The huge Schiaparelli Crater with the little crater (left-up) in which Venice and Vienna both would have place

 

The next morning Palma thought in the morning on his Pigeon.
He had intensive feelings and felt a warm connection from heart to heart with her.

Suddenly he heard in his heart Palmina playing a short Melody several time.

»Hm, I should write this Melody down…«

11 3- 22 44 3- 1-

»Well, I think this Melody Palmina played, in D- Major
then it is:

d’d‘  #f‘-   e’e‘  g’g‘  #f‘-  d‘-

Palmina Melody.jpg

picture – Palmina’s Melody send to Palma from ‚heart to heart‘

»…Maybe Palmina wants me to make some variations about this Melody?«

And Palma went this day to a little Organ and tried this Melody out on an little Organ in Venice (at San Zulian)

And after he finished it he felt a warm energy in his heart as if Palmina did listen this organ music also in this moments.

And later at 23 o’clock, at their Peony Gondola hour, in their cosmic Peony Gondola, they met again and Palmina looked innocent smiling but with ‚knowing‘ – eyes.

»Palma?«, she said observing Palma’s reaction but soft and very friendly.

»You played today for me on your Italian Organ…«

»Yes, Palmina, I did..«

»You played a Melody…
…this morning you thought on me very intensive and I felt all your thoughts and what you thoughts where about…and you kissed my hands in your thoughts…the golden light, you know…so I took my music instrument and played for you these few notes…«

»Several times?…«, Palma il Giovane wanted to know.

»Yes, Palma, several times…«

Palma showed her his manuscript:
Palmina Melody.jpg

»Oh, you revived this in your heart…«

Palmina smiled and shined and Palma was also lucky to receive her music from heart-to-heart.

The Peony Gondola was still on Planet Mars and they looked silent out of the Peony Gondola and were impressed to see the little so called „Adriatic Sea“ slowly moving down.

ESP_013030_1750 -- Schiaparelli Crater Drainage.jpg

picture –  detail of huge Schiaparelli Crater

»Mr. Schiaparelli¹ found all this only looking through his telescope from earth,… but he had a big deep connection to planet Mars, otherwise you cannot make such a precise Mars map…«

_Schiaparelli_versus_Mars.jpg

picture – a high resolution picture of the Surface of Planet Mars and the famous Schiaparelli Mars map in comparison

 

Giovanni_Schiaparelli_1890s.jpg

picture: Giovanni Schiaparelli¹ – Italian Astronomer who made the Mars-Map

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¹Giovanni Schiaparelli– Wikipedia – https://en.wikipedia.org/wiki/Giovanni_Schiaparelli

»Giovanni Virginio Schiaparelli, 14 March 1835 – 4 July 1910) was an Italian astronomer and science historian. «

______________________

»…Palma?«

»Hmm?…«

»…Your uncle and his colleague, the physician, did survive the cosmic radiation and the other radiation on planet Mars because they stayed long in the bus and then at the base-camp…

But, but why didn’t both come back to earth?«

»…Oh, that’s a long story…
The physician felt not strong enough and he stayed after medical analysis: that if he comes to earth he will die much faster than if he will stay on Mars….and he can make all the scientific research staying at the base camp…«
»So…why your uncle came back and did not stay with him on Mars…«
»Oh, yes, he wanted to bring all the material, the photos and films, also the film of the landing and flying with the dragon fly over Mars, which they made there and the text papers and all scientific material to earth.
He came for 2 reasons:

First the earth should be warned that a Man mission will be too difficult in the future until the Mars surface is not replanted with plants by automats…

The second reason and most important reason: He wanted to see my mother and all his brothers and sisters back at earth – even he will die sooner then his colleague on Mars…It was medical fact that if you return to earth then the body is too week to survive more then one year…but to see us again…yes… this was worth he said and: he could tell us this story to our family…later he could communicate with each other by using wireless radio message (which Nicola Teslar invented²) sending radio-message as written text between Planet Earth and Planet Mars. (A=01 B=02 C=03…)«

I will write all my remembering on my uncle in this blog: https://unclewillybacktoearth.wordpress.com

_____________

²Nikola Tesla – Wikipedia – https://de.wikipedia.org/wiki/Nikola_Tesla

»Nikola Tesla  Serbo-Croatian: [nǐkola têsla]; Serbian Cyrillic: Никола Тесла; 10 July 1856 – 7 January 1943) was a Serbian-American  inventor, electrical engineer, mechanical engineer, and futurist who is best known for his contributions to the design of the modern alternating current (AC) electricity supply system.«

 __________________________

»Oh, fine, my Palma, my writer, my painter, my composer, my deep love!!!

…and it will take 800 years after intensive re-planting this planet to make it possible for man to visit planet Mars…«

»But we both – you and me – can meet us anytime on Mars with our Peony Gondola…«

»Yes, our dreaming Gondola, the place of our common dreams, the place of our heart…«

And the Peony Gondola started again to fly over the surface of Mars to show them a lot of landscape of Mars.

And Palma stared to made fast drawings all he saw and he painted Palmina shining in golden-light color and it was as if the time stopped and was running slower and both smiled at each other and they listened to Palma’s 8th music creation „Mars Suite – part 8″

Palma smiled – Palmina smiled…

VIDEO: ( Dreaming Flying over Mars III – Mars-Suite part 8 – Violin and Piano) https://www.youtube.com/watch?v=l7kZjw4ScA8

 

* * *

(to be continued…..)
____________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

274. Dreaming Flying over Mars

274. Dreaming Flying over Mars

»Palmina? Today is our remembering day….«, Palma said very carefully to his Pigeon.

»Yes, Palma, I remember this day after the concert as all begun…«

»I asked you about your music instrument. The names of the strings..«

Palmina smiled very strong and both had now very romantic feelings and remembering in their hearts and they said nothing – only feeling with their hearts – from heart-to-heart.

After a Romantic while and after they looked over the wide landscape of Planet Mars which was south from the big wall of the little Schiaparelli Mars City:

»Palma, did you remember as we kissed the first time on Mars?«

»Yes, I remember. Yes, we have been the first…«

»Do You remember as we made music here on Mars?«
»Yes, we played together the 8 Soli for Pipa and Viola here on Mars«

»Yes, we have been first making music on Mars….«

»Hm, Palmina we haven’t been the first on Mars doing this…«

»Yes, but the first after…«
»Yes, the first after…«

»The first after … AFTER A LONG TIME!!!«, Palmina and Palma said in the same moment smiling.

»Palma and Palmina hugged and had suddenly remembering on their early time on Mars.«
»Oh, I can feel it…«

»Yes, Palmina we both feel it…«

And he took her talented hands and kissed her tender.

»And during they hugged each other the Peony Gondola moved again along the Schiaparelli Mars City, along the buildings, along the river, along big wall
and they saw all the remembering they had from earlier time and they heard Palma’s 6th creation of his music composition »Mars Suite« and it was like that:

VIDEO: ( Mars Suite (6) »VI. Dreaming Flying over Mars« ) https://youtu.be/NbBU6gKBjdA

(to be continued…..)

__________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner