321. The secret of Palmina – an evening walk in Venice

321. The secret of Palmina – an evening walk in Venice

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picture 1 – View of Isola Giorio Maggiore in Venice

And they continued to dream their Peony Gondola dream like that:

* * *

»Oh, Palma…I remember her. She was my Asian music teacher. As she followed the invitation to our Philosophical School in South Italy to come with her Master, Master Lao, I learned to play this music instrument Gu Zhin and Gu Zheng and, and my fascination for Asian music instrument she revived in that time period…«

»Oh, Palmina…let us continue…what ever comes…we have such a strong connection«

»Yes, Palma, let us continue…«

IMG_20200126_143103

picture 2 – view of a Gondola in Venice

And now they saw, sitting side-by-side, together in their Peony Gondola at 23 p.m. and they saw this vision of their time in the 16th century in the year 1582 as Saint Theresa of Avila died.
In this year in Venice as they were much younger than in the year 1610
they saw that Palmina and Palma tried to write a letter to each other:

* * *

» Venice, 1582

Dear Palma,

Today I decided to write a message to you.
For security I send you this text also as Pigeon-Mail, so you can proof if the normal letter has been stolen from your Mail Box, as usually from the Administrator of the Dark Sugar Earth Social Media Church.

We have to meet us for a long evening walk in Venice.
We have to talk to each other.
I have to tell you about something what happen in my live and it is important that you hear the truth and not what others say about me in the public.

Looking forward to see you.

Your Palmina, your little yellow canary bird.

Palmina Albina«

And Palmina took her Lute and played the »Thinking on each other melody« several times.

VIDEO: https://youtu.be/Dum0FaJUkpw

* * *

In this moment Palma il Giovane stopped drawing at his artwork as he heard this melody deep in his heart.
His heart feels a warm golden light around his heart and he knows now:
his Pigeon is playing the »Thinking on each other melody« several times.

VIDEO: https://youtu.be/Dum0FaJUkpw

Palmina smiled as she could feel Palma’s reaction.

Palma smiled and Palmina smiled and both could feel it.

What ever happens in their life they would never stop to think on each other.

He wrote:

»Venice, 1582

Dear Palmina!

I feel it, today you wrote a letter to me and the birds outside in the little garden are singing beautiful melodies as messengers for me.
Oh, my Palmina, they told me you want to see me again for a long walk and talk. You want to tell me an important think which happened in your live…
Did I understood the bird correct?
They say a letter Pigeon will come and bring the written message soon.

I am looking forward to hear from you,

my yellow canary bird,
your Palma il Giovane«

* * *

And now they saw them walking in Venice the whole late afternoon till in the late evening, going together, speaking about a very important think in their live:

Now they walk silent a long time side-by side in Venice without talking.

Palma il Giovane waited like an old Chinese Master what Palmina wanted to say to him.
He could feel that Palmina has to say something important, but she did not want to hurt his feelings.

»Palma…«

»Hmmm…?«

»Do you see this ring?«

»Oh, he is new…Does it disturb you when you are playing on your music instrument?«

Palmina suddenly smiled, because Palma seems to say the right words in the right moment.

»Yes, Palma! It disturbs me much.«

Palmina understood the deeper meaning of his words and smiled stronger.

»Yes, exactly about that fact I wanted to speak with you today…«

»What fact?…«

»The fact that I said YES, a few days ago…«

»Yes – to whom?«, Palma said disappointed.

»Oh, no, Palma. It is not like you think…I thought it was a joke…and so I said yes to his question…«

»..but who is he?«

»You know, I was on the concert tour and on my way back I met him and my father asked him to… I mean he is not really my…
…you have to know: As I made my concert career on that island, we got more and more letters from men who wanted to have contact to me and to marry me….«
»Oh, I see..and you made the choice for only one man..«

»Oh, Palma…I did not made my choice…«

»Your father made the choice for your future men?«

»No, no,no, Palma…He asked him to PLAY the ROLE to be my boyfriend only in the public to avoid that one of the music fans wanted to have too close contact for me…«

»I understand…but, why he is now in Venice?«

»Yes, it was a surprise for me and I thought that I have to continue to play his girl-friend after the orders of my father. I thought my father wants that the people of Venice know that I am engaged.«

»Oh, I see, it was only a joke…«

»No, no Palma, this time he made it serious and I have now a Problem…
His family is expecting to marry me to get the citizenship of the Republic of Venice.«

»Oh,,that’s the problem… He is from that island and since 1572 the Republic of Venice has lost its government on that island. The O.S. attacked the country and took the north part of Cyprus Island.«

»Is he from north Cyprus?«

»Yes, Palma, that’s the Problem he is member of the church of O.S.«

»But, Palmina, what’s the problem? If all this was a joke, why is it a problem?«

»The Problem is: He helped me to protect me from the music fans, he played the role of a boy friend in the public – nothing else. And now he wants that we help him to live in Venice. And therefore he said after I said YES, that he wants to get the citizenship of the Republic of Venice.
And he thought I will marry him…as thank you for his help on Cyprus Island.«

»And what does your father say?«, Palma asked like a good friend.

IMG_20200126_143858
picture 3 – 2 Lanterns in Venice

»My father shouted and said ‚Why you did not say NO to this Moslem. Why did you not take Master Giovanni Palma il Giovane, he is a tolerant and good man, he is a successful painter who paints in whole Venice, who paints at the Palazzo Ducale, where the mightiest persons of the world are going in and out….‘, he said and he punished me with his violence«

»And how did your North-Cyprus-fake-boy-friend react after you said him that it was a misunderstanding…?«

Later on the street he punished me violently also violent like father and said »After our religious tradition the women has to obey the husband even she is a Christian«

»I said to him: I am not your wife. – He said that I said Yes in the public. He said he will destroy my music career on Cyprus Island – and he said also that his rich family will support me with money for the concerts if I decide to be his wife.«

* * *

 

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picture 4 – Evening Sunset in Venice (right San Marco Place, left is Isola Giudecca, where Palmina worked as music teacher at the Le Zitelle

And now both were silent.

Palma was now alone with her.

Palmina made a long sigh – Palma made a long sigh.

He put his strong arm around her.
Palmina could feel his warm energy and she felt Palma takes care for her.

Now they went for a long walk in Venice, the atmosphere of the coming evening made them both very harmonic and full of hope.

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picture 5 – Harmonic evening View in Venice

They did not say any word, but their hearts communicated with a secret golden light.

* * *

After they saw this Peony Gondola Vision Palma took his Viola da braccio and played for Palmina also the »Thinking on each other Melody« and it was like that:

VIDEO: https://youtu.be/VMZfZXjtK3s

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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318. Music inspirations for two Instruments

318. Music inspirations for two Instruments
 

picture - (1610-20) »Assunta« - Museo civico di Crema e del Cremasco by Palma il Giovane.jpg
picture – (1610-20) »Assunta« – Museo civico di Crema e del Cremasco

by Palma il Giovane

»Oh, Palma. Thank you for your little concert for me.«, Palmina said and she put her head on Palma’s side, sitting beside him in the Peony Gondola.

»I have to thank you that you decided to play my composition in your concert at the Doge’s Palace in Venice.
Every time you play something from me I can feel it deep in my heart.
It is a warm and golden light. I have to thank you, Palmina, my Pigeon. My inspiration.«

Palmina smiled.

»Did I inspire you to a new artwork, my Palma?«

»Yes, look, Palmina, I have a new music creation…«

Palma created a new creation for Violin and Piano and they listened and it was like that:

VIDEO 1: Violin and Piano (68c) https://youtu.be/WsNVCyjTe3U

»…and this: Look: Planet Saturn and its moons are moving exact behind the sun the astronomers calculated…«

»Oh, really, yes…«

And Palmina put her head to Palma’s side and they saw the vision together and they listened this Saturn-sun-music creation like that:

VIDEO 2: Violin and Piano (68d) https://youtu.be/th30B_L6BqA

 

(to be continued…)
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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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✮ 315. Palma as supporter of artist in the 16th century ✮

✮ 315. Palma as supporter of artist in the 16th century ✮

And they continued to dream their Peony Gondola Vision and they saw this:

* * *

picture 1 - view of the different places where composer Gabrieli and composer Monteverdi placed his several choirs (often 3 or 4) and instrumental groups within the same composition in this San Marco Cathedral in Venice.jpg

picture 1 – view of the different places where composer Gabrieli and composer Monteverdi placed his several choirs (often 3 or 4) and instrumental groups within the same composition in this San Marco Cathedral in Venice

After Cousine Mihaela sung so beautiful her Sopran Aria, Master Gabrieli stood up from the Organ to conduct several Choirs.

They sung also a composition of Gabrieli composed for several choirs and instrument groups, standing at different positions in the Church Basilica San Marco in Venice.

»It sounds to be like in heaven!«, Giulia, Palma’s younger daughter said.
Palma was lucky that his daughter’s are interested in arts and music. Giulia is also making progress in her study of painting in the Titian academy.
Giulia is finishing Palma’s painting with landscapes, trees, the buildings etc… in the background part of his paintings.
Palma smiled to his Giulia proud.

From all directions, from up left and from up right, there is coming choir- and ensemble music.

»Did Master Gabrieli compose this music piece for 4 choirs, standing on 4 different positions in our golden Basilica?«, Palma thought and looked around the golden Basilica to find the place where the musicians are making wonderful music.

During the music he begun to think about the recent private concert in Palma’s flat with its big private concert hall: »Hm, Heinrich Schütz could play the Harpsichord at this concert… Hm, hm, and Palmina could play the Lute part…
…at the actual performance of Claudio Monteverdi’s¹) L’Orfeo²) in our palace on San Marco Place, in the 2nd floor.
There will be special honour guests of our republic of Venice.
Hm, hm, hm,… and if Claudio Monteverdi says that he is a brilliant musician, then I can tell this positive words about Schütz as musician to Master Gabrieli at our next tea time meeting…«, Palma thought silent and smiled.

Palmina smiled because she also thinks »That is a good idea, Palma…«

»..how can I make Heinrich Schütz to be not only Master Gabrieli’s music student, but to be his Master Student?
Maybe with this idea…!«, Palma il Giovane thought.

There are a lot of music students coming with money to study in Venice, to study music or to study painting; but to be a Master student, this is a big privilege.

You have not only to be a very, very good music student, you have to be also choosen by the Master himself.

* * *

As they saw this Peony Gondola Vision, Palmina and Palma sat beside in the Peony Gondola at 23 p.m.

Palma could feel that Palmina’s left hand ring finger is painful because of doing rehearsal so much.

Palma took her left hand and kissed her tender and soft to heal her hand and her ring finger.

Palmina smiled shy and her pain was gone.

»Palmina?«

»Hm?«

»You are preparing a new concert?«

»Yes, Palma, my Master. I want also to play a composition of you in my next concert and I send you a messenger to inform you.
Hm, but it seems that the Administrators of the church of social media have stolen my letter to you…«

»Palmina…« and he kissed her hand again soft and tender, full of love and light, full of golden light, »…in my heart I felt your positive thoughts towards me. In the nature a little bird sung a melody from you and I listened to the bird lucky. I am very lucky that you want to play a composition of me.«

»…you remembered that Master Lao said to you 1000 years ago that we will met again… I give you from now on your old name Mia. I was your Master once and I was your…«

Palmina smiled and hugged suddenly his old Master and said with her soft voice:
»Oh, Master. We have now the chance to work together in inspirative way as artists and you have given me back my old name: Mia«

»Yes, Mia!
Si certo, mia dolcissima Mia!«

»Oh, my old Master P…«

»Psst, don’t say my name!«, Palma said fast.

»Oh, wo de dà shi G…«

»Psst, don’t say my name!«, Palma said also fast.

»Oh, mio maestro Palma il Giovane!«

And Palma hugged her now stronger and both had tears in their eyes.

Now they saw suddenly Master Lao on heaven and he showed them a interesting Vision about the century of Mia (before Lao tze came to the West); the moment as Xuan Ming was choosen as Master Student of Lao tse and his personal writing-secretary and his personal taking-care-of him-secretary:

picture 2 - musician and secretary Xuan Ming is lucky.png
picture 2 – musician and secretary Xuan Ming is lucky

And they saw suddenly a Vision:

VIDEO: (Lao tse and his new master student) https://youtu.be/myAwsBoWq6Q

(to be continued…)
______________________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Claudio Monteverdi (1567 – 1643) – Wikipedia – https://en.wikipedia.org/wiki/Claudio_Monteverdi

»Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.«

»[…] Monteverdi’s early musical training, or evidence that (as is sometimes claimed) he was a member of the Cathedral choir […]. Monteverdi’s first published work, a set of motets, Sacrae cantiunculae (Sacred Songs) for three voices, was issued in VENICE in 1582, when he was only fifteen years old.«

²) »L’Orfeo – Wikipedia – https://en.wikipedia.org/wiki/L%27Orfeo
L’Orfeo, sometimes called La favola d’Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri’s Dafne is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri’s Euridice, L’Orfeo is the earliest that is still regularly performed.«

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311. Palma’s Answer to Palmina’s Pigeon Letter

311. Palma’s Answer to Palmina’s Pigeon Letter

picture - Santa Lucia Jacopo Palma il Giovane Chiesa dei SS. Geremia e Lucia Venezia.jpg
picture – Santa Lucia by Palma il Giovane (Palmina was model)

And now the year changed and the fireworks in Venice made colourful figures at midnight, the 1st of January, on the night sky over Venice.

Palmina hugged Palma and kissed him long and tender on the right side of his cheek beside his lips.
And Palma could feel it and smiled, and he smiled for a long time.

»Happy new Year! Palma!«

»Happy new year! Palmina!«
They dreamed a long time side by side in the Peony Gondola, observing the nice and colourful fireworks over Venice.

Palma was lucky and Palmina was also lucky.

»How would I answer if I also write a Pigeon Letter to you as answer, Palmina?«

Palmina took also a piece of paper and wrote also a letter on it.

Now Palma holds the lantern so she gets light from him:

» Venice, 1st January 1610

Dear Palmina!

I also think always of you.
There is no moment without positive thoughts of you.
It may be right if Master Lao told you once that we will meet again several times…
In Asia and India the people say that a soul comes again back to life and it happens that souls are meeting each other, even after hundreds or thousands of years.

I have the same feeling like you.
I also can’t wait to see you again after such a long time.
In my thoughts we are connected and no one can take this.
We know each other from earlier time.
Maybe I was in a later century once Marco Polo and you my Chinese Princess, the beautiful Buddhist nun, which I brought back to Venice and you lived there at the Gardens of Giudecca Island with about 600 people. Now in our century you are living again there – I mean you have an own flat there as music teacher of the Le Zitelle Girls.
And you learned again an Asian Music Instrument – The Chinese Pipa Lute –
But at Master Lao’s century you learned a Gu zheng – am I right, my Pigeon? And yes, you had been my Music Master Student. That’s why you understood my 8 Asian creations – the 8 Lute solo – from the first moment.
No one would understand these 8 Lute soli and it’s meaning – except you – for the future of peace for Europe and Asia – It is a Marco Polo Music Peace Message – because the knowledge about such music projects are inside of you.
And you understood this music from the first moment…«

Palma smiled and Palmina looked into Palma’s smiling eyes.

In her beautiful shining eyes was the reflection of the soft light of the lantern and the colourful firework in Venice.

(to be continued..)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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306. Again on Planet Mars with the Peony Gondola

306. Again on Planet Mars with the Peony Gondola

And after they saw this Peony Gondola Vision they flew in their hearts together again along the surface of Planet Mars:

* * *

Palmina’s beautiful hairs moved soft in the wind and she smiled.
Palma saw interesting landscapes and a lot of beautiful mountains.

Some mountains and its regions seemed to be blue or green coloured, some orange coloured like in a desert.
They saw also a few clouds on Mars and then they flew again along the huge Schiaparelli Crater with a diameter of nearly 400 kilometres.

Palma made some short and fast drawings of these landscapes.
Palmina understood Palma, he is inspired and is now very creative.

During this they heard this music in their hearts:
VIDEO 1: Violin and Piano (64d) https://www.youtube.com/watch?v=S_lB2Hc3_j8


»We are flying over Planet Mars! So beautiful, Palma…so beautiful…«

And the Peony Gondola landed soft on a huge wall which is along the little crater in the Schiaparelli Crater. (at the South part of this little crater in the north east corner of the huge Schiaparelli Crater)

VIDEO 2: Violin and Piano (64b) https://www.youtube.com/watch?v=m_Lzn7Ems9U

From there they had a wide view along the landscape of Planet Mars looking in the south direction.

As they looked interested along the interesting landscape they heard this music inside their hearts:

VIDEO 3: Violin and Piano (64c)
https://www.youtube.com/watch?v=S_lB2Hc3_j8

 

(to be continued…)

________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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303. Palmina playes the Hymnus Melody at her concert in Venice

303. Palmina playes the Hymnus Melody at her concert in Venice

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     Picture –  Palmina will play Palma’s composition at her concert at the Doge’s Palace.

„Can I have the music score if this Saint of Alexandria Inspiration? Hmm, it is the music to this painting, here in the frari church, isn’t it…“

„Yes,  I will write a copy for you and give it on my working table…“

Palmina smiled very lucky.

And  Palmina gave Palma a tender kiss on the right cheek and over his left eye and, yes, Palma could feel it during his dreams and visions and smiled.
And after they saw this Peony Gondola Music Vision they saw this:

   * * *

Palmina did rehearsal today the whole day and could not bring fresh bread in the morning.

So Palma took his way to the backery shop to buy 8 fresh little fine breads.
He smiled as her colleague in the shop said: „Oh, Meastro Palma il Giovane, Singnorina Palmina prepared this little breakfast basked for you. She is doing her reharsal for the big concert in the Doges’s Palace at San Marco Place.

Palma thanked friendly and went now to his painting working place at the chiesa frari, which is a long walk over the Rialto Bridge.
Sometimes, on other days, he mets Palmina playing at the market there,  in front of the little church, at the Rialto bridge, playing her lute and selling fresh breads.
Today she is not there. Palma looked at the 24 h hour clock of the little church.
Palma was looking forward to see her at the concert.
Palma went to the frari church to continue painting the golden light on the huge painting of the saint of Alexandria.

* * *

Later, at the concert Palmina announced suddenly that she will play the Lute solo Nr. 4 about the Image of THUNDER (zhen 卦震)
„Today I will also play a composition THUNDER from the composer Maestro Palma il Giovane.“
Palma was lucky and Palmina played.
The golden light was now in the hall which is also decorated with huge paintings by Palma il Giovane.

The chinese honour guests, also Master Lao from Giudecca island know the meaning of the 8 Image of the I-Ging very well and smiled also nodding.

And now the birth of the melody wich is a symbol of their music love inspiration Palmina played with her lute along the 11 min performance:

Video: (Hymnus Melody Theme) https://youtu.be/YbumhbqHxkM

And after this Pipa solo Nr. 5 of the „8 Soli for Pipa“ the special guests of the Republic of Venice applauded happy, especially the Chinese people who are living now in the gardens of Giudecca Island.
They will soon invite also to a chinese concert with asian music instruments  at Giudecca and Princess Lin, which Palma painted with all the other princess in white cloth once very beautifully, will play with her students and colleagues.

* * *

(To be continued…)

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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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299. Music score of »Golden Proportion«

299. Music score of »Golden Proportion«

And they saw all the Landscapes flying over Planet Mars and Palma was also inspired to write remembering about his Uncle. Some Landscapes look like buildings. This they saw in their music Peony Gondola Dream at 23 p.m.
It felt like flying over Mars with the so called »Dragonfly«¹)

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¹) A flying vehicle for 2 persons which was constructed to fly over Planet Mars in a speed of 200 km/h.

»Palma?«

»Hm?«

»Can I have the music score of the 5-beat creation, the golden Proportion music (3:2) …?«
»Oh yes, my Pigeon. Here is the music score…«

picture 1-8 – Music of composition »Golden Proportion«

01 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

02 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

03 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

04 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

05 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

06 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

07 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

08 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

Palmina smiled and was very lucky and she hugged Palma with her heart and again there was the golden light heart – to heart – connection between them.

Palma smiled also.

(to be continued…)

__________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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298. ✮ The golden proportion in Palma’s painting and music ✮

298. ✮ The golden proportion in Palma’s painting and music ✮

picture 1 - Chiesa Sant' Antonin where Palma painted the whole year 1596 on the paintings about the life of San Saba.jpg
picture 1 – Chiesa San Antonin where Palma painted the whole year 1596 on the paintings about the life of San Saba

And they remembered all the days as Palmina came with her basket with fresh bread or food from the Dogan’s Palace where Palmina played often Lute solo concerts for the international honour guests of the Republic of Venice, sometimes with her lantern and with her music instrument, her lute.

Every time Palma il Giovane painted in the church he put on his working table
a music score for Palmina.

Often she comes at Palma’s painting working place and her first look was on the little working table where also a lot of glass with colours and paint brushes are placed.

And every time she smiled if she saw a new composition for her waiting to be played by her on that table.

Sometimes she played it directly in the church – Palma’s ear and heart was in such moments direct with Palmina.
Palma was lucky and he followed every tone she played.

And Sometimes she did rehearsal it in her little room in the ‚Calle de la Pieta‘.

 

picture 2 - Square_San_Marko_in_Venice_at_night_light.jpg
picture 2 – Doge’s Palace in Venice (left) where Palmina performed often Palma’s music creations for her

Sometimes she performed it then at the evening concert in the Doge’s Palace on San Marco Place.
During this concerts Palma could feel that. He could feel that she was performing his music creation, he felt it deep in his heart, even he was painting with a lantern or sleeping at the painting scaffolding in the church even he is sleeping in his little bed, he could feel her heartfelt music playing and smiled and was lucky.

Very often Palmina came with her Lute at that Church Chiesa San Antonin to play his new composition and Palma was very lucky to hear his new creation played by her and he painted during this very happy.
So in this way Palmina inspired Palma to compose little creations for her and there was no day without a new fresh composed music score, waiting on the working table beside the bottles with colours and several fine paintbrush.

picture 3 - One of the Paintings about the live of San Saba*) in Sant' Antonin in Venice.JPG
picture 3 – One of the Paintings about the live of San Saba*) in Sant‘ Antonin in Venice

*) There was a scaffolding in the year 1596 on the left side on which Palma was working on the half-circle paintings till the evening. Palmina came with a lantern to bring him light and to play soft lute music for him (often she surprised him with his own music compositions)

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During they saw this Peony Gondola Vision a music creation comes from Palma’s heart to describe this Vision of the year 1596.

And Palmina put her head to Palma’s side and they listened to the music and they saw all this secret music moments and it was like that:

VIDEO:Violin and Piano (60b): https://youtu.be/rRwEHZS4Xrg

»Oh, Palma, it is composed in the 5/4 beat isn’t it?«

»Yes it symbolizes the golden proportion¹) in art. I use it in my Paintings (a:b = b : (a+b) – The smaller (a) is in relation to the bigger (b) like the bigger (b) to whole (a+b)«

»Oh, 5 beats per bar as golden proportion. Woooh, Palma, that is an amazing music idea!!!«

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¹) Golden Proportion ( „golden ratio“) in Mathematics and Art – Wikipedia – https://en.wikipedia.org/wiki/Golden_ratio

»In MATHEMATICS, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship. «

in ART:
» The golden ratio is also called the golden mean or golden section (Latin: sectio aurea). Other names include extreme and mean ratio, medial section, divine proportion, divine section (Latin: sectio divina), golden proportion, golden cut,and golden number.

Mathematicians since Euclid have studied the properties of the golden ratio, including its appearance in the dimensions of a regular pentagon and in a golden rectangle, which may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has also been used to analyze the proportions of natural objects as well as man-made systems such as financial markets, in some cases based on dubious fits to data.[9] The golden ratio appears in some patterns in nature, including the spiral arrangement of leaves and other plant parts.

Some twentieth-century artists and architects (see also art and architecture in the earlier centuries), including Le Corbusier and Salvador Dalí (Titian, Palma il Giovane, Johann Sebastian Bach), have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio—believing this proportion to be aesthetically pleasing. «

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After they listened to the music they continued to dream their Peony Gondola Vision and it was like that:

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Yes, she played his music creation for him with all her heart and Palma got more power to paint.

If she played he could feel her heartfelt personal dedication. It seems that she is hugging his heart with her music performance and Palma could feel it even they get a distance of thousands of miles / kilometers.

If they are not alone and some Titian Art School students are assisting Palma with painting work they were carefully that no one could realize that Palma and Palmina are looking and smiling at each other.
In such moments Palmina played and smiled. And Palma could feel her smile without looking in her direction and Palma smiled also secretly during he was painting on his huge painting artwork.
Also the other students painted better and are more concentrated if Palmina was there and playing on her Lute.

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And after that Peony Gondola Vision Palmina and Palma dreamed a dreaming music like to fly together over the surface of Planet Mars and the dreaming music was like that:

VIDEO: 3min Violin and Piano (60c) : https://youtu.be/Ws_Wj5eNFac

(to be continued…)

 

 

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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