304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

01 picture - san-marco-venecia.jpg

picture – Palazzo Ducale (Dogan’s Palace) at right, Astronomical 24h clock (in the middle) and in Venice at evening and the windows Palma’s flat in the 2nd floor (left beside the astronomical clock building)

»And now we can see the famous paintings by Giacomo Palma il Giovane…«

And the honour guests of the Republic of Venice could now see the huge paintings of Giacomo Palma il Giovane.

»Can I have an autograph, please Maestro Diacomo…«

»Oh, Giacomo with G… my Name starts with a G.«, Palma said and gave some autographs to the interested people.

And they looked now at the paintings of G – iacomo Palma il Giovane:

02 picture - .jpg

* * *

And after they saw this beautiful Peony Gondola Vision at 23 o clock p.m. Palma said:
»Palmina?«

»Hm?«

4ducale5.jpg

»Today, a bird sung so beautiful this morning as I looked out of the window…
The bird sung very soft so that only I could hear his message. He sung although it was very dark in the early morning…Did you…?«

06DUCALE.JPG

»Yes, I know, this bird sung to bring you my message: I send you today to your name day my best wishes…
Your name starts with G. Your name is G….«

And Palma took Palmina’s hands and kissed them.
»Oh, thank you my Pigeon….
So talented hands…

AKG877983.jpgDie Dogen Lorenzo Priuli und Girolamo Priuli in Anbetung de AKG103652.jpg
always doing rehearsing and playing so much for the republic at the Palazzo Ducale…
…baci, baci, qīnqīn…now your hands and fingers are healed by the golden light… «

And Palmina smiled and it felt for her if she is surrounded by hundreds of peony flowers and said sweet:

»Oh, Palma…, my Palma, my painter, my composer, did you wrote a copy of your new »Golden Light« creation?«

And Palma continued to kiss tender and soft her talented hands to heal her and with one hand he took his music score beside the soft Peony Gondola seat and gave her the music score.

And Palmina smiled much stronger and much happier.

»Woooh, so fast…the whole music score !!!
Oh, Thank you Palma!…«

»…I have to thank you that you played so beautiful in the Palazzo Ducale…

Diese Diashow benötigt JavaScript.

pictures (above) – Palazzo Ducale (Dogan’s Palace) Venice – paintings by Palma il Giovane

Not only this evening! Also all the years as I was painting in the Palazzo Ducale at the huge paintings there.

Your Lute music made me so strong and inspired and you brought me allways fresh bread and food from the kitchen of the Palazzo Ducale.

My paintings would not have this success if there was not your music playing directly to my heart, Palmina«

Palmina smiled and was lucky about this friendly words.

Yes Palmina supported Palma secretly with her talent only a few musicians have developed.

The most only play on their instrument, but Palmina radiates golden light.
Palmina hugged Palma smiling and gave him a tender cheek kiss.

picture 1-8 – Music score of »The Golden Light« for Violin and Piano (also with Pipa, Liuto, Guitar or Harp)

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And Palmina heard now the music again of the »Golden Light« and both felt if they where flying with their Peony Gondola over the surface of planet Mars in a music dreaming Peony Gondola Vision and they saw the music score like that:

VIDEO: [music score video] of »The Golden Light« for Violin and Piano – https://youtu.be/cC2Mb5ED3xA


 

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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303. Palmina playes the Hymnus Melody at her concert in Venice

303. Palmina playes the Hymnus Melody at her concert in Venice

IMG_20191127_144457.png

     Picture –  Palmina will play Palma’s composition at her concert at the Doge’s Palace.

„Can I have the music score if this Saint of Alexandria Inspiration? Hmm, it is the music to this painting, here in the frari church, isn’t it…“

„Yes,  I will write a copy for you and give it on my working table…“

Palmina smiled very lucky.

And  Palmina gave Palma a tender kiss on the right cheek and over his left eye and, yes, Palma could feel it during his dreams and visions and smiled.
And after they saw this Peony Gondola Music Vision they saw this:

   * * *

Palmina did rehearsal today the whole day and could not bring fresh bread in the morning.

So Palma took his way to the backery shop to buy 8 fresh little fine breads.
He smiled as her colleague in the shop said: „Oh, Meastro Palma il Giovane, Singnorina Palmina prepared this little breakfast basked for you. She is doing her reharsal for the big concert in the Doges’s Palace at San Marco Place.

Palma thanked friendly and went now to his painting working place at the chiesa frari, which is a long walk over the Rialto Bridge.
Sometimes, on other days, he mets Palmina playing at the market there,  in front of the little church, at the Rialto bridge, playing her lute and selling fresh breads.
Today she is not there. Palma looked at the 24 h hour clock of the little church.
Palma was looking forward to see her at the concert.
Palma went to the frari church to continue painting the golden light on the huge painting of the saint of Alexandria.

* * *

Later, at the concert Palmina announced suddenly that she will play the Lute solo Nr. 4 about the Image of THUNDER (zhen 卦震)
„Today I will also play a composition THUNDER from the composer Maestro Palma il Giovane.“
Palma was lucky and Palmina played.
The golden light was now in the hall which is also decorated with huge paintings by Palma il Giovane.

The chinese honour guests, also Master Lao from Giudecca island know the meaning of the 8 Image of the I-Ging very well and smiled also nodding.

And now the birth of the melody wich is a symbol of their music love inspiration Palmina played with her lute along the 11 min performance:

Video: (Hymnus Melody Theme) https://youtu.be/YbumhbqHxkM

And after this Pipa solo Nr. 5 of the „8 Soli for Pipa“ the special guests of the Republic of Venice applauded happy, especially the Chinese people who are living now in the gardens of Giudecca Island.
They will soon invite also to a chinese concert with asian music instruments  at Giudecca and Princess Lin, which Palma painted with all the other princess in white cloth once very beautifully, will play with her students and colleagues.

* * *

(To be continued…)

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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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301. Palma’s drawing inspiration during music listening

301. Palma’s drawing inspiration during music listening

»Heaven, yes heaven! I have to paint here over the main painting of this San Saba Chapel a scene from heaven….«

Now Palma felt inspired to draw an inspiration on a paper.
He lit his lantern and some candles he used to paint at evening there in the church.

Palmina could feel that he is inspired and started to support him with playing on her lutes.

picture 1 - Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 1 – Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin in Venice

»Yes, this will be in the middle above in the half circled painting…«, Palma whispering into Palmina’s ear.

They are completely alone in this Church San Antonin in Venice.
And no one could see what they are doing up there on the wide scaffolding under the half-circled window.

Palmina smiled and looked what Palma had created.
She tries to understand how the painting should look like if it is complete.

»This is only a section of the painting…the middle part…here… this should be there«.
Palma stood up and went carefully to the position where the painting should be.

Now Palmina understood also that Palma will paint this year longer in the chapel because he wants to draw the heaven he saw now in the vision.

»Woooh, so great…and,and… here you painted a Saint Spirit Pigeon!!! Isn’t it Palma?«

»Yes, my Pigeon. The Pigeon which brings the saint spirit! And here I will paint the saint Pigeon and the saint Pigeon only we both can see if we are here at the scaffolding and no one who stands down on earth, if the scaffolding is removed will see our saint spirit pigeon. Pssst. (only if a pigeon or angels lands out there at the window she can see the painted saint spirit pigeon) This Is Our secret, Pssst…«, Palma whispered and he looked at his drawing and he was holding the lantern a little bit nearer to see it better.

Palmina lifted also her lantern and looked interested. Both were sitting on their knees and looking at the place in the huge half circle where the painting in orange colours, the colour of enlightenment and heaven will be painted soon by the well known Palma il Giovane.

picture 2 - black white fotograph of Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 2 – black white photograph of Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin Venice

So this means every evening when Palmina finished her evening concert in the Doge’s Palace where she plays a Lute solo for the international honour guests of the Republic of Venice, she can walk directly her way to the Chiesa Sant‘ Antonin where Palma is the whole day working on the big paintings of the San Saba chapel (on his huge confortable scaffolding).

Yes, this she realized without saying a word and she smiled very strong.
She looked shy on the wooden floor of the scaffolding then she looked up to Palma without moving her head.

picture 3 - Overview - »Campo Bandiera et Moro« (Palmina's Home), Chiesa »San Antonin« (Palma's paintings), The Atelier at the Fondamenta di Furlani and the »Scuola«.png

picture 3 – Overview – »Campo Bandiera e Moro« (Palmina’s Home), Chiesa »San Antonin« (Palma’s paintings), The Atelier at the Fondamenta di Furlani (where Palma also painted Palmina as model) and the »Scuola«

»I will be there every time I have time after the concert Palma…«, she told him with her heart.

And they thanked the heaven for all that art inspirations in music and painting and they thanked the Saint Virgin, they thanked Santa Lucia who send the saint of music into Palma’s difficult live.
And suddenly Palma had a great idea that her father would not be angry because Palma is painting so long in the near area of Palma’s flat at the baker’s shop.

picture 4 - Palma's fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 4 – Palma’s fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593)

»Look, I paint the Saint Saba here. The Miracle which happened at your bakery shop long ago…«

Palma drew fast and he used a drawing on which  he drew the saint virgin with her baby for an other painting.
He painted the scene of the »Miracolo del fornaio«
Palmina started again to play for him and he saw the whole painting like that in a vision.

After the tradition of Master Titian the painting has to be painted only in white colours and later the colours are painted on that white oil painting.

Palma smiled during he was drawing and she could also see in a vision with Palma that Palma will use Palmina’s father as model for the painting (the baker at left)

picture 5 - black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 5 – black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593), left wall in the San Saba Chapel

Palmina understood also that if the Syrian pilgrims will came to Venice very often, the bakery shop will get a big business in the future and Palmina’s father will do nothing against this painting art project.
Also the Republic of Venice wants to have the saint bones of San Saba here in Venice if the miracle is documented and painted by the famous painter Palma il Giovane of Venice.

picture 6 -  complete view of San Saba Chapel at Chiesa Sant' Antonin Venice (without huge scaffolding).jpg

picture 6 – complete view of San Saba Chapel at Chiesa Sant‘ Antonin Venice (without huge scaffolding)

»Oh, my Pigeon you are inspiring me so much, my Santa Cecilia, my Pigeon, my yellow canary bird…«, Palma whispered into Palmina’s ear

»Oh, Palma I love to play your music creations.
My composer, my writer, my painter…«, Palmina whispered Palma in his ear.

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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299. Music score of »Golden Proportion«

299. Music score of »Golden Proportion«

And they saw all the Landscapes flying over Planet Mars and Palma was also inspired to write remembering about his Uncle. Some Landscapes look like buildings. This they saw in their music Peony Gondola Dream at 23 p.m.
It felt like flying over Mars with the so called »Dragonfly«¹)

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¹) A flying vehicle for 2 persons which was constructed to fly over Planet Mars in a speed of 200 km/h.

»Palma?«

»Hm?«

»Can I have the music score of the 5-beat creation, the golden Proportion music (3:2) …?«
»Oh yes, my Pigeon. Here is the music score…«

picture 1-8 – Music of composition »Golden Proportion«

01 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

02 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

03 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

04 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

05 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

06 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

07 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

08 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

Palmina smiled and was very lucky and she hugged Palma with her heart and again there was the golden light heart – to heart – connection between them.

Palma smiled also.

(to be continued…)

__________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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293. Painter Samuel Morse – the inventor of modern communication

293. Painter Samuel Morse – the inventor of modern communication
 

01 picture by Samuel Morse.jpg
picture – Painting by Samuel Morse

And after they saw this Peony Gondola Vision Palmina had red cheeks.

»Eternal Love, Oh, Palma. So beautiful…«

She hugged Palma deep in his heart and Palma could feel it and around Palma’s heart it felt so bright, full of light, warm and love.

Suddenly the Peony Gondola showed them a painting.

»Oh, how beautiful, who is the painter, Palma«,

»Oh this is Master Samuel Morse¹). An art teacher in a later century…«

pictures – paintings of Samuel Morse

02  picture by Samuel Morse.jpg

03 picture by Samuel Morse.jpg

 

04 picture - self portrait of Samuel Morse

Selfportrait of Samuel Morse

 

05 Samuel_Finley_Breeze_Morse_001.jpg

Enter a caption

 

06 picture by Samuel Morse.jpg

 

Samuel Morse: ‚Science and Art are not Opposed.‘

 

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¹) Samuel Morse – Wikipedia – https://en.wikipedia.org/wiki/Samuel_Morse

»Samuel Finley Breese Morse (April 27, 1791 – April 2, 1872) was an American painter and inventor. After having established his reputation as a portrait painter, in his middle age Morse contributed to the invention of a single-wire telegraph system based on European telegraphs. He was a co-developer of Morse code and helped to develop the commercial use of telegraphy.«
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Later they saw how Samuel Morse looking up to the evening sky and looked to Planet Mars and he heard beep sounds:  . .. …

Samuel Morse tried to write down these signals and later he developed an alphabet based on three sounds high, deep, middle and high.

On each tone it was possible to make one, two or three beep sounds.

So 3×3 was created. The communication made it possible 9×9 different signs.
But to develop an alphabet on earth it needed only 26 letters…

So later Samuel Morse changed the Trinary sound system to a Binary ».« (short beep) and » – « (long beep).

picture – Morse Alphabet for transmitting letters

They saw how the world had communication with this Morse alphabet about long distance.

Palma and Palmina looked very interested.

Now they saw the people of the 21th century.

Palmina looked and asked surprised: »What are they doing? They are pressing with their fingers on a flat display, holding it sometimes to the ear and speaking with this flat display?«

»Oh, yes, Palmina, the people of the 21st century calling it ‚Handy‘ ‚Tablet‘ or ‚Smartphone‘. They are writing each other messages, letters, sending paintings and sending acoustic messages like music…«

»Wooh…oh, really? Oh Palma. They communicate in the 21st century like this?«

»Hmmm! Not bad, isn’t it, Palmina?«

»Oh yes, Palma. If we had this possibility to communicate to each other in our 16h century, as I had been for over 2 years at that concert tour in China in the Pacific…we could write us every day. And the people of the 21st century are able also to send each other music score?«

»Oh, yes, Palmina. But the Church of Social Media has also it’s influence in this way of communication. So the people use Whatsapp, WeChat instead of Messenger because the administrators of the Church or Social Media take money to erase written messages and exchange the message to an other text – to a ‚fake-message‘. So they are paid to make intrigues…«
»Oh, this is like in our 16th century. They stole the letters of the people of the Republic of Venice and so they could attack 1572 the North of Cyprus Island to expand their political religious system with killing so much people…and the Republic of Venice was lost on that island till today.
And this religious extremists are stealing messages also there in the 21 century?«

»They have everywhere their spies and also sitting in high positions of governments only to stop the communication between people who are not from their religion…They are especially targeting tourists which are not members of their church of Social Media.«

»Hmm. So what should the people of the 21st century do to be independent of their influence?«

»After the painter Samuel Morse invented the ‚ Morse alphabet‘ to make it possible to communicate with written text there was the invention of the ‚Phone‘. It makes it possible to hear the voice in the same moment when two persons are using that phone even if they are thousands of Miles / Kilometers away from each other…«

»Amazing! If we had a phone in our century, Palma….
I would have called you every day to hear your voice and to talk with you. My Palma, my composer, my deep love.«

»And I could hear your music. I could hear you playing my compositions on the Phone…Hach Palmina, what a dream…«

And Palma put his arm around Palmina and Palmina put her head on Palma’s side.

After a while she said:

»The people really wrote messages in the Morse Code Language?«

»Yes, Palmina. My Pigeon. My yellow canary bird. My deep . – . .-. -. .- .-.. / .-.. — …- .«

Palmina smiled because she could feel what Palma’s heart wanted to say to Palmina’s heart.

And again Palmina felt the Golden light heart-to-heart connection and Palma felt it also and smiled.

»Palmina. In the morning a bird tweeted very beautiful and brought to me a message from you which was stolen from the Administrators of the church of Social Media…Thank you Palmina, such a beautiful message…«

Palmina smiled and after a while of thinking she said:

»Do you think we can once communicate like People in the 21st century, Palma?«

»You mean we should have once a phone call?

But to make a phone call you need to know the right phone number…«

»Oh, ok a phone number I needed, yes, yes, Palma…«

And now they thought how would it be to have a phone call in their live and during this they heard a music like this one:

Violin and Piano (58d)
VIDEO: https://youtu.be/mq_VMiPy1Eo

(to be continued…)

written by Gerald Spitzner:
contact:
Phone (Whatsapp, Wechat): +43 699 10 800 312

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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287. The Peony Gondola does not move

✮ 287. The Peony Gondola does not move ✮

And after they spoke about this composition tradition Palmina took the complete music score, they heard suddenly this music:

VIDEO: (Violin and Piano (52c) https://youtu.be/d54fOdc9qbw

»Oh, a new creation Palma. I sounds like a style of music from,from….in a few centuries. I love your creations so much!«, said Palmina smiling with shining eyes.
Now she smiled a little bit like Marco Polo’s deep love.

The Peony Gondola moved fast but soft back to the library on Planet Mars.

After they landed they looked around the ancient street and Palma said: »It seems that the Peony Gondola landed here but it is not moving any more. What shall we do?«

»Palma, can you repair the Peony Gondola…?«

Palma went out of the Gondola and walked around the big Gondola to inspect it if there is any damage.

»There is no damage, Palmina. It only does not move any more…«, Palma said like a Master.
After a while he entered the Peony Gondola and sat beside his Pigeon.

»Palma?«, Palmina asked like a little innocent Pigeon.
»Hmm?«
»Can we return to our 16th century in Venice with our Peony Gondola?«
»Yes, Palmina, but the Peony Gondola will bring us to Venice, if it is the right moment.
It seems that the Peony Gondola will tell us that we have to learn, to understand something before we go back into our beloved Venice.

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Suddenly the Peony Gondola moved fast to Venice in the 18th century.

»Woooh«, sung Palmina like being very happy and she tries to have a hold on her Palma il Giovane.
Palma was also surprised about this fast travel to Venice and made a round mouth.
»But, Palmina…«
»Wooooh, we are driving back to Venice, Palma we can continue our old deep love…«

»…Yes, Palmina, but.. look!.. the People who are wearing other clothes and look this is a later century…«

»A later century in Venice? How much years later…?«
The Gondola landed in Venice along the big Promenade and now they saw this:

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picture - »Campo Bandiera e Moro« in Venice.png

picture – »Campo Bandiera e Moro« in Venice

They saw the famous composer Johann Sebastian Bach (1685-1750)¹, sitting at the place »Campo Bandiera e Moro« in Venice at the old bakery shop where Palmina’s home is (was – we are over hundred years later) and where she lived, worked as baker’s daughter and famous music teacher who played as young girls the Lute, here in that bakery shop.

»I am hungry, Anna.«, Johann Sebastian said like a big hungry bear.

»Well, let’s order something to eat here at this place…a Pizza or Marco Polo Nudles, how are they called here Spa-, spa-ge-etti«

»Oh yes, Sebastian let’s eat something, we are hungry!…«, little Johanna Carolina said.

And during they ordered something to eat from their table Johann Sebastian observed on the other side of that big place that a group of young girls with beautiful cloth and music instruments came out of the church where Palma’s Uncle once painted a very traditional painting there.

»At today’s rehearsal you played my composition very, very good. I am looking forward to the concert at our San Marco Cathedral. I am proud of you, my girls ,my famous orphan girls orchestra of Venice:

The ‚La Pieta Girls Orchestra‘ of Venice!

From all over the world the people come to Venice to listen our Orchestra!…«

»Padre Vivaldi! It is not only our orchestra…
IT IS BECAUSE OF YOUR GOOD COMPOSITIONS!
Your music the people like to hear all over the world!
This year we will get an Invitation to play in Vienna in Austria at the famous and beautiful Saint Karl’s Cathedral…«

»Is this right, padre Vivaldi…? We make a concert tour to Vienna at the Saint Carl’s Church in Austria?«, an elder girl asked excited.

»Wooho…this are good news!!!!«, a little girl said and jumped in air like a little bird.

»Yes, yes my little spiritual daughters! It is right we are making a concert in Vienna…
Now fast go back to the ‚Ospedale de la Pieta‘ to get the midday lunch. We should not let the cooks wait…you know this sever women will shout with us if we are too late. It is only a few meters to go along the ‚Calle de La Pieta’… Fast, fast, my girls…«

And the girls made »Hooray!!!« and run with their instruments across the place »Campo Bandiera e Moro« and run along the »Calle de la Pieta« where once Palmina had her window over her little garden in the 16th century, over hundred years ago.

* * *

As Palmina saw her old flat in Venice she said to Palma: »Look, my room where I do normally do rehearsal!«

»How often I stood there and played my Mandolin for you, my Palmina. How often you played a music answer from your little window and it was like a little cheek kiss to get this music answer from you…«

She smiled and gave Palma a short cheek-kiss and Palma could feel it and smiled.
He took his Viola da braccio and plucked: c – g – d‘ – a‘

And Palmina answered on her lute: A – D – E – a.

Both smiled.

And they continued to see the Peony Gondola Vision:

* * *

Johann Sebastian Bach ¹) looked at this scene with the girls on the place and his eyes followed the girls which run beside his table.

»Antonio Vivaldi ²)? Maestro Antonio Vivaldi?«, Johann Sebastian said and stood up from his chair.

»Johann Sebastian? Maestro Johann Sebastian Bach from Leipzig in Germany?…
…You, You are in Venice after nearly 35 years?
… Benvegno di Venezia !!!
Benvenuto a Venezia !!! …
Welcome to Venice…«, Antonio Vivaldi said.

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) * Joh.Seb.Bach (1685 – 1750) – Wikipedia: https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

»Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.«

²) * Antonio Vivaldi (1678 – 1741) – Wikipedia: https://en.wikipedia.org/wiki/Antonio_Vivaldi

»Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian[2] Baroque musical composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.«

 

Ospedale de la Pieta (music school for orphan girls) – Wikipedia – https://en.wikipedia.org/wiki/Ospedale_della_Piet%C3%A0

»The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ospedali, the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. «

»The composer Antonio Vivaldi was appointed a violin teacher in 1703 and served in various roles through 1715, and again from 1723 to 1740. Much of Vivaldi’s sacred vocal and instrumental music was written for performance at the Pietà. The conservatory of the Pietà hospital was the only hospital to remain active until approximately 1830. All the other hospitals completely closed their musical activity during the first years of the nineteenth century. From an instrument inventory[3] dated 1790 we learn that during that year the Pietà hospital had still “four violins with used bows, four cellos, seventeen violins, two marine trumpets [this may in fact refer to violino in tromba marina], six small violas, two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets. «

_______________________________________________________________________

281. The Ancient library on Mars

281. The Ancient library on Mars

»Oh, from here did the music come…«, Palmina said very inspired.

The Peony Gondola followed them in the meanwhile 5 meter behind them, along this ancient street to be nearby if they need the Peony Gondola (Their music instruments are also in this Peony Gondola).

01 picture - a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one).png

picture – a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one)

Palma looked to the Peony Gondola and went to pick up his Viola da braccio and his Mandolin.
Palmina followed him and took also her Lutes and smiled.

»Come, Palma, let’s enter this ancient library!«

And Palma and Palmina entered the ancient Mars library.

As they where inside they realized that it was not dark inside.
A lot of colourful lights were inside. Lights in the different colours: yellow, Pink, green, light-blue, violet, red, green, golden light and colours which are unknown on earth .

»Oh, how interesting these colours are…«, Palma said, »I will later try to paint these colours in my paintings and you will help me to create them on earth, Palmina!«

The room was huge and high. It had exact the dimensions of the church »San Zulian« in Venice nearby Palma’s flat.

The style was also a little bit in Renaissance Style but more in Martian-Style.
There were in the walls a lot of books, scriptures, ancient paper rolls, and visual and acoustic media from metallic and glass or crystal- looking material.

The books are written in different languages of different cultures. But Palma and Palmina could not figure out what it is written about.

Between the book library there were paintings in the same size like in the Church »San Zulian« and the huge painting at the top looked similar to the painting style of Palma il Giovane. Paintings from the Mythological historic period, of the »golden age« from history.

»Who painted these huge paintings on Mars here in that beautiful library?«

Palma and Palmina felt suddenly deep in their heart some remembering.

Now they looked at each other very familiar.

So they remembered also the time as they saw each other after the concert in the San Zulian Church after the presentation of Palma’s painting and Palma went to the left side in the corner to speak with Palmina.

They both remembered the light beam from the window and now as they went also to the right back corner of this library they saw also a light coming and moving towards them.
This lights are a higher technology which adapt their light and position to the moving and to the need of the visitor of that library.

Palmina and Palma looked at each other thinking on their remembering.

In front of them there is a big door with a text they could not read.

Along the frame of the door were the old ancient 8 Trigramms in the order of the Cantico-Order.

»Oh, look isn’t that interesting? The 8 Signs are exact in the Order of the old vase the saint beautiful women gave us once?

Isn’t also Planet Mars associated to the IMAGE of THUNDER and to Sphere of Planet Mars in Dante’s ‚Divina Comaedia‘ in your Pipa Solo Nr.5?«, Palmina asked knowing.

Palmina took her music instrument and played the »Cantico-Hymnus« and it was like that:

VIDEO*): https://youtu.be/rrUiJxY4ksc

 

____________________________________
*) The Spring Melody of the 8 Images of the „8 Soli for Pipa“, Solo Nr.4 (Donner) THUNDER – Cantico Hymnus – Hymnus of Cultures
||| ¦|¦ ||¦ ¦¦| ¦|| |¦| ¦¦¦ |¦¦
☰ ☵ ☴ ☳ ☱ ☲ ☷ ☶
_________________________________

And suddenly the ancient door opened slowly and an enormous warm and friendly light came out of the open entrance, inviting them to come in.

»You opened the ancient door of the library with the Melody of the Hymnus of Cultures here on Mars, Palmina!«

»Woooh!« she said and jumped in the air.
On Mars there is not such a strong Gravity like on earth Palmina jumped 3 times higher than on earth.

Palma tried to catch her as she was moving back to the planet and he hold her and she is sitting in his arms like in a chair.

»Oh, my Pigeon, you are so light here on Mars.«

Palmina smiled and put her arms around his neck and gave him a tender short kiss.

She said »Pi-«
He answered »Pa-«
She said »Pi-«
He answered »Pa-«
And both »Li-u-to-kiss!«

And they gave each other a lot of »bacci« (ital. »little kiss«).

Palma hold her on his arms and carried her through the door in the room of light.

As they entered this light-room they saw only white warm light.

They felt covered by pure light and suddenly a voice spoke the text of Dante’s Divine Comaedia in the 3rd part, as Dante and Beatrice arrived at the Paradise at the »Primum Mobile« which is pure light.

»Noi siamo usciti fore del maggior corpo al ciel ch’è pura luce «²
_______________________________
²[Dante, Divina Comaedia III (Paradiso), 30, 40-42]
_________________________________

»Oh, Palmina, this is a text from Dante’s Divine Comaedia and his travel through the heavens.«

»Oh, the deep spiritual love of Dante and Beatrice…«

»Yes, my inspiring pigeon…my uncles father , my grandfather named his daughter, the sister of my uncle with the name ‚Beatrice‘ after Dante’s Divina Comaedia«
»Oh, really? Oh, Palma, we are now in a higher dimension library! Look, they are showing us the history of Planet Mars from the beginning…«

»Yes, Palmina really! This is a mental library with visual books. They send us directly the visions in our heart and we can see the history of Mars. Look, there are ancient buildings. And this buildings exist before they had been destroyed in the war. And a lot of pyramids are also created to produce electric energy on a very high frequency so it is not dangerous for living beings.¹«

_______________
¹ Nicolas Teslar invented the high-frequency electric transmission and realized it in his live time on earth.
_________________

»Amazing!« Palmina said and saw how the nature, the sea, the animals, the living being on Mars lived in harmony like the Hymnus of Cultures – Different but united!«

»Yes, Palmina this is a vision!«

»Different Cultures united in one planet!!!«

The light waited till Palma and Palmina spoke about there feelings and thoughts and then the bright warm light continued to show them their light library.

»Oh, look there are music scores !!!«

»And over there is the score of the music with the mandolin solo which I created for you Palmina…«

»Oh,, yes, your music is a part of this Mars library. There are the music score also of the ‚Hymnus of Cultures‘ and the ‚8 Soli for Pipa and Viola‘ and the ‚Cantico delle Creature‘ and look they made a text on your Instrumental part in a very ancient Language and they associated the 8 Signs to this text, look… Maybe you are allowed to write it down, Palma?«

And the light showed Palma the ancient text and the whole music score and Palma started to write down the music score for Palmina.

And the music score is like that:

3 pictures- first part of the »The Ancient Library on Mars and colourful lights«

02 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

03 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

04 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

* * *

And after they saw this beautiful Peony Gondola Vision Palmina smiled and was very lucky and she wanted to try out the instrumental part of the music score.

And the Peony Gondola played for her the Piano and Violin Part like that:

VIDEO: https://youtu.be/u2ATb4ADRHI

 

 

(to be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
===========================================

280. Going along an ancient street on Mars-City and finding the building of the ancient library

280. Going along an ancient street on Mars-City
and finding the building of the ancient library

At the end of the music the Peony Gondola landed slowly and gentle at the Schiaparelli City which is in the north part of the little crater (nearly 40km diameter).

Palma and Palmina left the Gondola (In the Peony Gondola Vision dream they can do this without any danger) and started to walk slowly side-by-side along the ancient street which was several kilometres long.
The sun shined friendly on the Planet Mars and at the left and the right side they saw a lot of historic beautiful buildings with statues and column.

Palmina took Palmas right hand and smiled. Palma could feel this and smiled also.

»Do you remember, Palma«, Palmina said.

»…as we both went along a street in Venice and on the left side we found a building which had an ancient music library with very old music score…«

Palmina smiled more and more as she said this.

Palma looked to her side: »Yes, Palmina! This was a beautiful moment, I remember.
All these music scores. Especially the compositions of the late Renaissance music was interesting…«

»…This was a treasure of unknown music, Palma.
We tried the music out with our music instruments…«

»Yes, we made music together there at this old library. We have been the only one who care about these old music scores.
We looked at all music scores.«

»And, and there had been very ancient, very old music with special music signs…We could not find out from which century this music was. We did not know how to play the music notes because it was an unknown notation system.«, Palmina said«

»Every note was the Symbol of a Planet sign and every Planet sign was a note from the 7-tone scale.«

»Maybe a notation system tradition from an early ‚golden age‘ – The Renaissances tried to find and to reconstruct the culture of the ancient ‚golden age’…«, Palma said like a historian.

Palmina looked smiling proud in the eyes of her Palma il Giovane.

Both smiled thinking on this beautiful creative music time in Venice and they went on going side-by-side hand-by-hand along the ancient street here in the Schiaparelli City on Planet Mars.

»Palma?«

»Did you write a new chapter of your remembering about your Uncle Vily – Back to Earth?
You should use your compositions about Mars also for this story. Isn’t this a nice idea?«.

»Oh, Palmina, you are right, yesterday I wrote Chapter [9.] and you can read it here¹)«

During they walked along the historic ancient street they heard this music:

VIDEO: ( Mars Suite 10. »Ancient street on Mars-City« )
https://youtu.be/VjqDQ5oET20

And they walked till they saw on the left side of the street an ancient architecture of a big ancient Mars library.

picture - Entrance of the Ancient Library.jpg
picture – entrance of the ancient library

____________________________________________________________________

¹ chapter of Uncle Vily – Back to Earth [9.]:

https://unclewillybacktoearth.wordpress.com/2019/10/02/9-first-flying-along-the-schiaparelli-mars-city/

___________________________________________________________________

 

 

(to be continued…..)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

278. An additional Mandolin Part

278. An additional Mandolin Part

And after they heard this Peony Gondola Music Palmina said:

„Oh, fine! From where does the music come? Is it from the little Schiaparelli City? There was an ancient street I remember…Can I hear the music again?“

And they dreamed that the Peony Gondola played again for them this music piece and Palma took his Mandolin and played a new additional Music part during the music.

Palmina smiled and thought silent „Hm, I can try this on my music instrument, hmm, hmm…“

Palma could feel that Palmina wants to play this Mandolin part on her music instrument and smiled more during he was playing and it sounds like this:

VIDEO: https://youtu.be/u2ATb4ADRHI

(to be continued…)
___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

276. Palmina sending a heart-to-heart Melody

276. Palmina sending a heart-to-heart Melody

_Schiaparelli_crater_by_Viking_orbiter.jpg

picture – The huge Schiaparelli Crater with the little crater (left-up) in which Venice and Vienna both would have place

 

The next morning Palma thought in the morning on his Pigeon.
He had intensive feelings and felt a warm connection from heart to heart with her.

Suddenly he heard in his heart Palmina playing a short Melody several time.

»Hm, I should write this Melody down…«

11 3- 22 44 3- 1-

»Well, I think this Melody Palmina played, in D- Major
then it is:

d’d‘  #f‘-   e’e‘  g’g‘  #f‘-  d‘-

Palmina Melody.jpg

picture – Palmina’s Melody send to Palma from ‚heart to heart‘

»…Maybe Palmina wants me to make some variations about this Melody?«

And Palma went this day to a little Organ and tried this Melody out on an little Organ in Venice (at San Zulian)

And after he finished it he felt a warm energy in his heart as if Palmina did listen this organ music also in this moments.

And later at 23 o’clock, at their Peony Gondola hour, in their cosmic Peony Gondola, they met again and Palmina looked innocent smiling but with ‚knowing‘ – eyes.

»Palma?«, she said observing Palma’s reaction but soft and very friendly.

»You played today for me on your Italian Organ…«

»Yes, Palmina, I did..«

»You played a Melody…
…this morning you thought on me very intensive and I felt all your thoughts and what you thoughts where about…and you kissed my hands in your thoughts…the golden light, you know…so I took my music instrument and played for you these few notes…«

»Several times?…«, Palma il Giovane wanted to know.

»Yes, Palma, several times…«

Palma showed her his manuscript:
Palmina Melody.jpg

»Oh, you revived this in your heart…«

Palmina smiled and shined and Palma was also lucky to receive her music from heart-to-heart.

The Peony Gondola was still on Planet Mars and they looked silent out of the Peony Gondola and were impressed to see the little so called „Adriatic Sea“ slowly moving down.

ESP_013030_1750 -- Schiaparelli Crater Drainage.jpg

picture –  detail of huge Schiaparelli Crater

»Mr. Schiaparelli¹ found all this only looking through his telescope from earth,… but he had a big deep connection to planet Mars, otherwise you cannot make such a precise Mars map…«

_Schiaparelli_versus_Mars.jpg

picture – a high resolution picture of the Surface of Planet Mars and the famous Schiaparelli Mars map in comparison

 

Giovanni_Schiaparelli_1890s.jpg

picture: Giovanni Schiaparelli¹ – Italian Astronomer who made the Mars-Map

__________________

¹Giovanni Schiaparelli– Wikipedia – https://en.wikipedia.org/wiki/Giovanni_Schiaparelli

»Giovanni Virginio Schiaparelli, 14 March 1835 – 4 July 1910) was an Italian astronomer and science historian. «

______________________

»…Palma?«

»Hmm?…«

»…Your uncle and his colleague, the physician, did survive the cosmic radiation and the other radiation on planet Mars because they stayed long in the bus and then at the base-camp…

But, but why didn’t both come back to earth?«

»…Oh, that’s a long story…
The physician felt not strong enough and he stayed after medical analysis: that if he comes to earth he will die much faster than if he will stay on Mars….and he can make all the scientific research staying at the base camp…«
»So…why your uncle came back and did not stay with him on Mars…«
»Oh, yes, he wanted to bring all the material, the photos and films, also the film of the landing and flying with the dragon fly over Mars, which they made there and the text papers and all scientific material to earth.
He came for 2 reasons:

First the earth should be warned that a Man mission will be too difficult in the future until the Mars surface is not replanted with plants by automats…

The second reason and most important reason: He wanted to see my mother and all his brothers and sisters back at earth – even he will die sooner then his colleague on Mars…It was medical fact that if you return to earth then the body is too week to survive more then one year…but to see us again…yes… this was worth he said and: he could tell us this story to our family…later he could communicate with each other by using wireless radio message (which Nicola Teslar invented²) sending radio-message as written text between Planet Earth and Planet Mars. (A=01 B=02 C=03…)«

I will write all my remembering on my uncle in this blog: https://unclewillybacktoearth.wordpress.com

_____________

²Nikola Tesla – Wikipedia – https://de.wikipedia.org/wiki/Nikola_Tesla

»Nikola Tesla  Serbo-Croatian: [nǐkola têsla]; Serbian Cyrillic: Никола Тесла; 10 July 1856 – 7 January 1943) was a Serbian-American  inventor, electrical engineer, mechanical engineer, and futurist who is best known for his contributions to the design of the modern alternating current (AC) electricity supply system.«

 __________________________

»Oh, fine, my Palma, my writer, my painter, my composer, my deep love!!!

…and it will take 800 years after intensive re-planting this planet to make it possible for man to visit planet Mars…«

»But we both – you and me – can meet us anytime on Mars with our Peony Gondola…«

»Yes, our dreaming Gondola, the place of our common dreams, the place of our heart…«

And the Peony Gondola started again to fly over the surface of Mars to show them a lot of landscape of Mars.

And Palma stared to made fast drawings all he saw and he painted Palmina shining in golden-light color and it was as if the time stopped and was running slower and both smiled at each other and they listened to Palma’s 8th music creation „Mars Suite – part 8″

Palma smiled – Palmina smiled…

VIDEO: ( Dreaming Flying over Mars III – Mars-Suite part 8 – Violin and Piano) https://www.youtube.com/watch?v=l7kZjw4ScA8

 

* * *

(to be continued…..)
____________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner