304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

01 picture - san-marco-venecia.jpg

picture – Palazzo Ducale (Dogan’s Palace) at right, Astronomical 24h clock (in the middle) and in Venice at evening and the windows Palma’s flat in the 2nd floor (left beside the astronomical clock building)

»And now we can see the famous paintings by Giacomo Palma il Giovane…«

And the honour guests of the Republic of Venice could now see the huge paintings of Giacomo Palma il Giovane.

»Can I have an autograph, please Maestro Diacomo…«

»Oh, Giacomo with G… my Name starts with a G.«, Palma said and gave some autographs to the interested people.

And they looked now at the paintings of G – iacomo Palma il Giovane:

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* * *

And after they saw this beautiful Peony Gondola Vision at 23 o clock p.m. Palma said:
»Palmina?«

»Hm?«

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»Today, a bird sung so beautiful this morning as I looked out of the window…
The bird sung very soft so that only I could hear his message. He sung although it was very dark in the early morning…Did you…?«

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»Yes, I know, this bird sung to bring you my message: I send you today to your name day my best wishes…
Your name starts with G. Your name is G….«

And Palma took Palmina’s hands and kissed them.
»Oh, thank you my Pigeon….
So talented hands…

AKG877983.jpgDie Dogen Lorenzo Priuli und Girolamo Priuli in Anbetung de AKG103652.jpg
always doing rehearsing and playing so much for the republic at the Palazzo Ducale…
…baci, baci, qīnqīn…now your hands and fingers are healed by the golden light… «

And Palmina smiled and it felt for her if she is surrounded by hundreds of peony flowers and said sweet:

»Oh, Palma…, my Palma, my painter, my composer, did you wrote a copy of your new »Golden Light« creation?«

And Palma continued to kiss tender and soft her talented hands to heal her and with one hand he took his music score beside the soft Peony Gondola seat and gave her the music score.

And Palmina smiled much stronger and much happier.

»Woooh, so fast…the whole music score !!!
Oh, Thank you Palma!…«

»…I have to thank you that you played so beautiful in the Palazzo Ducale…

Diese Diashow benötigt JavaScript.

pictures (above) – Palazzo Ducale (Dogan’s Palace) Venice – paintings by Palma il Giovane

Not only this evening! Also all the years as I was painting in the Palazzo Ducale at the huge paintings there.

Your Lute music made me so strong and inspired and you brought me allways fresh bread and food from the kitchen of the Palazzo Ducale.

My paintings would not have this success if there was not your music playing directly to my heart, Palmina«

Palmina smiled and was lucky about this friendly words.

Yes Palmina supported Palma secretly with her talent only a few musicians have developed.

The most only play on their instrument, but Palmina radiates golden light.
Palmina hugged Palma smiling and gave him a tender cheek kiss.

picture 1-8 – Music score of »The Golden Light« for Violin and Piano (also with Pipa, Liuto, Guitar or Harp)

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And Palmina heard now the music again of the »Golden Light« and both felt if they where flying with their Peony Gondola over the surface of planet Mars in a music dreaming Peony Gondola Vision and they saw the music score like that:

VIDEO: [music score video] of »The Golden Light« for Violin and Piano – https://youtu.be/cC2Mb5ED3xA


 

(to be continued…)

__________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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303. Palmina playes the Hymnus Melody at her concert in Venice

303. Palmina playes the Hymnus Melody at her concert in Venice

IMG_20191127_144457.png

     Picture –  Palmina will play Palma’s composition at her concert at the Doge’s Palace.

„Can I have the music score if this Saint of Alexandria Inspiration? Hmm, it is the music to this painting, here in the frari church, isn’t it…“

„Yes,  I will write a copy for you and give it on my working table…“

Palmina smiled very lucky.

And  Palmina gave Palma a tender kiss on the right cheek and over his left eye and, yes, Palma could feel it during his dreams and visions and smiled.
And after they saw this Peony Gondola Music Vision they saw this:

   * * *

Palmina did rehearsal today the whole day and could not bring fresh bread in the morning.

So Palma took his way to the backery shop to buy 8 fresh little fine breads.
He smiled as her colleague in the shop said: „Oh, Meastro Palma il Giovane, Singnorina Palmina prepared this little breakfast basked for you. She is doing her reharsal for the big concert in the Doges’s Palace at San Marco Place.

Palma thanked friendly and went now to his painting working place at the chiesa frari, which is a long walk over the Rialto Bridge.
Sometimes, on other days, he mets Palmina playing at the market there,  in front of the little church, at the Rialto bridge, playing her lute and selling fresh breads.
Today she is not there. Palma looked at the 24 h hour clock of the little church.
Palma was looking forward to see her at the concert.
Palma went to the frari church to continue painting the golden light on the huge painting of the saint of Alexandria.

* * *

Later, at the concert Palmina announced suddenly that she will play the Lute solo Nr. 4 about the Image of THUNDER (zhen 卦震)
„Today I will also play a composition THUNDER from the composer Maestro Palma il Giovane.“
Palma was lucky and Palmina played.
The golden light was now in the hall which is also decorated with huge paintings by Palma il Giovane.

The chinese honour guests, also Master Lao from Giudecca island know the meaning of the 8 Image of the I-Ging very well and smiled also nodding.

And now the birth of the melody wich is a symbol of their music love inspiration Palmina played with her lute along the 11 min performance:

Video: (Hymnus Melody Theme) https://youtu.be/YbumhbqHxkM

And after this Pipa solo Nr. 5 of the „8 Soli for Pipa“ the special guests of the Republic of Venice applauded happy, especially the Chinese people who are living now in the gardens of Giudecca Island.
They will soon invite also to a chinese concert with asian music instruments  at Giudecca and Princess Lin, which Palma painted with all the other princess in white cloth once very beautifully, will play with her students and colleagues.

* * *

(To be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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301. Palma’s drawing inspiration during music listening

301. Palma’s drawing inspiration during music listening

»Heaven, yes heaven! I have to paint here over the main painting of this San Saba Chapel a scene from heaven….«

Now Palma felt inspired to draw an inspiration on a paper.
He lit his lantern and some candles he used to paint at evening there in the church.

Palmina could feel that he is inspired and started to support him with playing on her lutes.

picture 1 - Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 1 – Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin in Venice

»Yes, this will be in the middle above in the half circled painting…«, Palma whispering into Palmina’s ear.

They are completely alone in this Church San Antonin in Venice.
And no one could see what they are doing up there on the wide scaffolding under the half-circled window.

Palmina smiled and looked what Palma had created.
She tries to understand how the painting should look like if it is complete.

»This is only a section of the painting…the middle part…here… this should be there«.
Palma stood up and went carefully to the position where the painting should be.

Now Palmina understood also that Palma will paint this year longer in the chapel because he wants to draw the heaven he saw now in the vision.

»Woooh, so great…and,and… here you painted a Saint Spirit Pigeon!!! Isn’t it Palma?«

»Yes, my Pigeon. The Pigeon which brings the saint spirit! And here I will paint the saint Pigeon and the saint Pigeon only we both can see if we are here at the scaffolding and no one who stands down on earth, if the scaffolding is removed will see our saint spirit pigeon. Pssst. (only if a pigeon or angels lands out there at the window she can see the painted saint spirit pigeon) This Is Our secret, Pssst…«, Palma whispered and he looked at his drawing and he was holding the lantern a little bit nearer to see it better.

Palmina lifted also her lantern and looked interested. Both were sitting on their knees and looking at the place in the huge half circle where the painting in orange colours, the colour of enlightenment and heaven will be painted soon by the well known Palma il Giovane.

picture 2 - black white fotograph of Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 2 – black white photograph of Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin Venice

So this means every evening when Palmina finished her evening concert in the Doge’s Palace where she plays a Lute solo for the international honour guests of the Republic of Venice, she can walk directly her way to the Chiesa Sant‘ Antonin where Palma is the whole day working on the big paintings of the San Saba chapel (on his huge confortable scaffolding).

Yes, this she realized without saying a word and she smiled very strong.
She looked shy on the wooden floor of the scaffolding then she looked up to Palma without moving her head.

picture 3 - Overview - »Campo Bandiera et Moro« (Palmina's Home), Chiesa »San Antonin« (Palma's paintings), The Atelier at the Fondamenta di Furlani and the »Scuola«.png

picture 3 – Overview – »Campo Bandiera e Moro« (Palmina’s Home), Chiesa »San Antonin« (Palma’s paintings), The Atelier at the Fondamenta di Furlani (where Palma also painted Palmina as model) and the »Scuola«

»I will be there every time I have time after the concert Palma…«, she told him with her heart.

And they thanked the heaven for all that art inspirations in music and painting and they thanked the Saint Virgin, they thanked Santa Lucia who send the saint of music into Palma’s difficult live.
And suddenly Palma had a great idea that her father would not be angry because Palma is painting so long in the near area of Palma’s flat at the baker’s shop.

picture 4 - Palma's fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 4 – Palma’s fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593)

»Look, I paint the Saint Saba here. The Miracle which happened at your bakery shop long ago…«

Palma drew fast and he used a drawing on which  he drew the saint virgin with her baby for an other painting.
He painted the scene of the »Miracolo del fornaio«
Palmina started again to play for him and he saw the whole painting like that in a vision.

After the tradition of Master Titian the painting has to be painted only in white colours and later the colours are painted on that white oil painting.

Palma smiled during he was drawing and she could also see in a vision with Palma that Palma will use Palmina’s father as model for the painting (the baker at left)

picture 5 - black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 5 – black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593), left wall in the San Saba Chapel

Palmina understood also that if the Syrian pilgrims will came to Venice very often, the bakery shop will get a big business in the future and Palmina’s father will do nothing against this painting art project.
Also the Republic of Venice wants to have the saint bones of San Saba here in Venice if the miracle is documented and painted by the famous painter Palma il Giovane of Venice.

picture 6 -  complete view of San Saba Chapel at Chiesa Sant' Antonin Venice (without huge scaffolding).jpg

picture 6 – complete view of San Saba Chapel at Chiesa Sant‘ Antonin Venice (without huge scaffolding)

»Oh, my Pigeon you are inspiring me so much, my Santa Cecilia, my Pigeon, my yellow canary bird…«, Palma whispered into Palmina’s ear

»Oh, Palma I love to play your music creations.
My composer, my writer, my painter…«, Palmina whispered Palma in his ear.

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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299. Music score of »Golden Proportion«

299. Music score of »Golden Proportion«

And they saw all the Landscapes flying over Planet Mars and Palma was also inspired to write remembering about his Uncle. Some Landscapes look like buildings. This they saw in their music Peony Gondola Dream at 23 p.m.
It felt like flying over Mars with the so called »Dragonfly«¹)

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¹) A flying vehicle for 2 persons which was constructed to fly over Planet Mars in a speed of 200 km/h.

»Palma?«

»Hm?«

»Can I have the music score of the 5-beat creation, the golden Proportion music (3:2) …?«
»Oh yes, my Pigeon. Here is the music score…«

picture 1-8 – Music of composition »Golden Proportion«

01 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

02 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

03 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

04 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

05 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

06 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

07 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

08 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

Palmina smiled and was very lucky and she hugged Palma with her heart and again there was the golden light heart – to heart – connection between them.

Palma smiled also.

(to be continued…)

__________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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297. Music Inspirations in Venice

297. Music Inspirations in Venice

And suddenly Palma had a music inspiration.
Palmina listened to the music and put her head on Palma’s right side to be with him in their Peony Gondola.

»Oh, so beautiful, this Inspiration, Palma.
I saw the Gondola slowly moving to the Giudecca island.

And I saw the stars over Venice.

I saw Johann Sebastian Bach with his family, with his daughters.

I saw Vivaldi with the talented Orphan Girls musician, his spiritual daughters, with all their Gondolas also moving to Giudecca Island.
And every Gondola has a lantern to shine in the late evening in Venice.

All were happy to visit the Chinese family with their musicians«, Palmina said like dreaming,

»Exactly I had also this music visions, Palmina! We are dreaming the same dream…«

The music inspiration and the music was like that:

VIDEO: Violin and Piano (59d) – https://youtu.be/G_kx8dVLLqY

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After that the Peony Gondola moved in the 16th century.

Palma was painting this year intensive every day on his new creations about the life of San Saba.
Palmina came in the church where Palma is now painting every day.
She has fresh breads and she has also her music instrument, her lute.

As she saw that he does not make a break to eat she wanted to take her lute to play for him, but…
In this moment she discovered a new music score which was beside Palma’s music instrument Viola da braccio on a little working table.

01-04 picture – Ave Verum (San Marco – Venezia) by Gerald Spitzner (facimile)

01 Ave Verum (San Marco - Venezia) Gerald Spitzner (Handschrift).jpg

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02 Ave Verum (San Marco - Venezia) Gerald Spitzner.jpg

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03 Ave Verum (San Marco - Venezia) Gerald Spitzner.jpg

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04 Averum (San Marco - Venezia) Gerald Spitzner.jpg

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She took the music score and wanted to play it.
She read: »Ave Verum. Oh, it is for Choir and Organ and Instruments ad libitum.«

Palmina started to play the music score on her music instrument.

Palma stopped painting and smiled in her direction.
He realized that Palmina discovered Palma’s new music score.

Palmina played the four voices on her Lute and made soft ‚arpeggios‘ of the 4 Voices as accords like a harp.

Palma looked intensive to Palmina, he saw her playing like an angel, he saw her innocent smile, so peacefully, like the Saint Cecilia, sent by the Santa Lucia.
He saw her beautiful hairs, her cheeks, her eyes, her talented hands,…

Inside his heart he painted her, her whole body, her talented hands, her eyes, everything,…an eternal moment.

Palma heard all the voices of the angels as Palmina played his »Ave Verum« for him, here in the little Church Chiesa San Antonin, a few steps from her baker’s shop where her family house is and from where the little fine, fresh, breads are made at the ‚Campo Bandiera e Moro‘ in Venice. (A few steps from the Ospedale La Pieta where the famous music school is.)

And now the eternal smell of the fresh backed breads are in the air and Palma completely forgot that he was hungry since two hours.

»Such a beautiful Choir Compositions. It fits to every ‚Missa Presta‘ at the ‚Communio‘, isn’t it, Palma? I will ask the choir Master Claudio Monteverdi if he can perform it every morning in the San Marco Cathedral…«, Palmina said like a little sweet bird who wants to fly direct to the San Marco Cathedral and to bring the new music score to the famous Choir Master Maestro Claudio Monteverdi.Palma smiled. He was lucky that Palmina is his music inspiration, innocent white pigeon, his sweet clever yellow canary bird, his eternal Palmina Albina!«

And Palmina took now her basket with the fresh, little, fine, white breads and she lifted the basket so that Palma could sniff on them.
During this she smiled and made thin Asian- like eyes.

»Wonderful!«, Palma il Giovane said after he sniffed the fresh smell of the fresh backed breads.
She gave him one and moved her head meaning »Eat, Palma, eat it fresh and warm. Today you worked so much and hard. You are hungry,I can feel it«

Palma took it and made two parts of the warm bread and looked into Palmina’s eyes.
He gave her one half and she smiled.

Now both started to eat the bread, smiling and with much respect.

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And as Palma and Palmina saw this Peony Gondola Vision they heard the composition for the Choir of San Marco in Venice:

VIDEO: „Ave Verum (San Marco Venezia)“ [music score] – https://youtu.be/3Bk25TiAZds

(to be continued…)

_______________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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290. Bach plays – Palma remembers

vivaldisvenicettl

And after they saw this Peony Vision Palmina said:

»Oh this is so interesting, Palma. Let us see if they have the original music score of your composition for orphan children after hundred years… this is a long time period!!!«
And they saw this:

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And later after the meal Antonio Vivaldi and Johann Sebastian Bach with his daughters went all in the library of the Ospedale de la Pieta and Maestro Vivaldi and his talented musician girls showed all their music instruments and all the ancient music score they have.

»Look, Maestro Bach«, said a girl and deep in her heart she wished to be Johann Sebastian Bach’s adoptive daughter, »… here in our Ospedale de la Pieta we have 21 Violins, 4 Cellos, 2 marine trumpets, six small violas (ideal for our girls orchestra) two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets…«. The little girl was very excited to be allowed to explain Master Johann Sebastian Bach their music instruments.

»Six spinets…hm…. very, very good….
You have a good music school.«
The girl jumped a little bit full of joy and played with her hairs and smiled.

Bach said to Master Vivaldi: »…In Germany we have not this equipment at my school and it is not a music school…«, Bach said and he sat down to a spinet and stated to play one of the six. Antonio Vivaldi listened interested and observed the polyphonic independence of Bach’s creations and was fascinated.
The girls made big wide open eyes and mouth as they heard how Bach played the Spinett and he modulated through all the »Quint-Circle«¹ with its 24 modi.

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¹ »Quint-Circle« – Wikipedia – https://en.wikipedia.org/wiki/Circle_of_fifths

»CIRCLE OF FIFTHS
In music theory, the circle of fifths (or circle of fourths) is the relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space. «

² „Well tempered piano“ – Wikipedia – https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier

»The Well-Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach. In Bach’s time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ either. «

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All listened and did not move or say any word as long as Bach played.

Anna Magdalena Bach could understand him also Antonio Vivaldi: Bach invented the „Well tempered piano“² which will be used in the future of all musicians.

»Look, there they have the music-social, music pedagogic composition of Palma il Giovane the ‚Missa Ospedale de la Pieta in Venice in G-Magor‘!!!!«, Catharina Dorothea, Bach’s eldest daughter said very happy and she jumped a little bit like a young girl.
And all the orphan girls came to see this music score in their library.
»Woooh, let me see, let me see, a composition for us from Palma il Giovane the famous painter and Master Scholar of Master Titian!!!!«

And the nuns came to see what happens here in the big library of the Ospedale de la Pieta.

And they opened their mouth like looking to a miracle as they realized that the music score interests the famous Johann Sebastian Bach.

Later the girls played a welcom concert for Bach and they played the „Gloria“ by Antonio Vivaldi and it was like that:

VIDEO (28min) Gloria, Vivaldi, at la Pieta (BBC) – https://youtu.be/cgaOVV4JQHA

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As Palma and Palmina saw this Peony Gondola Vision suddenly Palma had a strong real remembering about their time in the 16th century and Palmina could feel it:

Often Palmina played during Palma painted on an important painting for 40 minutes at once and then she made a break with her lute. And during this break Palma had to go to the Organ in that church, where he was painting, and had to play 40 minutes for her and she listened very interested if Palma makes a progress in his music polyphonic creativity.
She was like the Saint Cecilia who helps him from the world of the body, the material, to come to the world of immaterial, the world of inspiration in art and music.
And it seemed that Palma il Giovane was inspired by her friendly listening to his music creations.
Always if he looks in her direction Palmina smiled back to him and Palma smiled.

And this they made very often and during several years as long Palma painted on huge painting in a church.

Later they made this in the Ospedaletto at the Crociferi and later also at the San Antonin Church near Palmina’s bakery shop where her home was. (There he painted during the whole year in that church and finished the paintings in the year 1593)

Palmina put again her head on Palma’s side and was happy about this intensive rememberings of the 16th century and she lifted a little lantern and smiled.

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(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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287. The Peony Gondola does not move

✮ 287. The Peony Gondola does not move ✮

And after they spoke about this composition tradition Palmina took the complete music score, they heard suddenly this music:

VIDEO: (Violin and Piano (52c) https://youtu.be/d54fOdc9qbw

»Oh, a new creation Palma. I sounds like a style of music from,from….in a few centuries. I love your creations so much!«, said Palmina smiling with shining eyes.
Now she smiled a little bit like Marco Polo’s deep love.

The Peony Gondola moved fast but soft back to the library on Planet Mars.

After they landed they looked around the ancient street and Palma said: »It seems that the Peony Gondola landed here but it is not moving any more. What shall we do?«

»Palma, can you repair the Peony Gondola…?«

Palma went out of the Gondola and walked around the big Gondola to inspect it if there is any damage.

»There is no damage, Palmina. It only does not move any more…«, Palma said like a Master.
After a while he entered the Peony Gondola and sat beside his Pigeon.

»Palma?«, Palmina asked like a little innocent Pigeon.
»Hmm?«
»Can we return to our 16th century in Venice with our Peony Gondola?«
»Yes, Palmina, but the Peony Gondola will bring us to Venice, if it is the right moment.
It seems that the Peony Gondola will tell us that we have to learn, to understand something before we go back into our beloved Venice.

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Suddenly the Peony Gondola moved fast to Venice in the 18th century.

»Woooh«, sung Palmina like being very happy and she tries to have a hold on her Palma il Giovane.
Palma was also surprised about this fast travel to Venice and made a round mouth.
»But, Palmina…«
»Wooooh, we are driving back to Venice, Palma we can continue our old deep love…«

»…Yes, Palmina, but.. look!.. the People who are wearing other clothes and look this is a later century…«

»A later century in Venice? How much years later…?«
The Gondola landed in Venice along the big Promenade and now they saw this:

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picture - »Campo Bandiera e Moro« in Venice.png

picture – »Campo Bandiera e Moro« in Venice

They saw the famous composer Johann Sebastian Bach (1685-1750)¹, sitting at the place »Campo Bandiera e Moro« in Venice at the old bakery shop where Palmina’s home is (was – we are over hundred years later) and where she lived, worked as baker’s daughter and famous music teacher who played as young girls the Lute, here in that bakery shop.

»I am hungry, Anna.«, Johann Sebastian said like a big hungry bear.

»Well, let’s order something to eat here at this place…a Pizza or Marco Polo Nudles, how are they called here Spa-, spa-ge-etti«

»Oh yes, Sebastian let’s eat something, we are hungry!…«, little Johanna Carolina said.

And during they ordered something to eat from their table Johann Sebastian observed on the other side of that big place that a group of young girls with beautiful cloth and music instruments came out of the church where Palma’s Uncle once painted a very traditional painting there.

»At today’s rehearsal you played my composition very, very good. I am looking forward to the concert at our San Marco Cathedral. I am proud of you, my girls ,my famous orphan girls orchestra of Venice:

The ‚La Pieta Girls Orchestra‘ of Venice!

From all over the world the people come to Venice to listen our Orchestra!…«

»Padre Vivaldi! It is not only our orchestra…
IT IS BECAUSE OF YOUR GOOD COMPOSITIONS!
Your music the people like to hear all over the world!
This year we will get an Invitation to play in Vienna in Austria at the famous and beautiful Saint Karl’s Cathedral…«

»Is this right, padre Vivaldi…? We make a concert tour to Vienna at the Saint Carl’s Church in Austria?«, an elder girl asked excited.

»Wooho…this are good news!!!!«, a little girl said and jumped in air like a little bird.

»Yes, yes my little spiritual daughters! It is right we are making a concert in Vienna…
Now fast go back to the ‚Ospedale de la Pieta‘ to get the midday lunch. We should not let the cooks wait…you know this sever women will shout with us if we are too late. It is only a few meters to go along the ‚Calle de La Pieta’… Fast, fast, my girls…«

And the girls made »Hooray!!!« and run with their instruments across the place »Campo Bandiera e Moro« and run along the »Calle de la Pieta« where once Palmina had her window over her little garden in the 16th century, over hundred years ago.

* * *

As Palmina saw her old flat in Venice she said to Palma: »Look, my room where I do normally do rehearsal!«

»How often I stood there and played my Mandolin for you, my Palmina. How often you played a music answer from your little window and it was like a little cheek kiss to get this music answer from you…«

She smiled and gave Palma a short cheek-kiss and Palma could feel it and smiled.
He took his Viola da braccio and plucked: c – g – d‘ – a‘

And Palmina answered on her lute: A – D – E – a.

Both smiled.

And they continued to see the Peony Gondola Vision:

* * *

Johann Sebastian Bach ¹) looked at this scene with the girls on the place and his eyes followed the girls which run beside his table.

»Antonio Vivaldi ²)? Maestro Antonio Vivaldi?«, Johann Sebastian said and stood up from his chair.

»Johann Sebastian? Maestro Johann Sebastian Bach from Leipzig in Germany?…
…You, You are in Venice after nearly 35 years?
… Benvegno di Venezia !!!
Benvenuto a Venezia !!! …
Welcome to Venice…«, Antonio Vivaldi said.

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) * Joh.Seb.Bach (1685 – 1750) – Wikipedia: https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

»Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.«

²) * Antonio Vivaldi (1678 – 1741) – Wikipedia: https://en.wikipedia.org/wiki/Antonio_Vivaldi

»Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian[2] Baroque musical composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.«

 

Ospedale de la Pieta (music school for orphan girls) – Wikipedia – https://en.wikipedia.org/wiki/Ospedale_della_Piet%C3%A0

»The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ospedali, the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. «

»The composer Antonio Vivaldi was appointed a violin teacher in 1703 and served in various roles through 1715, and again from 1723 to 1740. Much of Vivaldi’s sacred vocal and instrumental music was written for performance at the Pietà. The conservatory of the Pietà hospital was the only hospital to remain active until approximately 1830. All the other hospitals completely closed their musical activity during the first years of the nineteenth century. From an instrument inventory[3] dated 1790 we learn that during that year the Pietà hospital had still “four violins with used bows, four cellos, seventeen violins, two marine trumpets [this may in fact refer to violino in tromba marina], six small violas, two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets. «

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281. The Ancient library on Mars

281. The Ancient library on Mars

»Oh, from here did the music come…«, Palmina said very inspired.

The Peony Gondola followed them in the meanwhile 5 meter behind them, along this ancient street to be nearby if they need the Peony Gondola (Their music instruments are also in this Peony Gondola).

01 picture - a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one).png

picture – a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one)

Palma looked to the Peony Gondola and went to pick up his Viola da braccio and his Mandolin.
Palmina followed him and took also her Lutes and smiled.

»Come, Palma, let’s enter this ancient library!«

And Palma and Palmina entered the ancient Mars library.

As they where inside they realized that it was not dark inside.
A lot of colourful lights were inside. Lights in the different colours: yellow, Pink, green, light-blue, violet, red, green, golden light and colours which are unknown on earth .

»Oh, how interesting these colours are…«, Palma said, »I will later try to paint these colours in my paintings and you will help me to create them on earth, Palmina!«

The room was huge and high. It had exact the dimensions of the church »San Zulian« in Venice nearby Palma’s flat.

The style was also a little bit in Renaissance Style but more in Martian-Style.
There were in the walls a lot of books, scriptures, ancient paper rolls, and visual and acoustic media from metallic and glass or crystal- looking material.

The books are written in different languages of different cultures. But Palma and Palmina could not figure out what it is written about.

Between the book library there were paintings in the same size like in the Church »San Zulian« and the huge painting at the top looked similar to the painting style of Palma il Giovane. Paintings from the Mythological historic period, of the »golden age« from history.

»Who painted these huge paintings on Mars here in that beautiful library?«

Palma and Palmina felt suddenly deep in their heart some remembering.

Now they looked at each other very familiar.

So they remembered also the time as they saw each other after the concert in the San Zulian Church after the presentation of Palma’s painting and Palma went to the left side in the corner to speak with Palmina.

They both remembered the light beam from the window and now as they went also to the right back corner of this library they saw also a light coming and moving towards them.
This lights are a higher technology which adapt their light and position to the moving and to the need of the visitor of that library.

Palmina and Palma looked at each other thinking on their remembering.

In front of them there is a big door with a text they could not read.

Along the frame of the door were the old ancient 8 Trigramms in the order of the Cantico-Order.

»Oh, look isn’t that interesting? The 8 Signs are exact in the Order of the old vase the saint beautiful women gave us once?

Isn’t also Planet Mars associated to the IMAGE of THUNDER and to Sphere of Planet Mars in Dante’s ‚Divina Comaedia‘ in your Pipa Solo Nr.5?«, Palmina asked knowing.

Palmina took her music instrument and played the »Cantico-Hymnus« and it was like that:

VIDEO*): https://youtu.be/rrUiJxY4ksc

 

____________________________________
*) The Spring Melody of the 8 Images of the „8 Soli for Pipa“, Solo Nr.4 (Donner) THUNDER – Cantico Hymnus – Hymnus of Cultures
||| ¦|¦ ||¦ ¦¦| ¦|| |¦| ¦¦¦ |¦¦
☰ ☵ ☴ ☳ ☱ ☲ ☷ ☶
_________________________________

And suddenly the ancient door opened slowly and an enormous warm and friendly light came out of the open entrance, inviting them to come in.

»You opened the ancient door of the library with the Melody of the Hymnus of Cultures here on Mars, Palmina!«

»Woooh!« she said and jumped in the air.
On Mars there is not such a strong Gravity like on earth Palmina jumped 3 times higher than on earth.

Palma tried to catch her as she was moving back to the planet and he hold her and she is sitting in his arms like in a chair.

»Oh, my Pigeon, you are so light here on Mars.«

Palmina smiled and put her arms around his neck and gave him a tender short kiss.

She said »Pi-«
He answered »Pa-«
She said »Pi-«
He answered »Pa-«
And both »Li-u-to-kiss!«

And they gave each other a lot of »bacci« (ital. »little kiss«).

Palma hold her on his arms and carried her through the door in the room of light.

As they entered this light-room they saw only white warm light.

They felt covered by pure light and suddenly a voice spoke the text of Dante’s Divine Comaedia in the 3rd part, as Dante and Beatrice arrived at the Paradise at the »Primum Mobile« which is pure light.

»Noi siamo usciti fore del maggior corpo al ciel ch’è pura luce «²
_______________________________
²[Dante, Divina Comaedia III (Paradiso), 30, 40-42]
_________________________________

»Oh, Palmina, this is a text from Dante’s Divine Comaedia and his travel through the heavens.«

»Oh, the deep spiritual love of Dante and Beatrice…«

»Yes, my inspiring pigeon…my uncles father , my grandfather named his daughter, the sister of my uncle with the name ‚Beatrice‘ after Dante’s Divina Comaedia«
»Oh, really? Oh, Palma, we are now in a higher dimension library! Look, they are showing us the history of Planet Mars from the beginning…«

»Yes, Palmina really! This is a mental library with visual books. They send us directly the visions in our heart and we can see the history of Mars. Look, there are ancient buildings. And this buildings exist before they had been destroyed in the war. And a lot of pyramids are also created to produce electric energy on a very high frequency so it is not dangerous for living beings.¹«

_______________
¹ Nicolas Teslar invented the high-frequency electric transmission and realized it in his live time on earth.
_________________

»Amazing!« Palmina said and saw how the nature, the sea, the animals, the living being on Mars lived in harmony like the Hymnus of Cultures – Different but united!«

»Yes, Palmina this is a vision!«

»Different Cultures united in one planet!!!«

The light waited till Palma and Palmina spoke about there feelings and thoughts and then the bright warm light continued to show them their light library.

»Oh, look there are music scores !!!«

»And over there is the score of the music with the mandolin solo which I created for you Palmina…«

»Oh,, yes, your music is a part of this Mars library. There are the music score also of the ‚Hymnus of Cultures‘ and the ‚8 Soli for Pipa and Viola‘ and the ‚Cantico delle Creature‘ and look they made a text on your Instrumental part in a very ancient Language and they associated the 8 Signs to this text, look… Maybe you are allowed to write it down, Palma?«

And the light showed Palma the ancient text and the whole music score and Palma started to write down the music score for Palmina.

And the music score is like that:

3 pictures- first part of the »The Ancient Library on Mars and colourful lights«

02 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

03 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

04 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

* * *

And after they saw this beautiful Peony Gondola Vision Palmina smiled and was very lucky and she wanted to try out the instrumental part of the music score.

And the Peony Gondola played for her the Piano and Violin Part like that:

VIDEO: https://youtu.be/u2ATb4ADRHI

 

 

(to be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
===========================================

270. First flight along Schiaparelli Mars City

270. First flight along Schiaparelli Mars City

And they continued to dream their Peony Gondola Dream like that:

* * *

»Venice, 15..

Dear Palmina!

Again I can feel your positive thoughts and once at the early morning I observed a bird singing a beautiful melody.
Normally there is no bird singing at this time and sitting over there on the roof of the house.
I felt that he brought me a singing bird message from your heart.
I composed now 5 music pieces which describes the flight along the Schiaparelli Mars City.

I want to show you my music soon in our Peony Gondola at 23 o’clock.
If you are now too much tired to stay up as long as 23 o‘ clock we can see us earlier – our hearts can feel the best time for heart-to-heart communication.

Looking forward to see and to feel your positive thoughts at our Peony Gondola.

Your Palma il Giovane«

* * *

»Palma?«

»Hm?…«

»Did you write me an imaginary letter?«

»Yes!«

»My heart could feel that you composed something new…«

Now the Peony Gondola flew soft but fast north-west along to the little Martian Crater which is located at the north-west end at Edom region of the big Schiaparelli crater.

Palmina felt big luck and had emotional remembering to this Mars-City.

Palmina hugged Palma thankfully and during this they heard Palma’s new composition:

VIDEO: 1.) First flight along Schiaparelli Mars City –  https://www.youtube.com/watch?v=vOlSI7M-72k

»Woooh! So beautiful, Palma! I love that! Flying along this ancient Mars city. Look…
I feel that I know this city thousands of years ago… I know this place!

Oh, look there is a huge Big Wall around this city in this crater…

Palma, there is a old big Wall on which you can go and drive along. See down there… And there is a city and here down, the river…and here the Entrance of the city.
If you stand there on he wall you have a fantastic view over the endless landscape on Mars. Here to the west side, and there on the east side wall, down is the amazing view in the huge Schiaparelli Crater.

»Yes, Palmina, there are really a lot of walls and buildings…
How old are they?
But let us fly a little bit nearer to see a few details…«

And soft but with the immense speed of 200 km/h they flew along the big 80-90 km long huge and big wall to see more details. To flew the circle counter clockwise and this it took less than 30 minutes.

They saw that the big wall was surrounding the whole little crater at all parts to protect the crater city from sand storms and other danger.

»Palma, I feel it I was once a musician there and I played often from that wall to protect our city from enemies…we kept the oldest known cultural traditions on this planet and we kept them alive in art and music to give them to the next generations…«

»How long ago?«

»4600 years ago…maybe… Music helped us …Music could bring peace in the time of dangerous wars between different cultures…«

And they listened to Palma’s composition »First flight along Schiaparelli Mars City«

VIDEO: 2.) Flying along the big Wall of the Schiaparelli Mars Cityhttps://www.youtube.com/watch?v=jhJLfX0pZyQ

 

* * *

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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269. Fly me to Planet Mars

269. Fly me to Planet Mars

As Palma and Palmina saw this Peony Gondola vision Palmina said to Palma:
»You played this Mandolin solo so beautiful for me…
Palma, thank you so much!«

Palma was lucky that Palmina was lucky about this composition.
»You composed it as if it is also dedicated to the saint Virgin isn’t it? Maybe as if it is also dedicated to the saint Lucy or the Saint Virgin Mary, the Guan Yin of the West. It is like an Ave Maria, so beautiful…«

Palma smiled and was lucky that Palmina liked his dedication.

»You should write a version as Ave Maria, Palma, a lot of women will love it to hear it on their most beautiful day in their live: The day of their marriage…«

Palma observed Palmina’s eyes and said:

»Palmina?«
»Hm?«

»I can feel that you have a special wish…Hm?
..Don’t you want me to fly with you to Planet Mars with our Peony Gondola.«

Palmina smiled shy as if she wants to say »YES!« to Palma.

Palma smiled and the Peony Gondola moved up to the stars and flew directly to Planet Mars.

During the soft movement of the Gondola a little prise of wind moved their hairs and they looked wondering around and saw how little our Planet earth looked behind them.

Palmina smiled and said »Woooh. So fast…We are really moving to Planet Mars?«

»Yes, but we are arriving there in a moment where my Uncle is exploring this Planet…«

»Your Uncle on Planet Mars?«

And they looked at the slowly nearer and nearer coming surface of the red orange Planet Mars. Now they are surrounding the Planet along the Equator and they are entering the Mars shadow. For a while it was dark, only the stars shined and now they saw the first sunrise in Rubin-Red colour as a thin red unfinished circle.

Now they flew along the Equator of Planet Mars down to the Planet. Soon a big crater was visible called »Schiaparelli Crater«. Slowly it came nearer and nearer.

»We are flying exactly along the 0° Line of the Equator which is passing the big Schiaparelli Crater«.

And Palmina looked like an innocent Pigeon and opened and closed her eyes several times and she saw that there was also a little crater in the big Crater along the Equator.
As the Peony Gondola came nearer and nearer to the little crater they could see some mountains who are looking like huge ancient buildings of an old historic period.

»Look…«, Palmina said and pointed to a mountain which looked like a special form of an old pyramid or an old Maya temple with their typical high steps.

Palma smiled and put his finger to her mouth tender and made »Sssshh!«; this to show her not to talk to anybody about these secrets.

Palmina smiled and nodded innocently like saying »Ok.«

After they overflew the little crater they entered the big Schiaparelli Crater and a wide landscape opened in front of their eyes.

The Peony Gondola moved now slowly to the right side and flew slowly down to the surface of the Martian Dessert.

»Oh, Palma, look! What is there…? Look, a big silver vehicle is moving down there?«

»Ehm…yes, well… that’s him…«

»Him, you mean inside this moving silver building this is ‚him‘, you mean your Uncle…«

»Yes, Palmina he is inside this silver big bus.«

»Oh, what is a bus?«

»A Bus is a vehicle that can move without horses, like a ship without water, you know…«

»Oh, this is a bus. Fantastic it is moving…«

During the Gondola is coming nearer and nearer Palmina pointed to the silver bus and asked:
»Is he alone here?«

»No he is together with his scientific colleague, a physician. Together they are exploring the Mars. Uncle is watching the stars from his little observatory at the end of the bus and he is in connection with the earth station, and his colleague is collecting and sorting all Mars Material. They are the first men on Mars together with the team of other 18 man who brought them there on Mars«

»20 Man on Mars, all hero…Palma, they do not have any women?«

Palma smiled and answered:

»I will write down the whole story for children ¹)
..so you can read it later…Look there they are looking through a tiny long small window…«

And Palma and Palmina waved to them smiling.

And Uncle Vily said suddenly to his colleague: »Look a Gondola from Venice here on Mars…That’s not possible. Its a dream!«

»Oh, we are dreaming now the same dream – I see also a Gondola 1 Meter over the surface of Mars. And inside a man from the 16th century and a beautiful girl with a white yellow cloth and a lute in her hands – maybe an angel!

Do you think we got to much medicine and this is not real, Vily?«

»No, this is a high dimension encounter. They are travelling through an other time and space dimension! Isn’t that the famous painter Palma il Giovane from Venice?«

»…Than she is maybe his ‚big inspiration‘ send from the heaven from Saint Lucy – Palmina Albina – She inspires him to big artworks and to big music composing…«

»Yes, it might be…oh fine…«

»Oh Palma, they seems to know us. In which century we are now?«

»Psst, a secret – Yes, we did time travel but we are not allowed to change things going on in the future or in the past…
By the way: My painting student Ludevit from Prague is painting the Mars surface very authentic…« and he will write also about by uncle and his friend and colleges…«

* * *

And during they saw this Peony Gondola Vision they heard this music and Palmina put again her head on Palma’s side and Palma kissed Palmina’s head and smiled.

»My Palmina…«, Palma smiled.

»My Palma…«, Palmina smiled.
And the music was like this:

VIDEO: („Landing on Mars“ (Planet video-version) for Violin on Piano 2019-07-22) https://youtu.be/EkeA5L39jzI


(to be continued…)

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¹) There are 4 new chapters – [4.] , [5.], [6.], [7.]  –
of my story »UNCLE VILY – BACK TO EARTH«
[1.] https://unclewillybacktoearth.wordpress.com/2018/10/12/the-journey-begins/

[2.] https://unclewillybacktoearth.wordpress.com/2018/10/24/2-a-flying-libelle-dragon-fly-on-mars/

[3.] https://unclewillybacktoearth.wordpress.com/2018/12/04/3-orange-light-blue-flames-and-organ-music/

[4.] (NEW!) https://unclewillybacktoearth.wordpress.com/2019/01/07/4-1st-christmas-on-mars/

[5.] (NEW!) https://unclewillybacktoearth.wordpress.com/2019/07/30/5-landing-on-mars/

[6.] (NEW!) https://unclewillybacktoearth.wordpress.com/2019/08/07/6-our-first-day-on-mars/

[7.] (NEW!) https://unclewillybacktoearth.wordpress.com/2019/08/18/7-a-weather-station-on-mars/

 _________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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