Music Score of „The heart of the Rose“ by Gerald Spitzner

Music Score of „The heart of the Rose“ by Gerald Spitzner

Pictures 1-8 – Music Score of „The heart of the Rose“ by Gerald Spitzner

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VIDEO: (music score video) „The heart of the Rose“ by Gerald Spitzner https://youtu.be/9uHYUaCTlp0

 

364 . The Best Instruments for the best Musicians of Venice

364 . The Best Instruments for the best Musicians of Venice

 

02 La Pieta Orphan Girls Orcestra Venice.jpgpicture 1 – ‚THE LA PIETA GIRLS ORCHESTRA OF THE REPUBLIC OF VENICE‘

They continued their Peony Gondola Dream and it was like that:

The Gondola moved soft in the evening waters of the Canale Grande and Palmina put her head on Palma’s side and felt so secure.
During their common Music Vision she felt surrounded by thousands of roses – All the Roses – All the music light roses she saw and felt in her heart!

Palmina wanted to ask Palma for the music score of this music piece and Palma could feel it.
Palma smiled. During that he remembered that today a bird sung at 4 a.m. in the morning bringing Palma a bird message, Palma stood up and looked out of the morning to listen every tweet of Palmina.
(Palmina tried to send him 3 times Messenger and he could feel and hear it).

„Here I have the music score, my Palmina, mia docissima Mia!“

Palmina feels that this music touched her heart very, very much and Palmina looked into Palma’s eyes and Palma looked also into her shining eyes.

„This evening you played so beautiful on my new lute. How do you like it? Is it a good instrument, Palmina?“

„Oh, yes, I love it. It is so nice to play on it. It is a master work – From the best lute maker from Venice…“

Palma took the instrument in his hands lifted it a little bit and said: „This lute is for you Palmina, ordered by the best lute maker of Venice, the most famous in whole Europe, from the whole World!“

„Woooh“, This is for me?“
Her eyes looked like a little deer.
„Oh, thank you! Really? Oh, Palma!
Such a good instrument! Oh, Palma! This is sure the most expensive lute in the world!?“

Palma smiled shy as if he does not know what she means and looked up to the soft evening sky over Venice.
Palmina hugged Palma like a little girl and kissed him shy and tender on his cheeks several times – and: Palma could feel it and smiled.

* * *

The next day Palma il Giovane was at the La Pieta Music School where the orphan girls waited all together in the music rehearsal and dining room.

Palma made it possible that Palmina can give music lessons for the girls as music teacher there at the music school, which is near to her family house, the bakery shop along the cale de la Peieta.

„Now, my dear angels…“, the nun said to all the orphan girls,
„…Signore Palma il Giovane, who composed for us a lot of artworks in the last years is here and he has announced that every girl who is playing or learning music instrument will get new a high quality music instrument made from the best instrument builder from the Republic of Venice!!!“

The girls looked at each other – after a moment of silence they smiled, jumped and cried of joy and luck and made a long applause for Palma il Giovane.

01 LA Pieta Orphan Girls Orcestra from Venice

picture 2 – The La Pieta Girls Orchestra playing on their new music instruments

„Graaaaazie! Mille, mille grazie, Maestro Palma il Giovane!!!“

-„Really…we will get new instruments!!! We will be the best girls orchestra of Europe, of the whole world!“

And Palma gave a sign to Palmina to bring the music instruments builder which waited outside.

„Oh, so much new instruments, all for us…“

„This is for me, I play Cello!“
„This is for me, I play the Violin“
„and I play the Lute!
“ I play the harpsichord – oh a new harpsicord – for me!!!“
„…an Oboe for me and for you a Mandolin, look!“
„and there they bring a Viola, and all Viola da Gamba!!“
„Trumpets, Clarinets, a Mono-chord for theoretic music studies!!
„and, and this is a flute for me!!!“, a younger little girl said!

And all their cheeks get light red and all their eyes shined.

Now this seems Christmas in summer.
Palma observed like a father how the orphan girls where lucky.

The nuns where surprised by so much new music instruments and hold their hands over their open mouth and could not believe that Palma il Giovane is supporting these girls orchestra so much.

The elder superior nun whispered to her colleague:“Once we all thought Palma will adopt or marry one of our girls. Now he supports our orchestra….Last month he sponsored us a golden tablet which has the words on it:

‚THE LA PIETA GIRLS ORCHESTRA OF THE REPUBLIC OF VENICE‘

We are so lucky to have him as sponsor. Soon we will make a concert tour to Vienna, Austria with our choir and Orchestra. At the Renaissance Palais Ferstel in the 1.District“

„..Yes, but our girls are really good musicians, aren’t they?“
„And they like Palma’s compositions, so they will perform his artworks…“.
„Sometimes he is like a father, often he comes and tell to the girls good-night-stories for the girls in our rehearsal hall…
Often legends from the Life of Master Titian and his secret love the lute playing musician… she lived here in Venice…“
The older nun listened and nodded understanding.

* * *

Again at the 23 p.m. in the Gondola under the evening stars of Venice:

Palmina plays on her new lute and Palma listened very interested.

No one bought Palmina in her whole life such a beautiful and high quality music instrument not even her father.
But Palma did it. Palma il Giovane said: „I wanted to give you this Lute in the public. But we decided to make our Gondola tour…

Palmina played and Palma listened and the golden light was again between their hearts.

„…Yes…yes….I need these moments of pure music and art inspiration, Palmina. There are so much honor guests in our Palazzo…
I can not concentrate there….sometimes… because I feel so tired after the painting work…“

„…I know Palma, Often the honor guests are asking to see the famous Palma il Giovane, Mihaela said, wondering where you are…
Mihaela told them that you are working on an art inspiration…“, Palmina said with her soft voice.

„Yes, this is the truth…“

And both looked at Palma’s music score and they heard this Peony Gondola Music Vision like that:

VIDEO: (music score video) The Mystic Light Rose by Gerald Spitzner – https://youtu.be/Qy-4AoBantk

(to be continued…)

 

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner/

 


 

364 . The Marco Polo Dialogue

364 . The Marco Polo Dialogue

picture 01 - Palma_il_Giovane_-_Doge_Pietro_Loredan_Beseeching_the_Virgin.jpg

picture 1 – painting by Palma il Giovane (Palazzo Ducale in Venice)   „Doge Pietro Loredan Beseeching the Virgin“ (Palmina as model)

   After they dreamed this Peony Gondola Vision they continued to dream like that:

Every day Palmina appeared as Pigeon in his daily life and he feels that she is helping him like an angel.

Sometimes she asked the saint virgin that sometimes on the sky there is a little heart formed from clouds.
If Palma looks up to the heaven he realizes often this fact and he smiled lucky.

Often she brings him fresh fine white breads to his working place – this year (1596) he workes in the St. Antonin Church at the little San Saba Chapel on a wide scaffolding.

Today he makes no brakes, waits till Palmina will come with her basked with fresh little breads.

At evening she will play his composition on her lute in the Palazzo Ducale on San Marco Place.

She learned all his notes by heart so she does not need to use a music score to play it.
Around midday she will make a little rehearsal for Palma in the San Saba Chapel so Palmina could feel with her heart if the tempo was correctly taken and the interpretation was perfect after Palma’s intentions.

Palma smiled as he was looking forward to hear her playing only for him in this San Antonin Church, near her flat at her mothers bakery shop on the Campo Bandiera e Moro in Venice.

And Palmina came silently in the church, Palma did not realize it, and she took her Pipa and played very soft the „Thinking on each other melody“.

Palma looked up from his big painting artwork and though „Am I dreaming, or is she really playing the Chinese Pipa lute – here in this church in Venice? – only for him – the Thinking on each other melody?“

Palma looked around in the church, if there is a saint angel playing.

* * *

Later after the evening concert Palmina came to pick Palma up.

„Palma it is too dark to paint, even with a lantern? Come Palma let us make a Gondola tour along the evening in Venice? I will play for you on your lute…“

„Oh, Yes Palmina. I will order a Gondola and will be sitting in it in 12 minutes and you can enter it in the Calle de la Pieta at the little bridge.“, Palma whispered to her and he put his painting brush down and cleaned it with terpentin.

Now he went down to order the Gondola at the bridge at Furlani which was also over the rio de la pieta like the bridge where they will meet.

As Palma entered the Gondola  he thought the words „..till we meet us again at the bridge…“

The Gondola started along the Rio de la Pieta and Palma il Giovane felt like Marco Polo who is taking his Chinese princess in the Chinese city Suzhou the so called „Venice of the East“

Palmina entered now the Gondola, coming from her evening concert, wearing a beautiful expensive Renaissance cloth, which Palma bought her once.

After a while both had the same Peony Gondola Vision.
Palma transformed into Marco Polo and Palmina transformed into the Chinese Princess.

Palmina felt that Palma is dreaming from the century of Marco Polo without saying a word.

Yes they could see the Water City Suzhou, which is known as the Venice of the East.
There they have also water streets like in Venice. How amazed was Marco Polo to visit this city with a Chinese chunk (like a Gondola in Venice) and he said to his Chinese princess „Oh, my princess, will you come with me to Venice? We are both from different cultures but we are learning from each other – Tell me something from your culture…“.

Palmina and Palma looked now up to the stars over Venice.
They looked now together to Sirius-Sotis.

This star you can see from the 4th of September to the 5th of May at different evening or night time.

Both remembered without saying a word that looking to these stars this makes Palma and Palmina connected between their hearts.
Even they are separated through space, maybe thousands of Miles / Kilometers they would look every day if it is possible to Sirius-Sotis to send a smile each other.

And the Chinese princess told Palma the story of the Chinese traditional Novel of the fate of Wang Hsian Ko and Wu Schuang (a Work of Xing Jian Bai (776 – 826) at the time of Tang-Emperor Te Tschung (780-805) Marco Polo listened very interested.*

And Marco Polo said „…till we met again at the bridge…“

Palma felt very touched and the story about these two loving was this:

They could see each other only A FEW MINUTES on an ANCIENT BRIDGE.
A group of fine 30 palace ladies came in carriages this way along this bridge.
Wang Hsian Ko could see her as she lifted the curtain of her carriage and she smiled to him and he smiled to her.
Then they were separated and had to wait a long time to see and speak each other again, but they always thought on each other.
Wu Shuang tried to write Wang Hsian Ko a letter, but it was very difficult.
They always thought on each other although they could not see, could not speak, could not write to each other.
Nevertheless their „heart to heart“ – connection was stronger than the fate: THEY FOUND A WAY TO EACH OTHER…
Marco Polo was touched by the fate of this deeply in their heart loving people. But then the way was open for them to go together through their life, full of love and luck.
Palma looked shortly at Palmina’s eyes. She looked also into his eyes and smiled.

—————————————————————————————————————————-
* this story is printed in its german translation by Franz Khan at „Chinesische Novellen“, p.519 („Vom Totenhemd ins Brautkleid“), Insel Taschenbuch (848), 1985 (a novelle byXing Jian Bai 白行简)
—————————————————————————————————————————–

suzhou-Venice of the east

picture 2 – The Marco Polo city in China Suzhou (Venice of the East)

They looked around the beautiful Water City Suzhou (picture  above) and Marco Polo counted all the bridges. They saw a lot of lanterns and light which are reflecting in the water and the atmosphere was like in Venice.

She played then again on her Pipa lute the „Spring Melody“ and had sweet innocent light red cheeks because she expressed her feelings to her beloved Marco Polo.

Later Marco Polo told her the love story of Dante and Beatrice in the „Divina Commedia“

„And there was a rose of light in the heaven they both saw in a Vision (Beatrice leads him to this vision)…“

„Oh a mystic light rose? This is interesting in my culture there are a lot of links to mystic light roses – the Lotus Rose – the Peony Rose – „The Secret of the Golden Flower“* and they are important in Buddhism, Taoism, and so fort…


* „The Secret of the Golden Flower“,
Richard Wilhelm translated this old mystic text into German Language / English


 

Marco Polo hold her hand and kissed her carefully, as if he wants to heal he hands (she plays a lot of time on her Pipa and has a lot of pain sometimes on her fingers:
„My Pipa- princess…“

„My Marco Polo“

„My Wu Schuang…“

„My Wang Hsian Ko…“

„Our hearts are connected…“

„Our hearts are connected…“

And during they felt to be in a Chinese Chunk they realized that they are in Venice.

And Palma holds still her hands and kissed them soft and he observed her beautiful shy shining eyes.

Slowly the Gondola moved along the San Marco Place where Palma has his flat left beside the astronomical clock house in the 2nd foor.

It is still light there because there are a lot of important special honor guests of the republic of Venice. Palmina often played (most daily) there after the evening concert as opening of the evening dinner in the big representative rooms („Palazzo“).
After that music opening ceremony Palmina was finished and could leave the event to pick up Palma from his painting work place (now in the San Saba Chapel of San Antonin).
They saw Palma’s both daughters standing at the window.
The elder Crezia, she is now 14 years old, with her younger sister Giulia, holding her on her arm like a mother.

picture 04

  picture 3 – (detail) Palma’s flat in the 16th century

„Oh, look, Crezia and Giulia are at the window… Let us greet them…“, Palma said.

Palma and Palmina wanted to wave to them but it was to dark for them to see Palma and Palmina sitting in the Gondola.

„Crezia is now 14 and she takes care of Giulia like a mother. Amazing she helped everywhere, as if she is the head of the family…“, Palma explained.

„You are proud on her isn,t it? You have to paint her, hmm? Paint her also as Samaritan women at the fountain with Jesus, like you paint me once.

FILE_Immagine_Palma_il_Giovane,_Cristo_e_la_samaritana_al_pozzo,_1599

picture 4 – Palma’s doughter as model in his painting „Jesus and the Samaritan“ (1599)

You painted me once as young lady with the yellow white cloth. I am 38 and she is 14.“

„Do you remember? Once you wanted to adopt a 14 year old girl from the orphan music school „Ospedale de la Pieta“… Now you have an own 14 year old angel!
The Orphan girl sung in the famous la Pieta choir – the most famous choir in the world – and the orphan girls did expect that you will choose a girl to marry or to adopt it as daughter…“

„Yes, I remember Palmina, I remember the eyes of all the talented music orphan girls.
They looked deep into my eyes and into my heart, asking me wordless:
»Will you take one of us to marry?..Me or her, or an other girl?
… Will you take one of us to adopt as own daughter?«

– Sometimes I was not sure which feeling I should have »Like a father or a future husband ‚in spes’*)«
_______________________________________________
*) ‚in spes‘ means in ‚hope‘ to marry
_______________________________________________

Palma looked thinking a while and said „Perce no? Why not? Wei shen me bu?“ (Marco Polo once could speak Chinese language)
Palma was lucky to make these evening walks with Palmina, like it was today.
Sometimes the representative evening dinners in Palma’s flat are a little bit taking to much energy or concentration and Palma is often very tired after painting the whole day and he needs Palmina’s lute playing to be recreated from the hard working day.

Slowly the Gondola moved to the left side in direction to Giudecca Island.

„Here you lived in the Marco Polo time, do you remember, Palmina?“

„Palmina looked smiling and nodded shy… There, over there in the gardens… and we meet in the Gondola…
Often we took the Gondola like today and, and I…
…. I remember the gondola had a little bit an other design and, and an other color…“, Palmina said like a little girl.

Palma took from his bag a music score and showed it to Palmina.

Palmina holds her lantern near to Palma’s music score and was interested to look at it and it seemed that she wished nothing more than to hear Palma’s new music creation.
Her cheeks turned again light-red color and Palma could feel this.

Both had now a vision of a mystic music light flower and it was like this:

VIDEO: The Mystic Light Rose by Gerald Spitzner – https://youtu.be/O5nJJ88P_EQ


(to be continued…)

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner/

361. Palma il Giovane ‚La Crocifissione‘

361. Palma il Giovane ‚La Crocifissione‘

And they saw now aVision of Palma’s painting „La Crocifissione“ with
secret hints of the lute Playing Palmina.

La Crocifissione

picture –  Palma il Giovane ‚La Crocifissione‘

(to be continued…)

355. Happy birthday Palma !

355. Happy birthday Palma !

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picture – yellow canary bird

And they continued to dream their Peony Gondola Dream like that:

  Palma dreamed that a little canary bird sung in the morning the Spring
Melody.
Palma was lucky and he smiled.
He felt that the bird sent him 5-heart- messages. (His mobile rung 5 short
times but the administrators erased her 5 happy-birthday- messages
before he could read it)

In his  morning-dreams the little bird came near to Palma’s ear and
whispered tender and soft:“Happy birthday, Dear Palma! Peep-peep-peep!“

Now the little yellow canary bird played on its Pipa Lute beautifully
the Spring Melody like that:

VIDEO: [»Spring Melody« of Pipa solo 4] https://youtu.be/YbumhbqHxkM
(Recorded for DGPA-Speech)

Palma answered: „Thank you, my little yellow canary. This is so nice and
sweet!
Let me play a music answer to you, my Pigeon, my inspiration!“

And after she played the Melody Palma took his Mandolin and he played
for her
his variation of this melody – the „Spring Melody Hymnus“ like he played
this for her in the 16th century (See chapter 147)

     Yes, and it was like that, Palma played:

            VIDEO: [2018-10-15 Mandolin solo »Spring Melody Hymnus –
Palma il Giovane 147« by Gerald Spitzner] https://youtu.be/PNgiJ_cT7Jo

music:
composed by Gerald Spitzner
Mandolin solo: Gerald Spitzner

                (…to be continued)

Read also the other CHAPTERS of this story »Palma il Giovane – The
Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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352. Ancora una Volta, Palma!

352. Ancora una Volta, Palma!

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picture 1 – Gondola and Rialto Bridge in Venice
 

Today a bird sung in the morning in the little garden, bringing a message for Palma il Giovane.
Palma listened and was lucky.
He send Palmina an imaginary heart-to-heart kiss and Palmina could feel it.
Palmina smiled also.

Now they continued to dream their Peony Gondola Dream and it was like that:

* * *

After they played together on the Rialto Bridge the „Waiting on the Rialto Bridge“ – Song Palmina made a soft sigh and said with her soft voice like a Pigeon:
„Oh, Palma! Bellissima“ Tai haude! – Ancora una volta, Palma! – Once More, Palma!“
„Certo, mia dolcissima columba! Wode zui ke aide gezi! My sweetest pigeon!“

And Palma lifted his Mandolin and made silent „uno, due, tre“ with his mandolin and now they played together once more and they looked each other into their eyes and smiled.
And there was again the golden light between their hearts.

VIDEO: „Waiting at the Rialto bridge“ by Gerald Spitzner
Mandolin (Violin or Pipa) +Guitar (Lute or Piano ) – https://youtu.be/HggoNeJE7K4

„Waiting at the Rialto Bridge“ by Gerald Spitzner

music: composed by Gerald Spitzner
Mandolin: Gerald Spitzner
Guitar: Gerald Spitzner

And Palma and Palmina made music and played and played.

During the music they remembered that they often met there to exchange their letter-pigeons sitting in a big golden cage.

They saw also the people of the 16th century going along the Rialto bridge like in a remembering-Vision.

Palma’s cage stood under the north arc of the Rialto Bridge with his Pigeon – Palmina’s cage stood under the south arc with her Pigeon.

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picture 2 – Letter Pigeons

Palmina took Palma’s cage and Palma took Palmina’s cage.

So they could send each other a little letter with the help of the letter Pigeons.
This they made because it often happened that their normal mail was stolen in the 16th century by the illegal criminal church of O.S.

The bird-mail was more secure than the normal mail.

Both thought now about this remembering, both smiled.

Is this not like once? – Today Palmina send a little heart message on facebook Messenger but someone stole her message, read it and erased it – maybe a facebook administrator payed by the church of O.S. with money.

Sometimes Palmina recorded herself on the Pipa Lute and send an audio-recording to Palma but, facebook Messanger blocked her audio-file and on Palma’s handy there was no audio-file by Palmina any more since once.

But here in the Peony Gondola they can communicate from heart-to-heart and make music from heart-to-heart in the golden light.
„Palma?“, Palmina asked looking shy and innocent,
„Can I have the music score?…“

And Palma was lucky that she asked him for the music score – of course he gave it to her.

Palmina said lucky: „Woooh! I love it! Oh, Palma! My composer! Ti amo! Wo ai ni! Mille grazie! henduo XieXie!“

And Palmina wanted to jump on her place like a little bird and smiled and she took the music score and touched with her cheek the paper and kissed it tender.

„Like once, in the 16th century…“, Palma thought happy.
„This is my Palmina, my Pigeon, my little yellow canary bird, my inspiration, my Santa Cecilia, my big old love…“

pictures – music score of „Waiting on the Rialto Bridge“

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(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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351. „Waiting on the Rialto Bridge“

       351. „Waiting on the Rialto Bridge“

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            picture 1 – view middle Steps of Rialto Bridge during the
Corona-Virus-Epidemic with closed shops

   So they continued to dream their Peony Gondola dream and it was like
that:

                * * *
– He saw her smiling in an old remembering vision sitting there with
her traditional bakers shop cloth of the 16th century, holding her lute,
playing his composition and smiling into Palma’s eyes.

  – She dreams that Palma wears a beautiful traditional cloth like the
16th century in Venice it was usual and he came to buy some fresh fine
little white breads from her.

  And during their hearts were connected dreaming Palmina dreamed that
Palma is holding Palmina on his arms and carrying her up to the Rialto
Bridge – step by step –  while she is holding her arms around his neck
and smiling lucky.

Palma dreamed this scene also and he saw that Palmina smiles very lucky.

Palma also remembered that he composed a Mandolin solo about
„Waiting-Melody“. He played it standing at the Rialto Bridge so that she
can hear it down to her baker market stand while she is selling her
breads at the marked stand.

  Palma remembered also the music score of the Lute-part Palmina
composed for her.
He remembers that she came up the steps to him, there on the Bridge
with his Mandolin and painting utensils..

Palma played also today, in the 21st century, the „Waiting-Melody“ on
his Mandolin and Palmina said after she heard it:

„Wooh, now I remember…this Melody…you played it for me…I listened
it and came up to the bridge… We were often up there and sometimes:
One was waiting for the other.
You played this Melody so I could hear it on my marked stand. As I
heard it I realized that you came with your painting utensils to paint
there under the arc of the bridge…“

            01 IMG_20200330_163058 picture 2 – South Arc of the Rialto Bridge (behind the north arc)

„Yes, Palmina. Sometimes you waited for me on the south side of the
bridge and you played this Waiting-Melody on your Venetian Lute…“

Palmina and Palma went talking step by step along the south side of theR ialto Bridge.

  „And at the Peony Gondola – where our souls meet – we made together
music:  You on your Mandolin and I on my Lute…“, Palmina whispered
Palma in his ears.

They moved slow but continuous step by step upwards to the highest point
of the bridge.

  „…Here in the 21th century we have now the Corona-Virus-Epidemic.“

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    picture 3 – view from Venice without people

„…No tourists are in this mounts in Venice.
10000 people died in Italy!“

„These poor people. It is a so dangerous time!
We often thought in the 16th century about the poor victims of the
Pest-Virus-Epidemic in Italy and in the whole World.

… We often made a prayer with our music instruments for them.“,
Palmina said with a sigh in her voice.

„…So no one is allowed to go out of the streets in Venice.
Only we both – we are in our dreams here…“, Palma said.

They went step by step up to the bridge.

„…the people can only make music alone at home.
Record themselves and send the music to them they like or love….

This remembers me, Palma. As I recorded own audio-files with my
I-Phone.  I recorded myself on my lute and I send It to you for your
speech….“, Palmina said friendly like a Pigeon.

„…Now is the time for home recording music, because all concerts in
the world are cancelled these days and no one is allowed to make music
in these days with ensembles….“, Palma said thinking „Palmina?“,

„Hm, did you know that I send you a few hearts these days on facebook
Messenger?“

Palma answered: „My handy made sounds but as I looked on our
Chat-protocol…you know…
But, I felt your positive energy… I felt that you also are sad that
your message to me are erased by someone…

This morning I heard a sweet bird singing in the garden.
I listened 5 minutes to this singing bird and was lucky to have a
heart-to-heart message from you, my pigeon, my Saint Cecilia!
I told also to this bird he should send you a sweet bird message if you
look short out of your windows…“

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         picture 4 –  View from the Rialto Bridge

As they arrived the highest point of the Rialto Bridge Palma took his
Mandolin and played his creation for Palmina „Waiting on the Rialto
bridge“ and Palmina took her lute and played with him like that:

          VIDEO: „Waiting at the Rialto bridge“ by Gerald Spitzner
Mandolin (Violin or Pipa) +Guitar (Lute or Piano ) –
https://youtu.be/HggoNeJE7K4

„Waiting at the Rialto bridge“

   music: composed by Gerald Spitzner

       Mandolin: Gerald Spitzner

       Guitar: Gerald Spitzner

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony
Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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350. Venice without Tourists like in a dream

 

350. Venice without Tourists like in a dream

IMG_20200327_150323

picture – view Venice without Tourists

And Palma could feel deep in his heart that Palmina is thinking on him and, sending him maybe 4 times messages  on facebook messenger.

And now at 23 p.m. they dreamed to be together in their Peony Gondola.
Palmina touched Palma’s right arm and Palma could feel it.
Palma smiled. A warm golden light energy.
Palmina also smiled and they saw now this Peony Gondola Vision:

* * *

21th century in Venice.

Palma and Palmina are goning side by side, hand in handy slowly romantic along the beautiful city of Venice.

„Plama?“
„Hmm?“
„Are we dreaming, no Tourists in Venice…“

„Yes, we both are dreaming. But this is the real Venice during the Corona – Virus epidemic in Europe, Asia, America, Africa…“

„…Oh, I see, we are here in our dreams but in the real Venice. Look there is the Rialto Bridge…

…All shops ar closed, also the market“, Palmina said shy with her soft voice.

„All over the world it is forbidden to leave the own home – Corona Virus Pandemic“, Palma.explained.

„…Oh, like we have it now at home…
But we are allowed to walk together in our Peony Gondola Dream…Oh, Palma..“
And Palmina showed her her handy with all her hearts and smilies she sent him with Facebook messanger.

Palma smiled and said that he could feel her positive energy from heart to heart.

Palma looked ad his Messenger and there was nothing on his display.

„They erased my messanges to you…the administrators from facebook messenger…“, Pamina said with a sigh in her words.

IMG_20200327_150536

   picture 2 – closed marked beside the Rialto Bridge in Venice (positon of Palmina’s marked stand  in the 16th century)

Now the crossed the big and beautiful Rialto Bridge.
At the other side there is the traditional marked beside the little church with the 24h display – all shops there are closed.

„Here you sold the little fine white breads in the 16th century…I remember…“

„Oh, yes, Pama I also remember !

„…and you played always on your Venetian lute…“

„…often I played a creation of you and the People bought more breads as I played your Melodies…I was so proud to have always new creations from you, my Pama, my painter, my composer, my big old love…“

And Palmina startd to give a soft kiss on his cheek, shy like al little yellow canary bird. Palma took Palmina and hugeed her.

  Picture 3 –  music score if the „Waiting  Melody“ by Gerald Spitzner (in octace treble key notation)

dav

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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349. Michelangelo plans to construct the Rialto bridge

349. Michelangelo plans to construct the Rialto bridge

Accademia - Miracle of the Holy Cross at Rialto by Vittore Carpaccio

Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

picture 1 – Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

And after Palma heard Palmina playing at 23 p.m. in their Peony Gondola Palma was lucky and smiled.

Yes, the Peony Gondola is connecting them from heart-to-heart.
Palmina was also lucky feeling that Palma is lucky and smiling.

Now they are sitting side by side in their secret Peony Gondola and they are dreaming together and it was like that:

* * *

Again in the year 1563 at Master Titian’s Palazzo in Venice:

After Mihaela sung her aria perfect she got also an applause.
Palma il Giovane finished his drawing and Master Titian was also lucky to see Palma’s new drawing creation.
He was a little bit proud of his Master student, because he and Master Michelangelo know how hard it is to have a very good master student in this time – a time after the big pandemic pest.

Palmina liked Mihaela’s performance and smiled.

starlight-masquerade-venetian-renaissance-costume-94

 painting 2 – by Palma in Giovane (painted in early years)

Now Master Titian invited all his guests, also Palmina, to have with him a meal on the long table.

They talked about their earlier years in Rome.
Master Titian told a few secrets about his famous painting ‚Venus of Urbino‘.
Palma listened very interested.

Much later Michelangelo asked:
„…I wanted to ask: How is the Le Zitelle foundation going…? I remeber it was 63 years ago the mighty doges family founded it to protect poor girls from…“

Titian answered fast: „…oh, yes it was in the year 1500 but now we have a big donation from a rich women and so it is possible that a little church is also build inside the building on Giudecca Island – The Chiesa Santa Maria de la Salute by the famous Palladium…“

„…and does the church support the Le Zittelle girls…?“, Michelangelo wanted to know.

Master Titian made a sever face and he looked suddenly 10 years elder then during the music and concert.

Suddenly Palma il Giovane answered in his name:“…Here in Venice, the le Zitelle Institution is independent from the church so we have strong donations which helps to protect the girls from…“

„…from radical Celibacy fanatics…“ the Venus of Urbino model and lute playing women said smiling.

All on the table laughed decently knowing that this topic is very problematic.

„..oh, I see, well, Venice is nevertheless a city also of morality values…“, Michelangelo said laughing.

„Master Michelangelo…didn’t you construct the new Rialto bridge a few years ago?“

„Oh, yes…the Rialto bridge…oh, don’t remember me.
Oh such a story: Because of the Pope Clemens I had to flee as refugee to Venice once. The Doges of the Republic of Venice asked me to make the construction of a new Rialto Bridge.
I made than this with the idea of creation shops beside the steps for tourists and visitors of Venice.
But some spy of the catholic church found out that I am the architect of the Rialto Bridge so the pope’s sun mad intrigues against me and my official commission.

The republic of Venice wanted to wait till an other pope will be in the church and then they want to build the bridge after my plans.

„I hope they will soon start with the work…“, Palma il Giovane said.

As Palma spoke and little Palmina heard Palma’s voice, Palmina looked to Palma with shining and smiling eyes.

grand-canel-the-rialto-bridge-from-the-north_

picture 3 – view of Rialto bridge in Venice painted by Canaletto

„…The financial administrator of the Vatican has a lot of money and if he pays priests and persons acting against me to make intrigues so the bridge will be build by an other architecture bureau.
They will build it nevertheless after my ideas and after my construction without telling my name…“

Michelangelo made a long sigh and Master Titian asked: „…this is hard to understand…such a clerical intrigue…
Didn’t you compose once a Latin mass as music dedication for Pope Julius II – The P J 2 – Mass?“

„Yes, I composed the mass for Pope Julius II…“

„Didn’t they perform it in Rome after the Pope died?“

„No, they didn’t perform the music, not even after the Pope Julius II died…“

„Such a shame…They have so much money and cannot give orders to their choir leaders to sing and play the music?“, said the Venus of Urbino Model lute playing lady.

„Here in Venice, we are more independent from the church.
I composed several music pieces for the orchestra and choir for the talented orphan girls here in Venice at the Ospedale La Pieta music school shelter….“, Palma il Giovane said.
„So, next time I will compose for orphan girls in Venice and not for a pope…“, Michelangelo said and lifted his glass of wine ceremonially, „…Long lives the art and music in Venice!!! Long life our Le Zitelle and La Pieta Music Girls…“

* * *

And after they saw this Peony Gondola Vision Palmina put her head on Palma’s right side and he put his arm around her to give her a good hold.

Palmina had again light-red cheeks as she lifted the music score with the little bird solo composition with her right arm.

Palma felt that between them was the golden light.

Palma smiled. Palmina smiled.

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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348. Little bird solo inspiration

348. Little bird solo inspiration

IMG_20200316_145836

picture 1 – view of Gondola die Venezia (behind Rialto bridge in Venice)

They continued to dream their Peony Gondola Vision like that:

* * *

Master Titian asked Michelangelo:“How much statues did you made for the thumb of Pope Julius II?“

IMG_20200323_153921

  picture 2 – Thumb of Pope Julius II made by Michelangelo

Michelangelo said“ 40 statues  I had to make as sculptor…it was very expensive to buy the marmor…“

During this Palma il Giovane’s little cousine Mihaela entered  the little wooden stage where Palmina was playing her first accords on the lute.

„…And this is Palma’s talented cousin Mihaela. She will today sing the aria ‚Il mio cuore’…“, Master Titian said proud.

„…she also members our famous Venice Titian Art Gallery. She sings at the openings of new fresh paintings…“

„Oh, well, I see…“, Michelangelo said.

And she sung and the secret Model of Titian’s famous painting ‚Venus of Urbino from Rome played on her Lute beside her. Little Palmina observed all movements of her fingers on the lute and learned all…

  * * *

And after they saw this Peony Gondola Vision Palmina looked at the new music score of Palma for her.
Palmina had light-red cheeks as she saw this art creation.

„And this I composed also: Little bird solo for Pipa.
It describes the sweet sound of a singing bird…“

Her cheeks turned more light-red then ever and she smiled:

  Palmina was lucky as she saw this Lute solo:

„Oh, Palma! Thank you so much, my composer, my painter and writer…“

„Pi -„

„- Pa“

„Liu to – baci!“

And at 23 p.m. Palmina made music and she played this little bird solo and Palma will hear it and he will be lucky.

       pictures 3-4 – Music score of „Little bird solo for Pipa“ by Gerald Spitzner

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1

dav

  (2)

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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