350. Venice without Tourists like in a dream

 

350. Venice without Tourists like in a dream

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picture – view Venice without Tourists

And Palma could feel deep in his heart that Palmina is thinking on him and, sending him maybe 4 times messages  on facebook messenger.

And now at 23 p.m. they dreamed to be together in their Peony Gondola.
Palmina touched Palma’s right arm and Palma could feel it.
Palma smiled. A warm golden light energy.
Palmina also smiled and they saw now this Peony Gondola Vision:

* * *

21th century in Venice.

Palma and Palmina are goning side by side, hand in handy slowly romantic along the beautiful city of Venice.

„Plama?“
„Hmm?“
„Are we dreaming, no Tourists in Venice…“

„Yes, we both are dreaming. But this is the real Venice during the Corona – Virus epidemic in Europe, Asia, America, Africa…“

„…Oh, I see, we are here in our dreams but in the real Venice. Look there is the Rialto Bridge…

…All shops ar closed, also the market“, Palmina said shy with her soft voice.

„All over the world it is forbidden to leave the own home – Corona Virus Pandemic“, Palma.explained.

„…Oh, like we have it now at home…
But we are allowed to walk together in our Peony Gondola Dream…Oh, Palma..“
And Palmina showed her her handy with all her hearts and smilies she sent him with Facebook messanger.

Palma smiled and said that he could feel her positive energy from heart to heart.

Palma looked ad his Messenger and there was nothing on his display.

„They erased my messanges to you…the administrators from facebook messenger…“, Pamina said with a sigh in her words.

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   picture 2 – closed marked beside the Rialto Bridge in Venice (positon of Palmina’s marked stand  in the 16th century)

Now the crossed the big and beautiful Rialto Bridge.
At the other side there is the traditional marked beside the little church with the 24h display – all shops there are closed.

„Here you sold the little fine white breads in the 16th century…I remember…“

„Oh, yes, Pama I also remember !

„…and you played always on your Venetian lute…“

„…often I played a creation of you and the People bought more breads as I played your Melodies…I was so proud to have always new creations from you, my Pama, my painter, my composer, my big old love…“

And Palmina startd to give a soft kiss on his cheek, shy like al little yellow canary bird. Palma took Palmina and hugeed her.

  Picture 3 –  music score if the „Waiting  Melody“ by Gerald Spitzner (in octace treble key notation)

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(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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349. Michelangelo plans to construct the Rialto bridge

349. Michelangelo plans to construct the Rialto bridge

Accademia - Miracle of the Holy Cross at Rialto by Vittore Carpaccio

Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

picture 1 – Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

And after Palma heard Palmina playing at 23 p.m. in their Peony Gondola Palma was lucky and smiled.

Yes, the Peony Gondola is connecting them from heart-to-heart.
Palmina was also lucky feeling that Palma is lucky and smiling.

Now they are sitting side by side in their secret Peony Gondola and they are dreaming together and it was like that:

* * *

Again in the year 1563 at Master Titian’s Palazzo in Venice:

After Mihaela sung her aria perfect she got also an applause.
Palma il Giovane finished his drawing and Master Titian was also lucky to see Palma’s new drawing creation.
He was a little bit proud of his Master student, because he and Master Michelangelo know how hard it is to have a very good master student in this time – a time after the big pandemic pest.

Palmina liked Mihaela’s performance and smiled.

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 painting 2 – by Palma in Giovane (painted in early years)

Now Master Titian invited all his guests, also Palmina, to have with him a meal on the long table.

They talked about their earlier years in Rome.
Master Titian told a few secrets about his famous painting ‚Venus of Urbino‘.
Palma listened very interested.

Much later Michelangelo asked:
„…I wanted to ask: How is the Le Zitelle foundation going…? I remeber it was 63 years ago the mighty doges family founded it to protect poor girls from…“

Titian answered fast: „…oh, yes it was in the year 1500 but now we have a big donation from a rich women and so it is possible that a little church is also build inside the building on Giudecca Island – The Chiesa Santa Maria de la Salute by the famous Palladium…“

„…and does the church support the Le Zittelle girls…?“, Michelangelo wanted to know.

Master Titian made a sever face and he looked suddenly 10 years elder then during the music and concert.

Suddenly Palma il Giovane answered in his name:“…Here in Venice, the le Zitelle Institution is independent from the church so we have strong donations which helps to protect the girls from…“

„…from radical Celibacy fanatics…“ the Venus of Urbino model and lute playing women said smiling.

All on the table laughed decently knowing that this topic is very problematic.

„..oh, I see, well, Venice is nevertheless a city also of morality values…“, Michelangelo said laughing.

„Master Michelangelo…didn’t you construct the new Rialto bridge a few years ago?“

„Oh, yes…the Rialto bridge…oh, don’t remember me.
Oh such a story: Because of the Pope Clemens I had to flee as refugee to Venice once. The Doges of the Republic of Venice asked me to make the construction of a new Rialto Bridge.
I made than this with the idea of creation shops beside the steps for tourists and visitors of Venice.
But some spy of the catholic church found out that I am the architect of the Rialto Bridge so the pope’s sun mad intrigues against me and my official commission.

The republic of Venice wanted to wait till an other pope will be in the church and then they want to build the bridge after my plans.

„I hope they will soon start with the work…“, Palma il Giovane said.

As Palma spoke and little Palmina heard Palma’s voice, Palmina looked to Palma with shining and smiling eyes.

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picture 3 – view of Rialto bridge in Venice painted by Canaletto

„…The financial administrator of the Vatican has a lot of money and if he pays priests and persons acting against me to make intrigues so the bridge will be build by an other architecture bureau.
They will build it nevertheless after my ideas and after my construction without telling my name…“

Michelangelo made a long sigh and Master Titian asked: „…this is hard to understand…such a clerical intrigue…
Didn’t you compose once a Latin mass as music dedication for Pope Julius II – The P J 2 – Mass?“

„Yes, I composed the mass for Pope Julius II…“

„Didn’t they perform it in Rome after the Pope died?“

„No, they didn’t perform the music, not even after the Pope Julius II died…“

„Such a shame…They have so much money and cannot give orders to their choir leaders to sing and play the music?“, said the Venus of Urbino Model lute playing lady.

„Here in Venice, we are more independent from the church.
I composed several music pieces for the orchestra and choir for the talented orphan girls here in Venice at the Ospedale La Pieta music school shelter….“, Palma il Giovane said.
„So, next time I will compose for orphan girls in Venice and not for a pope…“, Michelangelo said and lifted his glass of wine ceremonially, „…Long lives the art and music in Venice!!! Long life our Le Zitelle and La Pieta Music Girls…“

* * *

And after they saw this Peony Gondola Vision Palmina put her head on Palma’s right side and he put his arm around her to give her a good hold.

Palmina had again light-red cheeks as she lifted the music score with the little bird solo composition with her right arm.

Palma felt that between them was the golden light.

Palma smiled. Palmina smiled.

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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348. Little bird solo inspiration

348. Little bird solo inspiration

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picture 1 – view of Gondola die Venezia (behind Rialto bridge in Venice)

They continued to dream their Peony Gondola Vision like that:

* * *

Master Titian asked Michelangelo:“How much statues did you made for the thumb of Pope Julius II?“

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  picture 2 – Thumb of Pope Julius II made by Michelangelo

Michelangelo said“ 40 statues  I had to make as sculptor…it was very expensive to buy the marmor…“

During this Palma il Giovane’s little cousine Mihaela entered  the little wooden stage where Palmina was playing her first accords on the lute.

„…And this is Palma’s talented cousin Mihaela. She will today sing the aria ‚Il mio cuore’…“, Master Titian said proud.

„…she also members our famous Venice Titian Art Gallery. She sings at the openings of new fresh paintings…“

„Oh, well, I see…“, Michelangelo said.

And she sung and the secret Model of Titian’s famous painting ‚Venus of Urbino from Rome played on her Lute beside her. Little Palmina observed all movements of her fingers on the lute and learned all…

  * * *

And after they saw this Peony Gondola Vision Palmina looked at the new music score of Palma for her.
Palmina had light-red cheeks as she saw this art creation.

„And this I composed also: Little bird solo for Pipa.
It describes the sweet sound of a singing bird…“

Her cheeks turned more light-red then ever and she smiled:

  Palmina was lucky as she saw this Lute solo:

„Oh, Palma! Thank you so much, my composer, my painter and writer…“

„Pi -„

„- Pa“

„Liu to – baci!“

And at 23 p.m. Palmina made music and she played this little bird solo and Palma will hear it and he will be lucky.

       pictures 3-4 – Music score of „Little bird solo for Pipa“ by Gerald Spitzner

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  (2)

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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347. Michelangelo’s big love and inspiration Tessina

347. Michelangelo’s big love and inspiration Tessina

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    picture – painting at the Sistine Chapel in Rome, Vatican by Michelangelo

And they continued to dream their Peony Gondola Vision like that:

  * * *

The next morning Palma opened at the early morning his window to his little garden-view.
It is rainy and cloudy, darker as usually, sometimes a wind touches Palma’s face.

Never a bird would sing at this weather, but: suddenly a little bird sat on a roof and started to make music  very sweet and loud, sweet and innocent.
The bird sung a music message from Palmina directly to Palma’s heart.

Now he heard in his heart that Palmina is playing the „Thinking on each other Melody“ which Palma composed once for her. She should play it if she is thinking on him.

Palma smiled and huged Palmina in his thoughts and send her also some heart-to-heart kisses as answer to her’s in his last dreams.

Now he remembers the talk of Michelangelo and Master Titian in the year 1563 in Venice like that:

* * *

„…and I had a lot of intrigues to face in Rome because I had to paint the huge artwork in the famous Sistine Chapel…“, said Michelangelo.

„Oh, really? I know these problems here also in Venice. What helped you to overcome these problems – Contesina Medici?“

„Yes, yes – Tessina! My deep inspiration, my deep love, my reason why I continued to paint on this Creation paintings in Rome…I still love her…“, Michelangelo said with a deep sigh in his voice,
„…Pope Julius II allways asked me in the Sistine Chapel:’When you will come to an end?‘ And I answered  always: ‚When I am finished!‘
Sometimes it was sad and Tessina helped me with inspiring me and calming down and encouraging me…
Years later her brother became the new Pope Leo and he payed me good to finish the huge tomb of Pope Julius the II in Rome in Saint Peters Dome.But Tessina arranged it for me….“

„…Yes, I understand you Master Michelangelo…My secret love (he looked on the stage), my secret inspiration, she helped me also all the years with her music lute playing concerts. There is a healing energy in her music. I hope that she will have a Master Student and her way of music therapeutic talent will be learned by someone in the future.“

Master Michelangelo and Master Titian looked now silent at Palma’s fast drawing of the scene on the little wodden stage.

Michelangelo nodded agreeing as if he wants to say: „Yes, Palma is a talent…“.

Little Palmina tried her first tones on the lute and the beautiful lady said: „Oh, well done! You should learn this instrument. I feel you are talented and interested to learn music…“
Palmina smiled shy and had light-red cheeks.

Palma il Giovane smiled and started with an applause and Titian and Michelangelo started also to applause.

* * *

After they saw this Peony Gondola Vision Palmina put her head to Palma’s side and Palma huged her.

„Look, I composed a 2 minutes Lute Solo for you, my sweet inspiration“, said Palma.

And Palmina showed him her heart which she send him today from her handy.

And the music score was like that:

   pictures – music score ‚Impression  for Pipa solo‘ by Gerald Spitzner

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(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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345. Palmina inspires Palma il Giovane for creative Artworks

345. Palmina inspires Palma il Giovane for creative Artworks

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  Picture 1 – White Pigeon with red rose

And now thew saw again this Peony Gondola Vision:

* * *

Again they are in Venice in the year 1563.

Michelangelo is also listening to the famous music solo playing women.

  After the concert the servants brought some Asian Tea and Master Titian asked Michelangelo about his last years in Rome, if he could finish the Painting about the creation on the Sistine Chapel (1) and if the Pope is paying him for his hard huge fresko painting artwork which takes years of hard work.

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Picture 2 – Sistine Chapel painted by Michelangelo

Michelangelo begun to talk and to explain.

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  Picture 3 – Couple created by Michelangelo in Rome, St. Peter“s Vatican State

He told him also that he created also the huge couple of the St.Peters Dome in Rome, Vatican State.(2)

During they talked and Palma il Giovane listened interested as Master Art Student he observed that little Palmina is fascinated looking at the music instrument – the lute.

Palmina brought to the lute player on the little stage shy and friendly also a fresh bread from her basket.
She tried and said „Hm, so delicious…never ate so good fine breads“

  „This bread I created by my own. It is more fine made then usually…“

Palmina wanted to know how the names of the strings of the lute are.

„…Come little angel… The lute has 6 strings the highest is e …than deeper is the  h…than deeper is g…
deeper is named D…than… A….finally the deepest is E.
This is 2 octave deeper than the first string e…“

„Oh fine…may I hold it and try it?“ Palmina asked innocent.

Palmina was allowed to try the instrument and Palma observed this two beautiful ladies from his table during he drunk the white tea. Palma smiled and as longer he looked to them the more he seemed to smile.
Palma started to draw them both very fast on a sheet of paper – Palma was inspired to see the real „Venus of Urbino“ with her lute and the little girl Palmina trying the lute.

Titian observed his Master student with the sever eye of an eagle and Michelangelo stopped to speak in respect of Titian’s observation.

    * * *
After they saw this Peony Gondola Vision, during this, Palma“s handy made a few sounds because he got a message from Palmina“s Messenger  account on facebook. Palmina send him several hearts.

Palma looked at his handy and the display was empty but Palmina showed him her handy and she send him a few hearts again and Palma’s handy made for every heart a sound.

Palma smiled and Palma send her a white Pigeon with a red rose.
Palmina looked on her handy, but also her display was empty.
Palma showed her his message on his handy and Palmina saw the nice picture.
Palmina gave him today a few tender cheek kisses and Palma could feel it although it is before 23 p.m.

Now Palma is inspired and he wrote a new part of his Music Dialogue:

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  picture 3 – music score part (40) of Dialogue for Pipa and Viola by Gerald Spitzner

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

___
(1) Wikipedia – Sistine chapel – https://en.m.wikipedia.org/wiki/Sistine_Chapel

(2) coupla of th St.Peters Dome in Rome, Vatican State.
See at „Works“ Wikipedia – https://en.m.wikipedia.org/wiki/Michelangelo

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344. Secret music flower

 

344. Secret music flower

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And after Palmina looked at the next 4 parts of his music dedication she tried out on her Pipa Lute and smiled – and: Palma could feel this and felt also lucky and smiled.

Today several birds sung melodies in the nature and Palma listened to them as it was from Palmina a music message to his heart.

  Now at 23 p.m., as their souls met again at the Peony Gondola Palma,  Palma saw Palmina smiling. Her smile gives him power to continue to compose 4 new parts and he wrote and she smiled:

   pictures – music score part (36-39) of Dialogue for Pipa and Viola by Gerald Spitzner

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          (to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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343.  Michelangelo, Titian, Palma and Palmina

343.  Michelangelo, Titian, Palma and Palmina

 

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Picture – view along the Rio de la Pieta at Furlani in Venice nearby the bakery shop from Palmina“s parents and the future Atelier owf Palma il Giovane (right side) and the Scuola (in the middle)

Palmina studied the new music score very interested and exercised some parts, especially the part (3) of „Water, Thunder, Wind“.
Palmina understood that this is the „Thinking on each other Melody“ (see par 1-2) in the „Mirror“-Version:  Melody moving down is mirrowed and transformed moving up and melody up is mirrowed to notes moving down.

Palmina smiled and Palma could feel it.

Now they saw this Peony Gondola Vision:

      * * *

1563, Venice.

A little 6 year old girl is bringing a little basket toa palazzo of the old wise Painting Master Titian.
She is wearing a typical bakery shop working dress and smiled friendly.
Before she could enter the fine Palazzo, suddenly she saw a few man carrying a long itter with a famous old man inside.
She stopped and saw that whole Venice had orange oil lamps in their windows.
She rememberes that her mother said today to her that this is done to honour the great and famous artist architect, sculptor, painter, writer and composer Michelangelo (1) who will come today to visit Master Titian in his  famous Titian School.

Later Palmina entered the rooms to bring fine fresh breads for master Titian he loves so much.
Very shy but smiling she stands with her basket.at the door of the huge room.
„With best wishes and greetings from  our bakery shop…“, Palmina said innocent and waited till she was allowed to bring the basked to old Master Titian.

1280px-Michelangelo's_Pietà,_St_Peter's_Basilica_(1498–99)

    Picture 2 – Pieta of Michelangelo

  Master Michelangelo was now also there and they had an important talk about the future of the Venice Titian Art School – about the question who should be the keeper of the Venetian painting shool.
During the Pest Pandemy they had often, to close the school and a lot of people died in Venice (30 percent).
A hard time for whole Europe.
Master Titian feels more and more weak because he had also the Virus but survived.
Now he is only feeling weaker and weaker.
So the little breads are giving him a little bit joy and light in his old days.
He took a bread and asked Michelangelo also to take one.

„..This is my student Palma il Giovane…“ Master Titian said to Master Michelangelo.
The very young Palma il Giovane smiled and nodded shy to Master Michelangelo.

„Since one year he is working in the closest circle of my best students…I asked him to move from Rome back to Venice to stay here…
Here are some good paintings and his amazing drawings and some made by him. I am so proud to have him…“.

  Palmina looked shy to Palma il Giovane and to his paintings while she is holding her little basked with her breads.

Suddenly a lady with a lute came in the big room and tuned her music instrument.

She nodded friendly and sat down on her chair which was on a little wooden stage on the other wall of yhe big room.

Michelangelo whispered to Titian:“Oh, She is your secret model?“ Michelangelo wanted to know.
„She lookes like the women on your beautiful painting „Venus of Urbino“ which is now in Rome at Guidobaldo II della Rovere, Duke of Urbino.
„Yes, I know, Duke Rovere bought my painting…“ Master Titian said and all his heart and all his weak eyes looked expecting to his secret love his model and musician „Venus of Urbino“.

Now she started to play full of heart and full of love.

Michelangelo, Palma il Giovane and of course Palmina Albina could hear this beautiful house concert.
Palmina opened her mouth and eyes and looked fascinated to the talented lute playing female musician.

The music touched her heart deeply and she listened to every single note.
After a few minutes she observed that Master Titian is feeling better and better like a miracle. The colours of his white-grey skin transformed to white-light-red.
She hold her hand in front of her mouth not to show her emotional surprise about the miracle of music.

Music was like a living, energy like a golden light.
Palmina felt deep in her heart that she wants also to learn to play the lute like her, to give love and light with music.

She wants not only to be a baker shop girl, she wants to became an artist in Venice.

Palmina smiled and then she looked at the student of Master Titian, Palma il Giovane.

Palma smiled back to her and she was lucky.

And after they saw this Peony Gondola Vision of the year 1563 Palma composed 4 new parts for her:

   pictures – music score part (32-35) of Dialogue for Pipa and Viola by Gerald Spitzner

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(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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(1) Michelangelo – Wikipedia – https://en.m.wikipedia.org/wiki/Michelangelo

(2) Guidobaldo II della Rovere, Duke of Urbino  –  Wikipedia – https://en.m.wikipedia.org/wiki/Guidobaldo_II_della_Rovere,_Duke_of_Urbino

342. Thinking on each other music inspiration

342. Thinking on each other music inspiration

Picture – Thinking on each other Melody by Gerald Spitzner

And Palma wrote on the music sheet also this Melody one cctave higher (see music score) octave

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Thinking on each other Melody by Gerald Spitzner

Palma played this Palmina could feel that Palma il Giovane is making music for her.

Even they are thousans of kilometers divided, this makes no difference.
The golden light knows no distance. Real heart to heart communication would even work if they are together in the 16th century and there is no modern way of communication like handy or social media.

Nevertheless Palmina send him the next day also a heart and Palma could feel it – also a bird sung a special melody in the morning a message from Palmina.

Palma played on his Viola da braccio the „Thinking on each other Melody“ with much love for her.

Palmina smiled. Yes, he played for her on his instrument.

They remebered how often Palmina played for Palma in the 16th century.

Often Palma felt weak or ill or tired.
As Palmina played on her instrument Palma felt suddenly better.
Often Palma painted very long and hard. His eyes and arms and his back was full of pain. If Palmina came with her lute and played for him he felt better.

Often Palmina played the „Thinking on each other Melody“ to send him love.

Palma was lucky that Palmina played for her  his little music creation.

Palma feels her positive music energy so he writes again new parts of  their music Dialogue.

Palmina smiled and waited till Palma finished writing his new parts.

  Pictures – music score (29-31) of „Dialogue for Pipa and Viola“ by Gerald Spitzner :

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„Woooh! Thank you Palma, my composer…“, Palmina said lucky like a sweet yellow canary bird.

Palmina looked interested all this music score.

Palma was lucky and smiled.

„Palmina?“, Palma asked after a while

„Hm?“

„What about I write a new composition about this ‚Thinking our each other Melody‘ Should I try it…?“

„Oh, yes Palma, please write a composition about out Meldoy!
It makes me so lucky if you are creative…
..if it is possible with a Pipa part…?“, Palmina said very shy and innocent.

Yes, Palmina is a real musician. She can touch somone’s heart and she can heal with her music – it is more than sound – it is love.

Palma started to work on a new Variation „Water, Thunder, Wind“ a Variation of the „Thinking on each other Melody“ :

  Pictures – music score (1-4) of „Water Thunder Wind“ by Gerald Spitzner

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Water Thunder Wind (1)_ by Gerald Spitzner

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Water Thunder Wind (2)  by Gerald Spitzner

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Water Thunder Wind (3) by Gerald Spitzner

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(4)  Water Thunder Wind (3) by Gerald Spitzner

   (to be continued…)

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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮

339. Continuing the heart-to-heart Music Dialogue

339. Continuing the heart-to-heart Music Dialogue

IMG_20200304_174419

Picture – view of San Marco Place in Venice

And as Palma and Palmina sat on this beautiful day together again at the San Marco Place, having a nice view to the island Giorgio Magiore (Giorgio Mazor in Venetian language), Palma saw Palmina’s nice smile.
This inspires him to write 4 new parts of their Music Dialogue.
His Handy and the table made a short sound because Palmina send Palma a big heart.
But on his display it was not visible, but visible on Palmina“s Handy nevertheless.
Palmina showed him her a heart at her chat protocoll of Facbook Messanger.

Palma smiled and continued to write and it was like that:

   picture – music score of Dialogue for Pipa and Viola part (21-24)  by Gerald Spitzner

dav

dav

22

dav

23

dav

(24)*

*NOTE: „From 1 to 16“ means Dacapo al bar 16 and then continue…

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮

338.  First part of the 2nd Movement of the Dialogue

338.  First part of the 2nd Movement of the Dialogue

 

IMG_20200303_170916

Picture – Canale Grande and  Chiesa Santa Maria della Salute with traditional boat ceremony in Venice

„And here are the next 4 parts of our Dialogue with the beginn of the 2nd movement…“

  Pictures – part (7-20) of the „Dialogue for Pipa and Viola“ by Gerald Spitzner (1.+2. movement)

dav

dav

dav

dav

(to be continued…)

_______________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮