175.The white pigeon of Giorgio Maggiore (3)

175.The white pigeon of Giorgio Maggiore (3)

picture 1 - Presentation of Jesus in Temple« by Palma il Giovanne (Isola Giorgia Maggiore, Venice )

picture 1 – Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgia Maggiore, Venice)

The Gondolier was waiting for them with the beautiful shining lanterns in the Gondola. He will bring them later, after the walk on this Isola Giorgio Maggiore, to Giudecca Island at the Le Zitelle where Palmina has her 2nd flat and is protected by the Jesuits from her violent father and violent brother.
Other girls at the Le Zitelle have also problems with their fathers and brothers. They are reading their private messages and letters, erasing them and changing their content to isolate them from others. That’s why the girls are living here on Gudecca Island at the Jesuits.
The local authorities do not allow this and have strict laws against this and that’s why some fathers or brothers had been arrested for doing this to their relatives; arrested by the Republic of Venice – the R.O.V. – the mightiest Republic in the 16th century.

Now, not even the Gondolier could see what Palma and Palmina are doing at the secret gardens of Giorgio Maggiore, here where so much famous painters had deep inspirations (Claude Monet, 200 years later, had also big inspirations here on Giorgio Maggiore and painted a lot of paintings here and he painted also this little island).

After a while of silence Palmina asked whispering:
»Palma?«
»Yes, my Music-Angel?«
»You would really paint a white pure Pigeon in your big painting for this Church when it is ready build in a few years¹, as remembering to our spiritual walks and travels with the Gondola in Venice?«


¹ the church was finished in the year 1610 – Wikipedia – https://en.wikipedia.org/wiki/San_Giorgio_Maggiore_(church),_Venice

»San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta and forms the focal point of the view from every part of the Riva degli Schiavoni.«


»Yes, Palmina, and if we see us again in 400 years we will stand here in front of this painting and we can say this white pigeon I painted to remember our deep spiritual love.«

And they saw now in this Peony-Vision all the paintings which will be painted for this church San Giorgio Maggiore.*)


*) beside the painting »Circumcision/Presentation of Jesus in Temple« – by Palma il Giovane
There are other paintings in the monastery building:
The Last Supper by Jacopo Tintoretto
The Fall of Manna by Jacopo Tintoretto
Entombment of Christ by Jacopo Tintoretto
Madonna enthroned with Saints by Sebastiano Ricci
Risen Christ & St Andrew with Morosini family by Jacopo & Domenico Tintoretto
Adoration of the Shepherds by Jacopo Bassano


They saw the painting of Sebastiano Ricci and Tintoretto and also about Santa Lucia

picture 2 - Miracle of the immobility of Sta Lucia by Leandro Bassano

picture 2 – Miracle of the immobility of Sta Lucia by Leandro Bassano

picture 3 - painting of »Santa Lucia« by Palma il Giovanne

picture 3 – painting of »Santa Lucia« by Palma il Giovane

And they saw also that Sebastiano Ricci (he was later born then Palma) will dedicate the angel with mandolin to the secret deep love to Palma and Palmina.

picture 4 - Madonna enthroned with Saints by Sebastiano Ricci

picture 4 – painting by Sebastiano Ricci

picture 5 - detail - Sebastiano Ricci painted a little Mandolin angel as remembering of Palmina

picture 5 – detail – Sebastiano Ricci painted a little Mandolin angel as remembering of Palmina

picture 6 - painting «Venus and Cupido« by Sebastiano Ricci inspired by the love of Palma and Palmina, symbolised as 2 white pigeons

picture 6 – painting «Venus and Cupido« by Sebastiano Ricci inspired by the love of Palma and Palmina, symbolised as 2 white pigeons

The saw in their Peony-Vision that Sebastiano Ricci will also be inspired by this future- painting of Palma il Giovane with the 2 white pigeons on the right side (the 2nd pigeon is in the basked) – he studied it very intensive – and painted also two white Pigons in his famous »Venus and Cupido«


¹ Sebastiano Ricci (1659 – 1734) – Wikipedia – https://en.wikipedia.org/wiki/Sebastiano_Ricci

»Sebastiano Ricci (1 August 1659 – 15 May 1734) was an Italian painter of the late Baroque school of VENICE. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. «


»But it is not easy for a man to be in love with Saint Cecilia…«, Palmina said innocent but very direct.

»Why, Palmina?«, Palma asked like a wise man.

»Saint Cecilia was a saint and a virgin and she wanted to keep her virginity and she wanted only to have a spiritual love relation so it was difficult for a man to marry Saint Cecillia…«

»…Hmm…, but a spiritual love…. if it is really a high dimension love, then it is like two pigeons are marring from heart to heart. They need only the spiritual arrangement of the heaven, nothing else…and this the two pigeons can feel deep inside their hearts«

»I know, Palma, this I mean with ‚It is difficult for a man to be in love with a saint virgin‘. But you, Palma, you are different. You understand the principles of a deep spiritual love. As artists we can live this spiritual love as real and the results of our deep love are great artworks and great thoughts for the culture and history – We will inspire the next generations of artists. Our children are our artworks.«

Palmina and Palma hugged standing in the secret gardens of »Giorgio Maggiore« where no one is watching then; only the planets and stars, the angels and the saint of the heaven can see them; and they smiled down to them, down to planet earth, down to Venice, down to the little small island Isola San Giorgio Maggiore, called in Venetian language »San Zorzi Mazor«.

»My Pigeon…«
»My Palma…«

»My Inspiration…«
»My composer…«

»My composing lute playing angel«
»My secret writer…«

»My yellow canary bird…- Let us work together in the next centuries – if the heaven is allowing this to us – Let’s make this wish«

»My astronomer – Yes, let us work together – Let us make this wish – Dreams come sometimes through – All we do in our artworks will be connected through our Peony Gondola, Yes, Palma – Yes Palma, – I love you and I feel it: you respect how Saint Cecilia is…«

»Yes, Palmina, I respect you…«

And in a common Vision they saw the big painting Palma il Giovane should paint for this church on that small island.

EPSON DSC picture

picture 7 – »Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgio Maggiore, Venice )

Palma hold her head with his strong hands, but tender, and kissed her and her beautiful lips, very soft and slow and short.
But in their heart the kiss started also, they could feel it, and this beautiful feeling they kept in their heart, even after the short tender kiss.
And this feeling stayed for day and night.
Both looked at the Vision of the painting and they saw that Palma should paint the Pigeon held by a women and the Pigeon seemed to smile with its eyes. And an other Pigeon in the basked

picture 8 - two white 2 Pigeon - detail of Palma's big painting at the Church of Giorgio Maggiore (in Venetian »Giorgo Mazor«) .png

picture 8 – two white Pigeons – detail of Palma’s big painting at the Church of Giorgio Maggiore (in Venetian »Giorgo Mazor«)

picture 9 - white Pigeon (detail) by Palma il Giovanne

picture 9 – white Pigeon (detail) by Palma il Giovane

After this beautiful inspiration Palma and Palmina went long along the green gardens and sometimes they heart an bird or a cicada or a tiny little mouse moving.

It was a beautiful »inspiration-walk« here on that island. All the monks are now sleeping in their monastery and there was no light in their windows any more. It was now very late and they went back to the Gondola with the shining lantern where the Gondolier was respectfully waiting.

Now the Gondola moved very slow to the neighbour island Giudecca where after a few meters the »Le Zitelle« Building was. Palma brought Palmina up to her flat in the 3rd floor and she played again on her lute for him and on her harpsichord like the Saint Cecilia. Palma made again some paintings of her and continued to paint on the white pigeon.

Later he asked her:
»Do you like the white Pigeon? Should I paint her like that in the future painting?…I will also paint a second Pigeon in a basked on that painting. The two Pigeons are we…The basked represents the Peony Gondala«

Palmina smiled and was lucky to feel connected with Palma’s heart.

Palmina sat on her little bed looking through her window to the San Marco Place, which is far a way but some lanterns are shining also in the night there.
Palma sat also on her bed. Palmina took Palma’s right hand and both looked long through the window.
Palma remembered her words about the virginity of Saint Cecilia and respected her.
»Do you know the love relation and legend between the unicorn and the virgin, Palma…?«

Palma smiled and looked to her side and he put his arm around Palmina.

Now they are sitting and Palmina’s little small bed, looking in the direction of San Marco Place at the Dogan’s Palace where still hundreds of candles are shining through the windows.
Yes, now they are sitting holding their hands like two little children who became deeply loving friends.

 

picture 10 - spiritual marriage without touching the Virginity of Saint Cecilia

picture 10 – spiritual marriage without touching the Virginity of Saint Cecilia

picture 11 - spiritual marriage without touching the Virginity of Saint Cecilia

picture 11 – spiritual marriage without touching the Virginity of Saint Cecilia

Palmina turned her smiling face to his side and she was lucky to have a loving friend like him – A loving friend that is understanding her deep spiritual secret.

picture 12- detail - »Presentation of Jesus in Temple« by Palma il Giovanne (Isola Giorgia Maggiore, Venice )

picture 12- detail – »Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgia Maggiore, Venice )

»Look, I will also paint a clerical person looking like a pope with a white Pileolus on his head, looking from behind to the fresh born baby…Hmm, he looks as if this fresh born baby is his…«

»Oh…why that? …this is also a symbol of something real of our century…hmm, isn’t it, Palma? You always painted something from the present in your images…«

(to be continued…)


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172. »Mars passing the Neptune moon system« in 400 years

172. »Mars passing the Neptune moon system« in 400 years

picture - Neptune seen from its Moon Triton, who has the same size than planet Mars

picture – Neptune seen from its Moon Triton, who has the same size than planet Mars

»Oh wonderful, Palma. A whole cosmic Organ music piece, played only for me. I love you. I am so proud of you.«

»In around 400 years, on the 7th of December of the year 2018 will be a special day: Mars passing the Neptune moon system«

And Palmina hold Palma’s right hand and he could feel it and Palma was lucky.

»2 days ago you played for me on your Pipa. Thank you, Palmina. My heart could feel it. It was a wonderful music. From your heart to my heart. I love you my Inspiration, my Saint Cecilia, my Pipa princess Wang Chao-chun. 王昭君«

»Oh, it is ok. I love you too. Even we can not see us we can think on each other every day, if you also want, Palma… my painter, my composer, my writer, my astronomer. Hm, I think you are a little astronomer….«, Palmina answered smiling.
»Neptune is the planet of music and art…«, Palma kissed Palmina, tender soft and short.

Now the Peony Gondola started to move to a new vision in 400 years:

And they saw at 23 o‘ clock together in their Peony Gondola suddenly the same astronomic event from three cosmic perspectives:

»Look at that three perspectives:…«, Palma il Giovane explained to his beloved Palmina

» 1. View from the moon Phobos¹ of Planet Mars. Phobos is moving within 7,5 hours one time around Planet Mars (3x times a Mars-day or earth day).

2. View from moon Triton of planet Neptune. This moon Triton² has the same size like planet Mars and also a thin atmosphere. (We can say a planet like Mars is moving around Neptune)

3. View from moon Despina of Neptune. Despina is much nearer to Neptune as Triton and is moving around Neptune very fast…«

Palmina put her head and his side and he put his arm around her during this Peony Vision in their Peony Gondola.
And suddenly they heard in their vision a music which was inspired by Palma’s Saint Cecilia and Saint Lucy. Saint Cecilia inspired this composition like a little tweeting yellow canary bird.

Both felt the inspiration:

VIDEO ² : [ » Mars passing the Neptune moon system«]  https://youtu.be/u-4Hqa437qA

(to be continued…)


¹ Phobos – Wikipedia – https://en.wikipedia.org/wiki/Phobos_(moon)

»Phobos (/ˈfoʊbəs/ FOH-bəs, /-bɒs/ -boss,[4] from Greek Φόβος; systematic designation: Mars I) is the innermost and larger of the two natural satellites of Mars,[5] the other being Deimos. Both moons were discovered in 1877 by American astronomer Asaph Hall.

Phobos is a small, irregularly shaped object with a mean radius of 11 km (7 mi)[1] and is seven times as massive as the outer moon, Deimos. Phobos is named after the Greek god Phobos, a son of Ares (Mars) and Aphrodite (Venus)«

² Triton – Wikipedia https://en.wikipedia.org/wiki/Triton_(moon)

»Triton is the largest natural satellite of the planet Neptune, and the first Neptunian moon to be discovered. The discovery was made on October 10, 1846, by English astronomer William Lassell. It is the only large moon in the Solar System with a retrograde orbit, an orbit in the direction opposite to its planet’s rotation.[2][11] At 2,710 kilometres (1,680 mi)[5] in diameter, it is the seventh-largest moon in the Solar System. Because of its retrograde orbit and composition similar to Pluto’s, Triton is thought to have been a dwarf planet captured from the Kuiper belt.[12] It has a surface of mostly frozen nitrogen, a mostly water-ice crust,[13] an icy mantle and a substantial core of rock and metal. The core makes up two-thirds of its total mass. The mean density is 2.061 g/cm3,[5] reflecting a composition of approximately 15–35% water ice.

Triton is one of the few moons in the Solar System known to be geologically active (the others being Jupiter’s Io and Europa, and Saturn’s Enceladus and Titan). As a consequence, its surface is relatively young, with few obvious impact craters. Intricate cryovolcanic and tectonic terrains suggest a complex geological history. Part of its surface has geysers erupting sublimated nitrogen gas, contributing to a tenuous nitrogen atmosphere less than 1/70,000 the pressure of Earth’s atmosphere at sea level.[6] It is the second-largest planetary moon in relation to its primary, after Earth’s moon.«

³ This music describes the moving of the planets on the evening sky on 2018-12-07

Please change your Messenger-Chat colour into yellow colour if you liked this VIDEO. Thank you.

picture 2 - colour palette of Palma il Giovane

picture – colour palette Palma il Giovane


 

170. Remembering: Creative Afternoons with the Le Zitelle Children (1594)

170. Remembering: Creative Afternoons with the Le Zitelle Children (1594)

 

READ ALSO THE NEW CHAPTER »OF UNCLE VILLY – BACK TO EARTH«:

https://unclewillybacktoearth.wordpress.com/2018/12/04/3-orange-light-blue-flames-and-organ-music

picture –  Maria de la Presentatione – Le Zitelle on Giudecca Island, Venice

And they continued to see their Peony Gondola Visions:

»Vienna, 15…

Dear Palma!
We arrived now Vienna, the world city of music and culture!
How beautiful it is there!
It is a complete other world than on my island.
On Giudecca-Island in Venice there I love to live there and in Venice, but Vienna is also beautiful!
The travel from Venice to Vienna was hard.
I am not used to travel with a coach, I prefer to move with Gondolas.
(It is more soft and harmonic to move with a Gondola)

And I miss you sitting together with you in our Gondola.
But today at 23 o’clock we will meet each other and I give you this letter because it is faster to send a letter via the Peony Gondola.

And something special happened today, listen Palma:

There was a false Body-guard ho tried to pay 2000 Swiss Franken to the president of the society which is organising our concert in Vienna against international-child-prostitution.
But the President, he is not from Austria, is strong and made a criminal report to the local authorities.
The secret service of our Republic of Venice found out that this false body guard tried to steal the identity of a real body guard and he wanted to sell dark sugar to the girls of our little fine Le Zitelle Chamber Orchestra.
The police came an arrested him and all girls were happy because this body guard started to touch the girl in an un-fine and respect-less way and the girls were afraid from him because his father is a rich man, a big member of the dark sugar network administrators who steals the letters of girls and also from us.

As protest against the sabotage of our little concert in Vienna the president announced to organize a BIG CONCERT with philharmonic musicians with your »Cantico delle Creature« in a Franciscan church in Venice. It could happen that in Venice in the church chiesa dei »Frari« where the big painting of Master Titian »Assunta Maria« is and where your famous and large painting of the Saint Catarina is.
Wooo, I am so looking forward to this concert in Venice, I hope I can play your 8 Lute Soli which you dedicated to me in your »Cantico delle Creature«.

It will be a big manifest against international child prostitution! The European and Asian musicians of our Island are standing behind you, Palma!

Today we will have our first concert here in Vienna,

Looking forward to see you again on our Peony-Gondola at 23 o’clock…

with much love

your Pigeon, your inspiration,
your little canary bird,
your angel
your Saint Cecilia,
your little Pipa Princess Wang Chun Chao
your Y…ou loving Palmina«

                    * * *

Palma smiled as Palmina finished reading her short letter to Palma from Vienna.

He put his strong arm around Palmina and she gave her head on his side.

»Thank you, Palmina. Such a nice letter.
And such nice news. The false body guard is arrested…«

»…How was my day today:
Here is my letter to you, today I wrote for you:
Venice, 15…

Dear Palmina!

Today I had my teaching lessons in the gardens of the Chinese Ming-Dinasty family on Giudecca-Island.
They learn to draw and paint in European tradition. Also they are learning European music instruments, and they are very talented. Two Asian women I started to paint as Saint Women. Later I will show you the paintings. They explain me the Asian music instruments and I like the Asian music also. My painting students came also to the lesson there in the gardens.
The Asian musicians want to found a Dao-Ying-Yang-Chinese-Garden-Orchestra combined with European musicians and they are asking me to compose an Eurasian-Artwork in music like I painted the Asian women a little bit Eurasian in my paintings. You remember my painting of princess Lin…?

Today we see us in the Peony Gondola at 23 o’clock.

Your, You deeply loving
Jacopo Palma il Giovane«

»Oh, great Palma!
I have so much remembering on the »Creative Music Afternoons« at Giudecca-Island with you and your mother teaching the poor little children without parents music and the »Cantico delle Creature«.
I am so proud of you, Palma!«, Palmina said and gave Palma a tender cheek kiss on his right cheek and smiled very friendly.

»Yes, I remember the concert in late spring of the year 1594 at the Le Zitelle.
The Le Zitelle Institution at the Jesuits on Guidecca was sponsored by the famous family Loredan ¹«

Christ in the Garden of Gethsemane by Palma Il Giovane (Jacopo Negretti) (1548-1628) Santa Maria della Visitazione Zitelle, Venice, Italy Italian
        picture - Palma painted the founder family Loredan¹ 
        of the le Zitelle Institution on Giudecca  
        (chiesa Maria de le Presentatione) 

¹ The founder of the Le Zitelle Institution on Giudecca-Island.
Linkhttps://www.gioiellinascostidivenezia.it/i-gioielli/chiesa-delle-zitelle/
»Chiesa collegata al pio luogo delle Zitelle, fondato a metà del 1500, destinato all’educazione di giovani donne povere ma molto belle per le quali la propria avvenenza poteva essere motivo di perdizione e di avvio prostituzione.«

»Le Zitelle (officially Santa Maria della Presentazione) is a church in Venice, Italy. It is part of a former complex which gave shelter to young maidens („zitelle“ in Italian) who had no dowry, and is located in the easternmost part of the Giudecca island. « – wilipedia – https://en.wikipedia.org/wiki/Le_Zitelle


»I remember all the girls and musicians….

There was little Irena – she learned to play the Viola by me like little Petra – and it was Irena’s inspiration to play the A-Sting and the D-String on the Viola during the »sora aqua« part of my Cantico delle Creature.
We had then the idea to let all little children play on their children-Violins (my mother organized the little-children violins for the children) only on the A-String and the D-String.

»Yes, it was a very creative afternoon at this year. We played also the beginning of the Cantico with the »ad te solo-Melody«. Yes and the very little children clapped with their hands around going in the circle and Mrs. Petja from Bulgaria helped them. She was a painting student of mine in the Titian-Art-School and painted Jesus very well. I asked her to support the La-Zitelle music-social projects because the children are poor and needy.

»Yes, she did her job very well.«, Palmina said

»And I remember Mrs. Elisabetha, also a Le Zitelle Girl….«, Palmina exited said.

Yes, she was forced by her sever father to sing in restaurants and to stay with old man in a room alone. The man wear false priest cloths to hide his identity. As Elizabetha run away, and as she escaped from her sever father, who always beat her with violence and tried to give her dark sugar, she took a Gondola to Giudecca Island at the Jesuits and asked if she can stay at the Le Zitelle for the next years not to be a child-prostitute.
Therefore she got a singer and music education and was soon a member of the Venice-Titian-Art-Gallery and could also support music-projects with her voice.

»Yes, she sung with the little girls at this Creative Music afternoon your Cantico and the »Kyrie« of your »Prager Messe«. Cardinale Carolus Boromaeo liked this music so much as he visited Venice once and held his sever speech against international child-prostitution.«

»…and I remember the girls, Manuela, who learn so good to play the Lute – my best lute – student!«, Palmina said proud.

»…Yes she is a good musician, but she also learned very good to play the Violin, and the harpsichord. I think she liked you Palma. Women can feel this…«, Palma added

»…also little Sonja, she sung very good in our children-choir and little Petra, but she was tall grown…She learned Viola da braccio from me…and little Nino – he learned Violin…So much children grew up there and also the children without parents – the Le Zitelle institution sponsored also creative music-social projects for children without parents²…«


² an institution like a modern children-village


And the Peony Gondola showed them the remembering-visions of the year 1594 at Venice.

»The children look all so happy to do this CREATIVE MUSIC AFTERNOON…«, Palmina said and hugged Palma with her left hand and Palma could feel her and was happy.

»…no wonder that the criminal organisation of the »Church of Secure Crime – CSC« or and its children-prostitution networks form the dark sugar network administrators wanted to pay over 25.000 International Dollars to destroy this Institutions with lies and intrigues and tried to sabotage of their concerts in Vienna. «, Palma said.

»I am so proud of you Palma for composing this Cantico delle Creature for children.«

And Palmina put her soft hand tender on Palma’s left hand, smiled and looked Palma into his eyes.
Palmina said »Pi-«
Palma answered »-Pa«
Now both said »Liu – to – kiss!« and kissed soft and tender on their lips and closed their eyes.
And as they did so they saw a Peony-Vision of a CREATIVE-MUSIC-AFTERNOON with children at the children Village at Vienna in exactly 400 years in the future and they say this little Peony-Vision of the »Cantico delle Creature« for Children and they saw this:

    VIDEO: [1994 - »Cantico delle Creature
 for children without parents at 
the children village (near Vienna)«³ ]
  https://youtu.be/7XLdXP90FTI
 
                       (to be continued...) 

READ ALSO THE NEW CHAPTER »OF UNCLE VILLY – BACK TO EARTH«:

https://unclewillybacktoearth.wordpress.com/2018/12/04/3-orange-light-blue-flames-and-organ-music


³ This historic villa was donated to give to the children without parents a house and to create a children village in Hinterbrühl near Vienna in Austria.

The Creative-Music-Afternoons had been organized since the 12.April of 1980 by Prof. Renate and Gerald Spitzner


Fondamenta Zitelle, Giudecca

Chiesa di Santa Maria della Presentazione “Le Zitelle”

 

»Realizzata su progetto di Andrea Palladio, gode di una delle più belle e privilegiate viste su Piazza San Marco.

Chiesa collegata al pio luogo delle Zitelle, fondato a metà del 1500, destinato all’educazione di giovani donne povere ma molto belle per le quali la propria avvenenza poteva essere motivo di perdizione e di avvio prostituzione.

Le prime quaranta “zitelle” si stabilirono nell’isola della Giudecca (nel palazzo appartenuto alla famiglia Loredan) nel 1561, riunite in comunità da alcune nobildonne veneziane su ispirazione dei padri Gesuiti. Nel 1574 fu presentato un primo progetto di costruzione del nuovo ‘collegio laico’ dove le giovani avrebbero trovato vitto, alloggio e istruzione fino al raggiungimento della maggiore età.
Il progetto palladiano

La chiesa venne edificata dopo gli anni della peste, dal 1581 al 1585, con l’assistenza dei proti Bartolomeo Manopola e Simon Sorella, per poi essere consacrata nel 1588. Nonostante la mancanza di documenti si può attribuite il progetto ad Andrea Palladio, anche se la prima pietra fu collocata in loco un anno dopo la morte del noto architetto.«

»L’interno, a pianta poligonale, è arricchito da dipinti di Jacopo Palma il Giovane (Orazione nell’orto con, ai piedi, i committenti Pasquale ed Elisabetta Foppa), di Antonio Vassillachi (San Francesco inginocchiato al cospetto della Vergine con il Bambino e il procuratore Federico Contarini) e di Francesco Bassano (Presentazione della Vergine al tempio).«

L’architettura

L’architettura si rifà alla forma del tempio votivo a pianta centrale, trasformato in fase di costruzione per rispondere all’esigenza di inglobare la chiesa entro le ali dell’ospizio. Ciò che possiamo vedere oggi è una facciata a tempio sormontata da una grande cupola affiancata da due campaniletti: la parte inferiore della facciata si apre su due piccole, mentre in quello superiore è movimentata dall’apertura dell’ampia finestra termale a semicerchio.
LINK: https://www.gioiellinascostidivenezia.it/i-gioielli/chiesa-delle-zitelle/

READ ALSO THE NEW CHAPTER »OF UNCLE VILLY – BACK TO EARTH«:

https://unclewillybacktoearth.wordpress.com/2018/12/04/3-orange-light-blue-flames-and-organ-musiS

Uncle Villy – Back to Earth  Blog (chapter 3)

 

Posted on December 4, 2018 

[3.] Orange Light, blue flames and Organ Music

I remember at one evening as we came back from our little walk at the near wood.
We had to cross the high-way bridge to come back to the streets where all the villas are, the diplomatic district of the city.
After a while, it was going to be evening, uncle Villy, uncle Pepi, Aunt Bea, Aunt Zdenka, uncle Pavel (her husband), mum suddenly stopped, Our little dog Mischa looked up to the sky.
We all looked now up to the sky. There was a little red point.

We all knew it, this is Planet Mars.

Uncle Villy made a big and long sigh. All knew it, but nobody wanted to talk about in the public, on the streets.
Although nearly nobody was on the street…but the Mars-Story of our family is not for all to know…

Only special readers are allowed in a few decades to listen to my little remembering.

Uncle Pepi took his hand and laid his hand on his shoulder and smiled to him.

His eyes said to him wordless: »You did your best…Now they are all heroes…It is a miracle that you are today with us…we are all very thankful for that…«

Uncle Villy looked back up to Mars and made again a long sigh.

As I saw them standing there I asked suddenly in this silence:
»Ludevit will come today and show us his new paintings from Planet Mars…«

And I jumped in the air very happy trying to reach Planet Mars with my little hands as little children sometimes do.

* * *

As we came back on that evening, going down the silent, peacefull diplomat-district to our family villa, I went a little round in our garden and played cosmonaut with my children toys.

I sniffed again on our garden roses from aunt Fanny and aunt Sophie – they were botanic specialists – then I went into our house to be with our family at the dining salon.

They spoke about literature and music till Ludevit came.

* * *

Later as Ludevit was also ready with evening dinner he went up with Uncle Villy to show him his new paintings from planet Mars.

»This I like very much…«, Uncle Villy said.

picture - painting of planet Mars landscape

picture – Planet Mars painting

And they talked and talked about their new book about the Mars Mission.

I did not understand them, it was to complicate for me as a little child.
But as they spoke about three orange suns and blue flames and Organ Music on Mars I was very interested.

»And there are really 3 Orange Suns and blue flames on Mars, and, and organ music…?«

»Oh, Gerald, we are now discussing if we should write it in the book or not because some could say this is not scientific enough…«, Uncle Villy said.

»But Villy, you wrote, that as you saw the 3 suns on Mars it was like a WELCOME on MARS…«, Ludevit said as positive argument.

»Yes, we write it because we think that the reader can interprete the feelings of the astronauts by themself…It reflects also the feeling they had as they saw this miracle…«, Ludevit answered.

Villy said: »To say that the astronauts saw these 3 orange suns is for them like to be welcome on Planet Mars…«

»Ludevit, you are a space-artist and I am a space-astronomer, a scientist. We are working together to write down this story of the first men on Mars in modern history. I understand that we can not write only the scientific facts that I wrote down in these hundreds of papers I had to write down and to calculate.
There must be something which is MORE then only a daily logbook of a space astronomer, (in our story a log book of a space-doctor). Only an artist can describe how astronauts had seen the surface of our brother planet Mars…Your painting is great…
Gerald…, Ludevit paintings are amazing, Isn’t it Gerald?«

»Yes, they are looking like real photos…«

* * *

(to be continued…)


168. Variation of the ‚Thinking on each other Melody‘

 ·168. Variation of the ‚Thinking on each other Melody‘
 

And after they heart Palma’s music answer Palmina smiled.
And how is the music score?
Can I see it?
Yes, Palmina, here it is.
And the Peony Gondola transmitted the music score and it looked like that:

picture - music score of »Variation of the 'Thinking on each other Melody'«

Palmina smiled and looked at the music score.
Then she looked into Palma’s eyes and gave the music sheet a little kiss.

»Thank you my Palma…«

                  (to be composed.....continued....)

167. Palmina’s secret composition for Palma

_ »Venice, 15..
(Love-Letter 167)

   Dear Palmina!

My heart feels lucky to think on you.
Especially now, my heart could feel and hear a little melody you composed for me.
I could feel that you send a beautiful music-message to my heart.
You are so touching deeply my heart if you play something for me. Especially your fine compositions.
I love you. I feel it, you are coming from a higher dimension to take care for my music development in my heart.
I thank you so much, my dear Pigeon,
my Saint Cecilia, my little inspiring yellow canary bird.

This inspires me to compose as little music answer to your composition –
a little variation of our »Thinking on each other – Melody«.

Our love is strong and it goes beyond all borders and problems! 🙂
There are enemies against our relation and love but love is always stronger.
Yes, we can exchange our love and music ideas here in our Peony Gondola at 11 p.m.

I am so looking forward to see you there.

I send you from my heart this music-Variation directly to your heart.
But listen good and find the melody. It is a little bit hidden. Tell me if you could find the hidden melody.

With much love

Your you loving
your deep love, your painter,
your composer

      Your Palma il Giovane,«

             * * * 

And Palmina and Palma continued to see this Peony-vision and both smiled.

Palmina hold his right hand. Yes, this could Palma feel and he smiled and was very thankful about her heartfelt thoughts.

»Palma?«

»Hm?«

»Yes, today I played an own composition for you from heart-to-heart.
Later I send you also a short message but I saw that the brother of a music colleague of our little orchestra, which father is member of the dark sugar network, did steal her letter and showed it to her father. Her father observed this poor innocent daughter through his false brother since about two years. And…he also opened YOUR LETTER box and he steal also MY letter to you, I mean your letter…he did steal YOUR letter, because you are the normal owner of my letter if it is in YOUR letter box…so this guy has stolen our letter from YOU AND ME.«

Palmina kissed Palma on his right cheek soft and tender, Palma smiled.

»Yes, Palmina! Today I could feel your positive thoughts in my heart and suddenly I composed a variation about the »Thinking on each other melody«, Palma whispered to her in her ear.

»Oh fine! Can I listen to it?…But first I play my composition for you!!!

picture – manuscript

And Palmina started to play her beautiful composition.
Palma looked at her face and he felt all her love energy.
She played although her right middle finger painted a little bit.
But her love for Palma was stronger than her pain, she really cares for him, she really loves him.

Again she looked so beautiful playing her composition for him.

Palma smiled and such moments were Palma’s most beautifull moments in his live:
That Saint Cecilia is playing for him and to hear her playing only for him.

»Thank you my angel,
thank you my pigeon,
my little yellow canary bird,
Thank you my Pipa-Princess Wang Chun Chao
Thank you my Saint Cecilia.«,
Palma said and hugged her with his heart long and deeply.

Now I show you the copy of my letter which had been stolen and erased by the brother of my music colleague from my little orchestra«.

Palma hugged her and gave her a tender cheek kiss – a tender kiss to his white Pigeon.

And Palmina read her love letter to Palma:

»Venice, 15..

Dear Palma!

My deep and only love. Today I write you a short message. I hope that this letter will not be again stolen by the members of the dark sugar earth social network.
I decided to protect your creativity with my loving heart.

Today I played my composition as music answer for you.

I am so proud that you are composing the Cantico delle Creature.
It will be a big manifest for the divine light and against the darkness of the evil child-prostitution-networks worldwide.
Everywhere were evil people try to pay a lot of money to avoid a music performance of your Cantico delle Creature there are maybe criminal persons who are in connection with the children-sellers network like the Church of Security and its dark sugar earth connections.

I love your Cantico delle Creature and thank you that you dedicated so much Lute soli for my instrument to play in this artwork and I am really proud of you.
I came into your life as I was send to help you in your difficult life – in good times and in evil times.
Day by day I feel the music-mission together with you.
Even we can not often see us, speak us, write us and be together in the Gondola in Venice we have our Peony Gondola at 23 o’clock, a present of the heaven, to stay in deep contact over big physical distances and big cultural distances – But are they big?
Yesterday I thought on you at 11 p.m. Did you feel it also?
Let’s talk about our music-ideas in the next meeting in our Peony-Gondola.

With much love

your Pigeon,
your yellow canary bird,
your Inspiration,
your personal Saint Cecilia,
Your Y…
       …ou loving Palmina«

            * * *

And Palma’s heart was so warm surrounded by her tender words.
Palma could not say any word but Palmina felt how he reacted in his heart.

And the Peony Gondola transmitted the music Palma composed about the »Thinking on each other Melody« and it was like that:

    VIDEO: [2018-11-26 Violin+Viola »Variation about the 'Thinking on each other' Melody« ] https://youtu.be/MMUqE1UclDQ
            (to be composed.....continued....)

165. Palmina as Saint Cecilia

___ 165. Palmina as Saint Cecilia ___

picture 1a – Saint Cecilia with Angel

And this eternal tender soft kiss made Palma very lucky.

Suddenly the weak lantern light radiated more light then in the last hours and was very strong and shined on Palmina’s beautiful face.

Palma saw now how beautiful Palmina looked and was deeply touched and inspired.

»Palmina?…« he whispered fast.

 »Hm?«

»Can you sit down at your music table where the little table organ is?«

Palmina smiled and could feel how inspired Palma was in these minutes and sat down at her music table.

Palma put the strong shining lantern on the window to shine on the place at the music table. He could see that Palmina looked so good sitting at her little table organ and smiled looking into Palmina’s innocent eyes.

Palmina understood: Palma wants to paint her as »Saint Cecilia«.

For a moment he felt on his knees and looked up to her. He folded his hands and said silent a short prayer.
Then he kissed her talented hands.
Palmina understood wordless and smiled and she put her beautiful and talented hands carefully on the little organ and started to play a Saint Hymn of the Saint Cecilia.

Palma smiled and in his heart the sun was rising like in the morning.
He took his painting easel and painting brush, mixed fast a few colours – Palma has always some paintings utensils with him, because it could happen, suddenly, that Palmina inspires him only with her smile.
So he started to paint a new painting.

        picture 1b - detail Saint Cecilia

He painted her golden hairs.
He painted her beautiful Eurasian eyes looking as if she has it opened a little bit and closed a little bit.

    picture 2 - detail of Palmina

(This Palma knows from some Buddhist paintings of the female Guan Yin – This he learned at the Buddhist nun on Giudecca Island)
He painted her with white-orange cloth.

        picture 3 - detail organ

Palmina played wonderfully on her little organ which she normally used only for her music-lessons for the talented la Zitelle girls, here at the Jesuits.

And suddenly, as his love to Palmina was pure and innocent he was allowed to see the Angel from St. Cecilia¹ which is protecting her virginity.

picture 4 - detail Palmina and the Angel 
holding a music score of Palma il Giovane 

Beside her, right, he painted a little beautiful angel.
The angel is holding a little music score, a little Melody by Palma il Giovane. (Angels can transport music messages and are Messengers of the highest)

Palmina has now the composition by Palma learned in her heart and she could play the inspiration directly from her heart, completely by-heart.
And she played an own variation and a music ANSWER as notes for her Palma.
During Palma painted he listened to her music very interested. And he felt lucky that she is composing a beautiful music answer only for him. A secret music answer from St. Cecilia to Jacopo Palma il Giovane.

»Palmina, I did not know that you are composing also for Organ…«

And as he said that he realized that a golden light was shining around her head – The Symbol of saints – he realized that the Saint Spirit of the Saint Cecilia was moving her fingers and she seemed to play with closed eyes.
Palma felt again on his knees and prayed with tears of joy. He the famous painter and unknown composer in Venice of the 16th century, he, he has the big honour to hear the miracle music of this Western Guan Yin, the borderless compassion, the Saint Virgin, one of the mystic 8 Saint Virgins together with the Saint Virgin.
He felt blessed, if his live was only for this night with her, if his live was only to paint only this miracle painting of his Saint Cecilia, he knows now why he was born.

Dear Palmina, dear Saint Pigeon Inspiration, Dear Saint Cecilia!

I am so Thankful to know you.
I am so Thankful to have you in my heart.
I am so Thankful for the inspiring encounters with you in the present,
It opens a whole life in our hearts:

The life in the past and future.

In the Past – 400 years ago and century ago –
In the future – in 300 or 400 years and in centuries«

Palmina played like in trance.

»The Saint Spirit is leading her…the Saint Light is around her head and the angel is protecting her virginity«, Palma il Giovane thought.

Over her head he painted very secretly a golden light.

Palma also painted the Organ Pipes and the wings of the little angel.

The first time Palma painted so fast; normally this is impossible to paint such a painting in one night.

The colours are drying normally within days or weeks and you cannot paint in one night. But this night there happened a miracle and Palma felt this and Palmina felt this.«

Outside an old monk, who often has visions, heart the little organ music from Palmina’s flat and wanted to look after Palmina.
But as he stood at Palmina’s closed door he felt the warm golden light energy radiation from Palmina’s room and music. He folded his hands and made some silent prayers. Now he felt on his knees and understood that there is inside a miracle happening and the monk is not allowed to disturb the miracle.
»This is the Spirit of Saint Cecilia. I have to pray that this miracle is protected by the angels«, he whispered.

And the monk prayed on his knees the whole night without being weak or tired for a moment.

During this night Palma painted and painted and Palmina played and played. They felt that their hearts united stronger than ever, It was like a spiritual marriage, blessed by the heaven and all Saints.
Inside his heart Palmina hugged Palma with her music and Palma hugged her with his painting creativity.

Palma and Palmina had such a warm light around and in the hearts that even the night air would be cold from outside they would only feel warm radiation from their hearts.

        picture 5a - Saint Cecilia with Angel

This painting is a miracle and an image of their spiritual love.

Never Palma painted Palmina so directly and realistic – normally he always painted her in several variations as a fantasy creation – but this time it was a real image of Palmina Albina.

If you look longer at it Palmina seemed to move her thin eyes: a little bit closed – a little bit opened looking down to the keys of the little organ.

They both breathed like one soul and they loved each other spiritually leaving their bodies and uniting in an eternal dimension.

As Palma finished his painting – and outside at the window on the right side there was the heaven a little bit brighter, because in the east the sun will soon rise – Palma felt again on his knees in front of Palmina Albina.

Now the monk outside felt soft sideways on the floor and slept in peace.

Palma said: »You are my Saint Spirit Inspiration – You are the Inspiration of music, the inspiration of St. Cecilia. You ARE…«

»Pssst… Don’t say it so loud…. We both know now the secret. Master Lao and his monks and also a Jesuit Monk, which has Visions, said the same to me a few days ago…It is our deep love secret… Palma we have to be silent about this secret…«

Palma kissed again her talented hands and stood slowly up.

Then he sat on her bed, very, very tired.

Suddenly Palma felt tired sideways and soft on her bed and felt asleep in peace like the monk outside.

»Poor Palma…«, Palmina said, »He painted yesterday from the early morning till the evening in the Chiesa San Antonin and then this painting miracle during the whole night…He needs a rest.«

Palmina smiled and came and caressed his head.

Two Byzantine Pigeons came at the window and made their soft pigeon music sounds and loved each other spiritually from heart-to-heart.

Palmina looked to the two loving Pigeons at the morning window and smiled. Then she looked back to her Palma and smiled also.

Yes, Palma has fallen in love to Saint Cecilia¹, who was sent by the Saint Lucy² (they are 2 of the 8 mystic Saint Virgins) and who really loves Palma il Giovane. She cares for Palma’s spiritual development as painter and composer.
Her smile leads him step by step into the dimension of the heaven of light and love.

But both tried to keep their common secret as long as possible.

Palmina let Palma sleep in her fine little bed, the bed of a Saint. Palma smiled like being in the highest heaven.

At this slowly coming early morning Palmina started to play on her Pipa-Lute very soft and Palma could hear in his dreams all music ANSWERS Palmina was sending from her saint pure female heart to his pure male heart.

Palmina looked long at this mew fresh painted artwork.

»Hm…This is really me… The first time he painted me exactly like I am looking. It was necessary to have one or two pictures so that the world in 300 or 400 years can figure out that I really exist in Venice and how I was looking like….«, Palmina thought and played on her Lute.

»…but we have to be careful. My father has now a lot of money since the fake-priest gave him so much money to destroy the relation between me and Palma sending me always on concert tours outside of Venice…He will maybe again buy all paintings, as he did in the past, where I am painted on… He gives so much money and then he owns Palma’s painting so that no one can see the painting³…who knows? This should not happen to this miracle painting…Hm?…«


³ there is a historic report that a big beautiful painting where Palma painted Palmina was found hidden in a dark room at the backers shop.


Palmina played and thought long about their secret future in Venice.

picture 5b - complete painting of Palmina

»…Palma should ask his friend Orazio¹ to make a copy of this painting…I think he is also his scholar and student… He makes excellence copies, which looks like a real duplicate.

        picture 6 - detail original and copy 

Sure Orazio will make this copy…It is our only one chance to keep an authentic painting of me in the memory of the music history…my father tries to destroy all about me…He wants to erase me in the memory of music history… I don’t know why… But he is hardly influenced by the church of …. I mean the members of the international dark sugar earth network…
So there is hope we can keep this image for the world…«, Palmina silently thought and smiled about this solution.

She looked to Palma who seemed slowly to wake up, now the 2nd time, not in his Atelier, but in her clean and pure and fine little bed.

»My Palma….«, her heart softly said.

»…My Palmina….«, Palma’s heart answered her and she could hear it.

»…This is a very good Idea to ask Signore Orazio to paint a copy of this. He is a good friend and scholar of mine. He will take care of this painting-copy if it is necessary. Tomorrow I will ask him…

picture 7 - detail original and copy  - The Lute Player Women (Palmina)

picture 8 - detail original and copy -  The Lute Player Women (Palmina)

and I will ask him also a copy the other image with you…
A real painting of the real Saint Cecilia…«, Palma said to Palmina communicating with her heart.

Today at night as Palma painted Saint Cecilia both felt that their hearts united eternal.

    * * *

And as they saw this Peony Vision at 23 o’clock, 11 p.m. Palma’s and Palmina’s hearts where so strong connected that they felt also the same warm feelings like once at Giudecca-Island in Venice at this special evening and during this special creative and inspiring night.

     (to be connected...continued...)

____________________________________________________________
¹ Saint Cecilia – Wikipedia – https://en.wikipedia.org/wiki/Saint_Cecilia

»Saint Cecilia (176–180 or 222–235 AD Sicily) (Latin: Sancta Caecilia) is the patroness of musicians. It is written that as the musicians played at her wedding she „sang in her heart to the Lord“. Her feast day is celebrated in the Latin Catholic, Eastern Catholic and Eastern Orthodox churches and in the Anglican Communion on November 22.
³ She is one of seven women, in addition to the Blessed Virgin, commemorated by name in the Canon of the Mass.«

Feast: November 22
Attributes: Flute, organ, roses, violin, harp, harpsichord, singing, Lute…
Patronage: Hymns, great musicians,…

»According to the story, despite her vow of virginity, she was forced by her parents to marry a pagan nobleman named Valerian. During the wedding, Cecilia sat apart singing to God in her heart, and for that she was later declared the saint of musicians. When the time came for her marriage to be consummated, Cecilia told Valerian that watching over her was an angel of the Lord, who would punish him if he sexually violated her but would love him if he respected her virginity. When Valerian asked to see the angel, Cecilia replied that he could if he would go to the third milestone on the Via Appia and be baptized by Pope Urban I. After following Cecilia’s advice, he saw the angel standing beside her, crowning her with a chaplet of roses and lilies.«

³ »She is one of seven women, in addition to the Blessed Virgin, commemorated by name in the Canon of the Mass.« (see ¹)

² Saint Lucy – Wikipedia – https://en.wikipedia.org/wiki/Saint_Lucy
»Lucia of Syracuse (283–304), also known as Saint Lucy or Saint Lucia (Latin: Sancta Lucia), was a Christian martyr who died during the Diocletianic Persecution. She is venerated as a saint by the Roman Catholic, Anglican, Lutheran, and Orthodox Churches. She is one of eight women along with the Blessed Virgin Mary who are commemorated by name in the Canon of the Mass. Her feast day, known as Saint Lucy’s Day, is celebrated in the West on 13 December. St. Lucia of Syracuse was honored in the Middle Ages and remained a well-known saint in early modern England.[«

4) Orazio – Wikipedia – https://en.wikipedia.org/wiki/Orazio_Gentileschi
»Orazio Lomi Gentileschi (1563–1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists.«

163. »I compose during you are sleeping«

163. »I compose during you are sleeping«
    

And they flew with their Peony-Gondola along the stars at the evening sky.

Palmina laid her head on Palma’s side and said:
»I go now sleeping. Good night.«
»Oh, Good night. I will compose during you are sleeping.«, Palma answered.
»Wow, great, my Palma, my composer and writer…«
And she send him a tender kiss and Palma could receive it and she hold his right hand and Palma could feel it and he was lucky to feel her.

Palma wrote some notes on his music score and Palmina could feel and see him in her heart writing for her a composition.
Palmina smiled. Yes, she is really looking forward to get a new composition by her Jacopo Palma il Giovane.
It was their common secret and no one has the right to destroy such a beautiful heart-to-heart music-painting friendship, isn’t it ?; and why should this make any sense and for whom?

And they continued to dream at this 23 o’clock ( 11 p.m.) and they saw this:

                             * * * 

Palmina wrote and smiled with shining eyes:

»Dear Palma!

I am now writing during my concert-tour travelling to Vienna.
I hope I can see you soon!
In 15 hours we will arrive Vienna, the world city of culture and music!
How fine that our »La Zitelle Chamber Orchestra« can play a charity concert there against international child-prostitution.

How wise is Master Lao! He could warn us: There are criminal enemy’s who wants to destroy our communication and our La Zitelle Chamber Orchestra. Therefore we have so much soldiers and bodyguards. I am carefully not to be influenced by a fake-bodyguard. I order always two body guards, so in the worse case only one is a fake-bodyguard and the other is a areal one…
I think I could figure out who is the fake-bodyguard, who is paid by the dark sugar earth network administrators and who wants to isolate me from contacts to other artists in Vienna.

I hope the criminals are not stealing my letters which I wrote to you.
I always write a copy so that I can give you my copy today in our Peony-Gondola hour today at 23 o’clock (11 p.m.).

How thankful I am that I can see you daily in our Peony-Gondola, the timeless, spaceless dimension. YES, no criminal evil soul is allowed to enter.

I am always thinking on you, my dear music-painting friend, since we spoke the first time in this live.
Our friendship is something that goes beyond primitive rules or traditions.The results of our friendship will have a positive influence of the world’s history, I believe…
We both like traditions and we both love them, because we are artists and to be an artist it means to know them, but I know: Art means not only tradition, but also tradition.
So this is your mission in Venice as artist as Master Scholar of Master Titian and I will always be with you to help you like a flying pigeon or a little bird in a cage beside your composing harpsichord.
More important it is that we THINK ON EACH OTHER and that we like us and that we love us.

How was your first painting lessons at the gardens of the Ming dynasty family?
Are they listening to you, are they talented?
Did you learn a little bit about Asian Art and music, especially the music instruments?

I can’t wait to see and to feel and to hear your heart beating at 11 p.m.

With much love and tenderness,

Your white Pigeon, your little yellow canary bird,

   Your you loving Palmina«


        * * *

And after they saw this Vision Palmina tried to touch Palma’s right hand and he could feel it and she kissed soft on his right cheek and he could feel it.

Every time she made this Palma smiled and he tried also to hold her hand and to kiss her soft.

The Peony-Gondola helped to unite them; to exchange ideas and feelings; to exchange love and light. In this Gondola there is no distance between two loving souls.
It is the best basic for a common cultural exchange.

»Palma?«
»Hm?«
»Why we don’t make a common composition?«
»A common composition?«
»Yes. Listen, Palma:
I mean YOU start to compose a few notes and then I compose a few notes as ANSWER…«
»Ah, good!… and then I compose again a few notes!
THAT’S A GOOD IDEA! Let’s do this in our Peony Gondola.«
»Yes. Palma, let us make a music dialogue of our hearts and write this down.
We are the first in music history doing this!«
»Yes, we are also the first in music history who loves deeply from our hearts without any support by…«
»…psst, don’t say it. My mum likes you and your mum likes me…«
Palma smiled and hold his strong arm around her and she laid her head on Palma’s right side to listen his heart and to be near to him. She gives him warm feeling and he gives her warm feelings even it is outside in the world sometimes cold and hard.

And they dreamed both now in music tones as an inner-heart dialogue and the Peony Gondola flew along the stars at the evening sky.

And as they flew along the stars at the evening sky they heard a music piece like that:

  VIDEO: [ »Evening Inspiration« 2017-11-16 (Violin+Piano) ] https://youtu.be/htR2-Ijt9ow



                 (to be continued...) 

162. Palmina wrote a short message

162. Palmina wrote a short message

IMG_20181117_084549.jpg
picture – traditional Chinese Wood-engraving Artwork

And they continued to dream their Peony-Gondola Dream and they saw this:

* * *

Palmina took her Pipa Lute and played the »Thinking on each other Melody« which Palma composed for her. Always if Palmina thought intensive on her Palma il Giovane she played this melody on her Pipa Lute or Venetian Lute.
Suddenly Palma felt a warm tender feeling in and around his heart. It felt like a Peony-Pink-Cyan White light.
Palm felt that Palmina is able to huge Palma only with her love and light fully thoughts.

Palma started suddenly to smile as he realized that and he started to think on her and he played the same Melody on his Viola to express his love for her.
After that he wrote:

»Venice, 15 – –

Dear Palmina!

Today I could feel deeply in my heart that you wrote me a message.
Sure the criminal administrators of the dark sugar earth social network erased it so I will not get any message. Maybe European laws will soon control them and judge them as we all expect it.
How good that we meet today in our Peony Gondola.

I miss you so much. I can’t wait to meet you again in the Peony Gondola.
Today I will hold my painting lesson at the gardens on Giudecca Island. I hope my students can follow my teaching.
I will also learn about Asian painting traditions, especially about traditional Chinese Wood-engraving Artwork. And sure Master Lao will tell us more about cultural traditions…
There are also a lot of Buddhist nuns, some are very,very young and they will held a prayer ceremony in the rooms of the Gardens of the Ming Dynasty Family on Giudecca Island in Venice.
That remembers me on Marco Polo.
Marco Polo was long time in China and was also a high grade politician and governor, personally selected by the Chinese Emperor.
On his way to the Emperor Marco Polo felt in love in a little young buddhist nun, the Chinese Princess. Later he married her and brought her to Venice and lived secretly there in the Gardens of Giudecca Island behind the well protected Walls.

Yes, Palmina, Marco Polo loves her, I mean he loves you, I mean he is still loving you, my inspiring Pigeon and secret princess.

Today a Pigeon was flying and looking like the saint spirit pigeon. She flew directly over me. Maybe a sign or an inspiring moment…

I am writing down the music we heard as we hugged so long in our Gondola.

I love you, my Pigeon, my Inspiration.

Your Jacopo Palma il Giovane.«

VIDEO: [ »Evening Inspiration« 2017-11-17 (Violin+Piano) ] https://youtu.be/_9egsyMSFbc

 

(to be continued…)


 

160. Again their the last hours and a white angel

160. Again their the last hours and a white angel

picture - La Pieta by Palma il Giovane (See also »Lacrimosa« by Gerald Spitzner

And they continued to dream their Peony-Gondola-Dream and they saw this at 11 p.m.:

* * *

And the Choir and the Musicians continued to make music during the feast mass in the San Marco Cathedral in Venice.
Palmina smiled from the music-gallery on the left upper side down to Palma who is very lucky to see her and to hear her performing his artwork.

The famous Cardinale Borromeo listened to Palma’s music compositions very interested.

»He is not only painting very good, he is also composing sacred music…Why a so famous painter of Venice, like Jacopo Palma il Giovane is composing this music…?
Hm, maybe he is in love and he is composing for a women to express his love for her… Composing for love…So beautiful…
Maybe a music dedication to a musician like the Lute Playing Girl? Or it is a dedication to Emperor Rudolf II or also a dedication to me? Hm, interesting, interesting… Yes, yes, I learned now something from him: Music will save the world once… I am sure! Palma is right – Palestrina, the famous composer in Rome; I have to order that he has to compose a Holy Mass for Rome! – That’s a good idea, Palma…«, Cardinale Borromeo was inspired to hear that music and was silently thinking.
And they heard also the »Benedictus« which was sung by Mihaela, Palma’s talented cousin, and she was very lucky and she smiled and smiled as she wants to jump of luckiness in the air because she is the first Mezzo-Soprano to perform this music in music history. Palmina played the Lute-part (it can be played also by a Pipa lute).

* * *

VIDEO: [»Benedictus« of »Prager Messe«] https://youtu.be/zicEEF45hJw

 

 

see also: LINK PLAYLIST »Prager Messe«: https://www.youtube.com/playlist?list=PLBr_c49ajzY9LqTB5Bx-kVXxj61AN_psJ

 

* * *

And as they listened this music in their Peony Vision Palmina smiled and looked into Palma’s eyes.

And they saw now this in their Peony Vision:

* * *

Palmina had a big success in the San Marco Cathedral and in order to that she got an official Invitation to play with the »La Zitelle Chamber Orchestra«, the LZCO to have a concert in Vienna, Austria, the city of music.

But that means again an new sponsored concert tour.
But sponsored by whom? Who gives so much money to lead again Palmina out of the Republic of Venice? And again Palma can not see Palmina for a long time. What a pity!

Palma was lucky that his »Benedictus« was a big success in Venice, also for Palmina, but it means also that Palmina is on concert-tour for long.

She will not be in the morning at the little fine bakery store to sell mothers fine fresh little Venetian breads and to meet Palma there in the morning to smile for him.

And for her: It means not to see Palma painting in the San Antonin Church and not to play for him at the scaffolding.

It means also not to see her in the little atelier at the »Fondamenta dei Furlani« House Nr. 3291« where Palma paints during Palmina is playing for hours for him to inspire him.
It means also for them: Not to see each other at the beautiful Garden of »Giardino«. Not to speak to each other. Not to write to each other (As long the criminals of the dark sugar earth Administrators are not arrested by the Republic no letter will be un-stolen by them).

But they have the Peony Gondola !!!

* * *

Today Palma will finish his famous painting »La Pieta« and Palmina will play the last day before she is invited to travel to Vienna, to give a concert for mighty Emperor Rudolf II, the emperor of Austria.

picture - La Pieta by Palma il Giovane (See also »Lacrimosa« by Gerald Spitzner
picture 2 – »La Pieta by Palma in Giovane«

»Palmina, you played so beautiful here in my little atelier… Your little sweet compositions for me are so amazing. I love you Palmina!
He laid his paint brush to the side and looked a last time on his finished painting.
Palmina said: »Well done, Jacopo Palma il Giovane. You painted me also wonderfully with my red concert cloth and with golden hairs like on Master Titians »Pieta«.
And Palma took Palmina’s talented hands and kissed her carefully several times.
»And I have to thank this talented hands that they played over 40 minutes music for me now. Thank you my Pigeon.«

»Oh Palma, its ok. I like you Palma, you know, it makes me lucky to inspire you and to help you to go your way here in Venice.«.

»Yes, my pigeon, my inspiration, my deep love.«
Palma kissed her arms several times.
Now they are the last time alone and they hugged deeply and tender and long.
Yes, after today’s invitation at the Giudecca Island, and they will go there, there where the gardens of the Chinese friends are, there where the members Family of the Ming Dynasty are living, after that concert they will not be alone. Tomorrow Palmina will leave Venice for a long time to travel to Vienna with the »La Zitelle Chamber Orchestra« to make it famous in Europe.

Today they will meet at afternoon tea time at the Chinese Ming Family, with princess Lin and all the famous artists of the Ming Dynasty who survived the military attack against the Ming in the year 1583.
Maybe in later years, at peaceful times, they can go to China an live there as artists with big honours.
Today there will be a friendship concert – for a friendship between the mighty Republic of Venice and family members of the Ming-Dynasty.
The Chinese musician will play traditional Asian Music and the La Zitelle Chamber orchestra will play European and traditional Venice music pieces.
Today they can speak with Master Lao, who is a wise old man who can tell them some of his Visions he had last night.

mnigPalma and Palmina, after they hugged and kissed full of sympathy and love, they went both along the »Fondamenta del Furlani« along the San Antonin Church, along the big place »Campo Bandiera e Moro« to visit mum in the bakers shop, to get some fine fresh breads, to go along the »Calle de la Pieta« in the direction to the long Promenade »Riva degli Schiavoni«.
They went slowly along the clear sea water in the south direction to the famous »Giardino« garden.
There was also the bank to sit in front of the statue and they sat down again like on other important days in their life.
Palma hugged her. He kissed her on her cheek. She smiled but both were silent and they know, these are their last hours to be alone together.
How often they sat here on this bank and looked to the stars. How often they drove with the Peony Gondola to the Moon-palace to visit the Moon Princess Chang’e and how often they visited planet Mars to great the Mars princess there in their common Peony-Dreams.
Yes, their dreams are sometimes more real then some real days which seems to be sometimes unreal and hard.
How much people died in the last century in Venice on the pest… 30 precent of the people died in Venice. Therefore the Venetian Republic build the »Chiesa Il Redentore« Church on Giudecca Island as »thank you« for surviving that hard time and the Republic ordered also paintings by Palma il Giovane for that beautiful Church.

¹ »Chiesa Il Redentore« – Wikipedia – https://en.wikipedia.org/wiki/Il_Redentore

»Il Redentore was built as a votive church in thanksgiving for deliverance from a major outbreak of the plague that decimated Venice between 1575 and 1576, in which some 46,000 people (25–30% of the population) died.«
»Il Redentore contains paintings by Francesco Bassano, Lazzaro Bastiani, Carlo Saraceni, Leandro Bassano, PALMA IL GIOVANE, Jacopo Bassano, Francesco Bissolo, Rocco Marconi, Paolo Veronese, Alvise Vivarini and the workshop of Tintoretto. «

* * *

Exactly this thoughts were also spoken at the friendship concert at the Gardens on Giudecca Island where the Chinese People are living under the protection of the Republic of Venice.

»…and we also are thankful for surviving the pest and also the attacks by the dark sugar earth network here in Venice like you, my Chinese friends, you also survived the war attacks of the Qing Dynasty, who will now own whole China for a long time. So we are thankful for your invitation and your beautiful friendship concert…«, Cardinale Carolus Borromeo continued to speak:
»…and we can announce that there will be a charity concert in Vienna against child-prostitution by our La Zitelle Chamber Orchestra and if some of you will come with them to Vienna to see this beautiful old city and to listen our concerts there the Republic of Venice will send a lot of Bodyguards to protect you during your travel. Palmina Albina, our best Lute player will have 6000 Varanguards to protect her during her concert travel to Vienna…«.

And all spectators applauded here in the big wild gardens of Giudecca-Island.
The buildings and gardens are surrounded by walls and a lot of Soldiers are protecting all entrances: Chinese Soldiers in traditional Ming-Dynasty-Uniforms and Venetian Soldiers, and also some Varanguards for Palmina are standing to protect them all.

* * *

The afternoon concert went very well. Palmina played also a solo composed by Palma and a solo composed by Palmina on her lutes.
After the concerts a lot of Chinese servants brought fresh cooked Chinese traditional food, some specially adapted for the European taste.

Palma went to the stage to see Palmina and he asked the musicians if he can try out the traditional Asian Instruments.

»Oh, you know how to hold a traditional Pipa¹ lute and to make a few tones…?« a very young Chinese musician in white traditional Asian cloth said friendly smiling.
She allowed him to play on her Pipa and Palma played and (he tried it) played.
»Thank you, Xie Xie«, Palma said smiling after he played (tryed) a long time
Later Palma tried the traditional GuZheng² instrument and made some tones.
»Oh, that’s interesting…I would like to learn to play…«

¹ Pipa – Wikipedia – https://en.wikipedia.org/wiki/Pipa
² GuZheng – Wikipedia – https://en.wikipedia.org/wiki/Guzheng

The musician smiled and said »Signore Palma il Giovane, you painted us so beautiful in the last years here in Venice. If we can take painting lessons from you, here in our gardens we would feel very honoured. If you like, our talented princess can teach you and show you the secrets of our Asian culture and arts, especially of our music. They would love to explain you how this instruments are played. And…, and if you like you can write some music for our little Ming-Dynasty-Orchestra…«
And Palma was surprised for this friendly invitation.
»Palma, say yes! This is a big honour…!«, Palmina said.
Palmina was 2 years in China at the pacific island and learned not only the language a little bit, she knows how Asian people are fealing inside their heart.

»During I am in Vienna you will be here with the Ming Dynasty Family, here on that little beautiful secure Island in our Republic.«

Palma made a big sigh because he will miss Palmina and agreed to that big honour of cultural exchange.
Yes, Palma wants to learn about Asian cultures. Palmina lived on that Pacific Island for years. It is now a part of Palmina’s live and experience. He wants to understand this because he loves her.
»Yes, we have to learn from each other. The East from us West and we, West from your Eastern traditions.«

The little musician in the white beautiful cloth said: »Marco Polo was a Venetian and he married a Buddhist nun, a real Chinese Princess and lived here on that Island with her, the Chinese legend is telling.«

And as he saw that her eyes shined very beautifully Palma begun to study her eyes to be prepared to paint her and to teach her and to give her painting lessons in the future.

»I see you both are understanding very well, hm?«, Palmina said and hoped that Palma will manage now the time without her here in Venice.

»And..and…can I have some Violin lessons by your mother…Xíng ma?« the little Chinese Princess asked innocent and hoped that Palma will say yes.

* * *

The beautiful and ceremonial afternoon transformed into a long evening with lanterns – Chinese lanterns and Venetian Lanterns – with Chinese music and Venetian music from the 16th century.

It was a little fine feast and all enjoyed it but Palma did know that if Palmina will now go to Vienna with her orchestra and some Chinese delegation Palma will be again lonely for a long time.
Again it is a sponsored concert tour. Will Palma again have to wait on Palmina for years?

* * *

And after they saw this Peony-Vision at this 23 o clock time (11 p.m.) they dreamed what they say today at the »Giardino«-Garden. Palmina and Palma remembered this and they saw this in their Peony Vision sitting together now at the Peony-Gondola:

* * *

Today they saw a white Pigeon at the Giardino of South Venice and the Pigeon landed on a leave.

dav

picture 3 – white pigeon

In their dream the Pigeon spoke to them with a soft voice:

»Dear Palma and Palmina! Be careful the next time! The Criminal Church of Security took money from the Administrators of the Dark Sugar Earth Network to make an attack to you. Don’t go alone on the streets of Venice. Stay at the Chinese Family at their gardens. For a while the Titian Art School should take place there. Till the secret service of the republic found out and arrest the criminals of the international child-prostitution network stay at them as long as you can. There are good security Elite-soldiers protecting you. Chinese Soldiers and Venetian Soldiers and Varangian Guards¹!«


¹ Varangian Guard -Wikipedia –
https://en.wikipedia.org/wiki/Varangian_Guard

»The Varangian Guard (Greek: Τάγμα τῶν Βαράγγων, Tágma tōn Varángōn) was an elite unit of the Byzantine Army, from the 10th to the 14th centuries, whose members served as personal bodyguards to the Byzantine Emperors.«


Palma and Palmina looked surprised to the white speaking pigeon.

»And you Palmina, be careful: One of the Bodyguards is a FAKE BODYGUARD and he is paid by the international child-prostitution-network of the Dark Sugar Earth Dealers. He wants to isolate you and destroy your concert-career in Vienna. He has orders not to allow cultural exchange with the famous artists of Vienna so that no one will know your name as lute player in music history. Don’t trust him, don’t eat his dark sugar earth. He cancels your artist contacts and meetings without your permission! And don’t be alone with a man or a fake priest (an »Ostary³« which wears false priest cloth). The false Bodyguard will try to isolate you the whole concert in order to destroy your future music career. Don’t be alone with any man in a room also if this bodyguard said that this is expected from you otherwise you will loose your position as solist. Order always two, listen: two soldiers to protect you: A Chinese Soldier and an European Soldier. Good luck Palma and Palmina. Groo, Grooooo.«.

³ »Ostiarius« – Wikipedia – https://en.wikipedia.org/wiki/Ostiarius
Is NOT priest, »In the Roman Catholic Church, this „porter“ became the lowest of the four minor orders prescribed by the Council of Trent. This was the first order a seminarian…«

dav

picture 4 –  starting white pigeon

After that the white Pigeon started to fly high in the heaven and was not seen after a while.

dav

picture 5 – heart leave

As Palma looked down to earth he saw that old leave.
It had a tiny hole like a heart.

»The white Pigeon showed us to find this symbol of an old, old, old love, my Wang Chun chao – my Marco-Polo Princess, My Du Liniang, My Palmina, my white Pigeon.«

Palmina laid her head on Palma’s beating heart and Palma reacted with putting his strong arm around his little Palmina Albina.

She thought also on the old vision of the little yellow canary bird in the wooden cage who will inspire the most famous composer of Europe to do his artwork in over 100 years.

And they heard now this mystic music:

VIDEO: [Violin and Organ »Lacrimosa« ] https://youtu.be/lzQ5Y_IS_98

(to be continued….)


 

159. Cardinale Borromäus is blessing the »La Zitelle« – musicians

159. Cardinale Borromäus is blessing the »La Zitelle« – musicians

picture 01 - Saint Carolus borromäus painting by Palma il Giovane

picture 01 – Saint Carolus Borromäus*) painting by Palma il Giovane

And as they heard in their Vision the »The Peony Gondola Song« Palma and Palmina saw in their vision a few other Peony Gondolas flying.

And Palma felt now a tender soft kiss on his left cheek after Palmina hold his right hand in his dreaming, and Palma could feel it and was smiling full of luck.

Palma thought: »Not every artists gets such a pure and fine soul as inspiring painting-music Peony Gondola friend. I have to be thankful every day that I have my Pigeon, my Inspiration, my Lute painting Palmina.«

A lot of Peony Gondolas flew soft and slow along the heaven.

»Look, Palmina there is »Saint Clara and Saint Franciscus…the famous spiritual loving pair. Oh look their hearts are glowing for heart-to-heart love.« also in a Peony Gondola.

»Yes, Palmina, they love each other with there soul, their spirit and with their hearts…Saint Clara is Saint Francis spiritual inspiring girl-friend. And they never stopped to love each other.«

And they heard a music like that:

VIDEO: [ Kyrie of »Prager Messe«] https://youtu.be/eKNiIPyl77w

https://youtu.be/eKNiIPyl77w
Palma was playing the Viola and expressing with each note in this music piece and tender kiss and Palmina’s talented hands and arms (of course, always at an other position).

»Wow, but Saint Franciscans of Assisi, the author of the Cantico delle Creature, was not a priest…?«, Palmina asked innocently.

»Yes, to love someone, you need not to be a priest.«

»Did Doctor Martinus, who was a catholic monk did he marry a Christian-catholic nun? And did they really found a new Christian tradition? Is that the reason why the »Trident Consilium«¹ in Trient was opened…hm? I mean, he was also not a priest, this Doctor Martinus… Also not a priest like saint Francis?«


¹ Trident Consilium – Wikipedia – https://en.wikipedia.org/wiki/Council_of_Trent

»The Council of Trent (Latin: Concilium Tridentinum), held between 1545 and 1563 in Trent (or Trento, in northern Italy), was the 19th ecumenical council of the Catholic Church.[1] Prompted by the Protestant Reformation, it has been described as the embodiment of the Counter-Reformation.«

»The Council issued condemnations of what it defined to be heresies committed by proponents of Protestantism, and also issued key statements and clarifications of the Church’s doctrine and teachings, including scripture, the Biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass and the veneration of saints.[4] The Council met for twenty-five sessions between 13 December 1545 and 4 December 1563.[5] Pope Paul III, who convoked the Council, oversaw the first eight sessions (1545–47), while the twelfth to sixteenth sessions (1551–52) were overseen by Pope Julius III and the seventeenth to twenty-fifth sessions (1562–63) by Pope Pius IV.«


* * *

– Oh, look fast, Palma: Marco Polo and his Buddhist nun, his wife, the Chinese Princess! Also together in a Peony Gondola – Spiritual Love with different traditions!«

»Yes, like you and me…«

They looked how this Peony Gondola moved along the pink-white clouds.

»It looks so harmonic and full of peace..«

»Look there is another Peony Gondola with Dante and Beatrice ! Dante writes 100 Cantici for her, how deep his love is, to dedicate her such a great Poesie! This is spiritual love!«

»And here is Liu Mengmei and Du Linang from the PEONY PAVILLION – Their love goes beyond time and space – death and life – they first met only in their secret dreams in the Peony Pavilion!«

»There is the Saint John of Cross**) and the Saint Terese from Avila***) – A deep spiritual love and friendship!«

»Yes, Palmina. They had been also in Venice. He held a speech in our Titian School and he got some painting lessons from me and she, Terese from Avila, met him in our Titian-School, sitting in the audience, and I painted her in a painting ***). And as they spoke with each other they suddenly flew a few meters above the earth, we all could see it, like to be together in a invisible Peony-Gondola¹. The Symbol of spiritual love and deep and heartfelt love and friendship«.

picture 02 - drawing artwork by John of the Cross »crucifixion«

picture 02 – drawing artwork by John of the Cross² »crucifixion«

picture 03 - painting of Palma il Giovane Saint Terese of Avila by Palma il Giovane at church of San Pancrazio in Rome (1618)

picture 03 – painting of Palma il Giovane Saint Terese³ of Avila by Palma il Giovane at church of San Pancrazio in Rome (1618)


*) Saint Carolus Borromeus – Wikipedia – https://en.wikipedia.org/wiki/Charles_Borromeo

»Charles Borromeo (Italian: Carlo Borromeo, Latin: Carolus Borromeus, 2 October 1538 – 3 November 1584) was Roman Catholic archbishop of Milan from 1564 to 1584 and a cardinal. «

He is called as the »Savior of the church music and protector of girls and children against child-prostitution.«

² **) Saint John of Cross¹ – Wikipedia – https://en.wikipedia.org/wiki/John_of_the_Cross

³ ***) Saint Terese of Avila¹ – Wikipedia – https://en.wikipedia.org/wiki/Teresa_of_%C3%81vila

¹ This »miracle of levitation« which happened in the moment as Saint John of Cross and Saint Teresa of Avila came together, is described in the »book of saints« original title: »Das große Buch der Heiligen – Geschichte und Legende im Jahreslauf« – Südwest Verlag, 1978
ISBN-10: 3517006173
ISBN-13: 978-3517006178


* * *

And they were all sitting in their Peony Gondolas, waved friendly to Palma and Palmina.
Palma and Palmina waved friendly back.
»Look, the saints of all traditions, we are dreaming in this vision,…They are greeting us!«, Palmina said like an innocent deer.

* * *

And as the music of the »Peony Gondola Song« was finished Palmina laid again her head back on Palma’s heart to hear his heart which was beating for her in deep love.

»Oh, my saint spirit inspiration. My Pigeon. My Palmina!«
»Oh, My painter, my composer and writer. My Palma il Giovane!«

And now they saw this Peony Gondola Vision:

* * *

Palma was sitting in one of his little ateliers at the »Furlani«. Right, beside is the Chiesa San Antonio and left, beside it the »scuola«

picture 04 - Palma's little atelier (Nr 3291, left beside the House Nr 3292)

picture 04 – Palma’s little atelier (Nr. 3291, left beside the House Nr. 3292)

He was painting as young Cardinal which played a big role at the Trident Concilium*) in the catholic Church, which is very mighty in this century.

»Jacopo Palma il Giovane. You are a very talented painter. You lived so long in Rome at the embassy. Your talent was discovered by Lord Rovero**). I saw a lot of famous paintings by you, Palma, here in Venice. You are really a famous artist here. I think you are one of the most well known persons here in Venice, isn’t it?

»Oh, thank you your excellency. I feel honoured by your positive words.
Yes, but I try to be silent in the public. I try to support the »La Zitelle« girls and its orchestra and musicians and teachers with my own compositions.«

»Oh with your own compositions! This is a good idea: To make a kind of music therapeutic creation for them to overcome their trauma of child-prostitution.
I founded a lot of institutions all over Europe to save these girls and to protect them from child-prostitution…Did you know? But the evil dark sugar network is fighting against this….not only in Venice I think.«
»Yes I know. We all know it here in the Republic of Venice…There are evil networks supporting the dark sugar earth social network of child Prostitution. Our Music-Projects are a way to help the children and young women…«

»You have also problems here in Venice with them. They are an evil network internationally…
Palma what should we do to save the old music-tradition in Europe? Some want to destroy church music like the dark sugar earth network is doing it. «

»I have an idea: Give orders that Pierluigi da Palestrina *****) in Rome; he should compose a new traditional saint mass with 6 voices. He should compose it for the Pope. This „Pape Macelli“*) will save our music in Europe!«


*) »Missa Papae Marcelli« by Giovanni Pierluigi da Palestrina, Missa Papae Marcelli.
– Wikipedia – https://en.wikipedia.org/wiki/Missa_Papae_Marcelli

»It was believed that the simple, declamatory style of Missa Papae Marcelli convinced Cardinal Carlo Borromeo, on hearing, that polyphony could be intelligible, and that music such as Palestrina’s was all too beautiful to ban from the Church. In 1607, the composer Agostino Agazzari wrote: […] « (read more at wikipedia)

Composer Giovanni Pierluigi da Palestrina – Wikipedia – https://en.wikipedia.org/wiki/Giovanni_Pierluigi_da_Palestrina

The Legend is also described in the OPERA »Palestrina« by composer Pfitzner
– Wikipedia – https://en.wikipedia.org/wiki/Palestrina_(opera)
___________________________________________________________________________________

* * *

Cardinal Borromeo was for a long time very silent and was thinking. Palma continued to draw him for a while and as they finished today’s paintings session Cardinal Borromeo and Palma il Giovane stood up.

The Cardinal put both hands on the head of Palma il Giovane and spoke very ceremonial:

»I bless your artworks and I bless your music compositions. May you always see the way of the saint spirit in your life. May a »saint spirit pigeon« be with you for your whole life and inspire you to your great artworks.«

And he blessed Palma il Giovane and Palma saw in a Vision a pure white Pigeon and then he saw Palmina smiling to him during this Vision.

As he went out of the little atelier they went to the right side, a few steps along the »Fondamenta dei Furlani« and entered the »Scuola di San Giorgio degli Schiavoni« to pray there. (This is all along the Rio de la Pieta, near the Chiesa »San Antonin« and near to Palmina’s bakery)

picture 05 - »Scuola di San Giorgio degli Schiavoni« where Palma' students painted under his teaching

picture 05 – »Scuola di San Giorgio degli Schiavoni« where Palma‘ students painted under his teaching


Scuola di San Giorgio degli Schiavoni – Wikipedia
https://en.wikipedia.org/wiki/Scuola_di_San_Giorgio_degli_Schiavoni

»The Scuola di San Giorgio degli Schiavoni in Venice, northern Italy, was one of the city’s historical scuole (confraternity houses). «


Here at this »Suola« Palma il Giovane’s students made also some paintings.
A nun came and explained them friendly that Palma made here some beautiful paintings for these rooms, and also at the chapel in the first floor.
And Cardinale Borromeo did look interested at Palma’s artworks and all the servants where following him.
After he prayed a servant said:
»Your excellency today you will have a big speech in the big famous cathedral of Venice. Do you want to prepare your excellency for that and have a meal?«

picture 06 – Overview – »Campo Bandiera et Moro« (Palmina’s Home), Chiesa »San Antonin« (Palma’s paintings), The Atelier at the Fondamenta di Furlani and the »Scuola«

* * *

And they saw also in their Vision that Cardinale Borromeo is holding a long big speech in the San Marco Cathedral.
Hundreds of people are listening his words and they are standing also outside at the San Marco Place.
»…And we have to protect our children from child-prostitution! (applause) Especially our »La Zitelle«-Institution, here in Venice at our little Giudecca Island. It was founded by a good women and we have also to protect the members of that beautiful La Zitelle girls orchestra and choir..« (Very big and long applause) »…We have to protect them from secret attacks and intrigues by the forbidden dark sugar earth criminal network administrators. They have much money and they pay much money against the victims of child prostitution to make them silent. They plunder the rich and slave the poor, they enjoy their criminal life.« („Boo“ crying people) »And even there is only one priest, here, who supports this criminal network then tell it to me. And even If I die, I will come personally from the heaven with the saint angels to protect these girls and children from their enemy…«

And all on the cathedral applauded, some called:
»Bravi, Bravi,…save our children, save our poor girls…Save our »La Zitelle«-Institution
against these criminal administrators…Bravi, bravi.«
»Cardinale for papa! – We want you as our pope!«
»It is a pity that we don’t have him as our Cardinale in our Republic.«
»…he is a living Saint…This cardinal fights for the poor, for the ill, for the children, he is against child-prostitution, he is the savor of the church music…«
»Long live our Cardinale Borromeo!!! Let us stand with him!«
»Yes, he is the man who speaked for us in Rome.«
And there was a long applause in this huge San Marco Cathedral with its beautiful golden Mosaics.

Accademia - Procession in piazza San Marco by Gentile Bellini

Accademia – Procession in piazza San Marco by Gentile Bellini

picture 06 – Procession in piazza San Marco by Gentile Bellini

And the Choir on the left side, up in the cathedral, where Palmina sat with her Lute with the other musicians, were ready and waited till Master Claudio Monteverdi gives the sign to start to perform the music Composition »Cum sancto spiritu – Fugue«, composed by Palma il Giovane
And Palma il Giovane was sitting in the first row of the honour guests of Venice and looked up to Palmina, up there in the music-heaven, in this San Marco Cathedral and she looked down to him, smiling, being very lucky that he composed this polyphonic music, dedicated to his saint spirit pigeon, expressing the dance of the saints and angels in the heaven. (This music can also be danced by a good ballet group)

And then they sung and played like that:

Cardinale looked up to the heaven and listened.

»What musicians and composers they have here in Venice. Like the Angels in the Heaven…this music helps our La Zitelle girls, yes, this music…«

VIDEO: [»cum sancto spiritu Fugue« by Gerald Spitzner performed in Saint Karls-Church, Vienna«] https://youtu.be/piJ-twkTq3M

* * *

And as they saw this Peony Vision Palma said:
»You see Palmina, we have not only enemies from the church. There are also saints! »Yes, Palma, savers of the music and protectors of the children!«

(to be continued…)


**) Guidobaldo II della Rovere, Duke of Urbino
– Wikepedia – https://en.wikipedia.org/wiki/Guidobaldo_II_della_Rovere,_Duke_of_Urbino

»In 1567 Guidobaldo II della Rovere, duke of Urbino, recognized Palma’s talents, supporting him for four years and sending him to Rome, where he remained until about 1572. Shedding most remnants of Roman manner after his return to Venice, Palma adopted the inescapable models and mannerisms of Tintoretto. His early biographers assert that he found a place in the ageing Titian’s workshop; when the master died, Palma stepped in to finish his last work, the Pietà in the Accademia, Venice. Palma’s first major public commission arrived after a 1577 fire in the Doge’s Palace: three scenes in its grand council hall.« – Wikipedia – https://en.wikipedia.org/wiki/Palma_il_Giovane