321. The secret of Palmina – an evening walk in Venice

321. The secret of Palmina – an evening walk in Venice

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picture 1 – View of Isola Giorio Maggiore in Venice

And they continued to dream their Peony Gondola dream like that:

* * *

»Oh, Palma…I remember her. She was my Asian music teacher. As she followed the invitation to our Philosophical School in South Italy to come with her Master, Master Lao, I learned to play this music instrument Gu Zhin and Gu Zheng and, and my fascination for Asian music instrument she revived in that time period…«

»Oh, Palmina…let us continue…what ever comes…we have such a strong connection«

»Yes, Palma, let us continue…«

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picture 2 – view of a Gondola in Venice

And now they saw, sitting side-by-side, together in their Peony Gondola at 23 p.m. and they saw this vision of their time in the 16th century in the year 1582 as Saint Theresa of Avila died.
In this year in Venice as they were much younger than in the year 1610
they saw that Palmina and Palma tried to write a letter to each other:

* * *

» Venice, 1582

Dear Palma,

Today I decided to write a message to you.
For security I send you this text also as Pigeon-Mail, so you can proof if the normal letter has been stolen from your Mail Box, as usually from the Administrator of the Dark Sugar Earth Social Media Church.

We have to meet us for a long evening walk in Venice.
We have to talk to each other.
I have to tell you about something what happen in my live and it is important that you hear the truth and not what others say about me in the public.

Looking forward to see you.

Your Palmina, your little yellow canary bird.

Palmina Albina«

And Palmina took her Lute and played the »Thinking on each other melody« several times.

VIDEO: https://youtu.be/Dum0FaJUkpw

* * *

In this moment Palma il Giovane stopped drawing at his artwork as he heard this melody deep in his heart.
His heart feels a warm golden light around his heart and he knows now:
his Pigeon is playing the »Thinking on each other melody« several times.

VIDEO: https://youtu.be/Dum0FaJUkpw

Palmina smiled as she could feel Palma’s reaction.

Palma smiled and Palmina smiled and both could feel it.

What ever happens in their life they would never stop to think on each other.

He wrote:

»Venice, 1582

Dear Palmina!

I feel it, today you wrote a letter to me and the birds outside in the little garden are singing beautiful melodies as messengers for me.
Oh, my Palmina, they told me you want to see me again for a long walk and talk. You want to tell me an important think which happened in your live…
Did I understood the bird correct?
They say a letter Pigeon will come and bring the written message soon.

I am looking forward to hear from you,

my yellow canary bird,
your Palma il Giovane«

* * *

And now they saw them walking in Venice the whole late afternoon till in the late evening, going together, speaking about a very important think in their live:

Now they walk silent a long time side-by side in Venice without talking.

Palma il Giovane waited like an old Chinese Master what Palmina wanted to say to him.
He could feel that Palmina has to say something important, but she did not want to hurt his feelings.

»Palma…«

»Hmmm…?«

»Do you see this ring?«

»Oh, he is new…Does it disturb you when you are playing on your music instrument?«

Palmina suddenly smiled, because Palma seems to say the right words in the right moment.

»Yes, Palma! It disturbs me much.«

Palmina understood the deeper meaning of his words and smiled stronger.

»Yes, exactly about that fact I wanted to speak with you today…«

»What fact?…«

»The fact that I said YES, a few days ago…«

»Yes – to whom?«, Palma said disappointed.

»Oh, no, Palma. It is not like you think…I thought it was a joke…and so I said yes to his question…«

»..but who is he?«

»You know, I was on the concert tour and on my way back I met him and my father asked him to… I mean he is not really my…
…you have to know: As I made my concert career on that island, we got more and more letters from men who wanted to have contact to me and to marry me….«
»Oh, I see..and you made the choice for only one man..«

»Oh, Palma…I did not made my choice…«

»Your father made the choice for your future men?«

»No, no,no, Palma…He asked him to PLAY the ROLE to be my boyfriend only in the public to avoid that one of the music fans wanted to have too close contact for me…«

»I understand…but, why he is now in Venice?«

»Yes, it was a surprise for me and I thought that I have to continue to play his girl-friend after the orders of my father. I thought my father wants that the people of Venice know that I am engaged.«

»Oh, I see, it was only a joke…«

»No, no Palma, this time he made it serious and I have now a Problem…
His family is expecting to marry me to get the citizenship of the Republic of Venice.«

»Oh,,that’s the problem… He is from that island and since 1572 the Republic of Venice has lost its government on that island. The O.S. attacked the country and took the north part of Cyprus Island.«

»Is he from north Cyprus?«

»Yes, Palma, that’s the Problem he is member of the church of O.S.«

»But, Palmina, what’s the problem? If all this was a joke, why is it a problem?«

»The Problem is: He helped me to protect me from the music fans, he played the role of a boy friend in the public – nothing else. And now he wants that we help him to live in Venice. And therefore he said after I said YES, that he wants to get the citizenship of the Republic of Venice.
And he thought I will marry him…as thank you for his help on Cyprus Island.«

»And what does your father say?«, Palma asked like a good friend.

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picture 3 – 2 Lanterns in Venice

»My father shouted and said ‚Why you did not say NO to this Moslem. Why did you not take Master Giovanni Palma il Giovane, he is a tolerant and good man, he is a successful painter who paints in whole Venice, who paints at the Palazzo Ducale, where the mightiest persons of the world are going in and out….‘, he said and he punished me with his violence«

»And how did your North-Cyprus-fake-boy-friend react after you said him that it was a misunderstanding…?«

Later on the street he punished me violently also violent like father and said »After our religious tradition the women has to obey the husband even she is a Christian«

»I said to him: I am not your wife. – He said that I said Yes in the public. He said he will destroy my music career on Cyprus Island – and he said also that his rich family will support me with money for the concerts if I decide to be his wife.«

* * *

 

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picture 4 – Evening Sunset in Venice (right San Marco Place, left is Isola Giudecca, where Palmina worked as music teacher at the Le Zitelle

And now both were silent.

Palma was now alone with her.

Palmina made a long sigh – Palma made a long sigh.

He put his strong arm around her.
Palmina could feel his warm energy and she felt Palma takes care for her.

Now they went for a long walk in Venice, the atmosphere of the coming evening made them both very harmonic and full of hope.

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picture 5 – Harmonic evening View in Venice

They did not say any word, but their hearts communicated with a secret golden light.

* * *

After they saw this Peony Gondola Vision Palma took his Viola da braccio and played for Palmina also the »Thinking on each other Melody« and it was like that:

VIDEO: https://youtu.be/VMZfZXjtK3s

(to be continued…)

______________________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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316. Making music in the Peony Gondola (KV596)

316. Making music in the Peony Gondola (KV596)

1602 Duomo (Sansepolcro) - Palma_il_giovane,_assunzione_di_maria_(1602)_con_lunetta_di_raffellino_del_colle,_dio_padre_benedicente_04.JPG

picture – Palma il giovane, assunzione di maria (1602) con lunetta di raffellino del colle, dio padre benedicente (Modell Sabina)

And Palma took his Mandolin and played a beautiful Melody.

Palmina smiled and listened.
The Gondola shook slow and soft a little bit left and a little bit right,
like Gondola do sometimes.

The music was like that:

VIDEO: https://youtu.be/6v8j8hk7804
Sehnsucht nach dem Frühlinge – KV 596 (Mozart)


(to be continued…)
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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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311. Palma’s Answer to Palmina’s Pigeon Letter

311. Palma’s Answer to Palmina’s Pigeon Letter

picture - Santa Lucia Jacopo Palma il Giovane Chiesa dei SS. Geremia e Lucia Venezia.jpg
picture – Santa Lucia by Palma il Giovane (Palmina was model)

And now the year changed and the fireworks in Venice made colourful figures at midnight, the 1st of January, on the night sky over Venice.

Palmina hugged Palma and kissed him long and tender on the right side of his cheek beside his lips.
And Palma could feel it and smiled, and he smiled for a long time.

»Happy new Year! Palma!«

»Happy new year! Palmina!«
They dreamed a long time side by side in the Peony Gondola, observing the nice and colourful fireworks over Venice.

Palma was lucky and Palmina was also lucky.

»How would I answer if I also write a Pigeon Letter to you as answer, Palmina?«

Palmina took also a piece of paper and wrote also a letter on it.

Now Palma holds the lantern so she gets light from him:

» Venice, 1st January 1610

Dear Palmina!

I also think always of you.
There is no moment without positive thoughts of you.
It may be right if Master Lao told you once that we will meet again several times…
In Asia and India the people say that a soul comes again back to life and it happens that souls are meeting each other, even after hundreds or thousands of years.

I have the same feeling like you.
I also can’t wait to see you again after such a long time.
In my thoughts we are connected and no one can take this.
We know each other from earlier time.
Maybe I was in a later century once Marco Polo and you my Chinese Princess, the beautiful Buddhist nun, which I brought back to Venice and you lived there at the Gardens of Giudecca Island with about 600 people. Now in our century you are living again there – I mean you have an own flat there as music teacher of the Le Zitelle Girls.
And you learned again an Asian Music Instrument – The Chinese Pipa Lute –
But at Master Lao’s century you learned a Gu zheng – am I right, my Pigeon? And yes, you had been my Music Master Student. That’s why you understood my 8 Asian creations – the 8 Lute solo – from the first moment.
No one would understand these 8 Lute soli and it’s meaning – except you – for the future of peace for Europe and Asia – It is a Marco Polo Music Peace Message – because the knowledge about such music projects are inside of you.
And you understood this music from the first moment…«

Palma smiled and Palmina looked into Palma’s smiling eyes.

In her beautiful shining eyes was the reflection of the soft light of the lantern and the colourful firework in Venice.

(to be continued..)

_______________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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305. Concert Announcement

305. Concert Announcement

01 Palazzo Ducale in Venice.jpg

picture 01 – Morning view San Marco Place

And after they flew with their Peony Gondola along the surface of Planet Mars they continued to communicate with each other as they walked the next morning at the San Marco Place:

»Yesterday the concert in our Palazzo Ducale… it was so beautiful, Palmina… because you played there and because you played my composition, the Lute Solo of the Image Thunder. You are the best Lute player of our Republic, Palmina! I am so glad that you are back on your position…«

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picture 02

And Palmina walked side by side with Palma in this beautiful early morning.
2 Pigeons came flying over their head and landed on the famous place.
The sun will rise in a few minutes and the eastern heaven is slowly getting brighter and brighter, and more and more yellow gold.

Palmina had fresh warm, white, fine, round little breads in her basked and she looked so nice.

03 - Amazing-View-Of-The-Piazza-San-Marco.jpg
picture 03 – view of San Marco Cathedral on San Marco Place in Venice *)

*) Here in the 16th century there was a little church in front of the San Marco cathedral.
»Oh, thank you Palma, I have to thank you that you helped me to get my position as 1st Lute player back in the Republic of Venice, after I was 3 years abroad on my concert tour…«

* * *

And as they saw this Peony Gondola Vision they suddenly heard a music which Palmina performed very beautifully like that:
VIDEO: (Morning Walk on the San Marco Place before sunrise) https://youtu.be/sAKQbs_3ls0


»You play so beautiful, Palmina…«

Palmina looked into Palma’s eyes to read in his heart.
Never he looked so directly into her eyes.

Palmina touched Palma’s right hand and Palma could feel it and smiled.
Now they continued to see their Peony Gondola Dream and they saw this:

* * *

The went under the arcades and are holding hands and are thinking about earlier days without saying a word.

04 Piazza San Marco.jpg
picture 04

»Oh, you are really the best Lute player! Ok, it was for us not easy that you went so long on your concert tour…
The people here in Venice listened to other artists and Lute solists, which are not so perfect like you, Palmina…«

05 Explore-Italy-Attraction-Basilica-di-San-Marco-in-Venice.jpg

picture 05

Slowly they went along the arcades till they were at this place directly in front of the San Marco Cathedral.In earlier centuries there was a little church*) in which Palma and Palmina went also often in the morning to lit a candle and to see each other or to meet each other. Today this church is not there any more.

06 Square_San_Marko_in_Venice_at_night_light_(8134404651).jpg

picture 06 – San Marco Place Venice in the morning

Palmina smiled and she took Palma’s arm to walk side by side in the morning with him.
Smiling she took a fresh white fine and warm little bread from her basked and gave it to him. He smiled and took slowly her bread and sniffed on it and looked over it with his eyes into Palmina’s eyes and Palmina smiled now also stronger.

07 Piazza.San.Marco.original.18418.jpg
picture 07

Palmina sniffed now also on the bread and they remembered the early time and their morning secret meetings in the little street »Calle de la Pieta« where their secret deep love started very long time ago.

08 San Marco Cathedral in Venice.jpg
picture 08

Now as they walked into the direction of the San Marco Cathedral, they heard a little choir doing a rehearsal in the Cathedral.

»Who are they?«, Palma asked.

Palma knows all the choirs in Venice. These voices he do not know. – they are brilliant They must come from outside.
Palma il Giovane knows about all music and cultural activities in Venice.

Master Gabrieli wants to send the music student Heinrich Schütz ¹) to Palma to make practical at the Venice Art Gallery and to see how good he is for a professional study of music and composition at Choir Master Gabrieli ²) for the next years in Venice.

09 - Francesco_Guardi_-_View_of_Piazzetta_San_Marco_towards_the_San_Giorgio_Maggiore.jpg

picture 09 – painting by Francesco Guardi – View of Piazzetta San Marco towards the San Giorgio Maggiore

»It’s a fine girls choir…«, Palmina said.

And after a while they saw an announcement.

»Oh, Look, Palma..Look, Palma they are send by emperor Rudolf II, who ordered paintings from you for his art collection in Prague! Oh, Look they will perform a few compositions from you here in Venice, here in the most famous church of the city.«

10 - Giovanni_Antonio_Canal_-_Piazza_San_Marco_-_National_Gallery_of_Art_Washington.jpg
picture 10 – painting by Giovanni Antonio Canal – Piazza San Marco

»Oh, really. Maybe they wrote me a letter and the letter was stolen by the administrators of the illegal church of social media and its message thieves…«

»Palma, they are making a concert with your compositions…Wooooh“«

11 San-marco-San-marco.jpeg

picture 11

Palmina jumped on the floor like a little girl full of joy.

»Oh, fine, Palmina let us all go to the concert in this famous San Marco Cathedral!«

12 Piazzetta_San_Marco_Venice_BLS.jpg

picture 12

For a while they listened to the girls choir and it was like that:

VIDEO: https://youtu.be/m1nUFpQk6Go

 

13 piazza_san_marco.jpg
picture 13

And now they went slowly in the direction to the water to see the Gondola and the birds and the rising sun.

14 Piazza-San-Marco-at-sunrise-Vinice-Italy.jpg
picture 14 – Rising sun in Venice

(to be continued…)

________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) HEINRICH SCHÜTZ – Wikipedia – https://en.wikipedia.org/wiki/Heinrich_Sch%C3%BCtz

»Heinrich Schütz (German: [ʃʏt͡s]; 18 October [O.S. 8 October] 1585 – 6 November 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. […]

After being a choir-boy he went on to study law at Marburg before going to Venice from 1609–1612 to study music with Giovanni Gabrieli². Gabrieli is the only person Schütz ever referred to as being his teacher. He also inherited a ring from Gabrieli shortly before the latter’s death. He subsequently was organist at Kassel from 1613 to 1615.
²) Giovanni Gabrieli – Wikipedia – https://en.wikipedia.org/wiki/Giovanni_Gabrieli

»Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms. «

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304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

01 picture - san-marco-venecia.jpg

picture – Palazzo Ducale (Dogan’s Palace) at right, Astronomical 24h clock (in the middle) and in Venice at evening and the windows Palma’s flat in the 2nd floor (left beside the astronomical clock building)

»And now we can see the famous paintings by Giacomo Palma il Giovane…«

And the honour guests of the Republic of Venice could now see the huge paintings of Giacomo Palma il Giovane.

»Can I have an autograph, please Maestro Diacomo…«

»Oh, Giacomo with G… my Name starts with a G.«, Palma said and gave some autographs to the interested people.

And they looked now at the paintings of G – iacomo Palma il Giovane:

02 picture - .jpg

* * *

And after they saw this beautiful Peony Gondola Vision at 23 o clock p.m. Palma said:
»Palmina?«

»Hm?«

4ducale5.jpg

»Today, a bird sung so beautiful this morning as I looked out of the window…
The bird sung very soft so that only I could hear his message. He sung although it was very dark in the early morning…Did you…?«

06DUCALE.JPG

»Yes, I know, this bird sung to bring you my message: I send you today to your name day my best wishes…
Your name starts with G. Your name is G….«

And Palma took Palmina’s hands and kissed them.
»Oh, thank you my Pigeon….
So talented hands…

AKG877983.jpgDie Dogen Lorenzo Priuli und Girolamo Priuli in Anbetung de AKG103652.jpg
always doing rehearsing and playing so much for the republic at the Palazzo Ducale…
…baci, baci, qīnqīn…now your hands and fingers are healed by the golden light… «

And Palmina smiled and it felt for her if she is surrounded by hundreds of peony flowers and said sweet:

»Oh, Palma…, my Palma, my painter, my composer, did you wrote a copy of your new »Golden Light« creation?«

And Palma continued to kiss tender and soft her talented hands to heal her and with one hand he took his music score beside the soft Peony Gondola seat and gave her the music score.

And Palmina smiled much stronger and much happier.

»Woooh, so fast…the whole music score !!!
Oh, Thank you Palma!…«

»…I have to thank you that you played so beautiful in the Palazzo Ducale…

Diese Diashow benötigt JavaScript.

pictures (above) – Palazzo Ducale (Dogan’s Palace) Venice – paintings by Palma il Giovane

Not only this evening! Also all the years as I was painting in the Palazzo Ducale at the huge paintings there.

Your Lute music made me so strong and inspired and you brought me allways fresh bread and food from the kitchen of the Palazzo Ducale.

My paintings would not have this success if there was not your music playing directly to my heart, Palmina«

Palmina smiled and was lucky about this friendly words.

Yes Palmina supported Palma secretly with her talent only a few musicians have developed.

The most only play on their instrument, but Palmina radiates golden light.
Palmina hugged Palma smiling and gave him a tender cheek kiss.

picture 1-8 – Music score of »The Golden Light« for Violin and Piano (also with Pipa, Liuto, Guitar or Harp)

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And Palmina heard now the music again of the »Golden Light« and both felt if they where flying with their Peony Gondola over the surface of planet Mars in a music dreaming Peony Gondola Vision and they saw the music score like that:

VIDEO: [music score video] of »The Golden Light« for Violin and Piano – https://youtu.be/cC2Mb5ED3xA


 

(to be continued…)

__________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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303. Palmina playes the Hymnus Melody at her concert in Venice

303. Palmina playes the Hymnus Melody at her concert in Venice

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     Picture –  Palmina will play Palma’s composition at her concert at the Doge’s Palace.

„Can I have the music score if this Saint of Alexandria Inspiration? Hmm, it is the music to this painting, here in the frari church, isn’t it…“

„Yes,  I will write a copy for you and give it on my working table…“

Palmina smiled very lucky.

And  Palmina gave Palma a tender kiss on the right cheek and over his left eye and, yes, Palma could feel it during his dreams and visions and smiled.
And after they saw this Peony Gondola Music Vision they saw this:

   * * *

Palmina did rehearsal today the whole day and could not bring fresh bread in the morning.

So Palma took his way to the backery shop to buy 8 fresh little fine breads.
He smiled as her colleague in the shop said: „Oh, Meastro Palma il Giovane, Singnorina Palmina prepared this little breakfast basked for you. She is doing her reharsal for the big concert in the Doges’s Palace at San Marco Place.

Palma thanked friendly and went now to his painting working place at the chiesa frari, which is a long walk over the Rialto Bridge.
Sometimes, on other days, he mets Palmina playing at the market there,  in front of the little church, at the Rialto bridge, playing her lute and selling fresh breads.
Today she is not there. Palma looked at the 24 h hour clock of the little church.
Palma was looking forward to see her at the concert.
Palma went to the frari church to continue painting the golden light on the huge painting of the saint of Alexandria.

* * *

Later, at the concert Palmina announced suddenly that she will play the Lute solo Nr. 4 about the Image of THUNDER (zhen 卦震)
„Today I will also play a composition THUNDER from the composer Maestro Palma il Giovane.“
Palma was lucky and Palmina played.
The golden light was now in the hall which is also decorated with huge paintings by Palma il Giovane.

The chinese honour guests, also Master Lao from Giudecca island know the meaning of the 8 Image of the I-Ging very well and smiled also nodding.

And now the birth of the melody wich is a symbol of their music love inspiration Palmina played with her lute along the 11 min performance:

Video: (Hymnus Melody Theme) https://youtu.be/YbumhbqHxkM

And after this Pipa solo Nr. 5 of the „8 Soli for Pipa“ the special guests of the Republic of Venice applauded happy, especially the Chinese people who are living now in the gardens of Giudecca Island.
They will soon invite also to a chinese concert with asian music instruments  at Giudecca and Princess Lin, which Palma painted with all the other princess in white cloth once very beautifully, will play with her students and colleagues.

* * *

(To be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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301. Palma’s drawing inspiration during music listening

301. Palma’s drawing inspiration during music listening

»Heaven, yes heaven! I have to paint here over the main painting of this San Saba Chapel a scene from heaven….«

Now Palma felt inspired to draw an inspiration on a paper.
He lit his lantern and some candles he used to paint at evening there in the church.

Palmina could feel that he is inspired and started to support him with playing on her lutes.

picture 1 - Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 1 – Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin in Venice

»Yes, this will be in the middle above in the half circled painting…«, Palma whispering into Palmina’s ear.

They are completely alone in this Church San Antonin in Venice.
And no one could see what they are doing up there on the wide scaffolding under the half-circled window.

Palmina smiled and looked what Palma had created.
She tries to understand how the painting should look like if it is complete.

»This is only a section of the painting…the middle part…here… this should be there«.
Palma stood up and went carefully to the position where the painting should be.

Now Palmina understood also that Palma will paint this year longer in the chapel because he wants to draw the heaven he saw now in the vision.

»Woooh, so great…and,and… here you painted a Saint Spirit Pigeon!!! Isn’t it Palma?«

»Yes, my Pigeon. The Pigeon which brings the saint spirit! And here I will paint the saint Pigeon and the saint Pigeon only we both can see if we are here at the scaffolding and no one who stands down on earth, if the scaffolding is removed will see our saint spirit pigeon. Pssst. (only if a pigeon or angels lands out there at the window she can see the painted saint spirit pigeon) This Is Our secret, Pssst…«, Palma whispered and he looked at his drawing and he was holding the lantern a little bit nearer to see it better.

Palmina lifted also her lantern and looked interested. Both were sitting on their knees and looking at the place in the huge half circle where the painting in orange colours, the colour of enlightenment and heaven will be painted soon by the well known Palma il Giovane.

picture 2 - black white fotograph of Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 2 – black white photograph of Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin Venice

So this means every evening when Palmina finished her evening concert in the Doge’s Palace where she plays a Lute solo for the international honour guests of the Republic of Venice, she can walk directly her way to the Chiesa Sant‘ Antonin where Palma is the whole day working on the big paintings of the San Saba chapel (on his huge confortable scaffolding).

Yes, this she realized without saying a word and she smiled very strong.
She looked shy on the wooden floor of the scaffolding then she looked up to Palma without moving her head.

picture 3 - Overview - »Campo Bandiera et Moro« (Palmina's Home), Chiesa »San Antonin« (Palma's paintings), The Atelier at the Fondamenta di Furlani and the »Scuola«.png

picture 3 – Overview – »Campo Bandiera e Moro« (Palmina’s Home), Chiesa »San Antonin« (Palma’s paintings), The Atelier at the Fondamenta di Furlani (where Palma also painted Palmina as model) and the »Scuola«

»I will be there every time I have time after the concert Palma…«, she told him with her heart.

And they thanked the heaven for all that art inspirations in music and painting and they thanked the Saint Virgin, they thanked Santa Lucia who send the saint of music into Palma’s difficult live.
And suddenly Palma had a great idea that her father would not be angry because Palma is painting so long in the near area of Palma’s flat at the baker’s shop.

picture 4 - Palma's fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 4 – Palma’s fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593)

»Look, I paint the Saint Saba here. The Miracle which happened at your bakery shop long ago…«

Palma drew fast and he used a drawing on which  he drew the saint virgin with her baby for an other painting.
He painted the scene of the »Miracolo del fornaio«
Palmina started again to play for him and he saw the whole painting like that in a vision.

After the tradition of Master Titian the painting has to be painted only in white colours and later the colours are painted on that white oil painting.

Palma smiled during he was drawing and she could also see in a vision with Palma that Palma will use Palmina’s father as model for the painting (the baker at left)

picture 5 - black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 5 – black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593), left wall in the San Saba Chapel

Palmina understood also that if the Syrian pilgrims will came to Venice very often, the bakery shop will get a big business in the future and Palmina’s father will do nothing against this painting art project.
Also the Republic of Venice wants to have the saint bones of San Saba here in Venice if the miracle is documented and painted by the famous painter Palma il Giovane of Venice.

picture 6 -  complete view of San Saba Chapel at Chiesa Sant' Antonin Venice (without huge scaffolding).jpg

picture 6 – complete view of San Saba Chapel at Chiesa Sant‘ Antonin Venice (without huge scaffolding)

»Oh, my Pigeon you are inspiring me so much, my Santa Cecilia, my Pigeon, my yellow canary bird…«, Palma whispered into Palmina’s ear

»Oh, Palma I love to play your music creations.
My composer, my writer, my painter…«, Palmina whispered Palma in his ear.

(to be continued…)

_____________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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299. Music score of »Golden Proportion«

299. Music score of »Golden Proportion«

And they saw all the Landscapes flying over Planet Mars and Palma was also inspired to write remembering about his Uncle. Some Landscapes look like buildings. This they saw in their music Peony Gondola Dream at 23 p.m.
It felt like flying over Mars with the so called »Dragonfly«¹)

_____________
¹) A flying vehicle for 2 persons which was constructed to fly over Planet Mars in a speed of 200 km/h.

»Palma?«

»Hm?«

»Can I have the music score of the 5-beat creation, the golden Proportion music (3:2) …?«
»Oh yes, my Pigeon. Here is the music score…«

picture 1-8 – Music of composition »Golden Proportion«

01 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

02 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

03 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

04 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

05 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

06 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

07 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

08 - »Golden Proportion« (Mars-Suite) Violin+Piano +ad lib (Madn Pipa Guitar Liuto Harp etc).jpg

Palmina smiled and was very lucky and she hugged Palma with her heart and again there was the golden light heart – to heart – connection between them.

Palma smiled also.

(to be continued…)

__________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

And after they saw this Peony Gondola Vision Palma said to his Pigeon:

»Palmina, the little sweet bird in the morning said to me that you performed my composition LAKE yesterday! Did you, Palmina…?
I felt in my heart that you played for me…«

Palmina smiled and was happy that Palma could feel her music secret surprise.

He took her hands and kissed her talented hands tender and thankfully.
Palmina’s eyes shined and she felt that Palma wants to heal her hands.
Palma il Giovane could feel in the last days that she had pains on her hands because she prepared hard for this concert.

And during these days he could also feel her tender cheek kisses as he slept and he could feel it in his dreams.

And after that Palmina smiled and hugged Palma and gave him a sweet tender kiss on his cheek – in their Peony Gondola hour at 23 p.m. During this they suddenly continued to see the Peony Gondola vision with Bach in Venice in the 18th century:

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01 picture - San Marco Place in Venice.jpg

01 picture – San Marco Place in Venice

They saw the stars over Venice at the evening sky and they saw this evening Master Johann Sebastian Bach alone with his wife in a huge Gondola.
After the brilliant concert at the ‚Ospedale de la Pieta Girls Orchestra‘ with Vivaldi’s »Gloria« they are all (Bach, his family, Vivaldi and his girls orchestra) invited together with the girls at Giudecca island at a Chinese family, which came once in the 16th century and are living there.
They know a lot of stories about Marco Polo and his Asian Princess and of course a lot of stories about Palmina and Palma. And they are interested in Asian music instruments and of course asian tea.

On their way to Giudecca Island Bach said to his wife: »Maestro Vivaldi’s Girls Orchestra and Choir are brilliant. Should we move to Asia or to Venice, hmm? If I could have such brilliant musicians for my compositions, Anna Magdalena…? This would be a miracle!«, Bach said a little bit sad.

»Yes, this would be a miracle.
Hmmm, but a miracle happened, dear Johann Sebastian…
It happened:
Vivaldis orphan music school girls performed with padre Maestro Vivaldi all your missa brevis¹):

the missa brevis G-Major,
the missa brevis in g-minor,
the missa brevis in F-Major and
the mystic missa brevis in A-Major with Flauto traverso *)

Ach, so beautiful compositions, Johann Sebastian.«, Anna Magdalena said with a sigh in her voice.

They heard the La Pieta Girls Choir and orchestra singing Bach’s composition in a vision and they saw Vivaldi conducting in Venice and it was like this:
*) VIDEO: [music score] (5min) Bach, missa brevis, Mass in A major – Kyrie (Herreweghe) https://www.youtube.com/watch?v=5-Bqgw9Z4S8

»Yes, this was a miracle. Initially I composed this short missa brevis for Franz Anton von Sporck ²) and his ‚Sporck theatre‘. Like a miracle my compositions came in the hands of Antonio Vivaldi in Venice…«, Johann Sebastian said smiling and he put his strong huge arm around his little Anna Magdalena Bach smiling.

»Yes, Johann Sebastian, padre Maestro Vivaldi had good connections to Franz Anton von Sporck and he met him several times as his La Pieta Girls Orchestra gave concerts there in Prague…«, Anna said proud.

»Yes, they performed my compositions in Prague and Venice, yes a miracle…
Thank you Santa Lucia !!! Tomorrow we have to visit the chiesa of Santa Lucia also to visit the Santa-Lucia-paintings of Palma il Giovane there«, he said and searched his Mandolin.

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02 picture - Gondolas moving to Giudecca Island.jpg

02 picture – Gondolas moving to Giudecca Island

All the Gondola’s are now moving at this evening to Giudecca Island with Bach, Vivaldi and the whole talented girls from the La Pieta Orphan shelter music school Orchestra.
They are all invited to the old Chinese Families to a Tea ceremony concert in their big gardens in Venice to hear the Yin-Yang-Chinese-Garden-Orchestra. And all are looking forward to have this Asian Tea and to hear the original Asian Music Instruments.

* * *

And after they saw this Peony Gondola Vision:

Palmina smiled and Palma knew which music piece will be performed at this Chinese concert.

Palma smiled secretly and shy.

»Palma?

Hm, why are you smiling so shy? Palmaaaa? Hmm? «

And they saw the Asian Trigram on the heaven and the heaven was pink with white clouds:

☱ – LAKE- DUI – THE JOYOUS

Now a voice said in ancient old Chinese language style:

» 說萬物者莫說乎澤 –
Of all that forces that GIVE JOY things,
there is no more gladdening than the LAKE ☱ «

»Oh, Palma!«

»Oh, Palmina!«

»Pi-«

»-Pa«

and now they made both a round mouth, moved them to each other mouths
and said together:
»Liu – to – kiss«

And then they kissed sweet and short and smiled.

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(to be continued…)

_____________________________________-
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Bach’s Kyrie–Gloria masses, BWV 233–236 – Wikipedia – https://en.wikipedia.org/wiki/Kyrie%E2%80%93Gloria_masses,_BWV_233%E2%80%93236#BWV_234

»Apart from the 1733 Missa in B minor for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for „short masses“) or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39.[1] Possibly they were written for Count Franz Anton von Sporck² or performed by him in Lysá.«

²) Franz Anton von Sporck – Wikipedia – https://en.wikipedia.org/wiki/Franz_Anton_von_Sporck

»Franz Anton von Sporck, Count (Franz Anton Reichsgraf von Sporck in German, František Antonín hrabě Špork in Czech) (born 9 March 1662 in Lysá nad Labem or Heřmanův Městec; died 30 March 1738 in Lysá nad Labem) was a German-speaking literatus and patron of the arts who lived in the province of Bohemia in what is now the Czech Republic. He was one of the most notable cultural and intellectual figures in central Europe in the early 18th century. «

»…attracting some of the most prominent singers in Italy to Prague, and used Antonio Vivaldi as a source of repertory and singers. VIVALDI himself visited Prague in the early 1730s as a result of his connections with the Sporck theater. Many creative operatic works were first performed in the Sporck theater, including the first opera to use the original settings and character names from the tradition of Don Juan dramatizations:«
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281. The Ancient library on Mars

281. The Ancient library on Mars

»Oh, from here did the music come…«, Palmina said very inspired.

The Peony Gondola followed them in the meanwhile 5 meter behind them, along this ancient street to be nearby if they need the Peony Gondola (Their music instruments are also in this Peony Gondola).

01 picture - a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one).png

picture – a view of a little version of a Venetian Gondola (The Peony Gondola is a little bit bigger than this one)

Palma looked to the Peony Gondola and went to pick up his Viola da braccio and his Mandolin.
Palmina followed him and took also her Lutes and smiled.

»Come, Palma, let’s enter this ancient library!«

And Palma and Palmina entered the ancient Mars library.

As they where inside they realized that it was not dark inside.
A lot of colourful lights were inside. Lights in the different colours: yellow, Pink, green, light-blue, violet, red, green, golden light and colours which are unknown on earth .

»Oh, how interesting these colours are…«, Palma said, »I will later try to paint these colours in my paintings and you will help me to create them on earth, Palmina!«

The room was huge and high. It had exact the dimensions of the church »San Zulian« in Venice nearby Palma’s flat.

The style was also a little bit in Renaissance Style but more in Martian-Style.
There were in the walls a lot of books, scriptures, ancient paper rolls, and visual and acoustic media from metallic and glass or crystal- looking material.

The books are written in different languages of different cultures. But Palma and Palmina could not figure out what it is written about.

Between the book library there were paintings in the same size like in the Church »San Zulian« and the huge painting at the top looked similar to the painting style of Palma il Giovane. Paintings from the Mythological historic period, of the »golden age« from history.

»Who painted these huge paintings on Mars here in that beautiful library?«

Palma and Palmina felt suddenly deep in their heart some remembering.

Now they looked at each other very familiar.

So they remembered also the time as they saw each other after the concert in the San Zulian Church after the presentation of Palma’s painting and Palma went to the left side in the corner to speak with Palmina.

They both remembered the light beam from the window and now as they went also to the right back corner of this library they saw also a light coming and moving towards them.
This lights are a higher technology which adapt their light and position to the moving and to the need of the visitor of that library.

Palmina and Palma looked at each other thinking on their remembering.

In front of them there is a big door with a text they could not read.

Along the frame of the door were the old ancient 8 Trigramms in the order of the Cantico-Order.

»Oh, look isn’t that interesting? The 8 Signs are exact in the Order of the old vase the saint beautiful women gave us once?

Isn’t also Planet Mars associated to the IMAGE of THUNDER and to Sphere of Planet Mars in Dante’s ‚Divina Comaedia‘ in your Pipa Solo Nr.5?«, Palmina asked knowing.

Palmina took her music instrument and played the »Cantico-Hymnus« and it was like that:

VIDEO*): https://youtu.be/rrUiJxY4ksc

 

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*) The Spring Melody of the 8 Images of the „8 Soli for Pipa“, Solo Nr.4 (Donner) THUNDER – Cantico Hymnus – Hymnus of Cultures
||| ¦|¦ ||¦ ¦¦| ¦|| |¦| ¦¦¦ |¦¦
☰ ☵ ☴ ☳ ☱ ☲ ☷ ☶
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And suddenly the ancient door opened slowly and an enormous warm and friendly light came out of the open entrance, inviting them to come in.

»You opened the ancient door of the library with the Melody of the Hymnus of Cultures here on Mars, Palmina!«

»Woooh!« she said and jumped in the air.
On Mars there is not such a strong Gravity like on earth Palmina jumped 3 times higher than on earth.

Palma tried to catch her as she was moving back to the planet and he hold her and she is sitting in his arms like in a chair.

»Oh, my Pigeon, you are so light here on Mars.«

Palmina smiled and put her arms around his neck and gave him a tender short kiss.

She said »Pi-«
He answered »Pa-«
She said »Pi-«
He answered »Pa-«
And both »Li-u-to-kiss!«

And they gave each other a lot of »bacci« (ital. »little kiss«).

Palma hold her on his arms and carried her through the door in the room of light.

As they entered this light-room they saw only white warm light.

They felt covered by pure light and suddenly a voice spoke the text of Dante’s Divine Comaedia in the 3rd part, as Dante and Beatrice arrived at the Paradise at the »Primum Mobile« which is pure light.

»Noi siamo usciti fore del maggior corpo al ciel ch’è pura luce «²
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²[Dante, Divina Comaedia III (Paradiso), 30, 40-42]
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»Oh, Palmina, this is a text from Dante’s Divine Comaedia and his travel through the heavens.«

»Oh, the deep spiritual love of Dante and Beatrice…«

»Yes, my inspiring pigeon…my uncles father , my grandfather named his daughter, the sister of my uncle with the name ‚Beatrice‘ after Dante’s Divina Comaedia«
»Oh, really? Oh, Palma, we are now in a higher dimension library! Look, they are showing us the history of Planet Mars from the beginning…«

»Yes, Palmina really! This is a mental library with visual books. They send us directly the visions in our heart and we can see the history of Mars. Look, there are ancient buildings. And this buildings exist before they had been destroyed in the war. And a lot of pyramids are also created to produce electric energy on a very high frequency so it is not dangerous for living beings.¹«

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¹ Nicolas Teslar invented the high-frequency electric transmission and realized it in his live time on earth.
_________________

»Amazing!« Palmina said and saw how the nature, the sea, the animals, the living being on Mars lived in harmony like the Hymnus of Cultures – Different but united!«

»Yes, Palmina this is a vision!«

»Different Cultures united in one planet!!!«

The light waited till Palma and Palmina spoke about there feelings and thoughts and then the bright warm light continued to show them their light library.

»Oh, look there are music scores !!!«

»And over there is the score of the music with the mandolin solo which I created for you Palmina…«

»Oh,, yes, your music is a part of this Mars library. There are the music score also of the ‚Hymnus of Cultures‘ and the ‚8 Soli for Pipa and Viola‘ and the ‚Cantico delle Creature‘ and look they made a text on your Instrumental part in a very ancient Language and they associated the 8 Signs to this text, look… Maybe you are allowed to write it down, Palma?«

And the light showed Palma the ancient text and the whole music score and Palma started to write down the music score for Palmina.

And the music score is like that:

3 pictures- first part of the »The Ancient Library on Mars and colourful lights«

02 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

03 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

04 »The 8 Signs« (Vl+Kl+S or Mand ).jpg

* * *

And after they saw this beautiful Peony Gondola Vision Palmina smiled and was very lucky and she wanted to try out the instrumental part of the music score.

And the Peony Gondola played for her the Piano and Violin Part like that:

VIDEO: https://youtu.be/u2ATb4ADRHI

 

 

(to be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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