✮ 315. Palma as supporter of artist in the 16th century ✮

✮ 315. Palma as supporter of artist in the 16th century ✮

And they continued to dream their Peony Gondola Vision and they saw this:

* * *

picture 1 - view of the different places where composer Gabrieli and composer Monteverdi placed his several choirs (often 3 or 4) and instrumental groups within the same composition in this San Marco Cathedral in Venice.jpg

picture 1 – view of the different places where composer Gabrieli and composer Monteverdi placed his several choirs (often 3 or 4) and instrumental groups within the same composition in this San Marco Cathedral in Venice

After Cousine Mihaela sung so beautiful her Sopran Aria, Master Gabrieli stood up from the Organ to conduct several Choirs.

They sung also a composition of Gabrieli composed for several choirs and instrument groups, standing at different positions in the Church Basilica San Marco in Venice.

»It sounds to be like in heaven!«, Giulia, Palma’s younger daughter said.
Palma was lucky that his daughter’s are interested in arts and music. Giulia is also making progress in her study of painting in the Titian academy.
Giulia is finishing Palma’s painting with landscapes, trees, the buildings etc… in the background part of his paintings.
Palma smiled to his Giulia proud.

From all directions, from up left and from up right, there is coming choir- and ensemble music.

»Did Master Gabrieli compose this music piece for 4 choirs, standing on 4 different positions in our golden Basilica?«, Palma thought and looked around the golden Basilica to find the place where the musicians are making wonderful music.

During the music he begun to think about the recent private concert in Palma’s flat with its big private concert hall: »Hm, Heinrich Schütz could play the Harpsichord at this concert… Hm, hm, and Palmina could play the Lute part…
…at the actual performance of Claudio Monteverdi’s¹) L’Orfeo²) in our palace on San Marco Place, in the 2nd floor.
There will be special honour guests of our republic of Venice.
Hm, hm, hm,… and if Claudio Monteverdi says that he is a brilliant musician, then I can tell this positive words about Schütz as musician to Master Gabrieli at our next tea time meeting…«, Palma thought silent and smiled.

Palmina smiled because she also thinks »That is a good idea, Palma…«

»..how can I make Heinrich Schütz to be not only Master Gabrieli’s music student, but to be his Master Student?
Maybe with this idea…!«, Palma il Giovane thought.

There are a lot of music students coming with money to study in Venice, to study music or to study painting; but to be a Master student, this is a big privilege.

You have not only to be a very, very good music student, you have to be also choosen by the Master himself.

* * *

As they saw this Peony Gondola Vision, Palmina and Palma sat beside in the Peony Gondola at 23 p.m.

Palma could feel that Palmina’s left hand ring finger is painful because of doing rehearsal so much.

Palma took her left hand and kissed her tender and soft to heal her hand and her ring finger.

Palmina smiled shy and her pain was gone.

»Palmina?«

»Hm?«

»You are preparing a new concert?«

»Yes, Palma, my Master. I want also to play a composition of you in my next concert and I send you a messenger to inform you.
Hm, but it seems that the Administrators of the church of social media have stolen my letter to you…«

»Palmina…« and he kissed her hand again soft and tender, full of love and light, full of golden light, »…in my heart I felt your positive thoughts towards me. In the nature a little bird sung a melody from you and I listened to the bird lucky. I am very lucky that you want to play a composition of me.«

»…you remembered that Master Lao said to you 1000 years ago that we will met again… I give you from now on your old name Mia. I was your Master once and I was your…«

Palmina smiled and hugged suddenly his old Master and said with her soft voice:
»Oh, Master. We have now the chance to work together in inspirative way as artists and you have given me back my old name: Mia«

»Yes, Mia!
Si certo, mia dolcissima Mia!«

»Oh, my old Master P…«

»Psst, don’t say my name!«, Palma said fast.

»Oh, wo de dà shi G…«

»Psst, don’t say my name!«, Palma said also fast.

»Oh, mio maestro Palma il Giovane!«

And Palma hugged her now stronger and both had tears in their eyes.

Now they saw suddenly Master Lao on heaven and he showed them a interesting Vision about the century of Mia (before Lao tze came to the West); the moment as Xuan Ming was choosen as Master Student of Lao tse and his personal writing-secretary and his personal taking-care-of him-secretary:

picture 2 - musician and secretary Xuan Ming is lucky.png
picture 2 – musician and secretary Xuan Ming is lucky

And they saw suddenly a Vision:

VIDEO: (Lao tse and his new master student) https://youtu.be/myAwsBoWq6Q

(to be continued…)
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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Claudio Monteverdi (1567 – 1643) – Wikipedia – https://en.wikipedia.org/wiki/Claudio_Monteverdi

»Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.«

»[…] Monteverdi’s early musical training, or evidence that (as is sometimes claimed) he was a member of the Cathedral choir […]. Monteverdi’s first published work, a set of motets, Sacrae cantiunculae (Sacred Songs) for three voices, was issued in VENICE in 1582, when he was only fifteen years old.«

²) »L’Orfeo – Wikipedia – https://en.wikipedia.org/wiki/L%27Orfeo
L’Orfeo, sometimes called La favola d’Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri’s Dafne is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri’s Euridice, L’Orfeo is the earliest that is still regularly performed.«

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310. Palmina’s happy new year greetings for Palma

310. Palmina’s happy new year greetings for Palma

IMG_20191229_171658

picture 1 – Venice at evening with Planet Venus and Moon

And after that they continued to dream:

* * *

A few days later the spend also their secret time on that little island.

After Palma painted again Palmina and she played a solo on her instrument for him they took their way back with their Peony Gondola.

Slowly the Peony Gondola moved towards the San Marco Place at this special night.

Left hand there is Giudecca Island and right hand there is Island Giorgio Maggiore.

Palmina hold Palma’s right hand and Palma could feel it. Both smiled and again the golden light was between them.

01.jpg

picture  2 – Fireworks in Venice, San Marco Place

»Palma?«

»Hmm?«

»What do you think I would write to you if I would now send you a Letter Pigeon with happy new year greetings from my island?«

Palma smiled and took a sheet of paper and started to write and Palmina looked interested holding her lantern to give him light during he was writing.

picture 3 - Fireworks in Venice, San Marco Place.jpeg

picture  3 – Fireworks in Venice, San Marco Place

»Giudecca Island, 31th December 1609, 23 p.m.

Dear Palma!

I am always thinking on you.
I want to ask you if you can send me a copy of your music score, your new creation…
I love your creations so much…«

picture 4 - Fireworks in Venice, San Marco Place.jpeg

picture  4 – Fireworks in Venice, San Marco Place

Palma smiled as he wrote this.

»…I can’t wait to see you again after thousands of years.
Now I know it, I was your female Master Scholar as Master Lao came to south Italy to visit our family and our famous Philosophical and Music school.
Master Lao and you had a good friendship and you could exchange west wisdom and east wisdom and knowledge about the secrets of music of the west and the east music tradition and also about the therapeutical possibilities about composing music.
And Master Lao said to me, „Myia, you are the best student of your Master beside Teano. You will see him again and he will compose for you…even in thousand years and also much later…“

I never forget Master Lao’s wise words. And I liked his secretary and master student playing the Gu zin music instrument. She taught me to play an Asian Monochord-looking-like-music-instrument (It had a lot of strings).
And she learned from me the European music instruments.

Palma, I can’t wait to get a new music score from you.
I love to play it and I know that you can feel if I am playing on my instrument, even I play it alone in my little room and no one, except your heart, is listening to me.

Oh, Palma!
I wish you a happy new year!
I hope to see and to hear you again after such a so long time.

Your Pigeon,
your yellow canary bird,
your Palmina Albina

PS: This year Student Heinrich Schütz is coming to Venice to study at Master Gabrieli. At the Epiphany feast he will come to listen at the San Marco Cathedral and I am looking forward to hear there your Aria „Benedictus“, which you composed for your Cousine Mihaela«

picture 5 - Fireworks in Venice, San Marco Place.jpg

picture  5 – Fireworks in Venice, San Marco Place

 

(to be continued…)

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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294. The Peony Gondola as secure communication

294. The Peony Gondola as secure communication

They continued the dream their Peony Gondola dream:

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»The Peony Gondola lead us in the 21st century…
So we learned what a phone can do. There is Whatsapp or Wechat to transmit music score, or music files, pdf or pictures or music and audio messages«, Palma said very calm.

»Hmm, do we really need a phone to talk?
We are here sitting side-by-side in our Peony Gondola every day and speaking to each other.«

»Yes, Palmina. It is an other dimension here in the Peony Gondola…

Palmina, we are connected with our dreams and with our hearts.
Its good that our hearts first found us before we have our first phone talk.«

»Oh, Palma, you are so romantic…

This is my Palma like I know him from the 16th century! My Palma, my painter, my composer, my writer…«
»…Palma? By the way: There is an wrong number in the phone number: the first zero after the +43(0)… has to be removed….«

Palma smiled, because he realized that Palmina is very clever and understands now that a Peony Gondola Connection is something which they will never loose and no one can steal their secure communication, not even the Church of Social Media and its administrators.

Palmina hold Palma’s right hand and Palma could feel it.
Now they remembered the music of the time of their 16th century.

Especially early in the morning in Venice when Palmina brought fresh little white fine breads to the Dogan’s Palace.
There was the smell of fresh backed bread in the air in the morning of Venice.

All people in Venice know this fine little fresh breads and love them – Palmina created them by herself.

Daily in the morning she brought the fresh breads to the Dogan’s Palace and later she went to the ‚Missa Presta‘ (shortest possible mass) to the little chapel on the left side of the famous San Marco Cathedral with her basked with a few breads for Palma.
Palma was sitting there waiting in the early morning and silently smiling to her and she smiled secretly shy back.

Palma il Giovane wrote once to the composer William Byrd*) if he can send a very short ‚missa brevis‘ (a short composition for a mass) especially a very short ‚Kyrie‘, but very good composed, for the music during this short ‚missa presta‘ in the morning in Venice.

William Byrd send him a copy of the ‚Mass for 4 Voices‘ and made a special short ‚Kyrie‘ for this morning prayers.
Palma was lucky abaout the fact that today the choir of San Marco Cathedral will sing this short Kyrie.

During Palma and Palmina smiled secretly to each other they heard the music composed by William Byrd*) (who was nearly in the age of Palma il Giovane).
The little fine choir in that San Marco Cathedral sung now during the ‚missa presta‘ the ‚Kyrie‘ and it was like that:

VIDEO (2min) [music score video] William Byrd (Kyrie) : Mass for 4 Voices)** https://youtu.be/gqpGvWk8KqU

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*) William Byrd – Wikipedia – https://en.wikipedia.org/wiki/William_Byrd

»William Byrd ( c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life.«

** (full version is here (23 min) : https://youtu.be/VXeT2HWpwc4)

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After that Peony Vision Palmina asked shy:

»Look, how they people of the 21st century transcribed our music notation system from our notation system of the 16th century 300 or 400 years later!!! Palma, look….!!!«

»Hmm, interesting!…Really good transcription…«

 

pictures 1-14 – transcription into modern music notation


»…Would we remember the notation system after 300 or 400 years later Palmina?«
Palmina smiled for a while and she was thinking about this question.

Palmina smiled and Palma could feel it.

(to be continued…)

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written by Gerald Spitzner:

contact:
Phone (What’s app, WeChat): +43 699 10 800 312 (without 0 after +43…)

15 picture - scann QR Code to connect via Wechat

picture – QR-Code (scan it to connect via Wechat)

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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291. Palmina and Palma talking about different music centuries

291. Palmina and Palma talking about different music centuries

»Palma?«

»Hm?«

»The music after our 16th century, hundred years later, the music of Vivaldi is really very dynamic and very modern compared to our time 100 years before him«

»Yes, Palmina I know…«

»…and your Peony Gondola Song is heading to this music style…«

»Oh, thank you my Pigeon!«

And they now remembered the music in the 16th century as Maestro Gallus¹) came to Venice and his artwork had been performed and they heard his music like this:

VIDEO: (Jacobud GALLUS: https://youtu.be/UeGebVXFI2s )

 

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¹) Jacobus Gallus (1550 – 1591)
Wikipedia: https://en.wikipedia.org/wiki/Jacobus_Gallus

»Jacobus Gallus Carniolus (a.k.a. Jacob(us) Handl, Jacob(us) Händl, Jacob(us) Gallus; Slovene: Jakob Petelin Kranjski) (3 July 1550 – 18 July 1591) was a late-Renaissance composer of Slovene[1] ethnicity. Born in Carniola, which at the time was one of the Habsburg lands in the Holy Roman Empire, he lived and worked in Moravia and Bohemia during the last decade of his life. «
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»Oh, such remembering to our 16th century, Jacobus died so early at 1591 as the Rialto bridge was ready build«

And Palma could feel that Palmina is thinking to continue their old love in the 16th century and they started to dream in music and it was like that and both could feel it:

VIDEO: (Violin and Piano (54d) https://youtu.be/UjVLTwQ5uOo


»Oh, Palma!«

»Oh, Palmina!«

»Palmina?«

»Hm?«

»I just finished a new chapter of my remembering to my uncle Vily. Like to read it?«

»Oh, yes, Palma, I will…«
And Palmina read the new Chapter:

LINK: https://unclewillybacktoearth.wordpress.com/2019/10/29/10-a-trip-to-the-2nd-sun

And after she read the new chapter Palmina said »Great story, but I like your music more than the soundtrack of this 2nd sun music-video at the Uncle Vily story…«

Palma smiled and they repeated to hear the new music creation together in the Peony Gondola at their 23 o’clock hour and it was like that:

VIDEO: (Violin and Piano (54d) https://youtu.be/UjVLTwQ5uOo

(To be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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280. Going along an ancient street on Mars-City and finding the building of the ancient library

280. Going along an ancient street on Mars-City
and finding the building of the ancient library

At the end of the music the Peony Gondola landed slowly and gentle at the Schiaparelli City which is in the north part of the little crater (nearly 40km diameter).

Palma and Palmina left the Gondola (In the Peony Gondola Vision dream they can do this without any danger) and started to walk slowly side-by-side along the ancient street which was several kilometres long.
The sun shined friendly on the Planet Mars and at the left and the right side they saw a lot of historic beautiful buildings with statues and column.

Palmina took Palmas right hand and smiled. Palma could feel this and smiled also.

»Do you remember, Palma«, Palmina said.

»…as we both went along a street in Venice and on the left side we found a building which had an ancient music library with very old music score…«

Palmina smiled more and more as she said this.

Palma looked to her side: »Yes, Palmina! This was a beautiful moment, I remember.
All these music scores. Especially the compositions of the late Renaissance music was interesting…«

»…This was a treasure of unknown music, Palma.
We tried the music out with our music instruments…«

»Yes, we made music together there at this old library. We have been the only one who care about these old music scores.
We looked at all music scores.«

»And, and there had been very ancient, very old music with special music signs…We could not find out from which century this music was. We did not know how to play the music notes because it was an unknown notation system.«, Palmina said«

»Every note was the Symbol of a Planet sign and every Planet sign was a note from the 7-tone scale.«

»Maybe a notation system tradition from an early ‚golden age‘ – The Renaissances tried to find and to reconstruct the culture of the ancient ‚golden age’…«, Palma said like a historian.

Palmina looked smiling proud in the eyes of her Palma il Giovane.

Both smiled thinking on this beautiful creative music time in Venice and they went on going side-by-side hand-by-hand along the ancient street here in the Schiaparelli City on Planet Mars.

»Palma?«

»Did you write a new chapter of your remembering about your Uncle Vily – Back to Earth?
You should use your compositions about Mars also for this story. Isn’t this a nice idea?«.

»Oh, Palmina, you are right, yesterday I wrote Chapter [9.] and you can read it here¹)«

During they walked along the historic ancient street they heard this music:

VIDEO: ( Mars Suite 10. »Ancient street on Mars-City« )
https://youtu.be/VjqDQ5oET20

And they walked till they saw on the left side of the street an ancient architecture of a big ancient Mars library.

picture - Entrance of the Ancient Library.jpg
picture – entrance of the ancient library

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¹ chapter of Uncle Vily – Back to Earth [9.]:

https://unclewillybacktoearth.wordpress.com/2019/10/02/9-first-flying-along-the-schiaparelli-mars-city/

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(to be continued…..)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

226. House concert in Palma’s flat in Venice

226. House concert in Palma’s flat in Venice

They continued to dream their Peony Gondola Vision and they saw this:

* * *

Palma went fast home at his flat on San Marco Place to get the Pigeon-Letter-Mail.

And as he arrived and opened his window in the second floor and the snow-white Letter-Mail-Pigeon waited and made friendly „Groo, Groooooo“. Palma smiled and took her carefully in her hands.
Now he opened her letter and read it.
Palma’s eyes where very lucky and he sat down to his table and continued to read her beautiful Pigeon-Mail.

Then he looked out of his window. From here he can not see the windows of Palmina’s flat in the 3rd floor on Giudecca Island but he feels that she is also standing now at the window and smiling.

Palma looked into the direction of Giorgio Maggiore and said:
»The church of »Isola San Giorgio Maggiore« is complete erected. This is a symbol of our love…I have to answer Palmina on her letter…«

Palma kissed the letter and he started fast to write an answer:

»Venice, 16…

Dear Palmina!

Thank you, I received your Pigeon-Mail,
I also can’t wait to be with you in our Peony Gondola at 23 o’clock.
Today the breakfast you made on my birthday was so nice, especially the music you played for me on my bed with your lutes.
You made a new composition for me and you made a nice variation of my composition for your lutes.
I hear it the whole day during my painting work in my remembering, in my deep heart.
Thank you Palmina.
And today at midday you and Michaela made such a good lunch for me, and you made the first celebration on this birthday for me.
Mihaela made a surprise, you know, she searched the »happy birthday music version in my language – in Veneto!«.
As you saw Crezia and Julia made two paintings for me – So nice – My daughter like you very much, You all women are all my personal angels since my wife died and I am a lonely man.

I am locking forward to celebrate my birthday with you – You are now a part of my family.
I love you my sweet pigeon,
my inspiration, my Santa Cecilia

Your you deeply loving

Jacopo Palma il Giovane

PS: Do you think that Natalie from Russia, you know the talented Organ Playing musician, will come to our nice birthday feast in our big flat on San Marco Place and play with us some music with our family? Mihaela said her mother was at the ospedaletto and is not well, let’s pray for her mother. Mihaela is praying for her…«

* * *

picture - house concert like it was at Palma's time in the 16th cecury in Venice

And as they saw this Peony Vision Palma and Palmina hugged and kissed soft and they remembered the beautiful house concert for Palma’s birthday at his home:

And Palma and Palmina looked this concert together in this Peony Vision:

This concert was beautiful and it was like that:

VIDEO: (original Renaissance concert )
https://okto.tv/de/oktothek/episode/22431

https://okto.tv/de/oktothek/episode/22431

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner