304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

304. Palma’s Paintings at Palazzo Ducale and his »Golden light« music score for Palmina

01 picture - san-marco-venecia.jpg

picture – Palazzo Ducale (Dogan’s Palace) at right, Astronomical 24h clock (in the middle) and in Venice at evening and the windows Palma’s flat in the 2nd floor (left beside the astronomical clock building)

»And now we can see the famous paintings by Giacomo Palma il Giovane…«

And the honour guests of the Republic of Venice could now see the huge paintings of Giacomo Palma il Giovane.

»Can I have an autograph, please Maestro Diacomo…«

»Oh, Giacomo with G… my Name starts with a G.«, Palma said and gave some autographs to the interested people.

And they looked now at the paintings of G – iacomo Palma il Giovane:

02 picture - .jpg

* * *

And after they saw this beautiful Peony Gondola Vision at 23 o clock p.m. Palma said:
»Palmina?«

»Hm?«

4ducale5.jpg

»Today, a bird sung so beautiful this morning as I looked out of the window…
The bird sung very soft so that only I could hear his message. He sung although it was very dark in the early morning…Did you…?«

06DUCALE.JPG

»Yes, I know, this bird sung to bring you my message: I send you today to your name day my best wishes…
Your name starts with G. Your name is G….«

And Palma took Palmina’s hands and kissed them.
»Oh, thank you my Pigeon….
So talented hands…

AKG877983.jpgDie Dogen Lorenzo Priuli und Girolamo Priuli in Anbetung de AKG103652.jpg
always doing rehearsing and playing so much for the republic at the Palazzo Ducale…
…baci, baci, qīnqīn…now your hands and fingers are healed by the golden light… «

And Palmina smiled and it felt for her if she is surrounded by hundreds of peony flowers and said sweet:

»Oh, Palma…, my Palma, my painter, my composer, did you wrote a copy of your new »Golden Light« creation?«

And Palma continued to kiss tender and soft her talented hands to heal her and with one hand he took his music score beside the soft Peony Gondola seat and gave her the music score.

And Palmina smiled much stronger and much happier.

»Woooh, so fast…the whole music score !!!
Oh, Thank you Palma!…«

»…I have to thank you that you played so beautiful in the Palazzo Ducale…

Diese Diashow benötigt JavaScript.

pictures (above) – Palazzo Ducale (Dogan’s Palace) Venice – paintings by Palma il Giovane

Not only this evening! Also all the years as I was painting in the Palazzo Ducale at the huge paintings there.

Your Lute music made me so strong and inspired and you brought me allways fresh bread and food from the kitchen of the Palazzo Ducale.

My paintings would not have this success if there was not your music playing directly to my heart, Palmina«

Palmina smiled and was lucky about this friendly words.

Yes Palmina supported Palma secretly with her talent only a few musicians have developed.

The most only play on their instrument, but Palmina radiates golden light.
Palmina hugged Palma smiling and gave him a tender cheek kiss.

picture 1-8 – Music score of »The Golden Light« for Violin and Piano (also with Pipa, Liuto, Guitar or Harp)

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And Palmina heard now the music again of the »Golden Light« and both felt if they where flying with their Peony Gondola over the surface of planet Mars in a music dreaming Peony Gondola Vision and they saw the music score like that:

VIDEO: [music score video] of »The Golden Light« for Violin and Piano – https://youtu.be/cC2Mb5ED3xA


 

(to be continued…)

__________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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303. Palmina playes the Hymnus Melody at her concert in Venice

303. Palmina playes the Hymnus Melody at her concert in Venice

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     Picture –  Palmina will play Palma’s composition at her concert at the Doge’s Palace.

„Can I have the music score if this Saint of Alexandria Inspiration? Hmm, it is the music to this painting, here in the frari church, isn’t it…“

„Yes,  I will write a copy for you and give it on my working table…“

Palmina smiled very lucky.

And  Palmina gave Palma a tender kiss on the right cheek and over his left eye and, yes, Palma could feel it during his dreams and visions and smiled.
And after they saw this Peony Gondola Music Vision they saw this:

   * * *

Palmina did rehearsal today the whole day and could not bring fresh bread in the morning.

So Palma took his way to the backery shop to buy 8 fresh little fine breads.
He smiled as her colleague in the shop said: „Oh, Meastro Palma il Giovane, Singnorina Palmina prepared this little breakfast basked for you. She is doing her reharsal for the big concert in the Doges’s Palace at San Marco Place.

Palma thanked friendly and went now to his painting working place at the chiesa frari, which is a long walk over the Rialto Bridge.
Sometimes, on other days, he mets Palmina playing at the market there,  in front of the little church, at the Rialto bridge, playing her lute and selling fresh breads.
Today she is not there. Palma looked at the 24 h hour clock of the little church.
Palma was looking forward to see her at the concert.
Palma went to the frari church to continue painting the golden light on the huge painting of the saint of Alexandria.

* * *

Later, at the concert Palmina announced suddenly that she will play the Lute solo Nr. 4 about the Image of THUNDER (zhen 卦震)
„Today I will also play a composition THUNDER from the composer Maestro Palma il Giovane.“
Palma was lucky and Palmina played.
The golden light was now in the hall which is also decorated with huge paintings by Palma il Giovane.

The chinese honour guests, also Master Lao from Giudecca island know the meaning of the 8 Image of the I-Ging very well and smiled also nodding.

And now the birth of the melody wich is a symbol of their music love inspiration Palmina played with her lute along the 11 min performance:

Video: (Hymnus Melody Theme) https://youtu.be/YbumhbqHxkM

And after this Pipa solo Nr. 5 of the „8 Soli for Pipa“ the special guests of the Republic of Venice applauded happy, especially the Chinese people who are living now in the gardens of Giudecca Island.
They will soon invite also to a chinese concert with asian music instruments  at Giudecca and Princess Lin, which Palma painted with all the other princess in white cloth once very beautifully, will play with her students and colleagues.

* * *

(To be continued…)

___________________________________
Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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301. Palma’s drawing inspiration during music listening

301. Palma’s drawing inspiration during music listening

»Heaven, yes heaven! I have to paint here over the main painting of this San Saba Chapel a scene from heaven….«

Now Palma felt inspired to draw an inspiration on a paper.
He lit his lantern and some candles he used to paint at evening there in the church.

Palmina could feel that he is inspired and started to support him with playing on her lutes.

picture 1 - Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 1 – Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin in Venice

»Yes, this will be in the middle above in the half circled painting…«, Palma whispering into Palmina’s ear.

They are completely alone in this Church San Antonin in Venice.
And no one could see what they are doing up there on the wide scaffolding under the half-circled window.

Palmina smiled and looked what Palma had created.
She tries to understand how the painting should look like if it is complete.

»This is only a section of the painting…the middle part…here… this should be there«.
Palma stood up and went carefully to the position where the painting should be.

Now Palmina understood also that Palma will paint this year longer in the chapel because he wants to draw the heaven he saw now in the vision.

»Woooh, so great…and,and… here you painted a Saint Spirit Pigeon!!! Isn’t it Palma?«

»Yes, my Pigeon. The Pigeon which brings the saint spirit! And here I will paint the saint Pigeon and the saint Pigeon only we both can see if we are here at the scaffolding and no one who stands down on earth, if the scaffolding is removed will see our saint spirit pigeon. Pssst. (only if a pigeon or angels lands out there at the window she can see the painted saint spirit pigeon) This Is Our secret, Pssst…«, Palma whispered and he looked at his drawing and he was holding the lantern a little bit nearer to see it better.

Palmina lifted also her lantern and looked interested. Both were sitting on their knees and looking at the place in the huge half circle where the painting in orange colours, the colour of enlightenment and heaven will be painted soon by the well known Palma il Giovane.

picture 2 - black white fotograph of Palma's inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant' Antonin Venice.jpg

picture 2 – black white photograph of Palma’s inspiration fast drawing about the HEAVEN for the San Saba Chapel at Chiesa Sant‘ Antonin Venice

So this means every evening when Palmina finished her evening concert in the Doge’s Palace where she plays a Lute solo for the international honour guests of the Republic of Venice, she can walk directly her way to the Chiesa Sant‘ Antonin where Palma is the whole day working on the big paintings of the San Saba chapel (on his huge confortable scaffolding).

Yes, this she realized without saying a word and she smiled very strong.
She looked shy on the wooden floor of the scaffolding then she looked up to Palma without moving her head.

picture 3 - Overview - »Campo Bandiera et Moro« (Palmina's Home), Chiesa »San Antonin« (Palma's paintings), The Atelier at the Fondamenta di Furlani and the »Scuola«.png

picture 3 – Overview – »Campo Bandiera e Moro« (Palmina’s Home), Chiesa »San Antonin« (Palma’s paintings), The Atelier at the Fondamenta di Furlani (where Palma also painted Palmina as model) and the »Scuola«

»I will be there every time I have time after the concert Palma…«, she told him with her heart.

And they thanked the heaven for all that art inspirations in music and painting and they thanked the Saint Virgin, they thanked Santa Lucia who send the saint of music into Palma’s difficult live.
And suddenly Palma had a great idea that her father would not be angry because Palma is painting so long in the near area of Palma’s flat at the baker’s shop.

picture 4 - Palma's fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 4 – Palma’s fast drawing (right side up) on a paper which has still a painting on it. It was the first inspiration for the painting »Miracolo del fornaio«- Palma il Giovane (1593)

»Look, I paint the Saint Saba here. The Miracle which happened at your bakery shop long ago…«

Palma drew fast and he used a drawing on which  he drew the saint virgin with her baby for an other painting.
He painted the scene of the »Miracolo del fornaio«
Palmina started again to play for him and he saw the whole painting like that in a vision.

After the tradition of Master Titian the painting has to be painted only in white colours and later the colours are painted on that white oil painting.

Palma smiled during he was drawing and she could also see in a vision with Palma that Palma will use Palmina’s father as model for the painting (the baker at left)

picture 5 - black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593).jpg

picture 5 – black white photograph of painting »Miracolo del fornaio«- Palma il Giovane (1593), left wall in the San Saba Chapel

Palmina understood also that if the Syrian pilgrims will came to Venice very often, the bakery shop will get a big business in the future and Palmina’s father will do nothing against this painting art project.
Also the Republic of Venice wants to have the saint bones of San Saba here in Venice if the miracle is documented and painted by the famous painter Palma il Giovane of Venice.

picture 6 -  complete view of San Saba Chapel at Chiesa Sant' Antonin Venice (without huge scaffolding).jpg

picture 6 – complete view of San Saba Chapel at Chiesa Sant‘ Antonin Venice (without huge scaffolding)

»Oh, my Pigeon you are inspiring me so much, my Santa Cecilia, my Pigeon, my yellow canary bird…«, Palma whispered into Palmina’s ear

»Oh, Palma I love to play your music creations.
My composer, my writer, my painter…«, Palmina whispered Palma in his ear.

(to be continued…)

_____________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice

And after they saw this Peony Gondola Vision Palma said to his Pigeon:

»Palmina, the little sweet bird in the morning said to me that you performed my composition LAKE yesterday! Did you, Palmina…?
I felt in my heart that you played for me…«

Palmina smiled and was happy that Palma could feel her music secret surprise.

He took her hands and kissed her talented hands tender and thankfully.
Palmina’s eyes shined and she felt that Palma wants to heal her hands.
Palma il Giovane could feel in the last days that she had pains on her hands because she prepared hard for this concert.

And during these days he could also feel her tender cheek kisses as he slept and he could feel it in his dreams.

And after that Palmina smiled and hugged Palma and gave him a sweet tender kiss on his cheek – in their Peony Gondola hour at 23 p.m. During this they suddenly continued to see the Peony Gondola vision with Bach in Venice in the 18th century:

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01 picture - San Marco Place in Venice.jpg

01 picture – San Marco Place in Venice

They saw the stars over Venice at the evening sky and they saw this evening Master Johann Sebastian Bach alone with his wife in a huge Gondola.
After the brilliant concert at the ‚Ospedale de la Pieta Girls Orchestra‘ with Vivaldi’s »Gloria« they are all (Bach, his family, Vivaldi and his girls orchestra) invited together with the girls at Giudecca island at a Chinese family, which came once in the 16th century and are living there.
They know a lot of stories about Marco Polo and his Asian Princess and of course a lot of stories about Palmina and Palma. And they are interested in Asian music instruments and of course asian tea.

On their way to Giudecca Island Bach said to his wife: »Maestro Vivaldi’s Girls Orchestra and Choir are brilliant. Should we move to Asia or to Venice, hmm? If I could have such brilliant musicians for my compositions, Anna Magdalena…? This would be a miracle!«, Bach said a little bit sad.

»Yes, this would be a miracle.
Hmmm, but a miracle happened, dear Johann Sebastian…
It happened:
Vivaldis orphan music school girls performed with padre Maestro Vivaldi all your missa brevis¹):

the missa brevis G-Major,
the missa brevis in g-minor,
the missa brevis in F-Major and
the mystic missa brevis in A-Major with Flauto traverso *)

Ach, so beautiful compositions, Johann Sebastian.«, Anna Magdalena said with a sigh in her voice.

They heard the La Pieta Girls Choir and orchestra singing Bach’s composition in a vision and they saw Vivaldi conducting in Venice and it was like this:
*) VIDEO: [music score] (5min) Bach, missa brevis, Mass in A major – Kyrie (Herreweghe) https://www.youtube.com/watch?v=5-Bqgw9Z4S8

»Yes, this was a miracle. Initially I composed this short missa brevis for Franz Anton von Sporck ²) and his ‚Sporck theatre‘. Like a miracle my compositions came in the hands of Antonio Vivaldi in Venice…«, Johann Sebastian said smiling and he put his strong huge arm around his little Anna Magdalena Bach smiling.

»Yes, Johann Sebastian, padre Maestro Vivaldi had good connections to Franz Anton von Sporck and he met him several times as his La Pieta Girls Orchestra gave concerts there in Prague…«, Anna said proud.

»Yes, they performed my compositions in Prague and Venice, yes a miracle…
Thank you Santa Lucia !!! Tomorrow we have to visit the chiesa of Santa Lucia also to visit the Santa-Lucia-paintings of Palma il Giovane there«, he said and searched his Mandolin.

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02 picture - Gondolas moving to Giudecca Island.jpg

02 picture – Gondolas moving to Giudecca Island

All the Gondola’s are now moving at this evening to Giudecca Island with Bach, Vivaldi and the whole talented girls from the La Pieta Orphan shelter music school Orchestra.
They are all invited to the old Chinese Families to a Tea ceremony concert in their big gardens in Venice to hear the Yin-Yang-Chinese-Garden-Orchestra. And all are looking forward to have this Asian Tea and to hear the original Asian Music Instruments.

* * *

And after they saw this Peony Gondola Vision:

Palmina smiled and Palma knew which music piece will be performed at this Chinese concert.

Palma smiled secretly and shy.

»Palma?

Hm, why are you smiling so shy? Palmaaaa? Hmm? «

And they saw the Asian Trigram on the heaven and the heaven was pink with white clouds:

☱ – LAKE- DUI – THE JOYOUS

Now a voice said in ancient old Chinese language style:

» 說萬物者莫說乎澤 –
Of all that forces that GIVE JOY things,
there is no more gladdening than the LAKE ☱ «

»Oh, Palma!«

»Oh, Palmina!«

»Pi-«

»-Pa«

and now they made both a round mouth, moved them to each other mouths
and said together:
»Liu – to – kiss«

And then they kissed sweet and short and smiled.

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(to be continued…)

_____________________________________-
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) Bach’s Kyrie–Gloria masses, BWV 233–236 – Wikipedia – https://en.wikipedia.org/wiki/Kyrie%E2%80%93Gloria_masses,_BWV_233%E2%80%93236#BWV_234

»Apart from the 1733 Missa in B minor for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for „short masses“) or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39.[1] Possibly they were written for Count Franz Anton von Sporck² or performed by him in Lysá.«

²) Franz Anton von Sporck – Wikipedia – https://en.wikipedia.org/wiki/Franz_Anton_von_Sporck

»Franz Anton von Sporck, Count (Franz Anton Reichsgraf von Sporck in German, František Antonín hrabě Špork in Czech) (born 9 March 1662 in Lysá nad Labem or Heřmanův Městec; died 30 March 1738 in Lysá nad Labem) was a German-speaking literatus and patron of the arts who lived in the province of Bohemia in what is now the Czech Republic. He was one of the most notable cultural and intellectual figures in central Europe in the early 18th century. «

»…attracting some of the most prominent singers in Italy to Prague, and used Antonio Vivaldi as a source of repertory and singers. VIVALDI himself visited Prague in the early 1730s as a result of his connections with the Sporck theater. Many creative operatic works were first performed in the Sporck theater, including the first opera to use the original settings and character names from the tradition of Don Juan dramatizations:«
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✮ 288. Vivaldi meets Bach in Venice ✮

✮ 288. Vivaldi meets Bach in Venice ✮

And as they saw this Peony Gondola vision, sitting together at 23 p.m. in side-by-side in their Peony Gondola, Palmina said: »Palma, can I hear your last music creations again? (52c)…«

»Oh, Yes, the Peony Gondola will play it for you. Listen: «

And the music was like this:

VIDEO: (Violin and Piano 52 a,b,c,d,e – 10 min) – https://youtu.be/c2Ae8sPT7jY

And Palmina saw again the soft flight along the Planet Mars and the moments at the Mars library and they had a lot of Music Visions during this music.

* * *

»Oh, this is interesting! To see what happened with the music and culture live in Venice hundred years after our century, Palma?«

»Yes, really, but we have to be silent and not to talk about what we have seen to any body, you know…«

»I tell no one, Palma…«

»This morning I got a bird message from you Palmina? Did you…?«

»Yes, Palma I sent you a massage, but the extremists, this intrigant people, erased it after I send it. So I asked the birds to bring you my message in bird language…«

»Thank you for your bird message… So lovely. The birds say also that the message you sent was erased and you have been not happy about that, isn’t it, Palmina?«

»Yes, my Palma il Giovane. I am so lucky that we have our Peony Gondola. Thanks to the HEAVEN!«

And Palma and Palmina hugged each other short but tender and both could feel it and both smiled.

»Let us see what happened to the ‚Ospedale de La Pieta Orphan Music School and Orphan Girl’s Orchestra in Venice over hundred years after you have been music teacher there and let us see if they remember my composition which I wrote once for them, the ‚Missa Ospedale de La Pieta di Venice«

»Oh, yes, Palma ‚Missa Ospedale de La Pieta di Venice‘ is composed in G – Magior!!! – This music we performed together with the Orphan’s Girls there in Venice.

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And now they continued to dream their Peony Gondola Vision and they saw this:

At the place Campo Bandiera e Moro the windows opened suddenly.
»Maestro Bach? Johann Sebastian Bach is here in Venice?“, the people on the place who are looking out of the windows said and where surprised and greeted very happy.

„What a big honour!“, someone said.

„Johann Sebastian Bach in Venezia. Benvegno Maestro Bach!!!“

Antonio Vivaldi said to a little girl: »…Alora, Palmina, subito, subito…come over here…Fast, say to the other girls: they should come back to greet Maestro Johann Sebastian Bach with music – He is back in Venice!!!!…Fast, call them back!!….«.

And the beautiful young girls came after a while, shy laughing, running back the ‚Calle de la Pieta‘ , with their music instruments and formed a little group like a choir at the place »Bandiera e Moro« standing before Bach.

Antonio Vivaldi said: »Come, my angels, now we sing the ‚Welcome Cantata‘ for Maestro Johann Sebastian Bach!«.

»Oooooh, the famous Johann Sebastian Bach with his wife and 3 daughters…« the girls whispered with big open mouth and eyes.

And padre Maestro Antonio Vivaldi raised his hands like as sever choir master and as he saw that all his little girls (and the elder girls also) were ready to sing he gave the signal to start to sing the ‚Welcome Cantata‘ for Johann Sebastian Bach.

And they sung really like angels and Bach smiled and his family beside him – Anna Magdalena, Dorothea, Elisabeth, Johanna Carolina – at the table smiled also lucky and inside their hearts they were a little bit proud about their composer Johann Sebastian.

Especially Johanna Carolina looked very interested how Vivaldi is conducting his girls choir. Yes, she knows now: She wants to learn as fast as she can all in musics: playing instruments, her lute, the violin, and a lot of instruments, composing, making variations about a melody, and so on…

»I want also be a female musician like them. I want to learn everything from my Daddy…«, Johanna Carolina thought secretly.

»Aren’t they like angels? Much better then our boys choir in Leipzig? This clear soft female voices…
»Men should only sing Tenor and Bass and girls should sing Soprano and Alto.«, Bach thought in this moment.

Antonio Vivaldi realized as first musician in Europe that the voices of girls are more exact than the voices of little boys like – also in Leipzig – and they can sing longer, more years than the boys. If the boys are turning slowly to be a man their voice is changing for a long time and is turning to a lower level of pitch and they can not sing Soprano and Alto in the choir any more.

»I can understand why the Austrian People want to hear his choir in Vienna…they are brilliant!
… I have to give Vivaldi a Cantata from me, perhaps they are performing it…« Johann Sebastian whispered to his wife Anna Magdalena Bach.
»Perhaps the ‚Coffee Cantate‘ about our daughter Lieschen (Elisabeth) which wanted to marry her future husband Altnikol.«, Anna Magdalena whispered to him funny smiling.

And after they sung very good for Master Johann Sebastian Bach they said »Welcome Maestro Bach to Venice!!« and they made a respectful gesture and smiled.

»Maestro Bach! Oh, please give us an auto-graph here on our music score!!!«

»Oh, please for me also and, and for my little sister…she loves your compositions so much!
We have no parents and padre Vivaldi is like a father for us…
Now we had the honour to sing for you…
Please sign us an autograph on the music score here…
as remembering for that historic moment in Venice…« an elder girl, which was grown like a young women, said.

»…Yes, here also for me…«,

And the girls wanted to have all a signature, as autograph from the famous Johann Sebastian Bach and forgot that they are all hungry after the long rehearsal in the church Chiesa San Giovanni in Bragora¹).

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) San Giovanni in Bragora – Wikipedia – https://en.wikipedia.org/wiki/San_Giovanni_in_Bragora

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276. Palmina sending a heart-to-heart Melody

276. Palmina sending a heart-to-heart Melody

_Schiaparelli_crater_by_Viking_orbiter.jpg

picture – The huge Schiaparelli Crater with the little crater (left-up) in which Venice and Vienna both would have place

 

The next morning Palma thought in the morning on his Pigeon.
He had intensive feelings and felt a warm connection from heart to heart with her.

Suddenly he heard in his heart Palmina playing a short Melody several time.

»Hm, I should write this Melody down…«

11 3- 22 44 3- 1-

»Well, I think this Melody Palmina played, in D- Major
then it is:

d’d‘  #f‘-   e’e‘  g’g‘  #f‘-  d‘-

Palmina Melody.jpg

picture – Palmina’s Melody send to Palma from ‚heart to heart‘

»…Maybe Palmina wants me to make some variations about this Melody?«

And Palma went this day to a little Organ and tried this Melody out on an little Organ in Venice (at San Zulian)

And after he finished it he felt a warm energy in his heart as if Palmina did listen this organ music also in this moments.

And later at 23 o’clock, at their Peony Gondola hour, in their cosmic Peony Gondola, they met again and Palmina looked innocent smiling but with ‚knowing‘ – eyes.

»Palma?«, she said observing Palma’s reaction but soft and very friendly.

»You played today for me on your Italian Organ…«

»Yes, Palmina, I did..«

»You played a Melody…
…this morning you thought on me very intensive and I felt all your thoughts and what you thoughts where about…and you kissed my hands in your thoughts…the golden light, you know…so I took my music instrument and played for you these few notes…«

»Several times?…«, Palma il Giovane wanted to know.

»Yes, Palma, several times…«

Palma showed her his manuscript:
Palmina Melody.jpg

»Oh, you revived this in your heart…«

Palmina smiled and shined and Palma was also lucky to receive her music from heart-to-heart.

The Peony Gondola was still on Planet Mars and they looked silent out of the Peony Gondola and were impressed to see the little so called „Adriatic Sea“ slowly moving down.

ESP_013030_1750 -- Schiaparelli Crater Drainage.jpg

picture –  detail of huge Schiaparelli Crater

»Mr. Schiaparelli¹ found all this only looking through his telescope from earth,… but he had a big deep connection to planet Mars, otherwise you cannot make such a precise Mars map…«

_Schiaparelli_versus_Mars.jpg

picture – a high resolution picture of the Surface of Planet Mars and the famous Schiaparelli Mars map in comparison

 

Giovanni_Schiaparelli_1890s.jpg

picture: Giovanni Schiaparelli¹ – Italian Astronomer who made the Mars-Map

__________________

¹Giovanni Schiaparelli– Wikipedia – https://en.wikipedia.org/wiki/Giovanni_Schiaparelli

»Giovanni Virginio Schiaparelli, 14 March 1835 – 4 July 1910) was an Italian astronomer and science historian. «

______________________

»…Palma?«

»Hmm?…«

»…Your uncle and his colleague, the physician, did survive the cosmic radiation and the other radiation on planet Mars because they stayed long in the bus and then at the base-camp…

But, but why didn’t both come back to earth?«

»…Oh, that’s a long story…
The physician felt not strong enough and he stayed after medical analysis: that if he comes to earth he will die much faster than if he will stay on Mars….and he can make all the scientific research staying at the base camp…«
»So…why your uncle came back and did not stay with him on Mars…«
»Oh, yes, he wanted to bring all the material, the photos and films, also the film of the landing and flying with the dragon fly over Mars, which they made there and the text papers and all scientific material to earth.
He came for 2 reasons:

First the earth should be warned that a Man mission will be too difficult in the future until the Mars surface is not replanted with plants by automats…

The second reason and most important reason: He wanted to see my mother and all his brothers and sisters back at earth – even he will die sooner then his colleague on Mars…It was medical fact that if you return to earth then the body is too week to survive more then one year…but to see us again…yes… this was worth he said and: he could tell us this story to our family…later he could communicate with each other by using wireless radio message (which Nicola Teslar invented²) sending radio-message as written text between Planet Earth and Planet Mars. (A=01 B=02 C=03…)«

I will write all my remembering on my uncle in this blog: https://unclewillybacktoearth.wordpress.com

_____________

²Nikola Tesla – Wikipedia – https://de.wikipedia.org/wiki/Nikola_Tesla

»Nikola Tesla  Serbo-Croatian: [nǐkola têsla]; Serbian Cyrillic: Никола Тесла; 10 July 1856 – 7 January 1943) was a Serbian-American  inventor, electrical engineer, mechanical engineer, and futurist who is best known for his contributions to the design of the modern alternating current (AC) electricity supply system.«

 __________________________

»Oh, fine, my Palma, my writer, my painter, my composer, my deep love!!!

…and it will take 800 years after intensive re-planting this planet to make it possible for man to visit planet Mars…«

»But we both – you and me – can meet us anytime on Mars with our Peony Gondola…«

»Yes, our dreaming Gondola, the place of our common dreams, the place of our heart…«

And the Peony Gondola started again to fly over the surface of Mars to show them a lot of landscape of Mars.

And Palma stared to made fast drawings all he saw and he painted Palmina shining in golden-light color and it was as if the time stopped and was running slower and both smiled at each other and they listened to Palma’s 8th music creation „Mars Suite – part 8″

Palma smiled – Palmina smiled…

VIDEO: ( Dreaming Flying over Mars III – Mars-Suite part 8 – Violin and Piano) https://www.youtube.com/watch?v=l7kZjw4ScA8

 

* * *

(to be continued…..)
____________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

275. Dreaming Flying over Mars II (little Adriatic Sea)

275. Dreaming Flying over Mars II (little Adriatic Sea)

After they flew along Planet Mars and also along the little City at the Middle-North Border of Schiaparelli Crater they continued their Peony Gondola Vision and they saw this:

And as he kissed her hands her eyes shined very beautiful and her cheeks turned light red.
This tender kiss Palmina felt as warm and full-of-light-energy going through her whole body as if she was radiating golden light.
It was as if Palma kissed her soft and tender on her lips, on her ear, her neck …

In this moment they saw a letter Palmina wrote to Palma.

»Dear Palma!

Now I understand that all our love letters we wrote to each other during the last 3 years had been stolen by a criminal organisation.

I could read it in the newspapers that they have now arrested the head of this criminals, the head of the ‚church of Intrigues‘ a radical letter- and message- steeling organisation founder. He is said to buy his informations about people from Mr.Cambridge the founder of the Church of Dark Sugar Earth. This founder wrote in his book: ‚Plunder the rich and slave the poor ! – Steal them their private message and sell them to their enemy’s!‘ – With this they made a lot of money getting richer and richer – So they are all maybe members of the ‚Church of Money‘

I can’t believe that such religious fanatics even exist till I read that news in the newspaper. I could not believe that every government in the world has some spy of such criminal organisation as officers in their governments…

Now I understand that: As long they are officers in our governments we cannot receive our private letters we wrote to each other.

Now I am sure: I try to find a way to send you a message, a letter or something else – I want to have contact with you and no religious fanatics have the right to steal our privacy.

I am looking forward to see you in our Peony Gondola

With much Love,

Your Palmina Albina«

And as Palma saw that letter in their Peony Gondola Vision he was lucky that Palmina decide to find her way to him although this is not easy and he hugged her thankfully and smiled.

Both seemed to have a lot of remembering to their early time on Mars.

»I have so much remembering…how much we have been there?«, Palmina said.

»Hmmmm…the last time we have been here we both….but how much we…we,we lived there on this City…But there were religious fanatics from the ‚Church of Dark Oil and Money‘ which attacked more and more our Planet and our innocent cities. So our citizens had to hide in craters on Mars to live a secure live..«, Palma said.

»Yes, Palma! One think I remember: I was a musician… I played a harp or Lute and an instrument like Guzheng, Gujin, Gayageum or Koto. and You?…«

»Maybe I was also an artist. A painter? A Composer? A Writer? An Inventor? A Musician? A Mathematic Scientist or Philosopher? Hmmm?…«

Palma and Palmina had to laugh a little bit because it sounds so funny to remember to a life on Mars at the one hand and to do not know any details….

»…Remembering will come slowly, Palma…not so fast, Palma«, Palmina said like a little wise saint women.

»We had been a married pair? Or we had been like relatives? Or I was your father?…Hmm?«, Palma thought.

»You? My father…only 10 years elder than me?…not possible…«

Palma bites soft in his left finger and then he bites soft on his lower left lip and makes thin eyes.

Palmina makes also thin Asian eyes and hold her right hand over her mouth hiding her shy smile.

»Palma?…«

»Hmm, my Pigeon?«
»…Let us fly again over the big Sea – the little Adriatic Sea which is from north to south in the west part of the huge Schiaparelli Crater«

_________________________________
Mr. Schiaparelli was an Italian astronomer which discovered maybe this sea in the left part of the 400 diameter Crater
________________________________

Palma looked questioning like an old Master into Palmina’s eyes? As if he wants to say »Palmina you want to fly over the little sea in the Schiaparelli Crater, Really?«

»Oh, please Palma, once more… a flight over Mars… Oh, Please – A dreaming flight…«

»Ok, Palmina…Let’s dream together…
But…
…But…
But we will see a little Bus or some driving vehicles moving on Mars…
You know who they are?«

»…driving vehicles on Mars?…
Oh,Oh,Oh, yes, It’s your Uncle exploring the Mars with his colleague in the Silver Bus, isn’t it?

Your uncle was the first on Planet Mars who came back to earth…?«

»Yes, he and his colleague and the whole 20 men crew there…
they have been the first men on Mars, but…it was difficult and dangerous…the cosmic radiation and all other kind of dangerous radiations…
Only the Basic-Camp and the driving Bus was secure from that radiation…«

…Dangerous radiation…Cosmic radiation…?
and did they all survive the Mars Mission…?«

Palma was silent and looked slowly down.

Palmina was also silent and full of compassion.
It looked as if she was silently doing a little prayer for them.

»…So sorry to hear…The world and the history will not forget them…So now all future missions will be made not with humans FOR A LONG TIME but with ….how are they called… with ‚automats‘?
…To re-plant Salvia Plants to the surface of Planet Mars within the next 800 years…«

»Yes, they will not send humans any more there it is too difficult…Automats will bring Plants from Earth to Mars to repair the Mars Atmosphere slowly which the ‚Church of Money and Oil once destroyed’…«

They looked down to the south wall from the Schiaparelli City into the West-Border of the Schiaparelli Crater and said for a long while nothing.

Their hearts communicated and after a while they seemed to smile again and inside their hearts they become very happy.

»Hmm, They have been the first men on Mars..?
…the first after…?«

»the first after…«

»The first men on Mars after a LONG TIME ! ! !«, this words they said together, in the same moment, and the Peony Gondola started slowly to move.

Palmina hold his right arm and Palma il Giovane could feel it. Palmina put her head on Palma’s right shoulder and their Peony Gondola started now from the South-part wall at the little Schiaparelli Crater City border (which is in the north-west corner of the huge Schiaparelli Crater at the 0° Equator) and flew straight in the south direction where the (so called) »little Adriatic sea« is.

As they flew there 200 Kilometres along the west border of the Schiaparelli Crater, counter-clockwise, they passed a few landscapes on Mars and this was like this:

VIDEO: »Dreaming Flying over Mars II (little Adriatic Sea)« https://www.youtube.com/watch?v=td8RTsvyMDQ

(to be continued…..)
__________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

267. Palmina writes an imaginary love letter to Palma during she is arriving in Venice

267. Palmina writes an imaginary love letter to Palma during she is arriving in Venice

picture - morning view at San Marco Place in Venice.png
picture – morning view at San Marco Place in Venice

After that exiting Peony Gondola Vision they continued to dream and they saw this:
* * *

Palmina is writing a little letter to Palma il Giovane in her little chamber on the ship:

»[Venice, 1582] (Love letter 267)

Dear Palma!

I am now arriving with my ship to Venice in a few minutes.
I can feel that you are waiting for me at the San Marco Place.
Every Minute is like a day, like a week, like a month, like a year.
So now the last 3 waiting minutes will soon be gone and we will see us now in Venice.

I know that this letter is an imaginary letter.
I have no way to send you this message than to give it to you personally. The church of social media does not support our big love story so I send you my message as heart-to-heart message.
A while ago I was connected with you via the golden light. I could feel and see this golden light.

I thank the heaven for this possibility.
I can’t wait to see you again.
What changed in Venice in these nearly 3 years?

On my way back, after the last big concerts there on the east island, I realized the first time how famous Venice is.
All over the world the people know our city and they say to me: „What? You are a musician from Venice? You played there the first lute solist in the Dogan’s Palace? What are you doing in our unknown city, giving there a concert? This is a big honour for us to hear you , you a musician from Venice!“

How often I heart this sentence on my concert tour.
So my father was wrong to tell me that it is a famous thing to do this concert tour.
I had to rehearsal so much – My fingers are still full of pain – I think it was a big intrigue against my talent – A false priest from the cardinal Hell sponsored it maybe, these concerts, only to push me away from Venice for 3 years, to give no concerts at this famous city Venice, so others can play instead of me.

Now I understand this. Palma, but as musician women in the 16th century I had no choice. I am afraid that the people in Venice not even remember me after 3 years being abroad.

Will I have a chance to be again the first soloist in the Dogan’s Palace?

I had really no choice.
Oh, please Palma be not angry with me.
I missed to play your painting presentation concerts all over Venice.

How is the Venice-Titian-School going on?

Are you now a very, very famous painter in Venice, Palma?

I have to ask you so much questions.

Cardinale Cristiano said once in the year 1579 that we both should marry. But, the big concert invitation…, you know.

How is Adriana Fondra doing? How is your cousin Mihaela? Is she singing your compositions? How are the Le Zitelle Girls? Do they have a secure live – They are all very, very beautiful girls! Did you paint them all? Maybe as saint virgins?

Palma, my painter, my composer, my writer:

I hope that we can continue our music art friendship here in Venice, whatever comes.

Your snow white pigeon,
your yellow canary bird,
your saint spirit inspiration,
your Saint Cecilia sent by Saint Lucy to earth to inspire your life.

Your you deeply loving
Palmina Albina«
And during Palmina wrote this, and the ship came nearer and nearer, Palma felt a golden light and he could feel her good thought and smiled.

»Yes, this is my Palmina. She writes an imaginary letter to me and she will give to me the letter personally in a few minutes…«
(to be continued…)
_________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

265. Back to Venice after a long time

265. Back to Venice after a long time

And after they played together 40 minutes of this composition in their Peony Gondola hour at 23 o’clock, Palma and Palmina continued to dream their Peony Gondola Dream and now they saw this:

* * *

Palma looked at the horizon expecting not only the new day.

„I am so looking forward to see her again“, he said holding his Mandolin.

The time seemed to be now running after an other dimension.

„Maybe she is in 8 minutes here where I am standing. But every minute is like a whole day for me – Oh, Palmina, my Pigeon…“

And Palma composed in his heart a music inspiration for two instruments being inspired from that feeling of expectation during he made fast a drawing of the skyline of Venice in the slowly rising morning.

picture 1-7: Music score of „Chaconne in a minor“

01 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143010.jpg

picture 1

 

02 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143112.jpg

picture 2

 

03 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143218.jpg

picture 3

 

04 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143305.jpg

picture 4

 

05 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143346.jpg

picture 5

 

06 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143454.jpg

picture 6

 

07 Chaconne in a-minor by Gerald Spitzner (Vl+Kl) (Palma il Giovane) IMG_20190713_143600.jpg

picture 7

* * *

As they saw this Peony Gondola vision Palmina put her head to Palma’s side.
And Palma put his arm around her.

„My Palmina…“

„My Palma…“

Palmina hold Palma’s left hand and he could feel it. Palma smiled.

„Look in my music score: The second bar after [Nr.6] there is a Pipa-Chord (A-D-E-a) in the Piano Part, look here, Palmina.“

Palmina looked, understood and smiled.

Now both heard they new music inspiration sitting together in their Peony Gondola side-by-side and it was like that:

VIDEO: („Chaconne in a-minor“ for Violin and Piano) https://youtu.be/cIZeQ65WOE8

https://youtu.be/cIZeQ65WOE8

(to be continued)
___________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

264. Making music over a big distance

264. Making music over a big distance

01 - The-Grand-Canal-Venice-by-night
01 – The-Grand-Canal-Venice-by-night.jpg

Palma could feel the music Palmina played on her Lute for him.

Palma smiled. He heard her playing in his inner heart.

* * *

As they saw this Peony Gondola Vision Palmina asked: „What did you do after I played this Melody? Hmm Palma?“

Palma looked shy and answered: “ I…I…I heard that you played an other Melody after you Played our ‚I miss you melody…and then…“

Palma was shy.
Palmina smiled and asked:“ Hmmm? What did you do in our Peony Gondola hour after I played the melody….Hmmmm?“

„Later, I went to the San Marco Place…“, Palma said and they continued to see their Peony Gondola dream and they saw this:

* * *

02 Gondola along the Big Promenade

02 Gondola along the Big Promenade

Palma went in the direction of the San Marco Place, but he has to turn left and go then a while a short way along the big Promenade ‚Riva di Siavoni‘ till he arrived on San Marco Place.

03 San Marco Cathedral

03 San Marco Cathedral

He went a few time along the San Marco Place to see the two Pigeons.

04 Dogans Palace on San Marco Place

04 Dogans Palace on San Marco Place

But now he felt that Palmina’s ship is coming.

05 view to the water side on San Marco Place

05 view to the water side on San Marco Place

He went back to the water side of the San Marco Place to look if Palmina’s Ship is visible.

06 - left column at the San Marco Place
06 – left column at the San Marco Place

The moon made a bright light over Venice and the stars shined friendly.
The lagoon water was calm and the reflection of the moon and the stars looked peacefully.

07 view over the Lagoon in the east direction
07 view over the Lagoon in the east direction

* * *

Palmina went up to see the calm sea on her ship, to fell the soft wind in her beautiful hairs, to see Venice slowly coming.
She played very beautiful on her lute and smiled.

08 first colours bevor the sun rise
08 first colors on the south east horizon before the sun rise

Slowly the horizon turned brighter and in a while the sun will rise over the sea.

Normally the ships coming from outside had to wait up to 40 days in the 16th century till they where allowed to enter the lagoon water of Venice.

But Palma il Giovane could arrange it that the ship which was on his way to Venice could pass without any waiting.
Maybe the Republic of Venice knows also who Palmina’s relatives were and the ship and its passengers were threat as V.I.P.s.

The officers looked surprised as the ship passed the control-harbour near todays „Lido“

„Oh, Look a princess is lute playing… This is the V.I.P. ship we should allow passing and entering the waters of Venice“ –

„How beautiful she plays…“

The Officers looked wondering and looked behind the slowly moving ship.

* * *

Palma standing on the San Marco Place looked expecting in the East direction and played on his Mandolin.

Palmina played coming with her ship – Palma played waiting with his Mandolin – and the are now coming closer and closer – in their hearts there is no physical distance

09 Piazza-San-Marco-at-sunrise-Vinice-Italy

09 Piazza San Marco at sunrise Venice

Slowly, far on the east-south horizon the sun raised bright and the ship of Palmina was visible.

A few birds flew at the morning sky.

In a few minutes the ship will stand directly on the left side of the left column at the San Marco Place.
Palma smiled and played his Mandolin.

* * *

As they saw this beautiful Peony Gondola Vision Palmina took her Pipa Lute and Palma took his Viola da braccio.

„Let us play our ‚8 Soli for Pipa and Viola'“, Palmina said innocently.

VIDEO: ( ‚8 Soli for Pipa and Viola‘ ) https://www.youtube.com/playlist?list=PLBr_c49ajzY99w8-TftI2aV7xqsX9Ewq6

(to be continued…)

 

___________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner