342. Thinking on each other music inspiration

342. Thinking on each other music inspiration

Picture – Thinking on each other Melody by Gerald Spitzner

And Palma wrote on the music sheet also this Melody one cctave higher (see music score) octave

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Thinking on each other Melody by Gerald Spitzner

Palma played this Palmina could feel that Palma il Giovane is making music for her.

Even they are thousans of kilometers divided, this makes no difference.
The golden light knows no distance. Real heart to heart communication would even work if they are together in the 16th century and there is no modern way of communication like handy or social media.

Nevertheless Palmina send him the next day also a heart and Palma could feel it – also a bird sung a special melody in the morning a message from Palmina.

Palma played on his Viola da braccio the „Thinking on each other Melody“ with much love for her.

Palmina smiled. Yes, he played for her on his instrument.

They remebered how often Palmina played for Palma in the 16th century.

Often Palma felt weak or ill or tired.
As Palmina played on her instrument Palma felt suddenly better.
Often Palma painted very long and hard. His eyes and arms and his back was full of pain. If Palmina came with her lute and played for him he felt better.

Often Palmina played the „Thinking on each other Melody“ to send him love.

Palma was lucky that Palmina played for her  his little music creation.

Palma feels her positive music energy so he writes again new parts of  their music Dialogue.

Palmina smiled and waited till Palma finished writing his new parts.

  Pictures – music score (29-31) of „Dialogue for Pipa and Viola“ by Gerald Spitzner :

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31

„Woooh! Thank you Palma, my composer…“, Palmina said lucky like a sweet yellow canary bird.

Palmina looked interested all this music score.

Palma was lucky and smiled.

„Palmina?“, Palma asked after a while

„Hm?“

„What about I write a new composition about this ‚Thinking our each other Melody‘ Should I try it…?“

„Oh, yes Palma, please write a composition about out Meldoy!
It makes me so lucky if you are creative…
..if it is possible with a Pipa part…?“, Palmina said very shy and innocent.

Yes, Palmina is a real musician. She can touch somone’s heart and she can heal with her music – it is more than sound – it is love.

Palma started to work on a new Variation „Water, Thunder, Wind“ a Variation of the „Thinking on each other Melody“ :

  Pictures – music score (1-4) of „Water Thunder Wind“ by Gerald Spitzner

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Water Thunder Wind (1)_ by Gerald Spitzner

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Water Thunder Wind (2)  by Gerald Spitzner

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Water Thunder Wind (3) by Gerald Spitzner

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(4)  Water Thunder Wind (3) by Gerald Spitzner

   (to be continued…)

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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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332. Music score of »Cosmic Clock«

332. Music score of »Cosmic Clock«

And as Palmina came back at 23 p.m. at the Peony Gondola, she found the second part of he „Dialogue“ and she was lucky.

Thankfully she gave Palma tender a lot of heartfelt soft kisses on his cheek and Palma could feel it and: he slept well, so strong was her love and sympathy for Palma.

6 or 7 hour later, during he was still sleeping she played on her instruments and Palma could feel it in his dreams and smiled.

She seemed to play the melody which is written on the [3]rd page (Palmina knows the melody from earlier time…)

 

picture - part [3] of the "Dialogue for Pipa and Viola" by Gerald Spitzner

picture – part [3] of the „Dialogue for Pipa and Viola“ by Gerald Spitzner

picture – part [3] of the „Dialogue for Pipa and Viola“ by Gerald Spitzner

 

After Palma waked up he took a music score and wrote this on the paper:

picture 1-8: music score „Cosmic Clock – Mars Suite“ by Gerald Spitzner

IMG_20200221_125346 Cosmic Clock (Violin and Piano 73e).jpg

 

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VIDEO: [music score video] „Cosmic Clock – Mars Suite“ by Gerald Spitzner (Violin and Piano 73e) https://youtu.be/39P3scvqdPA

(to be continued…)

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Read also the other CHAPTERS of this story »Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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324. Hope expressed as music

324. Hope expressed as music

And after they saw this Vision Palma and Palmia listened this music creation and it was like that:

 

picture 1- 12

music score of „Hoffnung – Hope“ for Piano and Violin by Gerald Spitzner

IMG_20200203_121436 Hope - Vl and Piano.jpg

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»Hope« by Gerald Spitzner (Violin and Piano)
VIDEO [music score]: https://youtu.be/N42PxKUTA8M

(to be continued…)

 
______________________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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323. Pythagora’s fine morning concert on the hill

323. Pythagora’s fine morning concert on the hill

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picture – Theano⁵) (looked like this Statue)

And after they saw and listened to this Peony Gondola Vision they suddenly saw a dreaming Vision in the 5th Century BC like that:

* * *

Pythagoras, the famous music philosopher, and founder of the Philosophical Music School of Croton, dreamed.

He saw the beautiful Chinsese Princess, Princess Miao Shan.
Now she looked like Santa Lucia.
Santa Lucia looks now like the famous Delphic priest.
She warns Pythagoras with a sever voice:
»Milo should not marry your daughter Myia.
Oh, he is a Sportsman and wants to become a student in your school.
Oh, he has a lot of money and wants to sponsor your school.
Oh, but: he is observed influenced by the O.S.
The The O.S. wants to spy and destroy the Philosophical Music School of Croton. Even he wants to give money as listener in the Philosophical academy he will be killed by the magic influence of the O.S.
So he will try to make something dangerous:
Oh, A huge tree will give him the end.
Oh, wild animals and Wolfs will rip him apart.«

»But, Mia has made engagement with him. What shall I do?«

»Warn her! As fast you can see Myia. She should not make a long travel with him. The O.S wants to know details about your School asking your daughter during this travel.
She has to be silent.
In the next time the O.S. is attacking Europe and Asia. (The life of Millions will be endangered by the criminal activities of the O.S.)
This is the warning of the heaven to all cultures of the world.

If the School is attacked or destroyed you have to travel along the Tyrrhenien sea to north Italy (etrusc.: tuscania) to the land of the Etruriens, the land of the artists and engineers and astronomers, the land of the teachers of culture of the ancient Europe and Asia.
The oldest high-culture of Europe and the friends of Asia.
They have no central government, they have a 12 city cooperation.
They are peaceful.

Take Master Lao and his master students like his musician and secretary Xuan Ming with you to Etruria. There is no persecution for musicians and there are no hidden-political-collaborations with the O.S. in this country.«

* * *

Later in the family flat of Master Pythagoras:

»Theano, what did our servant observe today at the AGORA?«

»He said: 2 Members of the O.S. talked about that they want use sportsman Milio of Croton to spy informations of our Philosophical music school here in our City – One Man said: If he marries Pythagora’s daughter he will sure give informations to the Church of the O.S. – They pay for every information very much and: they want to destroy music and culture in the world….«

»Oh, no Theano. We have to protect our daughter from the O.S. But how?“

»There is no way which is secure. We can only protect our philosophical school if no one talks any information to lower level students.. We have to talk with our daughter and tell her to be careful; we are V.I.P and the O.S is specialized the plunder V.I.P.-families to take their family Jade…«

»….Theano…«

»Yes?«

»I had a warning dreaming about Myia.
Come, the morning is coming and we have to make our morning music with the higher level-students. I will tell you about the warning dream during our walk along the nature to the music-hill … the music-students are waiting and preparing their music instruments.«

* * *

After they talked about the warning dream they passed the entrance to the secret garden (picture 1).

Pythagoras and Theano with daughter Arignote³), beside them little sun Telauges ⁴) / Τηλαύγης observed that someone is speaking with Myia at the entrance of the secret garden.

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picture 01

»Stay out Milo! Please, why you followed us?
You are not a music student of our philosophical music school.
You are only beginner student.
And even you say you are my ‚Body guard you are not allowed to enter these secret gardens here.
The Master will now teach his music students. Wait till your time will come and attend the official academy as usual, hm?«

»I am sportsman. I am a hero. I am famous. I am strong. I am a prominent Greek athlete. I am rich.
I am engaged with you…why can I not listen to this morning concert…?«, Milo said wondering.

Myia told him not to enter this area and he went away.
But later he tried to follow them secretly and he hide himself in the background.

Mia went respectful with her wise sister Arignote slowly up to the hill where they are making music during the sunrise at this early morning.

Here in Croton, in south-Italy the morning-weather is not cold at this time.

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picture 02

The musician played soft and Myia was fascinated.

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picture 03

She did not move and looked a long time how the musicians played harmonic and cosmic together – she is also a musician and she likes that way of creativity much.

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picture 04

Mia’s little brother Telauges, said soft and touched her left arm, not wanting to disturb her intuitive listening:

»Psst… Myia. Myia. Pssst… The Athlete Milo came secret in our secret gardens and he followed you… What does this man want here…? It is forbidden for him as low-level-student. I think he is a spy. You know the O.S. uses prominent persons to spy famous schools, like ours….«

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picture 05

Behind them, behind Myia’s little brother and her wise sister Agrinote, slowly the Athlete came and hid himself in the background (not on the image visible) and wanted to see where they are making music together to tell it to the O.S.
He hopes to get a lot of money for that, so he can make a successful career as sports-man in his future and to make a long and expensive travel with Myia.

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picture 06

But the power of authentic music was stronger. The sun raised soft and the music seemed to express the cosmic spheres, which are known in all spiritual cultural traditions in the world.

The music students on the hill felt that a spy was here, but they know that he does not understand the deeper meaning and the deeper secrets of the sacred music tradition and they will not speak any word since the concert.

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picture 07

So they did not stop to make music and the hidden-listener had respect although he was a spy for the O.S.

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picture 08

The music was very fine and coming deep from the heart.
Myia wanted also to play with them. She waited till Master Pythagoras will finish his morning music Inspiration.

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picture 09

Pythagoras sung the Canticle of Creation – The Cantico delle Creature – The Canticle of brother sun and his little student orchestra accompanied his Cantico-singing very soft and fine.

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picture 10

Myia was fascinated, she knows to be an artist of this musicians was a big honour and she knows that she has to be careful that no spy is trying to come in her near.

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picture 11

Myia and Agrinote are very proud of her Master. He is the famous director of this famous philosophical scientific music art school – all generations will know this man and his music family, even 2000 Years later in Venice..

Myia’s mother, Theano, has now to warn the whole music family about the different secret attacks of the Church of O.S.

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picture 12 – Pythagoras with music students at the Sunrise

painted by Bronnikov-gimnpifagoreizev

(to be continued…)

VIDEO: ‚5 Elements in the worlds culture music by Gerald Spitzner‘ – https://youtu.be/jVKJBxYiuzU

Alternative Link: Alternative link: https://www.facebook.com/venitemusizieren/videos/1689011837816481/

 

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Pythagoras had 3 daughters:

Myia Μυῖα¹), Damo Δαμώ ²), Arignote Ἀριγνώτη³) and one son Telauges Τηλαύγης ⁴):

¹) MYIA (Phytagora’s daughter)

Myia (/ˈmaɪ.ə/; Greek: Μυῖα, literally „Fly“; fl. c. 500 BC) was a Pythagorean philosopher and, according to later tradition, one of the daughters of Theano and Pythagoras.

Myia was married to Milo of Croton, the famous athlete. She was a choir leader as a girl, and as a woman, she was noted for her exemplary religious behaviour. Lucian, in his In Praise of a Fly, states that he could say many things about Myia the Pythagorean were it not for the fact that her history is known to everyone.

One letter attributed to Myia is still extant. It is spurious, and probably dates from the 3rd or 2nd century BC. The letter is addressed to a certain Phyllis, and discusses the importance of fulfilling the needs of a newborn baby according to the principle of harmony. According to the writer, a baby naturally desires moderation in all things, such as food, clothing, heating, etc., and a nurse of that baby must be moderate also.«

²) DAMO (Pythagora’s daughter)

»Damo (/ˈdeɪmoʊ/; Greek: Δαμώ; fl. c. 500 BC) was a Pythagorean philosopher said by many to have been the daughter of Pythagoras and Theano.

Life

Though references to Damo can be found in the works of Diogenes Laërtius, Athenaeus and Iamblichus, little is known about her life. Tradition relates that she was born in Croton, and was the daughter of Pythagoras and Theano. According to Iamblichus, Damo married Meno the Crotonian. Some accounts refer to her as an only daughter, while others indicate that she had two sisters, Arignote and Myia (married to Milo of Croton). With their brother Telauges, they became members of the Pythagorean school founded by their father. As the school credited Pythagoras with authorship for members‘ work, it is likely that Damo contributed to the doctrines ascribed to the philosopher. According to one story, Pythagoras bequeathed his writings to Damo, and she kept them safe, refusing to sell them, believing that poverty and her father’s solemn injunctions were more precious than gold. Damo, in turn, passed the writings (memoranda hypomnemata) on to her daughter Bitale and Telauges, and to her mother’s brother. The writings, as well as those by Damo herself, are not known to have survived. According to Iamblichus, she was a sister of Telauges.«

³) ARIGNOTE (Phytagora’s daughter)

»Arignote or Arignota (/ˌærɪɡˈnoʊtiː, ˌærɪɡˈnoʊtə/; Greek: Ἀριγνώτη, Arignṓtē) was a Pythagorean philosopher from Croton or Samos who flourished around the year 500 BCE. She was known as a student of Pythagoras and Theano and, according to some traditions, their daughter as well.

Life

According to the Suda, Arignote wrote:

Bacchica (Βακχικά, Bakkhika, „Of Bacchus“)
The Mysteries of Demetra (Περὶ τῶν Δήμητρος Μυστηρίων, Peri ton Demetros Mysterion)
A Sacred Discourse (Ἱερὸς Λόγος, Hieros Logos)
Mysteries of Dionysus (Τελεταὶ Διονύσου, Teletai Dionysou)

Writings attributed to her were extant in Porphyry’s day.

Among the Pythagorean Sacred Discourses (Ἱεροὶ Λόγοι, ΄΄Hieroi Logoi΄΄) there is a dictum attributed to Arignote:

The eternal essence of number is the most providential cause of the whole heaven, earth and the region in between. Likewise it is the root of the continued existence of the gods and daimones, as well as that of divine men.«

⁴) TELAUGES (Pythagora’s son)

Telauges (Greek: Τηλαύγης; fl. c. 500 BC) was a Pythagorean philosopher and, according to tradition, the son of Pythagoras and Theano. Little is known about his life and works other than a scattering of remarks from much later writers.

Life

Little is known about the life of Telauges. According to tradition, he was the son of Pythagoras and Theano. Iamblichus claims that Pythagoras died when Telauges was very young, and that Telauges eventually married Bitale the daughter of Damo, his sister. It was said that Telauges was a teacher of Empedocles, perhaps in an attempt to link Empedocles to Pythagoras.

Works

Diogenes Laërtius says that Telauges wrote nothing, but then makes use of a supposed letter from Telauges to Philolaus for some information concerning Empedocles. Iamblichus claims that a work of Pythagoras concerning the gods was said by some to have been composed by Telauges, using the notes which Pythagoras bequeathed to Damo. The Suda claims that Telauges wrote four books on the tetractys. Marcus Aurelius, in his Meditations, contrasts Telauges with Socrates.

⁵) https://en.wikipedia.org/wiki/Theano_(philosopher)

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313. Palma’s Composition in the San Marco Cathedral in Venice

313. Palma’s Composition in the San Marco Cathedral in Venice

picture - 1 Basilica San Marco in Venice.jpg

picture – 1 Basilica San Marco in Venice

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After they saw this music Peony Gondola Vision they continued to dream:

* * *

 

At Epiphany, the 6th of January they reached with their Peony Gondola the San Marco Place, they went over the long place to go in the Basilica San Marco.

A lot of people, living in Venice are invited to attend this annual feast celebration on 6th of January, even if they are from an other cultural tradition.
The feast of the traditional Epiphany feast is about the 3 holy kings, which had not been Christians or Catholics.

Also the Ming Dynasty Chinese People are here to show their respect to the culture of the republic of Venice.

During the annuals traditional Christmas ceremony from the left side, up at the choir, Palma’s Cousine Mihaela stood with a music score in her hand.

She will sing today the Aria „Benedictus“ composed by Giacomo Palma il Giovane.

This time Palmina had nothing to play in the church with her lute, now they can listen to the music and enjoy the magic moment, sitting beside her Palma.

On the Organ Master Giovanni Gabrieli is sitting, a famous world wide known composer. organist and Choir Master of the Basilica San Marco.
And now he gives the sign to start the music composition of Palma.

picture - 2 Basilica di San Marco, Venice.jpg
picture – 2 Basilica di San Marco, Venice

Mihaela sung very beautiful and full of heart.
Palma looked up to her cousin and was proud on her.
Palmina smiled also, sitting on Palma’s right side and was proud of her Palma, the most famous painter in Venice , her composer, her writer, her astronomer, her philosopher, her director of the famous Venice Titian School.
On the left side was sitting Crezia and her sister Giulia.

Giulia listened to the music very interested and she was also proud of her daddy Palma and his cousine Mihaela.
Crezia, which was the elder sister, looked also short shy to a man, also sitting in this golden church.

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picture – 3 ‚Piazza di San Marco, Venice‘ by Carl Ludwig Rundt

Giulia observed this. The young man was also smiling back shy to Crezia. He is nearly in the age of Crezia.
The man was the new music student Heinrich Schütz¹) from Germany.

Today he was visiting Palma’s flat in the 2nd floor on the San Marco Place to have tea time with Palma’s family:

Signore Schütz will study for 3 years in Venice at Master Giovanni Gabrieli ²).
At first he will play the Harpsicord at the Venice Titian Art Gallery, together with the most famous musicians of Venice – a lot of them are known in the whole world.
It is a big honour to play as student with these famous artists here in Venice in the Venice-Titian-Art-Gallery.

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picture – 4 San Marco interior

Signore Schütz is coming from Germany and he wants to bring the Venetian music tradition to Germany.

Palma smiled as he saw how lucky his daughter Crezia is looking in the direction to Signore Schütz.
At tea he also felt that there is a special harmony between them.
»Maybe, who knows…«, Palma thought silent, »…he will stay not only for 3 years here in Venice. Master Gabrieli is searching for a Master Student…
and maybe he and Crezia, hm, two artists…she is my painting student and he the musician.
He is a Sympathetic young men who would become my sun-in-law.
Hm…why not…he is a good composer and musician…he will save the Venetian music tradition….«

picture - 5 venice-church-san-marco-gold-byzantine-style.jpg

picture – 5 venice-church-san-marco-gold-byzantine-style

Now they looked up to listen Mihaela singing the Aria for Sopra in this Golden Cathedral.

The Original Version of this »Benedictus« Aria is for Sopran, Violin and Viola and Choir. ( There is also an additionally Mandolin part).

VIDEO: Aria »Benedictus« (Prage Messe) https://youtu.be/zicEEF45hJw

(to be continued…)

 

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner
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¹) HEINRICH SCHÜTZ – Wikipedia – https://en.wikipedia.org/wiki/Heinrich_Sch%C3%BCtz

²) Giovanni Gabrieli – Wikipedia – https://en.wikipedia.org/wiki/Giovanni_Gabrieli

»Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms. «

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306. Again on Planet Mars with the Peony Gondola

306. Again on Planet Mars with the Peony Gondola

And after they saw this Peony Gondola Vision they flew in their hearts together again along the surface of Planet Mars:

* * *

Palmina’s beautiful hairs moved soft in the wind and she smiled.
Palma saw interesting landscapes and a lot of beautiful mountains.

Some mountains and its regions seemed to be blue or green coloured, some orange coloured like in a desert.
They saw also a few clouds on Mars and then they flew again along the huge Schiaparelli Crater with a diameter of nearly 400 kilometres.

Palma made some short and fast drawings of these landscapes.
Palmina understood Palma, he is inspired and is now very creative.

During this they heard this music in their hearts:
VIDEO 1: Violin and Piano (64d) https://www.youtube.com/watch?v=S_lB2Hc3_j8


»We are flying over Planet Mars! So beautiful, Palma…so beautiful…«

And the Peony Gondola landed soft on a huge wall which is along the little crater in the Schiaparelli Crater. (at the South part of this little crater in the north east corner of the huge Schiaparelli Crater)

VIDEO 2: Violin and Piano (64b) https://www.youtube.com/watch?v=m_Lzn7Ems9U

From there they had a wide view along the landscape of Planet Mars looking in the south direction.

As they looked interested along the interesting landscape they heard this music inside their hearts:

VIDEO 3: Violin and Piano (64c)
https://www.youtube.com/watch?v=S_lB2Hc3_j8

 

(to be continued…)

________________________________________
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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293. Painter Samuel Morse – the inventor of modern communication

293. Painter Samuel Morse – the inventor of modern communication
 

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picture – Painting by Samuel Morse

And after they saw this Peony Gondola Vision Palmina had red cheeks.

»Eternal Love, Oh, Palma. So beautiful…«

She hugged Palma deep in his heart and Palma could feel it and around Palma’s heart it felt so bright, full of light, warm and love.

Suddenly the Peony Gondola showed them a painting.

»Oh, how beautiful, who is the painter, Palma«,

»Oh this is Master Samuel Morse¹). An art teacher in a later century…«

pictures – paintings of Samuel Morse

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03 picture by Samuel Morse.jpg

 

04 picture - self portrait of Samuel Morse

Selfportrait of Samuel Morse

 

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Enter a caption

 

06 picture by Samuel Morse.jpg

 

Samuel Morse: ‚Science and Art are not Opposed.‘

 

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¹) Samuel Morse – Wikipedia – https://en.wikipedia.org/wiki/Samuel_Morse

»Samuel Finley Breese Morse (April 27, 1791 – April 2, 1872) was an American painter and inventor. After having established his reputation as a portrait painter, in his middle age Morse contributed to the invention of a single-wire telegraph system based on European telegraphs. He was a co-developer of Morse code and helped to develop the commercial use of telegraphy.«
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Later they saw how Samuel Morse looking up to the evening sky and looked to Planet Mars and he heard beep sounds:  . .. …

Samuel Morse tried to write down these signals and later he developed an alphabet based on three sounds high, deep, middle and high.

On each tone it was possible to make one, two or three beep sounds.

So 3×3 was created. The communication made it possible 9×9 different signs.
But to develop an alphabet on earth it needed only 26 letters…

So later Samuel Morse changed the Trinary sound system to a Binary ».« (short beep) and » – « (long beep).

picture – Morse Alphabet for transmitting letters

They saw how the world had communication with this Morse alphabet about long distance.

Palma and Palmina looked very interested.

Now they saw the people of the 21th century.

Palmina looked and asked surprised: »What are they doing? They are pressing with their fingers on a flat display, holding it sometimes to the ear and speaking with this flat display?«

»Oh, yes, Palmina, the people of the 21st century calling it ‚Handy‘ ‚Tablet‘ or ‚Smartphone‘. They are writing each other messages, letters, sending paintings and sending acoustic messages like music…«

»Wooh…oh, really? Oh Palma. They communicate in the 21st century like this?«

»Hmmm! Not bad, isn’t it, Palmina?«

»Oh yes, Palma. If we had this possibility to communicate to each other in our 16h century, as I had been for over 2 years at that concert tour in China in the Pacific…we could write us every day. And the people of the 21st century are able also to send each other music score?«

»Oh, yes, Palmina. But the Church of Social Media has also it’s influence in this way of communication. So the people use Whatsapp, WeChat instead of Messenger because the administrators of the Church or Social Media take money to erase written messages and exchange the message to an other text – to a ‚fake-message‘. So they are paid to make intrigues…«
»Oh, this is like in our 16th century. They stole the letters of the people of the Republic of Venice and so they could attack 1572 the North of Cyprus Island to expand their political religious system with killing so much people…and the Republic of Venice was lost on that island till today.
And this religious extremists are stealing messages also there in the 21 century?«

»They have everywhere their spies and also sitting in high positions of governments only to stop the communication between people who are not from their religion…They are especially targeting tourists which are not members of their church of Social Media.«

»Hmm. So what should the people of the 21st century do to be independent of their influence?«

»After the painter Samuel Morse invented the ‚ Morse alphabet‘ to make it possible to communicate with written text there was the invention of the ‚Phone‘. It makes it possible to hear the voice in the same moment when two persons are using that phone even if they are thousands of Miles / Kilometers away from each other…«

»Amazing! If we had a phone in our century, Palma….
I would have called you every day to hear your voice and to talk with you. My Palma, my composer, my deep love.«

»And I could hear your music. I could hear you playing my compositions on the Phone…Hach Palmina, what a dream…«

And Palma put his arm around Palmina and Palmina put her head on Palma’s side.

After a while she said:

»The people really wrote messages in the Morse Code Language?«

»Yes, Palmina. My Pigeon. My yellow canary bird. My deep . – . .-. -. .- .-.. / .-.. — …- .«

Palmina smiled because she could feel what Palma’s heart wanted to say to Palmina’s heart.

And again Palmina felt the Golden light heart-to-heart connection and Palma felt it also and smiled.

»Palmina. In the morning a bird tweeted very beautiful and brought to me a message from you which was stolen from the Administrators of the church of Social Media…Thank you Palmina, such a beautiful message…«

Palmina smiled and after a while of thinking she said:

»Do you think we can once communicate like People in the 21st century, Palma?«

»You mean we should have once a phone call?

But to make a phone call you need to know the right phone number…«

»Oh, ok a phone number I needed, yes, yes, Palma…«

And now they thought how would it be to have a phone call in their live and during this they heard a music like this one:

Violin and Piano (58d)
VIDEO: https://youtu.be/mq_VMiPy1Eo

(to be continued…)

written by Gerald Spitzner:
contact:
Phone (Whatsapp, Wechat): +43 699 10 800 312

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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✮ 288. Vivaldi meets Bach in Venice ✮

✮ 288. Vivaldi meets Bach in Venice ✮

And as they saw this Peony Gondola vision, sitting together at 23 p.m. in side-by-side in their Peony Gondola, Palmina said: »Palma, can I hear your last music creations again? (52c)…«

»Oh, Yes, the Peony Gondola will play it for you. Listen: «

And the music was like this:

VIDEO: (Violin and Piano 52 a,b,c,d,e – 10 min) – https://youtu.be/c2Ae8sPT7jY

And Palmina saw again the soft flight along the Planet Mars and the moments at the Mars library and they had a lot of Music Visions during this music.

* * *

»Oh, this is interesting! To see what happened with the music and culture live in Venice hundred years after our century, Palma?«

»Yes, really, but we have to be silent and not to talk about what we have seen to any body, you know…«

»I tell no one, Palma…«

»This morning I got a bird message from you Palmina? Did you…?«

»Yes, Palma I sent you a massage, but the extremists, this intrigant people, erased it after I send it. So I asked the birds to bring you my message in bird language…«

»Thank you for your bird message… So lovely. The birds say also that the message you sent was erased and you have been not happy about that, isn’t it, Palmina?«

»Yes, my Palma il Giovane. I am so lucky that we have our Peony Gondola. Thanks to the HEAVEN!«

And Palma and Palmina hugged each other short but tender and both could feel it and both smiled.

»Let us see what happened to the ‚Ospedale de La Pieta Orphan Music School and Orphan Girl’s Orchestra in Venice over hundred years after you have been music teacher there and let us see if they remember my composition which I wrote once for them, the ‚Missa Ospedale de La Pieta di Venice«

»Oh, yes, Palma ‚Missa Ospedale de La Pieta di Venice‘ is composed in G – Magior!!! – This music we performed together with the Orphan’s Girls there in Venice.

✮ ✮ ✮

And now they continued to dream their Peony Gondola Vision and they saw this:

At the place Campo Bandiera e Moro the windows opened suddenly.
»Maestro Bach? Johann Sebastian Bach is here in Venice?“, the people on the place who are looking out of the windows said and where surprised and greeted very happy.

„What a big honour!“, someone said.

„Johann Sebastian Bach in Venezia. Benvegno Maestro Bach!!!“

Antonio Vivaldi said to a little girl: »…Alora, Palmina, subito, subito…come over here…Fast, say to the other girls: they should come back to greet Maestro Johann Sebastian Bach with music – He is back in Venice!!!!…Fast, call them back!!….«.

And the beautiful young girls came after a while, shy laughing, running back the ‚Calle de la Pieta‘ , with their music instruments and formed a little group like a choir at the place »Bandiera e Moro« standing before Bach.

Antonio Vivaldi said: »Come, my angels, now we sing the ‚Welcome Cantata‘ for Maestro Johann Sebastian Bach!«.

»Oooooh, the famous Johann Sebastian Bach with his wife and 3 daughters…« the girls whispered with big open mouth and eyes.

And padre Maestro Antonio Vivaldi raised his hands like as sever choir master and as he saw that all his little girls (and the elder girls also) were ready to sing he gave the signal to start to sing the ‚Welcome Cantata‘ for Johann Sebastian Bach.

And they sung really like angels and Bach smiled and his family beside him – Anna Magdalena, Dorothea, Elisabeth, Johanna Carolina – at the table smiled also lucky and inside their hearts they were a little bit proud about their composer Johann Sebastian.

Especially Johanna Carolina looked very interested how Vivaldi is conducting his girls choir. Yes, she knows now: She wants to learn as fast as she can all in musics: playing instruments, her lute, the violin, and a lot of instruments, composing, making variations about a melody, and so on…

»I want also be a female musician like them. I want to learn everything from my Daddy…«, Johanna Carolina thought secretly.

»Aren’t they like angels? Much better then our boys choir in Leipzig? This clear soft female voices…
»Men should only sing Tenor and Bass and girls should sing Soprano and Alto.«, Bach thought in this moment.

Antonio Vivaldi realized as first musician in Europe that the voices of girls are more exact than the voices of little boys like – also in Leipzig – and they can sing longer, more years than the boys. If the boys are turning slowly to be a man their voice is changing for a long time and is turning to a lower level of pitch and they can not sing Soprano and Alto in the choir any more.

»I can understand why the Austrian People want to hear his choir in Vienna…they are brilliant!
… I have to give Vivaldi a Cantata from me, perhaps they are performing it…« Johann Sebastian whispered to his wife Anna Magdalena Bach.
»Perhaps the ‚Coffee Cantate‘ about our daughter Lieschen (Elisabeth) which wanted to marry her future husband Altnikol.«, Anna Magdalena whispered to him funny smiling.

And after they sung very good for Master Johann Sebastian Bach they said »Welcome Maestro Bach to Venice!!« and they made a respectful gesture and smiled.

»Maestro Bach! Oh, please give us an auto-graph here on our music score!!!«

»Oh, please for me also and, and for my little sister…she loves your compositions so much!
We have no parents and padre Vivaldi is like a father for us…
Now we had the honour to sing for you…
Please sign us an autograph on the music score here…
as remembering for that historic moment in Venice…« an elder girl, which was grown like a young women, said.

»…Yes, here also for me…«,

And the girls wanted to have all a signature, as autograph from the famous Johann Sebastian Bach and forgot that they are all hungry after the long rehearsal in the church Chiesa San Giovanni in Bragora¹).

(to be continued…)

_____________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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¹) San Giovanni in Bragora – Wikipedia – https://en.wikipedia.org/wiki/San_Giovanni_in_Bragora

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279. Searching the source of the music

279. Searching the source of the music

And after Palma played on his Mandolin for her, sitting with her in their Peony Gondola, flying soft over the surface of Planet Mars, Palmina said:

»You played so lovely, full of heart for me, Thank you Palma.«

»Yes, my inspiration, my Saint Pigeon!
Let us see from where the music came…«

»Oh, YES…«

»I think it was coming from the little crater from the north-west border of the huge Schiaparelli Crater.«

»Yes, Palma. You are right! Let us see and have a look why was music coming from this City.«

And the Peony Gondola moved and turned to fly along the West-bow-border of the huge Schiaparelli Crater.

»Woooh, our Gondola moves so soft but so fast…«

Palmina holds with her hands on Palma’s right arm and then she hugged Palma a little bit with her left arm to put her head on Palma’s shoulder and Palma could feel it. Palma il Giovane smiled and looked searching around to see the landscape.
And during they flew over 150 kilometres with a speed of 200 kilometres per hour they heart this music:

VIDEO: (Mars-Suite 9 – Landing (with the Peony Gondola) at the ancient Mars City ) https://youtu.be/vAYg3rzAgVI


(to be continued…..)
____________________________________________________________________

Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

 

 

223. Traditional Dialogue of Cultures in Venice

223. Traditional Dialogue of Cultures in Venice

 

picture 01 - Palma_il_Giovane_-_Doge_Pietro_Loredan_Beseeching_the_Virgin_-_WGA16909
picture – Palma il Giovane -Doge Pietro Loredan*) Beseeching the Virgin (Wikipedia)

This Painting by Palma il Giovane is on the big famous Dogan“s Palace (Palazzo Ducale) where always delegations of different cultures officially had a intercultural friendship event as peace DIALOGUE between the mighty Republic of Venice and the business partners from all over the world like Europe, Asia and Africa.

* * *

They continued to dream their Peony Gondola Vision like that:

* * *

„Oh, so much Cultures we have on this world. Fantastic!!!!l „, Palmina said like a young girl with her soft fine voice and continued smiling with this asian-like beautiful eyes:

„…this beautiful different cultures with their different music and art traditions,… fantastic…
our world is so big, I would like to huge it ..“, Palmina said and hugged Palma.

„..this beautiful cultures are often visiting Venice, our mighty Republic of Venice the – R.O.V. and I often play at the welcome concert in the Dogan’s Palace on our San Marco Place…often an artwork from you or from me…“, Palmina said euphoric.

„…From all over the world the representative of their culture are coming and greeting our Republic from Europe Asia, Africa. From Thailand, Vietnam, Bangladesh, China, Cipan (Japan), Korea, Philippines, Russia…Armenia, Cyprus- Byzantium…bringing a message to us of peace and friendship…They want all a peacefull relation, a cultural dialogue to our mighty Republic of Venice and of course good economic relations with us Europeans…“, Palma said very wise.

picture 02 detail

picture 03

picture 2-3 – detail of Palmas painting in the Palazzo Ducale (Dogan’s Palace) in Venice

„So it is important that all cultures are in a harmonic peaceful relation…in a good DIALOGUE!
…Palma, didn’t you compose a music dialogue for Chinese lute Pipa (or other Chinese or other Asian Instruments) and Viola da braccio as the Chinese delegation did visit our Republic with their huge Chinese ships, waiting outside the „Lido“, coming with hundreds of guests to bring a peaceful culture program, a cultural exchange dialogue concert? Didn’t you?“

„Oh yes, I will never forget this. It was years ago…Oh, Palmina, my Dialogue for Pipa琵琶 and Viola. Do you remember the begining melody?“, Palma asked.

Palmina took her Lute and plugged slowly and smiling with shining eyes, only a girl or a women has, if she is loving…

G-d-e-a

Palmina smiled to Palma and send to his heart a warm and golden, tender light energy playing her lute.

Palma could feel this also in his deep heart.

After that,now Palma took his Viola and plugged:

c-g-d‘-a‘

„Do you remember, Palmina?“

„Yes, your composition you wrote as Dialogue for my instrument and your instrument…It was dedicated as dialogue between the East Cultures and the West Cultures between the Ming Dynasty representatives and Venice.
Yes, Palma, I remember very good and I love this creation from you very much!“

picture 04

picture – (detail) Palma paints his own flat in the 2nd floor on the San Marco Place as autobiographic link

Palmina gave Palma a tender kiss on his cheek and Palma could feel this.

Now Palma composed deep in his heart a music reflection and variation to the main „Dialogue Music Theme“, the main melody of this dialogue composition like that and Palmina put her head and Palma’s side to hear this music coming directly from Palma’s heart and what she listened was this:

VIDEO: (Dialogue Inspiration (Violin+Piano) https://youtu.be/xvh6apJHslM

(to be continued…)

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Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:

ALL CHAPTER OVERVIEW:
https://geraldspitzner.wordpress.com/palma-il-giovane-the-peony-gondola-by-gerald-spitzner

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*) Pietro Loredan

https://en.wikipedia.org/wiki/Pietro_Loredan_(doge)

Pietro Loredan (born Venice, Italy 1482 – died Venice, 3 May 1570) was the 84th Doge of Venice. He reigned from 1567 to 1570.