296. Bach, Vivaldi and the the Orphan Girls Orchestra in Venice
And after they saw this Peony Gondola Vision Palma said to his Pigeon:
»Palmina, the little sweet bird in the morning said to me that you performed my composition LAKE yesterday! Did you, Palmina…?
I felt in my heart that you played for me…«
Palmina smiled and was happy that Palma could feel her music secret surprise.
He took her hands and kissed her talented hands tender and thankfully.
Palmina’s eyes shined and she felt that Palma wants to heal her hands.
Palma il Giovane could feel in the last days that she had pains on her hands because she prepared hard for this concert.
And during these days he could also feel her tender cheek kisses as he slept and he could feel it in his dreams.
And after that Palmina smiled and hugged Palma and gave him a sweet tender kiss on his cheek – in their Peony Gondola hour at 23 p.m. During this they suddenly continued to see the Peony Gondola vision with Bach in Venice in the 18th century:
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01 picture – San Marco Place in Venice
They saw the stars over Venice at the evening sky and they saw this evening Master Johann Sebastian Bach alone with his wife in a huge Gondola.
After the brilliant concert at the ‚Ospedale de la Pieta Girls Orchestra‘ with Vivaldi’s »Gloria« they are all (Bach, his family, Vivaldi and his girls orchestra) invited together with the girls at Giudecca island at a Chinese family, which came once in the 16th century and are living there.
They know a lot of stories about Marco Polo and his Asian Princess and of course a lot of stories about Palmina and Palma. And they are interested in Asian music instruments and of course asian tea.
On their way to Giudecca Island Bach said to his wife: »Maestro Vivaldi’s Girls Orchestra and Choir are brilliant. Should we move to Asia or to Venice, hmm? If I could have such brilliant musicians for my compositions, Anna Magdalena…? This would be a miracle!«, Bach said a little bit sad.
»Yes, this would be a miracle.
Hmmm, but a miracle happened, dear Johann Sebastian…
Vivaldis orphan music school girls performed with padre Maestro Vivaldi all your missa brevis¹):
the missa brevis G-Major,
the missa brevis in g-minor,
the missa brevis in F-Major and
the mystic missa brevis in A-Major with Flauto traverso *)
Ach, so beautiful compositions, Johann Sebastian.«, Anna Magdalena said with a sigh in her voice.
They heard the La Pieta Girls Choir and orchestra singing Bach’s composition in a vision and they saw Vivaldi conducting in Venice and it was like this:
*) VIDEO: [music score] (5min) Bach, missa brevis, Mass in A major – Kyrie (Herreweghe) https://www.youtube.com/watch?v=5-Bqgw9Z4S8
»Yes, this was a miracle. Initially I composed this short missa brevis for Franz Anton von Sporck ²) and his ‚Sporck theatre‘. Like a miracle my compositions came in the hands of Antonio Vivaldi in Venice…«, Johann Sebastian said smiling and he put his strong huge arm around his little Anna Magdalena Bach smiling.
»Yes, Johann Sebastian, padre Maestro Vivaldi had good connections to Franz Anton von Sporck and he met him several times as his La Pieta Girls Orchestra gave concerts there in Prague…«, Anna said proud.
»Yes, they performed my compositions in Prague and Venice, yes a miracle…
Thank you Santa Lucia !!! Tomorrow we have to visit the chiesa of Santa Lucia also to visit the Santa-Lucia-paintings of Palma il Giovane there«, he said and searched his Mandolin.
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02 picture – Gondolas moving to Giudecca Island
All the Gondola’s are now moving at this evening to Giudecca Island with Bach, Vivaldi and the whole talented girls from the La Pieta Orphan shelter music school Orchestra.
They are all invited to the old Chinese Families to a Tea ceremony concert in their big gardens in Venice to hear the Yin-Yang-Chinese-Garden-Orchestra. And all are looking forward to have this Asian Tea and to hear the original Asian Music Instruments.
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And after they saw this Peony Gondola Vision:
Palmina smiled and Palma knew which music piece will be performed at this Chinese concert.
Palma smiled secretly and shy.
Hm, why are you smiling so shy? Palmaaaa? Hmm? «
And they saw the Asian Trigram on the heaven and the heaven was pink with white clouds:
☱ – LAKE- DUI – THE JOYOUS
Now a voice said in ancient old Chinese language style:
» 說萬物者莫說乎澤 –
Of all that forces that GIVE JOY things,
there is no more gladdening than the LAKE ☱ «
and now they made both a round mouth, moved them to each other mouths
and said together:
»Liu – to – kiss«
And then they kissed sweet and short and smiled.
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(to be continued…)
Read also the other CHAPTERS of this story
»Palma il Giovane – The Peony Gondola« here:
ALL CHAPTER OVERVIEW:
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¹) Bach’s Kyrie–Gloria masses, BWV 233–236 – Wikipedia – https://en.wikipedia.org/wiki/Kyrie%E2%80%93Gloria_masses,_BWV_233%E2%80%93236#BWV_234
»Apart from the 1733 Missa in B minor for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for „short masses“) or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39. Possibly they were written for Count Franz Anton von Sporck² or performed by him in Lysá.«
²) Franz Anton von Sporck – Wikipedia – https://en.wikipedia.org/wiki/Franz_Anton_von_Sporck
»Franz Anton von Sporck, Count (Franz Anton Reichsgraf von Sporck in German, František Antonín hrabě Špork in Czech) (born 9 March 1662 in Lysá nad Labem or Heřmanův Městec; died 30 March 1738 in Lysá nad Labem) was a German-speaking literatus and patron of the arts who lived in the province of Bohemia in what is now the Czech Republic. He was one of the most notable cultural and intellectual figures in central Europe in the early 18th century. «
»…attracting some of the most prominent singers in Italy to Prague, and used Antonio Vivaldi as a source of repertory and singers. VIVALDI himself visited Prague in the early 1730s as a result of his connections with the Sporck theater. Many creative operatic works were first performed in the Sporck theater, including the first opera to use the original settings and character names from the tradition of Don Juan dramatizations:«