Sonnen-Mond-Finsternis-Tunnel / The Sun-Moon-Eclipse-Tunnel

Sonnen-Mond-Finsternis-Tunnel /

The Sun-Moon-Eclipse-Tunnel

Gerald Spitzner – Kurzvortrag  /  Gerald Spitzner – short speech –  [de/en]

[en]
‚Sonnen-Mond-Finsternis Tunnel‘: Gerald Spitzner speaks about Suneclipse-15.2.2018 and the ‚Sun-Moon-Eclipse-Tunnel‘ which is an ~14-day-time-zone where earthquakes could happen 3x more than usually.

[de]

Gerald Spitzner spricht über die SONNENFINSTERNIS vom 15.2.2018. Sie gehört zu dem ca.14 Tage dauernden ‚Sonne-Mond-Finsternis-Tunnel‘ der jeweils durch paarweise auftretende Finsternisse markiert wird. In dieser Zeit sind Erdbegen 3x häufiger beobachtet worden.

VIDEO: https://vimeo.com/254660523

14 days between suneclipse and mooneclipse = ‚Sun-Moon-Eclipse-Tunnel‘

Kurzvortrag anhören / Listen shortspeech: https://vimeo.com/254660523

1. »Palma il Giovane – The Peony Gondola« – Mandolin solo Inspiration I – by Gerald Spitzner

1. »Palma il Giovane – The Peony Gondola«

– Mandolin solo Inspiration I – by Gerald Spitzner

· 470 years ago Palma il Giovane lived (* ~1548 in Venice; † 1628 Venice) in Venice (Italy), who was a famous painter and pupil of the great master Titian.
At Venice his painting was presented the first time in a little church. He saw her the first time in his live. She played very beautifully the Lute. After the concert he spoke with her about her beautiful concert and thanked her very much. He spoke with her about the names of the strings of her beautiful instrument. And she was very lucky to explain him the names of the strings. And there was a light-beam coming directly from the church window to that place where they stood. He wanted to see her again but he had no address, he had only her name „Palmina“.
So after a long time it happened during an early morning in Venice that Palma il Giovane went through a very tight and very short street.
Suddenly he met her again in this street:
She was carrying tiny white breads which where freshly backed. Palma made some pantomimic movings with his fingers in the air. It looked like he was playing Lute. Palmina smiled very happy.
As they so meet each other again they smiled and said no word and looked smiling into their eyes. She allowed him to sniff on the fresh tiny fine breads. He sniffed and she sniffed also, both smiling and looking each others into their eyes.
Without saying any word they met again in the next morning in this little street. This they made every early morning in this short tiny street without speaking any words while smiling and looking into their eyes and sniffing at the fresh fine white little breads which where backed fresh and transported by Palmina through this tiny street.
But on one day she was not here on that morning and Palma was very sad because he didn’t not know where she is living here in Venice. Suddenly he heard her playing the Lute. So he raised his eyes up to the windows over the lovely little garden on the right side which was on the other site of the tiny wall and he saw a lot of open windows and he could not figure out from which window Palminas Lute music is coming from and decided to run home and bring his MANDOLINE.
As he heard that she is playing so beautifully he listened to her music. After she stopped playing for a while he started to play on his Mandoline this music:

Please click to listen to Palma’s Mandolin solo:

[video-link]: https://vimeo.com/250000429

music:
composed and played by Gerald Spitzner, Jan.2018

 

(To be continued…)

    Read part 2 here:

https://geraldspitzner.wordpress.com/2018/01/12/mandolin-solo-inspiration-part-ii/

_____________



 

„Hommage à Bach et Mozart“ (Dante , Divina Comaedia III,14)

In the Bach-Year 2000 we made a little concert in Vienna.

Thanks to all musician who performed my composition
„Hommage à Bach et Mozart“
The Text ist from Dante, „Divina Comaedia“ III,14, see also: http://www.leeds.ac.uk/arts/info/125127/paradiso/1749/5_heaven_of_the_sun_cantos_x-xiv

CLICK TO LISTEN / Klicken um anzuhören:

http://youtu.be/F7NyIpq8hIA
https://vimeo.com/117373425

composer & conductor: Gerald Spitzner
Sopran, Bariton, Mandoline
Violin – Renate Spitzner
Viola – Gerald Spitzner
Piano, Contrabass

recorded in Vienna, 2000,
at Hospital ‚Barmherzige Schwestern‘

Pianosolo ‚Remembrance – for the victims‘ by Gerald Spitzner

Now I composed this new artwork:

‚Gedenken – Pour les victimes‘

In english this means: ‚Remembrance – for the victims‘

CLICK TO LISTEN / Klicken um anzuhören:

video: http://youtu.be/8CUbRpbfBes
https://vimeo.com/116631878

This drawing is also dedicated to this Remembrance intention:

Zeichnung/ drawing: Renate Spitzner

Realtime video of composing short music piece

This video shows me working in realtime [1h41min] composing a short music piece named ‚Interludium for Violin and Harp – AELIA‘

Dieses Echtzeit-Video zeigt mich an dem kurzen Musikstück “Interludium for Violin and Harp – AELIA‘
komponierend schreibend.
Das Video ist 1 h 41min lang.

(click to start)