441. First Landing on Proxima Centauri B and composing a Sonification of the Ternary Cube Signal

UNCLE VILY – BACK TO EARTH
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[35.] First Landing on Proxima Centaury B
and composing a Sonification of the Ternary Cube Signal
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[picture] pure nature and modern civilization in harmony like it was once an Proxima Centaury B

[picture – writing my Composition “Sonification of the 9-field projecton of the Ternary Cube-Signal”]

[picture – The Cube-Signal transformed as ternary 27 Trigram (field 1-3) ]

A) First Landing on Proxima Centaury B

The last time before Uncle Vily died, I could not directly ask him about his novels and his scientific exploration of Mars, Venus, Mercury, Ceres, Proxima Centaury B and Alpha Centauri A and B.
He could not answer in words – he did not talk in his last time. But he answered in writings making this story and novels for children.
Often we where in the green Rose-Garden of our old Family house and Uncle Vily sat on the green „Bank“ an looked silent in the garden while the birds and Pigeons make their beautiful songs.
Uncle Pepi and Aunt Bea asked him something about the empty cities on Proxima B.
Often I came in such moments in the garden and add some question, like a child does, because I liked to hear news from other planets.
Uncle Vily answered, but he answered us with self written stories.
So at the evening or sometimes at the next afternoon his new writings had been finished for us and we could read this „answers“ all together.
I remember one evening in the summer, Aunt Bea made the traditional roasted Potato with Tomato salad – for Renate she made the Cucumber salad – we came together in the dining room to listen the new text from Uncle Vily:
Uncle Pepi warmed his hands in big expectation for the text:
„As we landed on Proxima Centauri with our Dragonfly – it was surrounded by a plasma ball – we left our spaceship with our space coats. Our lamp in the space coat lit green indicating that the air has enough oxygen. We opened our helmet to take the first breath standing on an other Planet (On Mars there was no air any more to breath and not enough atmospheric pressure to open our helmet).
And really we could breath here on Proxima B. We did not forget the warning we got in our common dreaming days before. […]”
Here I have to explain that Uncle Vily and Karel had in the nights on the Mars-Station at Astra Bus (middle west south in the Schiaparelli Crater) special dreams:
Both, Karel and Vily dreamed the same dreams. They were told how to explore Proxima B, how to take photos in the orbit and how to get there.(I will tell these details later). So they had help to get on this Planet.
There is a reason why this exploration was „allowed”, because this is a special mission and a special „Message” to the people on earth.
In one of this „message” dreams – Karel and Vily dreamed always exactly the same „message” – they had also been warned: It is possible to breath on Proxima B but you can not live there for a longer time. The atmosphere is not strong enough to protect from cosmic and other radiations and the air cannot be used for a longer time – you need external oxygen support. To stay longer than a month will cause healthy risks.
„[..] We saw modern buildings, some very huge. Between the buildings we saw a lot of nature and in some cities we saw big gardens and parks with plants.
But nowhere any people or living being. All the cities where empty as they where suddenly left.
Interesting was also that the civilization had artificial light everywhere. Maybe solar-powered street lights an building lighting system. We could see the lights also from space as I was send in the orbit of Proxima B to make a complete photographic and Radar Map of this planet.
It was an interesting feeling to be choosen by „them” to visit this Planet Proxima B to report all we see. The orange-yellow-red-golden atmosphere was a little bit like an evening or morning impression, as we know it from earth.
The color of the sky depends on the place you are on the planet: It is between white, yellow-white, orange, orange-red. On one place on the planet we could see also the stars like they look from earth.
But there was one difference:
We saw three suns on the sky:
1. Proxima Centauri
2. Alpha Centauri A
3. Alpha Centauri C
Proxima Centauri looked like our sun but not so strong shining.
Alpha Centauri A and B looked very small but beautiful.
We could also see Alpha Centauri A and B on the sky. We had no words to describe this moment. Yes, this is a complete new experience to see the neighbour solar system which is only a quarter of an light-year away from here from this Planet Proxima b.
I think we stood maybe 10 minutes without saying a word. Such a big impression!
All this lights from a higher civilization. Everywhere.
We flew to a region where a lot of nature is between some cities and where the sun is shining brighter on the planet.
As we landed, we tried to get to a building but it was a long way to go and soon we realized that this take much, much longer to get to the next big building nearby. We realized that this are not buildings, this are whole cities and they are very far away from our landing site.
So after a few kilometers we decided to go back to our dragon flight and use it for flying to reach a city.
In our dreams we had been told that we will need no fuel for our dragonfly. The dragon fly was prepared to be used with the plasma sphere. The plasma sphere could move the ship with any speed and any distance, even through the whole space and interstellar area alongside our ’local bubble’ (the solar systems around our solar system within our galaxy).
We entered again our disc formed dragonfly spaceship and started slowly to move over the surface of this earth-sized planet.
We tried to reach the next city. Each city was immense huge and had a big distance to the next huge city.
Some group of very large and big buildings where directly build in the pure nature. The people could move like we did with flying cars or vehicles we thought. As we realized that there are no roads for cars on that planet we saw how primitive we are living on earth. On earth we build long an expensive roads for cars to connect two cites. Here the little ways are only used for emergency or for healthy walks in the nature. We on earth destroy the pure nature to drive with primitive cars on the surface of planet earth instead of finding higher and better way of technology. Why we do not invent flying cars, busses and trains?
I had with Karel a little talk about this as we saw that the cities are maybe only reachable by flying vehicles. The city came only very slow nearer. And we saw that the city was much bigger than it looked from the far.
As we landed on a high little landing platform of this modern city we realized that a lot of cities here in the nature where build on a higher level and not directly on the floor. We estimated that this city was build on a level over 300 meters over the surface of Planet Proxima B.
We went out of our dragonfly which used no fuel for this 20 minutes flight. Before we explored the empty city we had a wide and interesting view over the surrounding landscape. Pure nature and a lot of cities nearby (maybe in a distance of 10-30 kilometers each). We saw some automatic flying vehicles transporting something between the cities.
Also here in the city we realized that all the wide streets had large green parks in between and a lot of trees and plants and flowers.
We saw an automatic vehicle landing slowly in a park and making some garden works (as we understood this).
But nowhere any person or, living being, not even a bird or any insect.
Everything seems to be wide and open here. A complete other way of construction of a city as we know it from earth.
We walked now in the city and saw a lot of buildings. Some seemed to be official buildings.
We remembered our info-dreams: The symbol of „official library” had been explained to us and as we saw the symbol at the entrance of a building we remembered that in the dream it was told that we should go in that library.
So we decided to go in this official building. We went into a big elevator. There was the symbol of „official library” on the 320th floor. We pushed the button, who reacted with a sound and a circular rotation light around the button on the display. It was a special display which was also perfectly reflecting light if the sun shines directly on it.
The elevator was transparent and we could see all the environment. It started slowly and increased the speed up to an imminence speed. As we had free view over the city we realized that the city was bigger than we estimated. Now we saw also in the wide area and the horizon of the planet. The nature around the circle-formed city was very, very impressive. The sun shined directly in the elevator and the display showed how fast we are moving and passing the different 319 floors.
Slowly the elevator decreased his speed down to zero. We even felt any changing of the speed – such a perfect technology! As we left the transparent elevator we wanted to make some photos to see if we could understand on which technology the elevator was based. Was it magnetic, or anti-gravity…?
Through the transparent walls we could see nearly the same panorama as in the elevator.
The library was enlighten from the natural daylight combined with soft artificial lights in the same light-temperature like the current daylight was.
We walked along the„wall of history” with a long timeline. Every few meters there was a 3D-display which showed parts of the history of Proxima B. If you come nearer the display started to show a video showing historic important moments of the different centuries. We could not count the displays – it was sure over 100 displays.
I tried also to film and to make photos.
In the dreams it was told to us: Taking photos and film was complete allowed, but taking materiel probes or anything from this planet was strictly forbidden. So we could not bring any objects back to mars and then to earth. But photos and films – this was maybe our mission to inform the humanity.
We had been surprised that the history of this planet showed that we humans also lived there.
We lived in this cities!!!
Why we left this planet?
Maybe because we could not breath the air longer than a month and had to wear breath-masks or space coats with artificial air?
In some of the historic video at the timeline of Proxima B we saw some humans walking around with space coats or with breathing masks.
But why we left Proxima B?
Maybe the cosmic radiation is too strong and we had to live in this transparent building and could not stay long outside in the nature?
Only a few humans stayed in the last time on Proxima B.
They tried to install the automatic radio stations for communication with Mars and maybe Alpha Centauri A and B?
Is there an Alpha Centauri A and B connection?
The system did not react and did not show any historic information about this topic.
I remember only that Alpha Centauri A and B had the distance to each other like our Sun has to Planet Uranus.
Very interesting was on that library that the systems could read our mind and gave sometime answers or showed us a video as answer to our questions.
We wanted to search for the history of the big Exodus from Proxima B.
Suddenly we got a video showing that a lot of spaceships emigrated to Planet Mars. Mars moved slowly in the direction of our today’s solar system surrounding a huge Planet which later was destroyed during a big ancient disaster.
We wanted to know how much planets are in the Proxima B system now.
Immediately the system showed us a video with the actual situation: The small red sun surrounded by Proxima D, Proxima B, and far away Proxima C (in a distance like Neptune).
But where are the other planets between Proxima B and C?
Normally there are a lot of planets in a special mathematical distance from each other surrounding a sun.
The system showed us a historic event as video.
’Look, Karel! They had a lot of Planets like we have now. Look the planets moved leaving their elliptical way around the sun!!!’
Karel said: “And now they are moving towards our solar system! Here this is Pluto! And here Triton! There is Titan! And a lot of other little planets are leaving Proxima B and moving to our solar system…!
Maybe Proxima B and our Sun had a smaller distance than today. Maybe the had an encounter and these suns came nearer, maybe so near that our Sun took a lot of planets in her gravity field?”
But this question was too complex, so the system could not react to Karels question.
“Hm, maybe we have to think on what we want to know in a much simply way. What happened to […]”

As we stopped reading this in the evening in the dining room we all had new questions.
“Does this mean that a lot of our dwarf planets of our today’s solar system came directly from Proxima Centaury to us?”, Uncle Pepi asked.
“Very interesting. Hm, but what happened with all the people on that planet as the planets left the sun Proxima and moved through space without sunlight or nearly no sunlight?”, Aunt Bea was concerned because she always thought about the social question of people.
Uncly Vily listened our questions and maybe in his mind he wrote the answers as story but he didn’t talk directly.
“[..] We continued to walk through the official library…”

Before I continue here to tell all my reconstruction of Uncle Vily’s answers and novels for children I want to bring the Ternary Cube-Signal which Uncle Vily put in his scientific materiel for the novel.
I could not ask if this signals came in on Mars at the Astra-Bus or they came in on Proxima Centauri B.
He put them between the pages where he described how long they looked into the direction of Alpha Centauri A and B. Maybe they wrote down this signal there. It is also possible that they got this signal before they had the dreams with instructions how to travel to Proxima etc…
Here are the Signals:
For better understanding the structure of the message I transformed it into music notes (At NASA they call this officially “Sonification”)

B) Composing a SONIFICATION of the Ternary Cube-Signal –
Transforming Uncle Vily’s Cube-Signals into Music

Here is the original Ternary Signal:
[1/3]

[picture – FIELD [1/3] – 9 Ternary Trigram on the 1st “ 9-field ” ]

. … .. | … .. … | .. . . |
.. . … | . … . | … .. .. |
… .. . | .. . .. | . … … ||

[2/3]

[picture – FIELD [2] ]

.. .. … | . . . | … … .. |
… … . | .. .. .. | . . … |
. . .. | … … … | .. .. . ||

[3/3]

[picture – FIELD [3] ]

… . . | .. … .. | . .. … |
. .. .. | … . … | .. … . |
.. … … | . .. . | … . .. ||

It is possible to transcribe the dots as numbers:

“.” → “1”
“..” → “2”
“…” → “3”

[1]
132 323 211
213 131 322
321 212 133

[2]
223 111 332
331 333 113
112 333 221

[3]
311 232 123
122 323 231
233 212 312

ANALYSIS:
* There are 27 different Number-Tripels (Trigrams)
* The 27 ternary Trigram never repeat, so we see 27 different number triples.
* This 27 Ternary Number Triples can be interpreted as
* 27 “3-bit Byte” or as 27 “BASE 27”-Numbers.

To get a better overview of these Uncle Vily transcribed them into 27 Ternary Trigram:
At first here is the transcription of the 27 different 3-bit bytes into a mathematical order beginning with [111]:

[picture – 27 Ternary Trigram]

The 3 Lines of a Trigram

For example the Signal “… .. .. “ is the 23rd Trigramm

[322]
▪ The upper line is the 1st line, (here a “3”)
▪ The middle line is the 2nd line and (here a “2”)
▪ The lower line is the 3rd line. (here a “2”)

The ternary Signal contains 27 different Trigram / 27 Symbols / 27 Bytes (3-bit)
Here is the Signal transcribed as 27 Trigram as 3 fields [1] – [3]:
ORIGINAL SIGNAL AS TRIGRAM:

[picture of fields [1] [2] [3] ]

This Ternary Message seems to be a Cube 3x3x3:
If you count the 27 Trigram from Trigram 1 to Trigram 27 they appear on each 9- field (Field [1], [2], and [3] ) as a geometric triples forming a triangle or a diagonal line.
These signals seems to be in the same mathematical structure like the 3×3 – 9-Field message of Chapter 31:
(LINK:  https://unclewillybacktoearth.wordpress.com/2023/08/27/31-radio-signals-on-mars-from-proxima-centauri-b/  )
This time the signal is a 3 time 9 -field message.
The message can only be understood as 3 Dimensional Cube:
You have to put the 3 x 9-fields together to a cube 3 x 3 x 3 = 27
So you have a 3D-CUBE with 27 different Trigram / 27 Symbols / 27 Bytes .

[picture – The Cube-Signal transformed as 27 ternary Trigram (field 1-3) ]

Analysis of the Trigram-CUBE:
3-step TRANSFORMING-Rule of the 3 TRIGRAM in the first line within a single field:
The trigram of the first line of each field are transforming according the rule:
1 → 2
2 → 3
3 → 1
As example we look at field [2] in the middle of the cube, here field [2]:

[picture – field 2]
Here we see the 3-step-transformation of Trigram Nr.1 → Nr. 14 → Nr. 27
[111] → [222] → [333]
Trigram 1 transforms into Trigram 14 and this into Trigram 27
Or: Trigram Nr. 26 → Nr.. 3 → Nr.. 13
[332] → [113] – [221]
Or: Trigram Nr. 15 → Nr. 25 → Nr. 2
[223]→ [331]→ [112]
(see picture above)

Geometric Relations of the 27 Trigram within the Cube:
If you study the relation of each line (1st, 2nd , 3rd line) to the other lines (vertically or horizontally or along the z-axis of the cube) you can observe that they build everywhere in the cube little triangles like a “1 – 2 – 3 Triangle”
(or 3-2-1, or 2-3-1 or 1-3-2 – Triangles)

Example:
Look at the “1st upper Line” of the Trigram Nr. 8, 16 and 19
Nr. 8 has a “1-line”
Nr. 16 has a “2-line”
Nr. 18 has a “3-line”
So we have a “1-2-3 Triangle” between the 1st lines of Trigram 8,16 and 19.
The 2nd lines of the same Trigram have a “3-2-1 Triangle”
And the 3rd lines on these Trigram have a “2-3-1 Triangle”.

This example shows that the Triangles of a 3 Trigram-line always have 3 different numbers and NEVER have a number twice.
Try it horizontally or vertically within the whole cube!
There is no exception!
All triangles have 3 different numbers!
Try it with Trigram 11, 27, 4 or
Try it with Trigram Nr. 22, 11, 9.
THIS SIGNAL HAS A 3D-CUBE STRUCTURE!
Now let us count the Trigram 1 to 27 within the 3D-Cube
And see in which order the 27 Trigram appear within this cube:
We can see that the Trigram appear in Triples within a single field like field [1], field [2] or field [3].

Decoding and COMPOSING this CUBE-Signal:
Now you see it as a transparent Cube and you look only from one side on the cube (from the 1st field [1]).
What you see is a single 2d-square 9- field:
As composer I want to define these three “9 fields” of the cube as 9 different music-notes.
So in my composition the 9-field gets the notes following the 2D Signals (see Chapter 31)

[picture 9-field with numbers (originaly as Ternary Bigram – see Chapter 31)]

To make this “Sonification” (see NASA’s Sonification projects) of this Signal I defined this number 1 – 9 as music notes: c’ – d’’ (9 notes)

[picture – table of music interval as notes]
So we have a music 9-field according to the first 2D-Message (with 9 Ternary bigram) defined as 9 different music notes.

[picture – 9 Notes at the 9-field projection]
So I composed the 2-D 9-Field Message-Signal into Music (9-Notes):

[picture – 9 Field Signal as music notes]
F’ D’’ D’ E’ G’ B’ C’’ C’ A’
Now let us transform the 3-D Ternary Signal of 27 Ternary Trigram into music using the same 9-field-sound-grid like the 2D Message:

[picture – music-9 field and its relation to the Cube Signal ]

So The Trigram Nr. 1-3 appears at the 9-field projection (looking through the transparent cube)
Trigram Nr.1-3:

[picture Position of Trigram Nr.1,2,3 in the 9 field]
Transformed into music fields this will be:

[picture – music notes of the Trigram 1,2,3 ]
The same transformation procedure we do with Trigram Nr.4,5,6
The result is: C’ E’ D’
The next Triple of Trigram: 7.8.9 → G’ F’ A’
This I made with all other Trigram:
As Result we get this Notes an interesting music composition:

[picture music score “Sonification of the 9-field projection of the TERNARY CUBE SIGNAL]

D’’ C’’B’ – C’ E’ D’ – G’ F’ A’ – D’ C’ E’ – A’ G’ F’ – B’ D’’ C’’ – F’ A’ G’ – C’’ B’ D’’ – E’ D’ C’
The ending of the melody sounds really like a melody ending.
PLAY this music notes as Triples with a little break between the triples (3 notes):
For me this Sonification of the Signal makes it possible to “Visualize” (Sonification) that this is a mathematical structure
A group if 3 notes can be defined as Ternary Neum (s. Music science, old music notation)
You can see it also in the terms of mathematics: (music notes as Numbers c=1 d=2 e=3 …)
3 8 7, 1 3 2 , 5 4 6,
2 1 3 , 6 5 4 , 7 9 8 ,
4 6 5 , 8 7 9 , 3 2 1 .
Every triple of numbers are defined as number (between 1-9) as
3 different numbers / notes are defined as:
This 3 different notes can have the mathematical form:
n , n+1, n+2
The notes do not repeat within one triple of 3 notes.
In the term of music-science it means :
“Each Triple of 3 Notes are three different notes within a third [Interval of music]”
So there is a music message inside the ternary 3-D Cube-Signal!
I think this 3D Signal (Cube Signal) was send to the Astra Bus on Mars maybe from Proxima Centauri or Alpha Centauri A and B to show them (Uncle Vily and Karel) that there is a mathematical knowledge or intelligent knowledge from the sender of the Ternary Signal.
So the signal is not random. Is it from Proxima Centauri, is it from Alpha Centauri A (Rigil Kent) or is it from Alpha Centaury B (Toliman)?
In my theory after this 2d and 3d signals they had the information-dreams after thy get this signals.
Later they had the information-dreams (Karel and Vily had the same dream so they realized what they dreamed was a massage to them to be prepared for their visit on Proxima B and Alpha Centauri A and B (as Uncle Vily wrote in his Novel for children and Youth)

[ picture – composition „The Ternary Cube Signal (4 voices)“ –  field [2] has f (forte) field [3] has p (piano) and field [1] has mf (mezzo forte) ]

(to be continued . .. …  )
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LINK UNCLE VILY – BACK TO EARTH: https://unclewillybacktoearth.wordpress.com/2024/05/06/35-forst-landing-on-proxima-centauri-b-and-composing-a-sonification-of-the-ternary-cube-signal/

[440.] Palma il Giovane at Emperor Rudolf II

[picture 1 – painting by Palma il Giovane, »Smrt deti Niobinych«, Prague c. 1590]

 

After Palma il Giovane wrote this he remembers the concert in Prague, the golden city, at the castle of Emperor Rudolf II. Palma il Giovane opened his diary and after a while he found the pages about this concert evening.

It was written in a secret alphabet and it was like this:

“Today it was a beautiful concert at the Gothic concert hall of the big castle on the hill in Prague.

Emperor Rudolf II wanted our Venice Chamber Orchestra with the orphan girls orchestra LA PIETA to have a concert here.

Palmina, as the girls music teacher, was of course also there.

My old friend astronomer JOHANNES KEPPLER was also invited and I smiled and nodded friendly in his direction as the concert begun.

Palmina organized it that a music piece, which I composed, is now played in this evening. As painter and composer I was sure more excited than the orphan music school girls. The girls are mental perfectly trained and never nervous at the stage. How beautiful the orphan school girls looked with their uniform as they came in on the stage.

I saw that the face of Emperor Rudolf II started to smile as he saw our music girls entering the concert hall. Yes, he supports our music orchestra very much and I am sure he loves the way our girls are playing old masters music pieces.

In the first rows I saw also my old friend Carolus Borromäus –which I painted earlier in my little atelier in Venice in front of the saint virgin Mary – we all call him to be a saint, because he saved so much life in the time of the great European Pandemic. He is also invited and I observed he enjoyed the concert much. Later I will hear that this concert made for him the decision to found the Congregation of the female Borromäen monastery after his order.

A group of nun that takes care of girls and made also a music school for girls like we have it in Venice at LA PIETA.

Palmina played her Soli very very fine.

The girls played also historic trombones. It made a fine sound in this Gothic hall.

After this long and beautiful concert all the guests where invited to have a big evening lunch together with Emperor Rudolf II.

Rudolf II was a very strong supporter of art and artist in Europe.

At the dinner he congratulate me for being also a strong supporter of the LA PIETA ORCHESTRA in Venice.

He liked also my composition for Palmina and the Girls Orchestra.

Later we spoke about his painting collections and he asked me friendly if I can make some paintings for his big art collection about a history topic and if I can make a portrait of him.

On the other table of this big dinner the La Pieta girls were sitting with Palmina. Palmina smiled friendly in my direction and was happy to be here in this famous historic event in Prague.

Yes, It was a big historic moment:

* I got the commission to paint for Emperor Rudolf II.

* Cardinale Carolus Borromäus founded the female Congregation of the Borromäen nuns monastery to protect also girls from child prostitution. (He founded a lot of institutions like this in the last years all over Europe)

* My composition was performed excellently on the castle of Rudolf II

* I could see Astronomer Johannes Kepler at a late evening walk through Prague

Of Course I could be a little bit with Palmina and talk with her as I sat to her table with the orphan girls orchestra.

I remember the girls where very happy today because it was a big honor to give a concert here at the castle in Prague.

They, Palmina and the girls are very thankful, because I supported the orphan school since years. I can see it in their innocent eyes and the way they are smiling in my direction on this evening.

Later at his evening we had a little walk on the castle privately with Emperor II. Astronomer Johannes Kepler and Palmina and me.

As we stood at a place with the view over the whole city of Prague we could see the stars. Of course Emperor Rudolf II wanted to know the name of the stars and planets which are seen now over the horizon of Prague.

We looked all up to the stars and planets.

And Astronomer Johannes Kepler explained how he discovered a blue planet or star NEPTUNE.

He wrote the position in his star map carefully as a star. Because in the case the catholic church decides to put astronomers who discover other planets which are more far than Saturn, to put them into jail, he can say he thought it is a blue star and not a planet.

Later Emperor Rudolf II decides to go to bed and asked me to be tomorrow at the castle at afternoon for the first beginning of the drawing for a later painting of a big portrait of Emperor Rudolf II.

After this interesting late evening Johannes Kepler invited me and Palmina to have a little walk (it was a longer one) with him along the crowned way (Královská cesta) through Prague.

His flat was situated on the right side on this crowned way.

We agreed and walked slowly down in the historic city of Prague.

Our majestic way (Královská cesta) has on both sides, left and right, a lot of historic buildings.

We passed the long Karl’s-bridge and made a long stop to look again to the planets at the evening sky over the waters of the river VLTAVA.

Again Johannes Kepler explained us the stars and planets. Palmina played my composition “Planets at the evening sky!” and we listened.

Johannes Kepler was also a composer like me, an so he enjoyed also to hear a music of mine.

As we continued our walk over the bridge he explained us the Ternary Number system and his advantage to use it in science and mathematics and also in philosophy.

[ Karlova Str. No 4 Prague Old Town ]

As we came in his flat he showed us his astronomic data about the now discovered Planet Neptune. (He discovered it about 1606).

He showed us all the astronomic instruments he uses in Prague to observe the stars and explained how he calculates the movement of the stars. But he was carefully – astronomers live very dangerous in this century.

I asked him how his mother is, if she is well. He told us much about the problems her mother has in this century and was sad.

We promised to pray for her every day.

After he lit again some candles to make the room brighter, he showed us his compositions.

“Here, every Planet has his own single melody:

Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn”

And really he composed for each Planet an own short melody.

“This is the idea! Every Planet at “e le stelle” of my Cantico delle Creature should have a single short composition with a short Planet-Melody”, I said.

Johannes Kepler was Interested to hear my plans to compose Planets-Music for the “Cantico delle Creature”.

He listened very interested my intentions to plan a “music planetary” to put it in the Cantico delle Creature.

“And later you can use each Planet-Melody within the other Parts of the Text…” Palmina added and Johannes Kepler listened very interested.

He did not expect to have this influence of ideas into Palma il Giovanes composing work.

Later we went to his window and looked straight up to the sky. Only a small area of the open sky was visible from his flat.

“There is…” and Johannes Kepler explained us all the stars he saw from his window.

“Now, let us go down and look again at the stars at the big place of “Staroměstské náměstí”, He said finally.

We went there and saw all the millions of stars from the big place in Prague.

 

Later Palmina went with me back up to the big castle which was situated on the hill over the city, on the other side of the river VLTAVA where our rooms for guest of the Emperor are.

Now I had to go bed to prepare myself mentally to be ready to paint the big portrait of the Emperor the next afternoon.

After I brought Palmina to her room I said at the entrance “Good night, Palmina. Sleep well”

 

“Good night, Palma. Sleep well and have creative dreams for the painting session tomorrow.”

“Thank you, but you will be there and play on your lute during the painting session?”

“Yes, Palma. I will be there and play on my lute.”

 

 

(to be continued..)

 

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[439.] Binary Signal from Uncly Vily’s Novel

[picture] Binary Signal from Uncly Vily’s Novel

read more: https://unclewillybacktoearth.wordpress.com/

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430. 9-Bit Signals from Space

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UNCLE VILY – BACK TO EARTH

[33.] 9-Bit Signals from Space

======================

And Uncle Vily began to write down all the binary 9-Bit-Signals (3×3) he received.

“The Signals we received have a mathematical order and maybe a universal meaning. They came in 8 “Tables”. Each Table consist 64 different 9-bit signs. (8×64= 512 Signals)”

First 64 “9-Bit-Signals” [Table 1/8]:

Diese Diashow benötigt JavaScript.

(to be continued…)

---

UNCLE VILY – BACK TO EARTH

[33.] https://unclewillybacktoearth.wordpress.com/2023/09/16/33-9-bit-signals-from-space/

429. Radio Signals on Mars from Proxima Centauri b

Uncle Vily – Back to Earth

=======================

[32.] Radio Signals on Mars from Proxima Centauri b?

========================

Every year at the 24th of May we are thinking about Uncle Vily because he died on this day.
ln my remembering about him and his novel for children, the remembering of his writings, his words, also the remembering, about all the other uncles and aunts about his scientific materials of the Mars-Venus Mission, I try to write down as you could read in the past.

Now I found out that really a Venus-Mars Mission was created by different scientists in the world in the 60ies also in the year 1967. It was a realistic option to send man mission from earth to Venus and to Mars in just one Mission.
Now I found a lot of evidence of that historic mission planing in the internet and in YouTube…

Here is a YouTube reporting about Mars-Venus historic mission:

[LINK]
see a part: https://youtu.be/BnplZ7SG1Qo?t=575

(to see the complete video → https://www.youtube.com/watch?v=BnplZ7SG1Qo )

In the last chapters I wrote about the Radio Signals on Mars.

In one part of the novel the Binary and Ternary Radio signals from Mars had been analyzed for months during their stay on Mars. But this parts of the novel only exist in the draft and had been never printed in the official book. So I can add this information as remembering here:

“As we got this signal “. .. …” from our parabolic antenna of our Astra-bus , Karel took on his astronaut coat, went out to look if the antenna on the roof of the bus is correctly fixed in the direction of Proxima Centauri b.
We both hoped to get e stronger signal from there on the night sky.
This nights the weather on Mars had been very good to have a clear view of Proxima b with our telescope. Our huge silver Exploration Bus for 10 astronauts was headed to the south view at our place in the middle south west of Schiaparelli Crater.
One of the four tiny window slots in our little observatory, which is situated in the back part of our Astra-bus (the tiny observatory room is a little bit higher than the rest of the roof of our bus) was heading now direct viewing to the south sky over the south-mars-Schiaparelli-Crater horizon. The Parabolic Radio Antenna was on the top roof of the little astronomic observatory room.
Every night at 12 p.m. local martian time we observed that the magnetic field turns suddenly 20 times stronger as usual on Mars and the radio signals where always coming from the south direction….”

Uncle Vily wrote this facts about this Ternary Signals on a long sized sheet of paper (this is the upper 5th part):

[picture – copy of the notes about the Mars-Radio Signals
without any explanations written on the note – part 1/5]

The first Signals he wrote in the first line was: . .. …

After Uncle Vily writings the 3 signals had been defined as:

. = 1 .. = 2 … = 3

These are 3 Terniary Signals which have also a “…” Signal.

1 2 3
. .. …

“After a while we got a “..” and “.” Signal,
after a short break followed by a “…” and “…” Signal,
finally a “.” and “..” Signal”.
The Signal came in as  “Bigramms”.

So Uncle Vily wrote in one line all this 3 “Bigrams” (Bigramm=Signals containing 2 ternary signals)

.. . | … … | . ..

“The Signals are having a mirror axis in the middle 21 – 33 – 12”

.. . | … … | . ..
2 1 | 3 3 | 1 2

Uncle Vily’s note shows the nine different „9-Symbols“ as pure Radio Signal as 3 x 3 “Ternary Bigrams” like “9 Numbers” or “9 Words” or “9 Symbols”.

If you look a while at the dots above you can figure out that there is a symmetric axis in the middle:
Every ternary number from the left is also on the right side but in the mirror order. (See the red and  blue colour)

[The ternary Signals left (red) und right (blue) are in a mirror]

.. .  … …  . ..
. …  .. ..  … .
… ..  . . .. …

Transcribed as ternary Base3-numbers it looks like that:

21 33 12
13 22 31
32 11 23

And also as Numbers you can see the red-blue axis.

21 33 12
13 22 31
32 11 23

“…We got every day at 12. p.m. complete other sounds from our radio-antenna directly from the south view of Schiaparelli Crater horizon. The view to the night sky is the opposite geometric direction as to the sun in this moment. This could mean that the signals came from area there, which can be explained with the “X-Point-phenomena” we discovered behind planet mercury (The X-points are opening periodically for 20 days there). This would mean that the signals from Proxima b have a shorter distance to our antenna on mars if the X-Ponit opens on Mars night sky in the south at 12 p.m.. Maybe a star-gate or gravitational tube is appearing there… In this year and these months Proxima b is directly in the south at 12 p.m….”

The next note part had this 9 Radio Signals transcribed as in this geometrical order of the Radio-Message: (The 1st ternary number is in the upper line and the 2nd in the lower line – e.g.:

 [Picture – The 9 Ternary Signals on a 9 field – note part 2/5]

The 9 Ternary Signals have also here a visible symmetry order between bigrams on the left and the right side.

[Picture – The symetric axis in the middle (see reed-blue) on the 9 Ternary Signals – note part 2/5]

After this same 9 radio signals / „bigrams“ / or 9 “symbols” had been transcribed in this note in this order of the 9 the ternary dots appear here as graphic patterns:
The next part on Uncle’s note has dots instead of lines.

. .. … → ___ _ _ _ _ _

1 2 3

. + . → =

[Picture – The 9 Ternary Signals on a 9 field as 9 different “line bigrams”– note part 3/5]

In the next part the ternary bigrams appear beside a 9-fields [#]
with number 1-9 in the order of the first 9 ternary numbers:

 [Picture – The 9 Bigrams as “Numbers from 1-9” – note part 4/5]

1 | 2 | 3
________
4 | 5 | 6
________
7 | 8 | 9

This “Message” is formed as so called 9 „bigrams“ („bi“ means in Latin „two“).

So 2 ternary Signals can form 9 variations = 9 Bigrams (3 x 3)

Example of a “Bigram”:  “.” (1) + “..” (2) = . .. (1 2) (this is not “twelve” it is a ternary “12” !)

The 9 bigrams [1-9] and its position in a 9-field (3×3) on note 4/5:

[ picture – left the 1st ternary Signal, right the 2nd ]

[+]       1  2   3
         .   ..   …
1 .
     ___|___|____
2 ..
     ___|___|____
3 …
      ___|___|____

[picture – 9-field for 9 ternary „Symbols“ or numbers]

In the last part of the note the 9 Bigrams and the 9 numbers are written in the Order after the 9 Radio Signal (see above).

[Picture – The 9 Bigramms in order of the original Radio Signal with its numbers – note part 5/5]

The 9 bigrams in the 9-field square appear in the order after the „Radio Signals“.

The 9 Bigrams on the right side have also the same

4 | 9 | 2
_______
3 | 5 | 7
_______
8 | 1 | 6

What does this Radio Message mean?

Interesting is that the radio signals seen as a “Message” has 9 DIFFERENT „Symbols“ (Bigramms 1-9) which are not repeating.

Compare this to the Radio Signal with the different 64 binary symbols in a special order of the „8 answers“. Here the ternary and also there the binary Radio Signals, they both, never repeated itself.
Maybe this show a special order of that „Symbols“.

As Conclusion the “Message” are 9 bigrams (3×3).
They are opening a field [#] of 3×3 signal variations:

.  .  .
.  .  .
.  .  .

Uncle Vily and Karel, also Uncle Pepi and all others who I asked had the opinion that these 9-fields are the basic to understand all the other ternary Radio Messages. Also on the „optic message“ (see chapters before) has a 9 points field in a geometric order (the points where so tiny that you need optical instrument to see that they where made from very little small circles:

(to be continued…)

===============================================

Uncle Vily – Back to Earth

[32.] https://unclewillybacktoearth.wordpress.com/2023/08/27/31-radio-signals-on-mars-from-proxima-centauri-b/

428. Countless drafts for novels

 

 

And after Palmina played so beautifully a composition on her Lute in her concert Palma felt inspired to continue to write down his remembering about uncle Vily.

 

Uncle Vily – back to earth

=========================

[31.] Countless drafts for novels

=========================

„Today I had just a short remembering about uncles novel for children and the youth.

So before I continue to explain about the ternary radio messages on Mars I will write something about some short remembering about my uncle Vily and all the other remembering from my other uncles and aunts and what they told me about the scientific and creative writing work.

Often my uncle worked long on a new novel for children without speaking to us for days but we could feel that something was going on inside him.

Sometimes I could come in his working room in the first floor of our family house and listen what Uncle Vily spoke about the Mars Mission novel or the Venus Mission novel or the Mercury Mission Novel. Of course I was very silent and listened much but sometimes I asked spontaneously and uncle Vily or uncle Pepi and also our family friend and Space Art painter Ludevit – if he was there – explained to me what I did not understand from the scientific facts.

Yes, these moments have been like a Christmas evening for me.

Sometimes we stayed for hours in his working room and aunt Bea brought some tea and something to eat to support the strong inspiration work without interrupting.

In the last month before uncle Vily died he talked less than as he arrived back.

If I did not understand something he explained, I did not asked him again, but I asked then later uncle Pepi if he could explain me what I wanted to know later as we where alone in the kitchen downstairs while Uncle Vily continued to work, calculate, or write on his novel or scientific material.

„I think, Gerald today, we should let I’m work alone and he will lay down to bed if he feels tired. Bea will look in a hour to see if he needs something.“

I soon learned not to asked questions if I felt that there is something which should not be discussed about facts of the Mars, Venus, Mercury and Thyche Mission.

My other uncles and also I could only speak directly asking questions about the novel.

„If we speak about the novels any question is possible to learn details about the secret Space Missions“.

Today I know that some facts could not be told directly. Uncle could only tell them to us with a little story for a novel for children and we could reflect them with questions about the written novel.

Maybe that’s why so much drafts had been never published. So this, I think, is my turn to remember and to reconstruct some novel drafts which I (and our family) could remember.

On that evening we let Uncle Vily work alone in his room. I remember that we spoke about his new draft for the Proxima Centauri Mission.

Uncle Pepi explained me that this parts of the new story are from the „Proxima Mission“ and not from the „Thyche Mission“.

The reason why I confused both stories was this: During Uncle Vily explained in his working room the flight to a little red sun with its planets (they did not tell the planets b, c, d like it is done today, he used names which I do not remember), I looked at some photographs of one planet which seemed to have some light at his continents.

I thought by myself this are automatic photos from an unmanned probe ship surrounding the planets of the Thyche Planetary System Mission and I thought this will also be used in the novel for children about the Thyche Mission.

Later during this evening uncle Pepi explained me that the novel tells that the spaceship first has to fly directly to one of the Alpha Century suns (A or B) and then, at a specific moment, it has to turn his flight in the direction to Proxima Centauri.

„But why not flying directly to Proxima Centauri?“ I remember asking.

„The line between our sun and Alpha Centauri A or B has a stronger gravity tunnel as our sun and Proxima Centauri has. Uncle Vily writes in his novel that it is much faster to travel there.“

„And is there also a gravity tunnel between Alpha Centauri and Proxima Centauri?“

„Yes, Vily writes in his story that it is a much stronger tunnel.“

„This means that you have first to travel in the direction of Alpha Century and then the spaceship has to turn to fly slowly in the tunnel line between Alpha Century and Proxima Centauri? Isn’t that like to change the underground railway line in the city?“, I asked.

„Yes, if you want to reach a specific railway station starting from a station in the city you have sometimes to change the underground railway to continue driving to the target station. And you can not move in a direct line toward the target railway station“

„But why we need such tunnel to travel?“

„I think this is because the space has not always the same density. So the distance between stars should also be seen about the density of the space between the stars.

The distance between massive stars are maybe shorter as between a big sun and small sun.“

„This sound complicated, but seemed to work, isn’t it?“

But, uncle Pepi, what are these pictures with these artificial lights on the night side of one of the planets of Proxima Centauri? I thought this are pictures from the secret Thyche Mission?“

Uncle Pepi was silent because he did also wonder about the lights on the photo.

We decided to ask uncle Vily later, maybe tomorrow about the origin of these pictures and we decided not to disturb him this evening.

„Maybe he will use the pictures for his new novel…“ Aunt Bea told smiling to us and put some fresh made roasted potatoes for Uncle Pepi and me on the table in the kitchen.

The little black white dog Misha and the brown white cat Frusina came also in this moment as they realized that we wanted to have some evening meal, hoping to get also something to eat.

Misha barked and Frusina „miaued“ friendly…

(to be continued ••• )“

 

_______________________________________

[31.] https://unclewillybacktoearth.wordpress.com/2022/09/16/31-countless-drafts-for-novels/

427. Ternary Message from Mars

And Palma il Giovane continued to write his remembering about the Mars Mission of Uncly Vily:

Uncle Vily – Back to Earth

=======================

[30.] Ternary Message from Mars

=======================

 

Transforming the binary „8 answers“ into a melody is not only a way to transform this “symbols”into art, especially music, it shows also very good the inner structure of the eight answers.-

With the example of the „Planet MARS – Melody (IV.):

[picture – 8 bars of the Melody IV. ]

001001 001000 001010 001110 000110 010110 011110 011001

As you can see the 8 bars of my composition has in its first 4 bars complete different rhythmic, but the same Gregorian neum “Salicus“ “001” (“low-low-high“).

We can see: The first 3 numbers of the first 4 BASE-64 „Symbols“

are the same Octal Symbol -> „001“ (see green color)

001001 001000 001010 001110 000110 010110 011110 011001

Music helps to understand the structure of the 8 answers!!!

Now we look again in the „Planet – Mars Melody“ beginning from bar 4-7:

We can see: the rhythmic schema is 4 times the same (bar 4,5,6,7).

The last 3 numbers of each Base-64 Symbol are also always the same Octal Symbol „110„. (see red color)

So music helps us to understand also this fact of the 8 answers.

So we can also write the „Planet Mars Code“instead in one line:

001001 001000 001010 001110 000110 010110 011110 011001

Also in two lines: ( 8 Base-64 Symbols of answer “001”, the Mars-Code)

001 001 001 001 000 010 011 011

001 000 010 110 110 110 110 001

So we see now all 8 Base-64 Symbols of the „Planet Mars CODE“

divided in an upper part (first 3 numbers) and lower part (last 3 numbers)

If we highlight the „001“ of bar Symbol 1-4 (see melody of bar 12-4) and „110“ of Symbol 4-7 (see rhythm of bar 4-7) we can see that the Octal symbols are 4 time the same.

001 001 001 001 000 010 011 011

001 000 010 110 110 110 110 001

And it is also something special that the four upper Octal Symbols „001“ are connected to the four lower Octal Symbols „110“

„001“ is the complete binary opposite of „110“

001 ↔ 110

„0“ changed in „1“ and „1“ changed in „0“

AND THIS HAPPENS TO ALL 8 ANSWERS !!!

The Repeating-Schema for all 8 answers is:

[A] [A] [A] [A] [-] [-] [-] [-]

[-] [-] [-] [B] [B] [B] [B] [-]

(1.) A repeats 4 x :

A A A A

(2.) A transforms into B:

A → B

(3.) and B is also repeating 4x:

B B B B

A is the melodic and B is the rhythm.

So every composition has from bar 4-7 the same repeating rhythmic schema. B B B B (see all 8 music compositions at chapter 29)

Maybe this fact between „A“ and „B“ within the „8 answers“ have also a symbolic meaning.

How long it would take till the humans can understand the meaning of the 64 Symbols from Mars?

TERNARY – Message from MARS:

My Uncle received also this Ternary Radio Message on Mars:

[radio message]

3333 1313 3333 3333 2323 3333 3333 3333 3333 1323 3333 3333 3132 3333 3333 3231

3333 3333 3333 3333 1323 3333 2313 3333 3333 3132 3333 3333 3231 3333 3333 1323 3333 3132 1122 3132 3132 3333 2313 3333 3333 3132 3333 3333 3132 3333 3333 2313 3333 3132 3132 3333 3132 3333 2313 3333 1323 3333 3333 3333 3132 3333 3231,3333 3333 3132 3333 3333 2313 3333 1323 3333 2313 3333 1323 3333 3132 3231 3333 3132 3132 1122 3132 2112 3132 3132 1122 3323 .

3132 3231 3132 3333 1323 3333 2313 3333 3333 3132 3333 3132 3132 1122 3132 2112 3132 3132 1122 3132 2112 3132 3333 3333 3333 2313 3333 1323 3333 2313 3333,3333 3333 2313 3333 1323 3333 2313.

The message was send in two “sentences”.

The whole message was build with three different Ternary signals:

. .. …

1 2 3

These ternary numbers where in 4-number groups like this: “2323”.

Interesting is that the „Ternary Message“ has also structures in its text.

1) Each sentence was build from „Words“ of „Symbols“.

But these words or symbols are not 81 different ones as we could expect it as 81 possible variations of a ternary number 3*3*3*3 (3^4) =81 word or symbol with 4 numbers.

The 1^st number and the 3rd number of a word/symbol seems to be “connected” with each other:

IF the 1st number is a „3“ then the 3^rd number is also a „3“.

IF the 1st number is a „1“ then the 3^rd number is a „2“.

IF the 1st number is a „2“ then the 3^rd number is a „1“.

The same connection is between the 2nd number and the 4th.

IF the 2nd number is a „3“ then the 4^th is also a „3“.

IF the 3nd number is a „1“ then the 4^th is a „2“.

IF the 2nd number is a „2“ then the 4^th is a „1“.

Exceptions are the words/symbols Nr. 2,3,6,7 and the last word of the 1st sentence.

So we can say the authors of the „Ternary Message“ wanted to show us in word/symbol 2,3,6,7 that the 1^st and 3rd numbers are „entangled“ like an “explanation” or “introduction”.

The message has the structure that in every word/symbol the 1st and 3rd number are „entangled“ and „mirroring each other“.

The same is also happening between the 2nd and the 4th number.

The transforming rule of the “entangled pairs” is like that:

3 = 3 … = …

1 → 2 . → ..

2 → 1 .. → .

On the drawing they made from a building on Mars the optical text seems to begin with “ …“

The Message shows the rule of changing . → .. .. → . (1 to 2 and 2 to 1, 3 stays 3)

Here at the Ternary number system are used „1“ „2“ „3“ and not „0“ „1“ „2“

At the binary numbers we used 1 for . and 0 for .. and not „1“ and „2“ .

Result: In that ternary radio message seems to be “entangled” number pairs.

The pairs change their number moving circulating around the number 3 which is stable:

3-2-3-1-3-1 etc…

Maybe the “1” and the “2” have the same meaning like “1” and “0” in the “Binary” Radio-Message and this means maybe that “3” is between “1” and “0”.

If we see “1” as +1 and “2” as -1 then “3” is in the center of +1 and -1 like in mathematics the zero, while +1 and -1 can always change in its opposite.

An other explanation Uncle Vily and his colleague had:

The changing numbers describes the peaks of an harmonic curve like it is everywhere in the universe e.g. the Sinus Curve or the moving of a planet around a center like “Aphel” and “Perihel” etc.

Everything which changes in a binary way from one to the other is crossing the “Zero”point.

A moving string vibrates up and down and from the “up-peak” to the “down-peak” the string is going to the “Zero-point” – maybe this is the 3^rd point in the ternary number system and its symbolic meaning, especially in this ternary radio message.

Fitting to this I ad here the inspiration in music:

[136c] Violin and Piano (music score) by Gerald Spitzner

VIDEO: https://youtu.be/pyGWaN26pcc

(to be continued…)

---

426. The 8 Planet Melodies from Mars

And Palma il Giovane continued to write the next chapter about „Uncle Vily – Back to Earth“:

============================

[29.] The 8 Planet Melodies from Mars

=================================

Every time I look at the evening sky to look to the stars with some little binoculars I often think how the stars are seen from Mars on this day.

There is an “open-source” planetarium simulation program named “Stellarium” [1] which shows the actual stars of the heaven / sky to the current time on every place in the solar system.

So if I put the “virtual telescope” on Mars I can also see planet Earth on the evening sky seen from Mars.

[picture 1a] view of EARTH and VENUS SEEN FROM MARS from the Schiaparelli Crater

On this picture you can see EARTH and VENUS seen from the area where the mobile Scientific Station, the “Astra Bus”, has its position (till today). Maybe this was the evening sight, looking to the West Horizon, for the Exploration Team and later for Karel and Uncle Vily.

________________________________________________________________

[1] Stellarium: Is a free-for-use “open-source” programm.

You can free download this Planetarium-program at: https://stellarium.org

This award-winning open source planetarium program is also running

on: Window, on Linux (e.g. ubuntu) or Mac Computers

________________________________________________________________

My Uncle observed for so long time the planets during his stay on Mars. At the end of the Bus was a little, higher situated room for observing the stars with strong optical telescopes and there was on the roof of the bus a parabolic antenna for contact to the earth station and to the Radio repeater (“Relais -radio” station) on Moon Phobos if the contact was not directly possible. (The signal needs 10-20 minutes to reach the earth depending from the position of Earth and Mars at space).

He saw the planet Earth with the Moon in his telescope in the Astra Bus and, of course, he made calculations for the precision of Earth seen from Mars.

Also he observed the other Planets Venus, Mercury, Jupiter, Saturn.

He described all this so beautiful in his novel for children and the youth. I will never forget the impression his words had for me as a young child.

Uncle Pepi and my other uncles often spoke about these words.

The real meaning of the “8 answers” (8 radio-messages) of course I understood a lot of years later.

Here is again the overview of all “8 answers”(6 numbers) of the eight questions (3 numbers in big text on the left) ::

111 → 111111 111110 111100 111000 110000 100000 101000 101111

010 → 010010 010011 010001 010101 011101 001101 000101 000010

110 → 110110 110111 110101 110001 111001 101001 100001 100110

001 → 001001 001000 001010 001110 000110 010110 011110 011001

011 → 011011 011010 011000 011100 010100 000100 001100 001011

101 → 101101 101100 101110 101010 100010 110010 111010 111101

000 → 000000 000001 000011 000111 001111 011111 010111 010000

100 → 100100 100101 100111 100011 101011 111011 110011 110100

THE SUN-Code:

111111 111110 111100 111000 110000 100000 101000 101111

THE MOON-Code:

010010 010011 010001 010101 011101 001101 000101 000010

THE SATURN-Code:

100100 100101 100111 100011 101011 111011 110011 110100

THE PLANET MARS-Code:

001001 001000 001010 001110 000110 010110 011110 011001

THE PLANET JUPITER-Code:

110110 110111 110101 110001 111001 101001 100001 100110

THE PLANET MERCURY-Code:

101101 101100 101110 101010 100010 110010 111010 111101

THE PLANET EARTH-Code:

000000 000001 000011 000111 001111 011111 010111 010000

THE PLANET VENUS-Code:

011011 011010 011000 011100 010100 000100 001100 001011

I tried to transform these “8 answers” into an own music composition.

Bach was the first who combined numbers with art and there are a lot of composers who tries to transform numbers into music and sounds. (I often found transformations of radio signals from space into sounds in the internet)

Maybe to hear the “8 answers” of a higher intelligence as “melody” gives an impression what the „answers“ could mean to us humans. For me it gives the first impressions of an “inner structure” of each “answer”.

The first idea was to create 8 short compositions for each „8 Answers“

So the first answer of „111“ → was:

→ 111111 111110 111100 111000 110000 100000 101000 101111

Because the Question „111“ was doubled in the first of the 8 „symbols“ to „111111“ („111„+“111„) Uncle Vily and Karel meant that each of the 64 Symbols are build of the first 3 numbers and the last 3 numbers.

This means that each Symbol is build of two Octal Signs.

Here are again the 8 Octal Signs:

111, 000, 101, 010, 001, 110, 011, 100

So the first Octal sign I transformed into tree notes according to the old tradition of the 8 Gregorian Neums (3 Note-Neums) which have only a relative order within tree notes (e.g. 001 is “low, low, high”)

As composer I am free to compose these Gregorian Neums like I want compose them, like I feel it as artist. It is also possible to compose it in every scale like: diatonic, pentatonic, nature tone scale, etc..

I have only to compose exactly the relativity within tree notes (e.g. „111“ I composed as f´g´a´ in bar 1 and for „101“ I composed as a’g’a‘ = “high, low, high” in the last bar (bar 8 – “101111”

And to put these 3 Gregorian neum-notes into a rhythmic scheme I composed

8 different rhythm-scheme to compose each 3 note-Neum of one single bar.

They are defined after the 2nd Octal sign (the numbers 4,5,6 e.g. “101000” ).

So I combined the 8 different melodic 3-tone-neumes with the 8 different rhythm-schema.

Using my free melodic inspiration I composed the Melody of the answer „111“ like that:

I. THE SUN MELODY:

111111 111110 111100 111000 110000 100000 101000 101111

[picture 1]

II. THE MOON MELODY:

010010 010011 010001 010101 011101 001101 000101 000010

[picture 2]

III. THE SATURN MELODY:

100100 100101 100111 100011 101011 111011 110011 110100

[picture 3]

IV. THE PLANET MARS MELODY:

001001 001000 001010 001110 000110 010110 011110 011001

[picture 4]

V. THE PLANET JUPITER MELODY:

110110 110111 110101 110001 111001 101001 100001 100110

[picture 5]

VI. THE PLANET MERCURY MELODY:

101101 101100 101110 101010 100010 110010 111010 111101

[picture 6]

VII. THE PLANET EARTH:

000000 000001 000011 000111 001111 011111 010111 010000

[picture 7]

VIII. THE PLANET VENUS MELODY:

011011 011010 011000 011100 010100 000100 001100 001011

[picture 8]

[picture 1-8] Composition „The Marsozentric Planets“ (8 Melodies with 8 bars length)

So these Melodies are combining free melodic inspiration wit 8 “3-Ton Neumes” and 8 different rhythm scheme.

So the “binary 8 Answers” from Mars which my Uncle and his colleagues heard in the Radio-Message on MARS are now composed “within” these 8 free Melodies as “The Marsocentric Planets”. It helps to feel how the Planets can bee seen from Mars. In Uncle Vily’s telescope from the Astra-Bus “Our Sister Mother Earth” really looked beautifully blue.

So this Message came now to the form of a music artwork and are the first Melodies inspired from a real radio message from Mars.

I think a higher intelligence is loving the language of music and they want to communicate with us humans with music and art.

(to be continued…)

---

425. Music from heart to heart and Universal Symbols from Mars

 

 

[picture 1] detail of Palma’s huge painting in Venice at San Zulian (1580-88)

Palmina’s diary, written in a secret alphabet:

“ Sunday, 20th of February.

Today I played a music piece of Palma il Giovane in my afternoon concert.

The moment before I go out to the stage I have to wait behind the stage.

I thought intensive on my Palma and I felt that he was lucky to have telepathic contact with me in this moment and I send him a telepathic kiss and a hug.

At the concert the people liked his artwork although I kept it as a secret that the famous painter Palma il Giovane composed this artwork for me and my instrument.

I asked a bird to bring Palma my greetings…“

* * *

From Palma’s diary, written in a secret alphabet:“

„Venice, Friday, 25th of February.

 

I often go in the church of San Zulian near the San Marco Place in Venice and there I look up to the paintings which I painted during 8 years. (From 1580 to 1588)

I remember all the persons which I painted, especially my saint Pigeon, my inspiration, my Palmina which I painted secretly as saint virgin in the top left side under Jesus.

How often she came with her music instrument to make music in the church while I worked on this huge and big painting.

At afternoon I saw a big heart in the clouds on the sky.

As I went in the Giardino of Venice I heard a little bird telling me a sweet bird message:

»Peep. Peeeep! Palmina tells you that she will play a composition today on her early evening concert. Peep! Peeep! Sweet greetings to you – Peep! Peeeeep!«

And really Palmina played full of heart at around 19:40 p.m. my composition for her: Deep in my heart I could feel her music and light and love during she was playing it. It is like a golden warm light coming from her heart to my heart.

I have to compose something full of joy!

I have to write a new chapter about Uncle Vily on Mars!!!“

And Palma went home seeing again some pink-white clouds on the sky and he composed and he wrote a new chapter and…

* * *

Uncle Vily – Back to earth

=========================

[28.] Universal Symbols from Mars

=========================

Often I played on the old Pianino in the dining room of our family house.

On the birthday of my famous solo Violinist grandfather Rudolf Spitzner, the 24th of February, mum told me that my grandfather played every day Violin in this dining room together with my grandmother Maria (the sister of Uncle Vily)– she played on this piano very good – as they where together in the same school class (maybe 14 year old or elder).

They learned each other through music activities. Their souls communicated a lot of hours with playing together a music piece.

Yes, and as little child, as I was often on holiday to visit my uncles and aunts in this family house I played own creations on that piano and I played also on my very little children-Violin.

One day I waited till Uncle Vily came back at afternoon. So I played on the piano and also on the „Harmonium“ – the so called „little house organ“ – which was on the left side of the Pianino while Aunt Bea worked in the kitchen to prepare for us a afternoon dinner.

Today I wanted to ask Uncle Vily and also Uncle Pepi (he was reading news paper in the kitchen talking with aunt Bea about Misha the black-white dog who was hungry). I want to know what he thinks that the „8 Octal binary Signs“ from the radio Signal mean and what the „8 radio answers“ with the different 64 binary „Base-64 Symbols“ could stand for.

While I was playing and composing own music artworks I often has to think about possible answers of Uncle…

 

Outside in the garden I heard the little birds tweeting peacefully and playing together „catch me“ and I could also smell the roses from the garden which are planted from aunt Sophie and Fanny (the twins sisters of Uncle Vily) while I was sitting on the historic Pianino.

* * *

Later I went up to the room to wait for Uncle Villy in his room and looked on the Mars Globe and the pictures from inside of some huge Mars-Buildings.

There was a drawing which Uncle Vily made very fast from „Signs”. Maybe today he will bring a detailed drawing of that signs.

From the building on Mars. Yesterday he said that he made it with a thin paper like the archaeologists on earth did it with hieroglyphs.

[picture 1 „fast drawing“ (not very exact) from the first view]

As he came I asked him: „Uncly Vily?“

„Yes, Gerald“

„What are these binary symbols standing for? How can we understand their meaning?“

„That is an important question! As we were alone in the Astra Bus waiting for more radio signals during the months we had no contact to the 2 south expeditions and the Earth Station, we created the theory that the „higher intelligence“ is talking to us with UNIVERSAL SYMBOLS…“

„But what is a »Universal Symbol« Uncle Vily. I never heard that?“

„Gerald, WE called it like that. Our theory is that we could only communicate due something which is universal. Something that an intelligence is similar understanding like we. So they decided to talk to us in binary Codes or Symbols.

„Universal“ we called it because everywhere in the universe are million of suns with millions of planets. All the planets are rotating around their axis and so the planets has a „night“ and a „day“ phase – changing in constant cycles as „day and night“. So THIS could be known and understood in the whole universe where higher intelligence is…“

„So „1“ stands for „day“? …and „0“ stands for „night“?“

„Right, Gerald, this could be a possible symbolic meaning… But there are a lot of binary things we can observe in the universe. „Winter – Summer“ – „Breathing IN – and breathing OUT.“ – also „Diastole“ and „Systole“ of the movement of the heart – also the Quantum which moves and giving „light“ as a result of a binary cycle. Also Planets or Moons are moving between their „Apel“ and „Perihel“*).

____________________________________________

*) „Apel“ and „Perihel“ – These are the nearest or most far point of a planet or moon moving around a sun or a planet

____________________________________________

Everything which is changing from one to an another.

„Oh, everywhere is a binary cycle in the universe!

And the Octal Signs…? What could they mean?“

„We spoke a lot of that in our time on Mars:

* It could be the planets, moon and sun:

Moon, Planet Mercury, Venus, Sun, Mars, Jupiter, Saturn.

* Or the 8 directions on a planet like North, East, South West:

N, O, S, W and NE, SE, SW, NW or something else.

Maybe they have both or more meaning depending how the Octal signs are used…

* higher Intelligence can use it to communicate between us and them…“

„But what do the „8 answers“ about the 8 Octal Signs mean?“

„We could realise that they made 8 transformations of each of the 8 Octal signs:

First they made a double symbol, e.g. from „111“ to „111111“.

This is „111+111“

Then they changed always only one number into the complete opposite („1“ to „0“ and „1“ to „0“). They did it always in the same way…“

„…they did this transforming with all „8 Octal Signs?“.

„Yes, Gerald with all 8.“

„…and what is so special with these transformations?“

„I think the unique fact is: They generate all 64 Signs form only 8 different Octal Binary Signs WITHOUT making a Base-64 twice.“

„Really only one time? By change 1 to 0 and 0 to 1 they did never create a Sign twice? This is like a miracle…?!“

„Yes, Gerald. This is a miracle. We studied the answers very long and each Base-64 sign appears only ONE TIME!

We came to the conclusion that they started the communication to us humans with this simple binary signs or symbols to teach us.

THESE 8 answers are maybe a „higher binary mathematics“ which have an universal symbolic meaning. Maybe we find them in the solar system, in the nature, in the quantum physics, in the philosophy, psychology, medicine or also in the history of culture and also in old texts of the world’s religion on earth…“

„Oh, this sounds very interesting…“

„So we cannot speak their language but there is something universal that can be the basic of inter-species communications, even interplanetary or interstellar or even also with inter-galactic communication with far, far away living intelligent beings.“

Later Uncle Pepi came also up in the room and spoke with us.

Later time (years) he repeated this, so I can remember this today:

„It could be that within the 8 answers the „transformations like from

„000“ to „000000“, from that to 000001, from that to 000011, to 000111, to 001111, to 011111, to 010111 and from that to 010000 is also a „development progress of transformations in a „symbolic“ field or „sphere“ or „thematic meaning“ of each answer to a Octal Sign.

So the answer to „000“ has the topic of transformations in 8 steps within the 8 Base-64 Signs of the „000“ answer.“

„This means the „000“ topic shows in its answer the growing of the „1“ the growing of the „day“ (0=night 1=day) or the growing of the „light“ like it happens in the cycle of a planetary-year from „Winter solstice“ to „Summer-solstice“

000 – 000001 000011 000111 001111 011111 010111 010000

000= Planet Earth, 1=the day (growing „1“, e.g. a „sunrise on planet“ or the „coming spring“)

„Maybe, Gerald, maybe something like that. It has sure a symbolic meaning. We humans use also the Greek „Alpha“ (A) for „The beginning“ and the Greek „Omega“ (Ω) for the „Ending of something“.

„Alpha and Omega“, written as „A – Ω“ in the Art on Earth, from the Bible for example.

Something what also happens in the nature and has an universal meaning for all intelligent living being which know the cycle of day and night“.

„And these signs you saw on Mars are maybe also universal symbols…?“

 

[picture 2] „fast drawing“ (not very exact) from the first view

 

„This are sure symbols and it is a message! But the analysis is much different from the radio signals. They made this so exact that my fast drawing is only to give an impression. I am searching for the thin paper on which a made the drawing much exactly…“

I looked long at the symbols and I feel that this is a very, very high intelligence who made this text.“

We all looked silent at the text…

(to be continued…)”

 

============================================

* * *

And after he wrote this new chapter he met Palmina in the Peony Gondola at 23 p.m.

 

[picture 2] Planet Venus and Mars going hand in hand on the sky and the moon (below)

Palmina and Palma looked both from their Peony Gondola over the Planets on the night sky over Venice.

Palmina’s eyes shined and Palmina gave her head on Palma’s side and she gave her hand and he gave her a tender soft kiss.

And Palma showed Palmina his new music art creations like that:

 

a) VIDEO: https://youtu.be/3IfUeExT6HE

[129d] Violin and Piano by Gerald Spitzner 

painting: detail: »Il trionfo di san Giuliano« 1580-88, Venice by Palma il Giovane (1548-1628) music composed by Gerald Spitzner

 

 

b) VIDEO: https://youtu.be/VYvSYVX63X0

[129c] Violin and Piano by Gerald Spitzner

painting by Palma il Giovane (1548-1628)

music composed by Gerald Spitzner

 

c) VIDEO: https://youtu.be/R22nQnyIfZ0

Music score video: [129b] Violin and Piano

music composed by Gerald Spitzner

______________________________________________

 

(to be continued…)

 

 

 

 

---

 

424. A new chapter from Mars and the music score surprise for Palmina

 

 

Palmina was lucky to get this music surprise.

“Palmina?”

“Hm?”

“I have a also new chapter of my remembering about Uncle Vily and the Mars-Mission in the 20^th century and I have also the music score of your music surprise (see below):

Uncle Vily – Back to Earth

=================================

[27.] Higher dimension communication on Planet Mars

================================

I wanted also to read how the “Communication” on Mars went on after they got this binary radio-message.

While Lawrence and Morphy from the Meteorological station took their flying Dragon-fly to search after a radio signal from the astronauts in the south Uncle Vily and Karel studied also the radio message they got there on Mars.

I remember later reading 3 reports during the great storm.

The fact that Morphy found also a report from the Base-Station at the Barrier” (Mountain) and a Base-Station in the south at the half way to Deacolionis Regio means that they survived the storm and did not die.

But they are still missing and Morphy, Lawrence, Karel, and Uncle Vily could not find the other astronauts after the big storm but only their written reports in the stations.

Uncle Vily stayed together in the “Astra Bus” with the big Antenna. They hoped to hear a radio signal from the expeditions in the south. But all they hear was this Binary Message:

111 010 110 001 011 101 000 100

I compared the original report from Mars and the draft for the novel for children and the youth. These parts of the draft was not printed in the novel:

“[…] What should we give as answer to this 8 different “Octal Numbers” (1)

How should we know the meaning of these 8 Numbers / Letters ?

Maybe it is an Octal Alphabet or words or even Symbols like Images?

How should we understand the meaning?[…]”

1. The “Octal” number system has 8 numbers (0,1,2,3,4,5,6,7).

   We on earth normally use the “Decimal” number system in our daily life (0,1,2,3,4,5,6,7,8,9).

   Here 3 “Binary” Numbers – “0” and “1” – are used to form 8 different “Octal Signs” or “Numbers” or “Letters” “111 010 110 001 011 101 000 100”

Uncle Vily and Karel decided to send back one of the eight Octal “Symbol” they got from them:

The simplest “111” – the 1^st Octal Symbol:

“[…]

“What should be send as Binary signal?”

“The best we use the beginning of their message and maybe we will get an answer…”

Later we send this radio message from our Astra-Bus on Mars: “111”

And really we got this answer:

111111 (they made a double of “111” + “111”)

after a while they continued to send this:

111110 (one Number has changed from 1 → 0)

later this:

111100 (another Number has changed 1 → 0 and so on…)

111000

110000

100000

101000

101111 (here only the last 3 numbers changed from 000 → 111)

Then the radio was silent for the rest of the Mars day. So we got that day this binary “answer”

111111 111110 111100 111000 110000 100000 101000 101111

They formed our “111” to “111+111” – Made a double Octal Number

The next day, after we analyzed this binary answer we send simple “000”

And after a while we got this answer

000000

000001

000011

000111

001111

011111

010111

010000

So for this day we got this answer then the radio was silent the rest of the day::

000000 000001 000011 000111 001111 011111 010111 010000

We compared the two answers (Q=Question, A=Answer):

Q: 111

A: 111111 111110 111100 111000 110000 100000 101000 101111

Q: 000

A: 000000 000001 000011 000111 001111 011111 010111 010000

111 – 111111 111110 111100 111000 110000 100000 101000 101111

000 – 000000 000001 000011 000111 001111 011111 010111 010000

We compared the 2 massages writing them in two lines and discovered that they are the complete opposite of each other.

1 ↔ 0 and 0 ↔ 1 or 000 ↔ 111 or 111111 ↔ 000000

Every day we send one of these “Octal Symbols“ as binary term and we got every time an answer:

The next two days we had these answers for “101” and “010”

101 – 101101 101100 101110 101010 100010 110010 111010 111101

010 – 010010 010011 010001 010101 011101 001101 000101 000010

The next two days we had these answers for “100” “011”

100 – 100100 100101 100111 100011 101011 111011 110011 110100

011 – 011011 011010 011000 011100 010100 000100 001100 001011

The next two days we had these answers for “001” “110”

001 – 001001 001000 001010 001110 000110 010110 011110 011001

110 – 110110 110111 110101 110001 111001 101001 100001 100110

Finally we had this dialogue (left are “we” and right are the 8 answers)

111 – 111111 111110 111100 111000 110000 100000 101000 101111

000 – 000000 000001 000011 000111 001111 011111 010111 010000

101 – 101101 101100 101110 101010 100010 110010 111010 111101

010 – 010010 010011 010001 010101 011101 001101 000101 000010

100 – 100100 100101 100111 100011 101011 111011 110011 110100

011 – 011011 011010 011000 011100 010100 000100 001100 001011

001 – 001001 001000 001010 001110 000110 010110 011110 011001

110 – 110110 110111 110101 110001 111001 101001 100001 100110

They gave an Explanation for each “Octal Symbol ” or “Number” or “Letter” in a binary “Base64 Code” (2).

2. They can be compared to “Base 64” Number System (64 different numbers: 0-9 A-Z, a-z, + and / ) which is still used today to send Binary files via e-Mail. Base-64 codes are also used today in youtube-video-links ( e.g. “AH7kaMPcyak” is a Base64 Number code in this link: https://youtu.be/AH7kaMPcyak (youtube does use “–“ and “_” instead of “+” and “/”)

Very interesting is that in all 8 “Answers” there was no repetition of even one Base 64-Code (it was only use one time)

A “universal alphabet” of 64 Symbols?

So we have here 64 DIFFERENT Base 64 Codes or “Numbers” or “Letters” or “Symbols” or “double Symbols” .

If we can understand what is the meaning of each of these different 64 “Symbols” is we can maybe understand what they are trying to tell us.

One seems to be clear:

They are describing or expressing the meaning of each Octal “Symbol” or “Signs” with 64 different Base 64 “Signs” send 8 Signs in a line.

So all 64 different Base 64 Signs are divided in 8 Groups (8 Answers).

Each of the 8 signs within in an “Answer” are made in a line made from a mathematic order.

We can describe these mathematics order as “transformations” of the Octal Sign.

First they made our “Question” to a “double Sign” 111 → 111+111= 111111

Then they “transform” this Base 64 sign which is changing one binary number in their opposite ( 1 ↔ 0 , 0 ↔ 1 ). Only the last has transformed 3 numbers at once in their opposite (000 → 111 or 111 → 000 )

111 – Answer:

111111 → 111110 → 111100 → 111000→110000→100000 → 101000→101111

000 – Answer:

000000 → 000001 → 000011 → 000111 → 001111 →011111→010111→ 010000

and so on (we found this “transformation-order” in all 8 answers)

The 8 answers can be interpreted as “explanation” of the 8 Binary Signs.

We can also see that this transformation of the 8 Questions are never generating a Base 64 sign twice.

Karel and me we think that these 8 Binary “answers” are made from a higher intelligence.

They communicate not simply like humans with “letters” forming “words”or numbers they communicate with universal codes like universal “symbols” which have maybe an universal meaning.

They wanted to say us that the “Octal signs” (like 111) have the meaning of 8 of Base 64 (111 – 111111 111110 111100 111000 110000 100000 101000 101111) or they want to say that they have something to do with them and the 8 Base64 signs are “connected” together with other 8 Base64 signs which have the complete opposite Binary number like the meaning of (000 – 000000 000001 000011 000111 001111 011111 010111 010000)

So we have 32 Base64-pairs which are completing each other.

e.g:

111110 ↔ 000001

or:

001001 ↔ 110110

We learned from this Communication:

The communication with a higher intelligence can only be done with symbols.

Using an Alphabeth is useless until the higher intelligence does not use our alphabeth. Only Universal Symbols can be used for the beginning of a communication with a higher intelligence.

Numbers can be used as Symbols – here we are using Binary Numbers to form Symbol-Codes.

So what does the 8 Symbol-CODE from Mars mean and what are the 8 Symbols standing for?

111 010 110 001 011 101 000 100

Uncle Vily was doing analysis if the CODE has similar parts of the “Answers”:

a) 111 010 110 001 011 101 000 100

b) 111 010 110 001 011 101 000 100

c) 111 010 110 001 011 101 000 100

d) 111 010 110 001 011 101 000 100

He found 4 parts of the CODE which he found in 4 of the answers:

b) 110 – 110110 110111 110101 110001 111001 101001 100001 100110

c) 010 – 010010 010011 010001 010101 011101 001101 000101 000010

d) 011 – 011011 011010 011000 011000 010100 000100 001100 001011

a) 101 – 101101 101100 101110 101010 100010 110010 111010 111101

Then he made analysis of the 8 Symbols within the CODE:

There is only one Symbol wich is „surrounded“ by 3 symmetric pairs and the left and on the right side : Symbol “001”

111 010 110 001 011 101 000 100

The symmetric “neighbors” of 001 are 110 (left) and 011 (right), they are a mirror pair 110 ↔ 011 )

111 010 110 001 011 101 000 100

The next symmetric pair neighbors are 010 and 101 (a opposite pairs 010 ↔ 101 and are transformed, changed):

111 010 110 001 011 101 000 100

The next symmetric pair neighbors are 111 and 000 (also opposite pairs):

111 010 110 001 011 101 000 100

Finally there is only Symbol 011 left and has no symmetric partner on the left side then 001 itself (001 ↔ 100)

CONCLUSION:

The 8 Symbol CODE from Mars has the 001-Symbol in the “CENTER” of 3 symmetric Symbol pairs (110 ↔ 011, 010 ↔ 101, and 111 ↔ 000) which are to each other mirror or opposite Symbols.

Maybe the Symbol 001 represents Planet Mars

this could mean that the answer of “001” is:

001 → 001001 001000 001010 001110 000110 010110 011110 011001

This we call as “Planet Mars-Code”

So the neighbour-Symbol in the CODE on the left is “110” and could represent the “neighbour planet” of Planet Mars: Planet Jupiter:

111 010 110 001 011 101 000 100

So the answer of “110” is:

110 → 110110 110111 110101 110001 111001 101001 100001 100110

So we called this “The Planet Jupiter-Code”

Maybe the “111”-Symbol represents the sun:

THE SUN-Code:

111 – 111111 111110 111100 111000 110000 100000 101000 101111

and “000” our Planet Earth:

THE PLANET EARTH-Code:

000 – 000000 000001 000011 000111 001111 011111 010111 010000

So maybe “answers” have this symbolic meaning:

THE Planet MERCURY-Code:

101 → 101101 101100 101110 101010 100010 110010 111010 111101

The Moon-Code:

010 → 010010 010011 010001 010101 011101 001101 000101 000010

The Saturn-Code

100 → 100100 100101 100111 100011 101011 111011 110011 110100

The Planet Venus-Code:

011 → 011011 011010 011000 011100 010100 000100 001100 001011

THE PLANET MARS-Code:

001 → 001001 001000 001010 001110 000110 010110 011110 011001

Here the Planet Codes as Overview in order of the “8 Symbol-Codes:

( 111 010 110 001 011 101 000 100 )

(Sun, Moon, Jupiter, Mars, Venus, Mercury, Earth, Saturn)

THE SUN-Code:

111 – 111111 111110 111100 111000 110000 100000 101000 101111

The Moon-Code:

010 → 010010 010011 010001 010101 011101 001101 000101 000010

The PLANET JUPITER-Code:

110 → 110110 110111 110101 110001 111001 101001 100001 100110

THE PLANET MARS-Code:

001 → 001001 001000 001010 001110 000110 010110 011110 011001

The Planet Venus-Code:

011 → 011011 011010 011000 011100 010100 000100 001100 001011

THE PLANET MERCURY-Code:

101 → 101101 101100 101110 101010 100010 110010 111010 111101

THE PLANET EARTH-Code:

000 – 000000 000001 000011 000111 001111 011111 010111 010000

The Saturn-Code

100 → 100100 100101 100111 100011 101011 111011 110011 110100

The 8 Symbols in order after the “8 Symbol Code”

with its 8 “Answers”:

111 → 111111 111110 111100 111000 110000 100000 101000 101111

010 → 010010 010011 010001 010101 011101 001101 000101 000010

110 → 110110 110111 110101 110001 111001 101001 100001 100110

001 → 001001 001000 001010 001110 000110 010110 011110 011001

011 → 011011 011010 011000 011100 010100 000100 001100 001011

101 → 101101 101100 101110 101010 100010 110010 111010 111101

000 → 000000 000001 000011 000111 001111 011111 010111 010000

100 → 100100 100101 100111 100011 101011 111011 110011 110100

So all this was a part of analysis of Uncle Vily and Doctor Karel who worked together for months inside the Astra-Bus on Mars while the other astronauts moved to the south to create a new Base-Station at Sinus Sabeus on their way to “Deacolionis Regio”.

Uncle Vily observed also from this “Astra-Bus” the movement of the stars seen from Mars (“Marsocentric” view”).

The “Astra Bus” was double sized or more as a normal bus on earth had 10 beds, a radio compass a radio-station with a strong parabolic antenna, a lot of scientific equipment and decompression room (for going in and outside on Mars with an astronaut coat) and a little observatory to look to the planets at the evening sky. The little observatory room was situated at the end of the bus and was also a little bit higher as the rest of the Bus.

They made this radio-message analysis during Laurence and Morphy are flying outside with the Mars Dragonfly to find the 2 expeditions of the astronaut-teams far, far in the south. Maybe they left the Schiaparelli Crater and are on their way to the “Deacolionis Regio Crater” which is also big like the Schiaparelli Crater.

Morphy landed at the south Base-Station at the beginning of the “Barrier” and he found some written reports of the 2^nd doctor of the Mars-Mission. The 2^nd doctor went also outside, but he survived the big storm because he wrote a similar report like Karel wrote and the outer team wrote about this huge and long storm […] Later he found the new Base-Station, inside also a lot of written reports about the expeditions and all they discovered with photos. But all the astronauts are gone and no sign of activity was found inside the stations. Lawrence and Morphy started also to search them and it was all the time silence in the radio – nothing to hear about the 2 expeditions…”

During all the days of silence (there was also no radio contact to the earth station for a half of an year as the earth was behind the sun – seen from Mars) Uncle Vily and Karel made this analysis of the Binary radio Message.

(to be continued…)

=======================================================

[27.] – https://wordpress.com/post/unclewillybacktoearth.wordpress.com/570

=======================================================

Palma wrote in his diary in a secret alphabeth:

“Today I saw a few birds in the garden. They all seemd to serch contact to me.

Suddenly the female byzantine Pigeon flew to the window at the right side where once the family of the model which Master Titian painted for his last artwork “La Pieta” which I finished after he died 1576 in Venice.

The Pigeon looked to me and in this moment – and it was a very long moment – the sweet Pigeon seemed to look at me as If she was Palmina fo a moment.

Maybe Palmina could see me for a few minutes through the eyes of this female Pigeon.

Today I will show her the music score video of her special music surprise and deep in my heart I know that she allready knows that…”

VIDEO: https://youtu.be/U0DP5zliQ5c

(music score) Violin and Piano [128d]

music composed by Gerald Spitzner

(to be continued…)

===========================================