And as Palma and Palmina started to hear this music they saw in their Vision that their Melody, which is a symbol and deep old rembering of their common creative music and painting creation time in Venice in the 16th century, will been sung by an Angel Choir in 400 years at Vienna at the famous St.Karlschurch in Austria.
The dream of Peony Vision showed them the music performance of a very good Youth and Children Choir and Orchestra of Poděbrad of Bohemia.
„Look Palma, they will perform our Song also in 400 years!“ Palmina said with her fine and soft voice smiling and with shining eyes.
„Oh, my Palmina, my Saint Cecilia! I thank you for inspiring me once..We have to thank the Angels of the Heaven, that they came and sung the song. We have to thank the Saint Virgin and Saint Lucy for their prayers…“
Palmina smiled and gave Palma a sweet short kiss on his right cheek and she hold his right hand and he could feel it.
And they saw now the vision of the Peony Gondola Song like this:
VIDEO: https://youtu.be/cQWB3hgMrjw
And they saw this in their Peony Vision at 23 o’clock at 11 p.m.
»Venice, 1582
(Love Letter 176)
Dear Palmina!
Today and in the last time I could feel that you played 20 minutes for me on your Lute.
It was your Pipa-Lute, am I right?
Deep in my heart I felt that you thought on me and you played for me my composition which I wrote for you.
In these moments I am so lucky. In these moments I feel there is hope in our century.
Of course I know there are dark souls who wants to destroy our communication.
Our secret service of our Republic of Venice found out that criminal persons are stealing your messages to me and my messages to you.
They know now their correct identity and are tracking them by day and by night and waiting if the Republic gives orders to arrest them. They are waiting to find out which other content this criminal network has. If they have enough criminals they will arrest them in the same moment so they are not expecting to be watched by our secret service of our Republic.
picture 3 – Palmina as Lute playing Angel
How good it is to have our Peony Gondola. How independent we are to be connected from heart to heart.
I love you and I thank you so much for performing my music artwork.
It gives me a smile and a warm positive feeling in my heart.
I often feel you thinking on me and smiling to me shy.
I am looking forward to see you again at 23 o’clock in our Peony Gondola.
With much deep love
your Palma il Giovane«
picture 3 – Palmina as Lute playing Angel
And Palmina wrote also a message to Palma:
»Dear Palma!
I am writing to you to send you a music message deeply from my heart.
I feel it that you are so lucky to hear me playing on my Lutes.
I know you like the Chinese Lute Pipa very much.
I send you via our Peony-Gondola 20 minutes of your music artwork I played for you.
Those persons who tried to steal my message to you are sure soon put into prison.
No Republic in the world would allow a private person to steal the letters or messages of an other private person – not in our century and not in 400 years.
I could feel: our heart to heart connection is the best way of communication.
I played my artwork as heart to heart message to you.
I am looking forward to see you again in our Peony Gondola at 23 o’clock at 11 p.m.
I send you a tender heart to heart music-kiss
Your you loving
Palmina Albina«
* * *
And they saw now a big Cathedral with a beautiful choir singing the Peony Gondola Song in San Marco in Venice.
Palmina put her head on Palma’s side and he put his arm around her.
Both smiled and listened to the »Peony Gondola Song«
(to be continued…)
picture 4 – Palmina as Pipa-Lute playing Angel on a Peony Gondola Gondola waiting for her Jacopo Palma il Giovane
picture 1 – Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgia Maggiore, Venice)
The Gondolier was waiting for them with the beautiful shining lanterns in the Gondola. He will bring them later, after the walk on this Isola Giorgio Maggiore, to Giudecca Island at the Le Zitelle where Palmina has her 2nd flat and is protected by the Jesuits from her violent father and violent brother.
Other girls at the Le Zitelle have also problems with their fathers and brothers. They are reading their private messages and letters, erasing them and changing their content to isolate them from others. That’s why the girls are living here on Gudecca Island at the Jesuits.
The local authorities do not allow this and have strict laws against this and that’s why some fathers or brothers had been arrested for doing this to their relatives; arrested by the Republic of Venice – the R.O.V. – the mightiest Republic in the 16th century.
Now, not even the Gondolier could see what Palma and Palmina are doing at the secret gardens of Giorgio Maggiore, here where so much famous painters had deep inspirations (Claude Monet, 200 years later, had also big inspirations here on Giorgio Maggiore and painted a lot of paintings here and he painted also this little island).
After a while of silence Palmina asked whispering:
»Palma?«
»Yes, my Music-Angel?«
»You would really paint a white pure Pigeon in your big painting for this Church when it is ready build in a few years¹, as remembering to our spiritual walks and travels with the Gondola in Venice?«
»San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta and forms the focal point of the view from every part of the Riva degli Schiavoni.«
»Yes, Palmina, and if we see us again in 400 years we will stand here in front of this painting and we can say this white pigeon I painted to remember our deep spiritual love.«
And they saw now in this Peony-Vision all the paintings which will be painted for this church San Giorgio Maggiore.*)
*) beside the painting »Circumcision/Presentation of Jesus in Temple« – by Palma il Giovane
There are other paintings in the monastery building:
The Last Supper by Jacopo Tintoretto
The Fall of Manna by Jacopo Tintoretto
Entombment of Christ by Jacopo Tintoretto
Madonna enthroned with Saints by Sebastiano Ricci
Risen Christ & St Andrew with Morosini family by Jacopo & Domenico Tintoretto
Adoration of the Shepherds by Jacopo Bassano
They saw the painting of Sebastiano Ricci and Tintoretto and also about Santa Lucia
picture 2 – Miracle of the immobility of Sta Lucia by Leandro Bassano
picture 3 – painting of »Santa Lucia« by Palma il Giovane
And they saw also that Sebastiano Ricci (he was later born then Palma) will dedicate the angel with mandolin to the secret deep love to Palma and Palmina.
picture 4 – painting by Sebastiano Ricci
picture 5 – detail – Sebastiano Ricci painted a little Mandolin angel as remembering of Palmina
picture 6 – painting «Venus and Cupido« by Sebastiano Ricci inspired by the love of Palma and Palmina, symbolised as 2 white pigeons
The saw in their Peony-Vision that Sebastiano Ricci will also be inspired by this future- painting of Palma il Giovane with the 2 white pigeons on the right side (the 2nd pigeon is in the basked) – he studied it very intensive – and painted also two white Pigons in his famous »Venus and Cupido«
»Sebastiano Ricci (1 August 1659 – 15 May 1734) was an Italian painter of the late Baroque school of VENICE. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. «
»But it is not easy for a man to be in love with Saint Cecilia…«, Palmina said innocent but very direct.
»Why, Palmina?«, Palma asked like a wise man.
»Saint Cecilia was a saint and a virgin and she wanted to keep her virginity and she wanted only to have a spiritual love relation so it was difficult for a man to marry Saint Cecillia…«
»…Hmm…, but a spiritual love…. if it is really a high dimension love, then it is like two pigeons are marring from heart to heart. They need only the spiritual arrangement of the heaven, nothing else…and this the two pigeons can feel deep inside their hearts«
»I know, Palma, this I mean with ‚It is difficult for a man to be in love with a saint virgin‘. But you, Palma, you are different. You understand the principles of a deep spiritual love. As artists we can live this spiritual love as real and the results of our deep love are great artworks and great thoughts for the culture and history – We will inspire the next generations of artists. Our children are our artworks.«
Palmina and Palma hugged standing in the secret gardens of »Giorgio Maggiore« where no one is watching then; only the planets and stars, the angels and the saint of the heaven can see them; and they smiled down to them, down to planet earth, down to Venice, down to the little small island Isola San Giorgio Maggiore, called in Venetian language »San Zorzi Mazor«.
»My Pigeon…«
»My Palma…«
»My Inspiration…«
»My composer…«
»My composing lute playing angel«
»My secret writer…«
»My yellow canary bird…- Let us work together in the next centuries – if the heaven is allowing this to us – Let’s make this wish«
»My astronomer – Yes, let us work together – Let us make this wish – Dreams come sometimes through – All we do in our artworks will be connected through our Peony Gondola, Yes, Palma – Yes Palma, – I love you and I feel it: you respect how Saint Cecilia is…«
»Yes, Palmina, I respect you…«
And in a common Vision they saw the big painting Palma il Giovane should paint for this church on that small island.
picture 7 – »Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgio Maggiore, Venice )
Palma hold her head with his strong hands, but tender, and kissed her and her beautiful lips, very soft and slow and short.
But in their heart the kiss started also, they could feel it, and this beautiful feeling they kept in their heart, even after the short tender kiss.
And this feeling stayed for day and night.
Both looked at the Vision of the painting and they saw that Palma should paint the Pigeon held by a women and the Pigeon seemed to smile with its eyes. And an other Pigeon in the basked
picture 8 – two white Pigeons – detail of Palma’s big painting at the Church of Giorgio Maggiore (in Venetian »Giorgo Mazor«)
picture 9 – white Pigeon (detail) by Palma il Giovane
After this beautiful inspiration Palma and Palmina went long along the green gardens and sometimes they heart an bird or a cicada or a tiny little mouse moving.
It was a beautiful »inspiration-walk« here on that island. All the monks are now sleeping in their monastery and there was no light in their windows any more. It was now very late and they went back to the Gondola with the shining lantern where the Gondolier was respectfully waiting.
Now the Gondola moved very slow to the neighbour island Giudecca where after a few meters the »Le Zitelle« Building was. Palma brought Palmina up to her flat in the 3rd floor and she played again on her lute for him and on her harpsichord like the Saint Cecilia. Palma made again some paintings of her and continued to paint on the white pigeon.
Later he asked her:
»Do you like the white Pigeon? Should I paint her like that in the future painting?…I will also paint a second Pigeon in a basked on that painting. The two Pigeons are we…The basked represents the Peony Gondala«
Palmina smiled and was lucky to feel connected with Palma’s heart.
Palmina sat on her little bed looking through her window to the San Marco Place, which is far a way but some lanterns are shining also in the night there.
Palma sat also on her bed. Palmina took Palma’s right hand and both looked long through the window.
Palma remembered her words about the virginity of Saint Cecilia and respected her.
»Do you know the love relation and legend between the unicorn and the virgin, Palma…?«
Palma smiled and looked to her side and he put his arm around Palmina.
Now they are sitting and Palmina’s little small bed, looking in the direction of San Marco Place at the Dogan’s Palace where still hundreds of candles are shining through the windows.
Yes, now they are sitting holding their hands like two little children who became deeply loving friends.
picture 10 – spiritual marriage without touching the Virginity of Saint Cecilia
picture 11 – spiritual marriage without touching the Virginity of Saint Cecilia
Palmina turned her smiling face to his side and she was lucky to have a loving friend like him – A loving friend that is understanding her deep spiritual secret.
picture 12- detail – »Presentation of Jesus in Temple« by Palma il Giovane (Isola Giorgia Maggiore, Venice )
»Look, I will also paint a clerical person looking like a pope with a white Pileolus on his head, looking from behind to the fresh born baby…Hmm, he looks as if this fresh born baby is his…«
»Oh…why that? …this is also a symbol of something real of our century…hmm, isn’t it, Palma? You always painted something from the present in your images…«
And Palma waited for Palmina at the end of the »Calle de la Terrazera« for Palmina coming with her Gondola along the »Rio de la Pieta«.
»Oh, my saint Pigeon, my Saint Cecilia, my saint Pipa Princess Wang Chao Cun is coming with her Peony – Gondola-Chung!«.
Palmina smiled so lucky as Palma entered the Gondola. In her hands she is holding her Lute. But, Palma is a man and has his heavy body weight. So the Gondola is shaking and moving a little bit up and down in the moment he is entering the Gondola.
Palmina could feel the movement of the Gondola and her body was also shaken a little bit.
Yes, Palmina liked the moment Palma is entering her Gondola. It gives her a strong feeling that such a heavy and important man is entering her fine Gondola. It has something cosmic for a women if a man with such spiritual creative energy is entering her sphere. Palmina looks in this moment more innocent than ever. She, the innocent Lute playing angel, inspired by the spirit of saint Cecilia, which is a saint virgin. Saint Cecilia is one of the 8 saint virgins including the saint virgin Mary.
She looks very shy in this moment. Although she is knowing Palma for a very, very long time and she is trusting him, the moment of entering her Gondola has something elemental cosmic.
The movement of the Gondola is touching Palmina and she can feel his strong male energy in this moment.
The decent movement of the Gondola inspired once Palma il Giovane to compose »The Peony Gondola Song« for her.
Palma smiled in this moment and tried to give her the feeling to be secure with him.
Yes, Palma was a professional painter and artist. He never touched his models even they had been sometimes for special paintings nearly naked as he painted them – Ok, they where not naked, but »nearly« naked, sometimes.
The church didn’t like that painters in Venice are painting naked women or adult girls for their paintings.
So sometimes Palma had only to paint from a model only her beautiful legs – from an other model her face – from an other model her naked breasts. Sometimes he painted only her eyes or ears or lips or arms or hands.
But Palmina knew this painting method and she allowed him to paint sometimes her beautiful legs, or arms or hands, and so on… Often he had to combine this female impressions to a fantasy (nearly-) naked women. (Palma’s paintings of naked women are wearing always a little clothing – Michelangelo¹, who was also painter and composer was also not allowed to paint naked women and man in the famous Sistine Chapel. in Rome, Vatican State¹)
So the intrigues of the church had never a change to say anything against Palma il Giovane’s paintings of women, because he never broke rules.
Palmina had today her Venetian Lute and she hold her instrument smiling.
As Palma sat down in the Gondola and the Gondola was again quite and soft in its movement, Palmina started to play a wonderful little private concert for him.
Slowly the Gondola moved straight ahead along the rest of the »Rio de la Pieta« and after they drove under the last bridge the Gondola moved straight ahead to the island San Giorgio Maggior, called in Venetian language »San Zorzi Mazor«.
After a few minutes the Gondola is far away enough from the Promenade and no one could figure out who is sitting in this Gondola not even while the lanterns in the Gondola were shining bright.
Palmina smiled and looked into Palma’s eyes.
Palma was covered by her music and love she is radiating from her heart.
In his thoughts Palma was holding and kissing slowly and tender her talented hands and arms.
Palmina could see his thoughts and smiled shy.
Then Palma kissed the left side of her neck and kissed her under her ear, later also her ear. This he did very tender and soft – in his thoughts.
Palmina could read in his heart and smiled as if she was feeling his thoughts.
Then he kissed her left cheek in his thoughts.
»Oh, Palma I am playing on my lute…«, Palmina said to Palma in her thoughts and gave him also a kiss on his right cheek – doing this in her thoughts.
Palma could feel it and smiled very lucky.
Completely inspired by his virgin Saint Cecilia Palma started to paint a white innocent pigeon. »This white Pigeon is a symbol of you, my saint inspiration pigeon. My saint Cecilia.«, Palma said to her smiling. Palmina nodded, played wonderfully on her lute and looked at the slowly growing church on San Giorgio Maggiore.
Yes, Palma and Palmina are thinking that this slowly erecting of the church there is a symbol of their growing deeply spiritual love.
Palma knows to be in love with a saint virgin like Saint Cecilia is a big honour and a great change for his inspiration and spiritual love.
He will always respect his pure saint pigeon and the virginity of Saint Cecilia.
As they arrived the Island after this nice Gondola travel they walked at this evening around the gardens of Giudecca Island as they often are doing at the evening.
They looked at the evening stars.
Palma and Palmina are holding now their hands.
They are completely alone here and they saw the position on the horizon where the evening sun has set.
And Palma send Palmina with his toughs this music:
»Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (6 March 1475 – 18 February 1564) was an Italian sculptor, painter, architect, composer and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art. Considered by many the greatest artist of his lifetime, and by some the greatest artist of all time, his artistic versatility was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival, the fellow Florentine and client of the Medici, Leonardo da Vinci.«
picture – white Pigeon (detail) by Palma il Giovanne
»Venice, 15..
(Love-letter 173)
Dear Palmina!
Yesterday, I was friendly invited to a beautiful concert.
I write you a letter because I miss you.
Today I was very inspired. I could feel your smiling and your holding my right hand.
I looked through all my artworks, especially my compositions.
Today I realized that I really did a lot of artworks in my life.
At the evening I played two Organ solo for you during you are sleeping and dreaming from organ music.
During the concert I thought on you several times and I feel it: I miss you.
I felt the blessings of St. Lucy and of you, my Saint Cecilia, my byzantine Pigeon.
Suddenly during I heart the music I felt a warm positive energy from you at my right hand and arm.
It felt as you were beside me, taking care on me and helping me to be inspired in art and music. How did you like my ‚Mars passing the Neptun moon System‘ – Vision Artwork?
picture 2 – of Nereid (right) and Neptune (left) (The outer moon of Planet Neptune)
We are connected by the Peony Gondola.
I love you, my inspiration
your you deeply loving
Palma il Giovane«
»Vienna, 15..
Dear Palma!
I am writing from my concert tour in Vienna.
We have a lot of charity concerts here against child prostitution, to help children to give them a home and maybe in 400 years the world can be better, I mean the laws can be better…
I try to send you a colourful message, but I think the evil members of the Church of Crime on Children did again steal my message…
So we have our Peony Gondola and we can exchange there our messages.
I love your Mars-Neptune-Art-Creation very much.
…I have to look at it again and again.
I am lucky that I am inspiring you so much to do creation of artworks.
Wooo, I am looking forward to meet you in our Peony-Gondola at 23 o’clock at 11 p.m.
Your you deeply loving
Palmina Albina«
picture 3 – Nereid playing with a dolphin. After an antique Greek vase painting.
* * *
Palmina gave him her letter to Palma and Palma gave her his letter.
Both smiled.
It was the only way to exchange letters.
The criminal organisation who are selling children internationally steals every message, and they would also steal it in 400 years…
But at the Peony Gondola they can not come: At this secure timeless and space less place, where only two loving souls are meeting in their dreams is Palma and Palmina’s possibility to communicate from heart-to-heart.
»Palma, I am so proud of you…«
»Palmina, I am so lucky to be connected with you in our Peony Gondola.«
»Yes, but we had so much beautiful hours together in Venice…let us remember that also in 400 years, isn’t it?«
Palma hugged Palmina and Palmina put her head on his side and she could hear his heart beating for her.
And the Peony-Gondola showed them a beautiful Vision and they saw this:
* * *
Palmina took today at the early evening again her way from the »Campo Bandiera e Moro« to the »Le Zitelle« to sleep there in her 2nd flat.
She ordered a Gondolier calling »Gondola, Gondola! Subbito! Per favore… una Gondola!«
»Certo bella Signorina, dove?« asked the Gondolier meaning »For sure, beautiful little lady. Where?«
»…to the Le Zitelle with a long stop on Giorgio Mazior!«
»Comprende, Signorina. Prego,…«, he said and showed with a typical gesture to enter the Gondola.
The Gondolier smiled like feeling Palmina’s secret.
But it was the highest honour of a real Gondolier not to ask for her secret and not to speak with some one about secrets.
And the Gondola starting from the »Rio de la Pieta« at bridge beside the Chiesa San Antonin, picking up Palma from the secret street he always waits for her.
Palma entered the Gondola and none realized that. It was a secure place to enter the Gondola unseen.
picture 4 – map of Venice showing the little street Calle Terazzera where Palma waited secretly on Palmina’s Gondola at the evening
172. »Mars passing the Neptune moon system« in 400 years
picture – Neptune seen from its Moon Triton, who has the same size than planet Mars
»Oh wonderful, Palma. A whole cosmic Organ music piece, played only for me. I love you. I am so proud of you.«
»In around 400 years, on the 7th of December of the year 2018 will be a special day: Mars passing the Neptune moon system«
And Palmina hold Palma’s right hand and he could feel it and Palma was lucky.
»2 days ago you played for me on your Pipa. Thank you, Palmina. My heart could feel it. It was a wonderful music. From your heart to my heart. I love you my Inspiration, my Saint Cecilia, my Pipa princess Wang Chao-chun. 王昭君«
»Oh, it is ok. I love you too. Even we can not see us we can think on each other every day, if you also want, Palma… my painter, my composer, my writer, my astronomer. Hm, I think you are a little astronomer….«, Palmina answered smiling.
»Neptune is the planet of music and art…«, Palma kissed Palmina, tender soft and short.
Now the Peony Gondola started to move to a new vision in 400 years:
And they saw at 23 o‘ clock together in their Peony Gondola suddenly the same astronomic event from three cosmic perspectives:
»Look at that three perspectives:…«, Palma il Giovane explained to his beloved Palmina
» 1. View from the moon Phobos¹ of Planet Mars. Phobos is moving within 7,5 hours one time around Planet Mars (3x times a Mars-day or earth day).
2. View from moon Triton of planet Neptune. This moon Triton² has the same size like planet Mars and also a thin atmosphere. (We can say a planet like Mars is moving around Neptune)
3. View from moon Despina of Neptune. Despina is much nearer to Neptune as Triton and is moving around Neptune very fast…«
Palmina put her head and his side and he put his arm around her during this Peony Vision in their Peony Gondola.
And suddenly they heard in their vision a music which was inspired by Palma’s Saint Cecilia and Saint Lucy. Saint Cecilia inspired this composition like a little tweeting yellow canary bird.
»Phobos (/ˈfoʊbəs/ FOH-bəs, /-bɒs/ -boss,[4] from Greek Φόβος; systematic designation: Mars I) is the innermost and larger of the two natural satellites of Mars,[5] the other being Deimos. Both moons were discovered in 1877 by American astronomer Asaph Hall.
Phobos is a small, irregularly shaped object with a mean radius of 11 km (7 mi)[1] and is seven times as massive as the outer moon, Deimos. Phobos is named after the Greek god Phobos, a son of Ares (Mars) and Aphrodite (Venus)«
»Triton is the largest natural satellite of the planet Neptune, and the first Neptunian moon to be discovered. The discovery was made on October 10, 1846, by English astronomer William Lassell. It is the only large moon in the Solar System with a retrograde orbit, an orbit in the direction opposite to its planet’s rotation.[2][11] At 2,710 kilometres (1,680 mi)[5] in diameter, it is the seventh-largest moon in the Solar System. Because of its retrograde orbit and composition similar to Pluto’s, Triton is thought to have been a dwarf planet captured from the Kuiper belt.[12] It has a surface of mostly frozen nitrogen, a mostly water-ice crust,[13] an icy mantle and a substantial core of rock and metal. The core makes up two-thirds of its total mass. The mean density is 2.061 g/cm3,[5] reflecting a composition of approximately 15–35% water ice.
Triton is one of the few moons in the Solar System known to be geologically active (the others being Jupiter’s Io and Europa, and Saturn’s Enceladus and Titan). As a consequence, its surface is relatively young, with few obvious impact craters. Intricate cryovolcanic and tectonic terrains suggest a complex geological history. Part of its surface has geysers erupting sublimated nitrogen gas, contributing to a tenuous nitrogen atmosphere less than 1/70,000 the pressure of Earth’s atmosphere at sea level.[6] It is the second-largest planetary moon in relation to its primary, after Earth’s moon.«
³ This music describes the moving of the planets on the evening sky on 2018-12-07
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And after they saw this Peony-Vision Palmina said, »Wooo, this was an exiting Peony Vision. So much children learning music instruments, performing the Cantico delle Creature!«
»Yes, Palmina. All we do now in the present will influence the history in the future, even in 400 years.«
And they continued to dream their Peony-Gondola Vision and they saw this:
* * *
The Peony Gondola flew to Planet Mars and they looked around the surface of the red planet.
The sun sets now on Mars.
»Look, there is our Planet Mother Earth and the Sun! They are setting now under the horizon and evening is beginning on Mars. Look the orange colours.
And look at the opposite side: there is Planet Neptune with the moon Triton and on the left side Neptune’s moon Neireid. He is so far away from Neptune that if you are looking to the evening stars from mother earth you would see Planet Mars with its both moon Phobos and Deimos moving slowly between Neptune and its far moon Neireid²…Galileo discovered the planet in these days and has problems with the intrigues of dark sugar earth network. They paid 25.000 to the Vatican state to say Galileo is a problem…and they arrested the famous astronomer for discovering new planets… Look the blue colour of planet Neptune…«
»Oh, so beautiful«, Palmina said like a little girl, »I am so proud on you! You know so much about planets and stars in our solar system. But you make me more lucky if you transform this natural impression on Mars and Neptune into music – into organ music…«
»Yes, my Pigeon, my inspiration, my saint Cecilia with the Table Organ«
Palmina smiled and Palma couldn’t but follow the inspiration Palmina’s beautiful and nice smile is opening now in Palma’s heart.
If Palmina looks to him that way it is pure light and love. Love to the spiritual world which can be expressed in an artwork.
And Palma put his arm around Palmina and she smiled.
Now both closed their eyes and Palma started to play at an imaginary Venetian Organ and he transformed his inspiration Impression of the Mars – Neptune into organ music and they heart a music Vision like that:
The first cultural activity again on Mars in history an Organ solo composed and played during a dream in the Peony Gondola.
»Neptune is the eighth and farthest known planet from the Sun in the Solar System. In the Solar System, it is the fourth-largest planet by diameter, the third-most-massive planet, and the densest giant planet. Neptune is 17 times the mass of Earth and is slightly more massive than its near-twin Uranus, which is 15 times the mass of Earth and slightly larger than Neptune.[d] Neptune orbits the Sun once every 164.8 years at an average distance of 30.1 AU (4.5 billion km). It is named after the Roman god of the sea and has the astronomical symbol ♆, a stylised version of the god Neptune’s trident…«
»…Discovery of Neptune – Galileo Galilei
Some of the earliest recorded observations ever made through a telescope, Galileo’s drawings on 28 December 1612 and 27 January 1613 contain plotted points that match up with what is now known to be the position of Neptune….«
Nereid is the third-largest moon of Neptune. It has a highly eccentric orbit. It was the second moon of Neptune to be discovered, by Gerard Kuiper in 1949.
Nereid orbits Neptune in the progradedirection at an average distance of 5,513,400 km
Naiad (/ˈneɪ.əd/ NAY-əd or /ˈnaɪ.əd/ NY-əd; Greek: Ναϊάδ-ες), also known as Neptune III, is the innermost satellite of Neptune, named after the Naiads of Greek legend.
picture – Maria de la Presentatione – Le Zitelle on Giudecca Island, Venice
And they continued to see their Peony Gondola Visions:
»Vienna, 15…
Dear Palma! We arrived now Vienna, the world city of music and culture! How beautiful it is there! It is a complete other world than on my island. On Giudecca-Island in Venice there I love to live there and in Venice, but Vienna is also beautiful! The travel from Venice to Vienna was hard. I am not used to travel with a coach, I prefer to move with Gondolas. (It is more soft and harmonic to move with a Gondola)
And I miss you sitting together with you in our Gondola. But today at 23 o’clock we will meet each other and I give you this letter because it is faster to send a letter via the Peony Gondola.
And something special happened today, listen Palma:
There was a false Body-guard ho tried to pay 2000 Swiss Franken to the president of the society which is organising our concert in Vienna against international-child-prostitution. But the President, he is not from Austria, is strong and made a criminal report to the local authorities. The secret service of our Republic of Venice found out that this false body guard tried to steal the identity of a real body guard and he wanted to sell dark sugar to the girls of our little fine Le Zitelle Chamber Orchestra. The police came an arrested him and all girls were happy because this body guard started to touch the girl in an un-fine and respect-less way and the girls were afraid from him because his father is a rich man, a big member of the dark sugar network administrators who steals the letters of girls and also from us.
As protest against the sabotage of our little concert in Vienna the president announced to organize a BIG CONCERT with philharmonic musicians with your »Cantico delle Creature« in a Franciscan church in Venice. It could happen that in Venice in the church chiesa dei »Frari« where the big painting of Master Titian »Assunta Maria« is and where your famous and large painting of the Saint Catarina is. Wooo, I am so looking forward to this concert in Venice, I hope I can play your 8 Lute Soli which you dedicated to me in your »Cantico delle Creature«.
It will be a big manifest against international child prostitution! The European and Asian musicians of our Island are standing behind you, Palma!
Today we will have our first concert here in Vienna,
Looking forward to see you again on our Peony-Gondola at 23 o’clock…
with much love
your Pigeon, your inspiration, your little canary bird, your angel your Saint Cecilia, your little Pipa Princess Wang Chun Chao your Y…ou loving Palmina«
* * *
Palma smiled as Palmina finished reading her short letter to Palma from Vienna.
He put his strong arm around Palmina and she gave her head on his side.
»Thank you, Palmina. Such a nice letter. And such nice news. The false body guard is arrested…«
»…How was my day today: Here is my letter to you, today I wrote for you: Venice, 15…
Dear Palmina!
Today I had my teaching lessons in the gardens of the Chinese Ming-Dinasty family on Giudecca-Island. They learn to draw and paint in European tradition. Also they are learning European music instruments, and they are very talented. Two Asian women I started to paint as Saint Women. Later I will show you the paintings. They explain me the Asian music instruments and I like the Asian music also. My painting students came also to the lesson there in the gardens. The Asian musicians want to found a Dao-Ying-Yang-Chinese-Garden-Orchestra combined with European musicians and they are asking me to compose an Eurasian-Artwork in music like I painted the Asian women a little bit Eurasian in my paintings. You remember my painting of princess Lin…?
Today we see us in the Peony Gondola at 23 o’clock.
Your, You deeply loving Jacopo Palma il Giovane«
»Oh, great Palma! I have so much remembering on the »Creative Music Afternoons« at Giudecca-Island with you and your mother teaching the poor little children without parents music and the »Cantico delle Creature«. I am so proud of you, Palma!«, Palmina said and gave Palma a tender cheek kiss on his right cheek and smiled very friendly.
»Yes, I remember the concert in late spring of the year 1594 at the Le Zitelle. The Le Zitelle Institution at the Jesuits on Guidecca was sponsored by the famous family Loredan ¹«
Christ in the Garden of Gethsemane by Palma Il Giovane (Jacopo Negretti) (1548-1628) Santa Maria della Visitazione Zitelle, Venice, Italy Italian
picture - Palma painted the founder family Loredan¹
of the le Zitelle Institution on Giudecca
(chiesa Maria de le Presentatione)
¹ The founder of the Le Zitelle Institution on Giudecca-Island. Link – https://www.gioiellinascostidivenezia.it/i-gioielli/chiesa-delle-zitelle/ »Chiesa collegata al pio luogo delle Zitelle, fondato a metà del 1500, destinato all’educazione di giovani donne povere ma molto belle per le quali la propria avvenenza poteva essere motivo di perdizione e di avvio prostituzione.«
»Le Zitelle (officially Santa Maria della Presentazione) is a church in Venice, Italy. It is part of a former complex which gave shelter to young maidens („zitelle“ in Italian) who had no dowry, and is located in the easternmost part of the Giudecca island. « – wilipedia – https://en.wikipedia.org/wiki/Le_Zitelle
»I remember all the girls and musicians….
There was little Irena – she learned to play the Viola by me like little Petra – and it was Irena’s inspiration to play the A-Sting and the D-String on the Viola during the »sora aqua« part of my Cantico delle Creature. We had then the idea to let all little children play on their children-Violins (my mother organized the little-children violins for the children) only on the A-String and the D-String.
»Yes, it was a very creative afternoon at this year. We played also the beginning of the Cantico with the »ad te solo-Melody«. Yes and the very little children clapped with their hands around going in the circle and Mrs. Petja from Bulgaria helped them. She was a painting student of mine in the Titian-Art-School and painted Jesus very well. I asked her to support the La-Zitelle music-social projects because the children are poor and needy.
»Yes, she did her job very well.«, Palmina said
»And I remember Mrs. Elisabetha, also a Le Zitelle Girl….«, Palmina exited said.
Yes, she was forced by her sever father to sing in restaurants and to stay with old man in a room alone. The man wear false priest cloths to hide his identity. As Elizabetha run away, and as she escaped from her sever father, who always beat her with violence and tried to give her dark sugar, she took a Gondola to Giudecca Island at the Jesuits and asked if she can stay at the Le Zitelle for the next years not to be a child-prostitute. Therefore she got a singer and music education and was soon a member of the Venice-Titian-Art-Gallery and could also support music-projects with her voice.
»Yes, she sung with the little girls at this Creative Music afternoon your Cantico and the »Kyrie« of your »Prager Messe«. Cardinale Carolus Boromaeo liked this music so much as he visited Venice once and held his sever speech against international child-prostitution.«
»…and I remember the girls, Manuela, who learn so good to play the Lute – my best lute – student!«, Palmina said proud.
»…Yes she is a good musician, but she also learned very good to play the Violin, and the harpsichord. I think she liked you Palma. Women can feel this…«, Palma added
»…also little Sonja, she sung very good in our children-choir and little Petra, but she was tall grown…She learned Viola da braccio from me…and little Nino – he learned Violin…So much children grew up there and also the children without parents – the Le Zitelle institution sponsored also creative music-social projects for children without parents²…«
² an institution like a modern children-village
And the Peony Gondola showed them the remembering-visions of the year 1594 at Venice.
»The children look all so happy to do this CREATIVE MUSIC AFTERNOON…«, Palmina said and hugged Palma with her left hand and Palma could feel her and was happy.
»…no wonder that the criminal organisation of the »Church of Secure Crime – CSC« or and its children-prostitution networks form the dark sugar network administrators wanted to pay over 25.000 International Dollars to destroy this Institutions with lies and intrigues and tried to sabotage of their concerts in Vienna. «, Palma said.
»I am so proud of you Palma for composing this Cantico delle Creature for children.«
And Palmina put her soft hand tender on Palma’s left hand, smiled and looked Palma into his eyes. Palmina said »Pi-« Palma answered »-Pa« Now both said »Liu – to – kiss!« and kissed soft and tender on their lips and closed their eyes. And as they did so they saw a Peony-Vision of a CREATIVE-MUSIC-AFTERNOON with children at the children Village at Vienna in exactly 400 years in the future and they say this little Peony-Vision of the »Cantico delle Creature« for Children and they saw this:
VIDEO: [1994 - »Cantico delle Creature
for children without parents at
the children village (near Vienna)«³ ]
https://youtu.be/7XLdXP90FTI
³ This historic villa was donated to give to the children without parents a house and to create a children village in Hinterbrühl near Vienna in Austria.
The Creative-Music-Afternoons had been organized since the 12.April of 1980 by Prof. Renate and Gerald Spitzner
Fondamenta Zitelle, Giudecca
Chiesa di Santa Maria della Presentazione “Le Zitelle”
»Realizzata su progetto di Andrea Palladio, gode di una delle più belle e privilegiate viste su Piazza San Marco.
Chiesa collegata al pio luogo delle Zitelle, fondato a metà del 1500, destinato all’educazione di giovani donne povere ma molto belle per le quali la propria avvenenza poteva essere motivo di perdizione e di avvio prostituzione.
Le prime quaranta “zitelle” si stabilirono nell’isola della Giudecca (nel palazzo appartenuto alla famiglia Loredan) nel 1561, riunite in comunità da alcune nobildonne veneziane su ispirazione dei padri Gesuiti. Nel 1574 fu presentato un primo progetto di costruzione del nuovo ‘collegio laico’ dove le giovani avrebbero trovato vitto, alloggio e istruzione fino al raggiungimento della maggiore età. Il progetto palladiano
La chiesa venne edificata dopo gli anni della peste, dal 1581 al 1585, con l’assistenza dei proti Bartolomeo Manopola e Simon Sorella, per poi essere consacrata nel 1588. Nonostante la mancanza di documenti si può attribuite il progetto ad Andrea Palladio, anche se la prima pietra fu collocata in loco un anno dopo la morte del noto architetto.«
»L’interno, a pianta poligonale, è arricchito da dipinti di Jacopo Palma il Giovane (Orazione nell’orto con, ai piedi, i committenti Pasquale ed Elisabetta Foppa), di Antonio Vassillachi (San Francesco inginocchiato al cospetto della Vergine con il Bambino e il procuratore Federico Contarini) e di Francesco Bassano (Presentazione della Vergine al tempio).«
L’architettura
L’architettura si rifà alla forma del tempio votivo a pianta centrale, trasformato in fase di costruzione per rispondere all’esigenza di inglobare la chiesa entro le ali dell’ospizio. Ciò che possiamo vedere oggi è una facciata a tempio sormontata da una grande cupola affiancata da due campaniletti: la parte inferiore della facciata si apre su due piccole, mentre in quello superiore è movimentata dall’apertura dell’ampia finestra termale a semicerchio. LINK: https://www.gioiellinascostidivenezia.it/i-gioielli/chiesa-delle-zitelle/
READ ALSO THE NEW CHAPTER »OF UNCLE VILLY – BACK TO EARTH«:
I remember at one evening as we came back from our little walk at the near wood. We had to cross the high-way bridge to come back to the streets where all the villas are, the diplomatic district of the city. After a while, it was going to be evening, uncle Villy, uncle Pepi, Aunt Bea, Aunt Zdenka, uncle Pavel (her husband), mum suddenly stopped, Our little dog Mischa looked up to the sky. We all looked now up to the sky. There was a little red point.
We all knew it, this is Planet Mars.
Uncle Villy made a big and long sigh. All knew it, but nobody wanted to talk about in the public, on the streets. Although nearly nobody was on the street…but the Mars-Story of our family is not for all to know…
Only special readers are allowed in a few decades to listen to my little remembering.
Uncle Pepi took his hand and laid his hand on his shoulder and smiled to him.
His eyes said to him wordless: »You did your best…Now they are all heroes…It is a miracle that you are today with us…we are all very thankful for that…«
Uncle Villy looked back up to Mars and made again a long sigh.
As I saw them standing there I asked suddenly in this silence: »Ludevit will come today and show us his new paintings from Planet Mars…«
And I jumped in the air very happy trying to reach Planet Mars with my little hands as little children sometimes do.
* * *
As we came back on that evening, going down the silent, peacefull diplomat-district to our family villa, I went a little round in our garden and played cosmonaut with my children toys.
I sniffed again on our garden roses from aunt Fanny and aunt Sophie – they were botanic specialists – then I went into our house to be with our family at the dining salon.
They spoke about literature and music till Ludevit came.
* * *
Later as Ludevit was also ready with evening dinner he went up with Uncle Villy to show him his new paintings from planet Mars.
»This I like very much…«, Uncle Villy said.
picture – Planet Mars painting
And they talked and talked about their new book about the Mars Mission.
I did not understand them, it was to complicate for me as a little child. But as they spoke about three orange suns and blue flames and Organ Music on Mars I was very interested.
»And there are really 3 Orange Suns and blue flames on Mars, and, and organ music…?«
»Oh, Gerald, we are now discussing if we should write it in the book or not because some could say this is not scientific enough…«, Uncle Villy said.
»But Villy, you wrote, that as you saw the 3 suns on Mars it was like a WELCOME on MARS…«, Ludevit said as positive argument.
»Yes, we write it because we think that the reader can interprete the feelings of the astronauts by themself…It reflects also the feeling they had as they saw this miracle…«, Ludevit answered.
Villy said: »To say that the astronauts saw these 3 orange suns is for them like to be welcome on Planet Mars…«
»Ludevit, you are a space-artist and I am a space-astronomer, a scientist. We are working together to write down this story of the first men on Mars in modern history. I understand that we can not write only the scientific facts that I wrote down in these hundreds of papers I had to write down and to calculate. There must be something which is MORE then only a daily logbook of a space astronomer, (in our story a log book of a space-doctor). Only an artist can describe how astronauts had seen the surface of our brother planet Mars…Your painting is great… Gerald…, Ludevit paintings are amazing, Isn’t it Gerald?«
– – – 169.Transferring a self recorded music-file (large files) – – –
And Palmina was happy that see could see the music score from Palma il Giovane as music answer to her little composition for him.
Yes, they started a Music-Dialogue between two composers.
But Palmina also often cried because she was sad that her letters to Palma had been erased so often by unknown persons.
Will the future centuries bring better and secure ways of communications?¹
(to be transferred... continued)
¹ A lot of users of »Messenger« on facebook reported that there is an illegal message- and content- manipulation of private messages, especially to EU-users. (European Union) See also the »Brexit«-facebook-manipulation-scandal in these days. (To other countries the manipulation will be much easier because there are no strict laws forbidding message-manipulation till today.)
Messages do not arrive or are invisible or suddenly erased by an unknown person.
Even if you set a new password on facebook, not to allow erasing your messages to others (unknown) who have your password, the problem is not solved than you should use an other way of transmitting your messages and music-files.
But: E-Mail can be blocked and are not secure enough…
Write a letter as pdf document and send it via http://www.wetransfer.com
Send your self recorded music not via facebook messenger, but at an other way¹ .
² Today in the 21st century there are several ways to transmit music.
In the 16th Century Palma and Palmina had the first time the Peony Gondola…
·168. Variation of the ‚Thinking on each other Melody‘
And after they heart Palma’s music answer Palmina smiled. And how is the music score? Can I see it? Yes, Palmina, here it is. And the Peony Gondola transmitted the music score and it looked like that:
picture - music score of »Variation of the 'Thinking on each other Melody'«
Palmina smiled and looked at the music score. Then she looked into Palma’s eyes and gave the music sheet a little kiss.
